The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2017, Squidco LLC


Parker, Evan: Hasselt (psi)

Three open improvisations recorded in concert at Kunstencentrum Belgie Hasselt, Belgium in 2010 by sub-groups from the Electrocacoustic Ensemble, plus an extended performance by the whole ensemble.
 

Price: $16.95


Quantity:

In Stock


Shipping Weight: 2.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


UPC: 5030243120321

Label: psi
Catalog ID: 12.03
Squidco Product Code: 17392

Format: CD
Condition: New
Released: 2013
Country: Great Britain
Packaging: Cardstock gatefold foldover
Recorded by Michel Huon at Kunstencentrum Belgie Hasselt, Belgium on May 21st and 22nd, 2010.


Personnel:

Peter Evans-trumpet, piccolo trumpet

Ishikawa Ko-sho

Ned Rothenberg-clarinet, bass clarinet

Peter van Bergen-Ab clarinet, contrabass clarinet

Agusti Fernandez-piano, prepared piano

Barry Guy-doublebass

Paul Lytton-percussion, live electronics

Richard Barrett-live electronics

Paul Obermayer-live electronics

Joel Ryan-sample, signal processing

Lawrence Casserley-signal processing instrument, percussion, voice

Marco Vecchi-sound processing, sound projection

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Hasselt I 10:18

2. Hasselt 2 11:47

3. Hasselt 3 16:02

4. Hasselt 4 34:37
Related Categories of Interest:


Improvised Music
European Improv, Free Jazz & Related
Cultural Musics from Around the World
Free Improvisation
Parker, Evan
Staff Picks & Recommended Items
Recordings by or featuring Reed & Wind Players
Peter Evans
EMANEM & psi
Instruments with Preparations
Instant Rewards

sample the album:








descriptions, reviews, &c.

"Three open improvisations recorded in concert at Kunstencentrum Belgie Hasselt, Belgium in 2010 by sub-groups from the Electrocacoustic Ensemble, plus an extended performance by the whole ensemble:

Richard Barrett, Peter van Bergen, Lawrence Casserley, Peter Evans, Agusti Fernandez, Barry Guy, Ishikawa Ko, Paul Lytton, Paul Obermayer, Evan Parker, Walter Prati, Ned Rothenberg, Joel Ryan, Marco Vecchi."-psi


Artist Biographies:

"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."

-Peter Evans Website (http://pevans.squarespace.com/about/)
12/8/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Composer/Performer Ned Rothenberg has been internationally acclaimed for both his solo and ensemble music, presented for the past 33 years on 5 continents. He performs primarily on alto saxophone, clarinet, bass clarinet, and the shakuhachi - an endblown Japanese bamboo flute. His solo work utilizes an expanded palette of sonic language, creating a kind of personal idiom all its own. In an ensemble setting, he leads the trio Sync, with Jerome Harris, guitars and Samir Chatterjee, tabla, works with the Mivos string quartet playing his Quintet for Clarinet and Strings and collaborates around the world with fellow improvisors. Recent recordings include this Quintet, The World of Odd Harmonics, Ryu Nashi (new music for shakuhachi), and Inner Diaspora, all on John Zorn's Tzadik label, as well as Live at Roulette with Evan Parker, and The Fell Clutch, on Rothenberg's Animul label."

-Ned Rothenberg Website (http://www.nedrothenberg.com/short&extended_biography.html)
12/8/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Agustí Fernández (Palma de Mallorca, 1954), with a perfectly based career and a well-deserved international reputation, is one of the Spanish musicians of major international projection and a world reference in the field of improvised music. Fernández has worked with famous musicians of the free improvisation scene like Peter Kowald, Derek Bailey, Butch Morris, Evan Parker, Barry Guy, Mats Gustafsson, Joel Ryan and Peter Evans a.m.o. He is a member of the Blue Shroud Band, Mats Gustafsson NU Ensemble and Barry Guy New Orquestra. Up to the current date he has published more than 80 CD's

He has also worked with the recognised composer of contemporary music Héctor Parra, who composed in collaboration with the pianist FREC, a solo for expanded piano. FREC has been premiered at the Huddersfield Contemporary Music Festival in 2013 with the collaboration of the video artist Lucas Caraba. He has conducted various improvised music ensembles like Ad Libitum Ensemble (Varsaw), Free Art Ensemble (Barcelona), Ansambl Studio 6 (Lujbljana) Orquesta FOCO (Madrid), Entenguerengue (Jérez de la Frontera), Impromtu Ensemble (Valencia), etc.

Along his professional life Agustí Fernández has received much recognition. His solo for piano "Mutza" presented in New York in 2007 was distinguished by the New York magazine AllAboutJazz as one of 10 best concerts from that year. The CD "Un llamp que no s'acaba mai" on PSI (Agustí Fernández, John Edwards and Mark Sanders) has been distinguished by Allaboutjazz as one of the best 10 cd's in 2009; the CD "Aurora" on Maya Recordings (Agustí Fernandez, Barry Guy and Ramón López) was selected by Cuadernos de Jazz magazine as the best CD in 2007, by the Jaç magazine as the best fourth disc of the history of the Catalan jazz and it was Disc d'émoi (February, 2007) for the French Jazz Magazine. The "Agustí Fernández Aurora Trio" received the second prize at the BMW Welt Jazz Award 2012 celebrated in Münich, Germany. In 2000 he received the Festival Altaveu Award, Sant Boi de Llobregat (Catalonia). In 2001 he received the FAD - Sebastià Guasch Award, Barcelona (Cataluña) with Andrés Corchero por el or the performance "A modo de esperanza". In 2011 Agustí Fernández was the main character of the documentary film "Los dedos huéspedes" by Lucas Caraba, which has been screened in several international festivals of documentary. In 2014 the Ad Libitum Festival (Warsaw) dedicated a monographic edition to celebrate Fernández's 60th Birthday.

He's professor of improvised music at the Escuela Superior de Música de Catalunya (ESMUC). He's developing an important teaching activity in the field of improvised music and, among other, he has been teaching in IRCAM in Paris, the Estonian Academy of Music and Theatre de Tallin, the Royal Conservatory in The Hague (Holland), the Conservatory in Arhem (Holland), the Taller de Músicos in Gijón (Spain), the Taller de Músics in Barcelona (Spain) and the Conservatorio Superior de Música in Salamanca (Spain)."

-Agusti Fernandez Website (http://www.agustifernandez.com/biografia/)
12/8/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Barry John Guy (born 22 April 1947, in London) is a British composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He also taught at Guildhall School of Music.

Born in London, Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of the best-known and most widely travelled free-improvising groups of the 1980s and 1990s. He was briefly a member of the Michael Nyman Band in the 1980s, performing on the soundtrack of The Draughtsman's Contract.

Guy's interests in improvisation and formal composition received their grandest form in the London Jazz Composers Orchestra. Originally formed to perform Guy's composition Ode in 1972 (released as a 2-LP set on Incus and later, in expanded form, as a 2-CD set on Intakt), it became one of the great large-scale European improvising ensembles. Early documentation is spotty - the only other recording from its early years is Stringer (FMP, now available on Intakt paired with the later "Study II") - but beginning in the late 1980s the Swiss label Intakt set out to document the band more thoroughly. The result was a series of ambitious, album-length compositions designed to give all the players in the band maximum opportunity for expression while still preserving a rigorous sense of form: Zurich Concerts, Harmos, Double Trouble (originally written for an encounter with Alexander von Schlippenbach's Globe Unity Orchestra, though the eventual CD was just for the LJCO), Theoria (a concerto for guest pianist Irène Schweizer), Three Pieces, and Double Trouble Two. The group's activities subsided in the mid-1990s, but it was never formally disbanded, and reconvened in 2008 for a one-off concert in Switzerland. In the mid-1990s Guy also created a second, smaller ensemble, the Barry Guy New Orchestra.

Guy has also written for other large improvising ensembles, such as the NOW Orchestra and ROVA (the piece Witch Gong Game inspired by images by the visual artist Alan Davie).

His current improvising activities include piano trios with Marilyn Crispell and Agusti Fernandez. He has also recorded several albums for ECM, which often focus on the interface between improvisers and electronics, including his work in Evan Parker's Electro-Acoustic Ensemble and his own Ceremony.

Guy's session work in the pop field includes playing double bass on the song "Nightporter", from the Japan album Gentlemen Take Polaroids.

He is married to the early music violinist Maya Homburger. After spending some years in Ireland, they now live in Switzerland. They run the small label Maya, which releases a variety of records in the genres of free improvisation, baroque music and contemporary composition.

Guy's jazz work is characterised by free improvisation, using a range of unusual playing methods: bowed and pizzicato sounds beneath the bass's bridge; plucking the strings above the left hand; beating the strings with percussion instrument mallets; and "preparing" the instrument with sticks and other implements inserted between the strings and fingerboard. His improvisations are often percussive and unpredictable, inhabiting no discernible harmonic territory and pushing into unknown regions. However, they can also be melodious and tender with due regard for harmonic integration with other players, and at times he will even play with a straight jazz swing feel.

Similarly, in his concert works, Guy manages to alternate harmonic and rhythmic complexity worthy of 1960s experimentalists such as Penderecki and Stockhausen with joyous, often ecstatic, melody. Works such as "Flagwalk" for string orchestra and "Fallingwater - Concerto for Orchestra" display Guy's compositional skill in handling extended forms and writing for large instrumental groups.

Some of his compositions, such as "Witch Gong Game" for ensemble, use graphic notation in conjunction with cue cards to lead performers into playing and improvising material from numbered sections of the score.

He is also an architect."

-Wikipedia (https://en.wikipedia.org/wiki/Barry_Guy)
12/8/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Paul Lytton (born 8 March 1947, London) is an English free jazz percussionist.

Lytton began on drums at age 16. He played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 (Natives and Aliens) and 1999 (After Appleby).

A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians' Cooperative in 1976.

Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark on English Suites. Lytton also collaborated with Jeffrey Morgan (alto & tenor saxophone), with whom he recorded the CD "Terra Incognita" Live in Cologne, Germany.

He played also on White Noise's pioneer electronic pop music album An Electric Storm in 1969."

-Wikipedia (https://en.wikipedia.org/wiki/Paul_Lytton)
12/8/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Lawrence Casserley (born UK, 1941) has devoted his professional career, as composer, conductor and performer, to real time electroacoustic music. In 1967 he became one of the first students of Electronic Music at the Royal College of Music, London, UK, on the new course taught by Tristram Cary. Later he became Professor-in-Charge of Studios and Adviser for Electroacoustic Music at the RCM, before taking early retirement in 1995.

He is best known for his work in free improvised music, particularly real-time processing of other musicians' sound, and he has devised a special computer processing instrument for this work (picture above). He has worked with many of the finest improvisers, particularly Evan Parker, with whom he works frequently as a duo partner, in various larger groupings and in the Evan Parker Electro-Acoustic Ensemble. He also works as a soloist, processing sounds from voice, percussion and home-made instruments. CDs have been released by ECM, Konnex, Leo Records, Psi, Sargasso and Touch.

Much of Casserley's work has involved collaboration with other art forms, including poets, eg Bob Cobbing, and visual artists, including Colourscape artist Peter Jones. He is a Director of the Colourscape Music Festivals, presenting contemporary music in the unique environment of the Colourscape walk-in sculpture. He also collaborates with Peter Jones on sound/light installations.

Casserley's "instrumental" approach to live computer sound processing is the hallmark of his work; the Signal Processing Instrument allows him to use physical gestures to control the processing and to direct the morphology of the sounds. This is the culmination of forty years of experience in the performance of live electronic work; his earliest live electronic pieces were performed in 1969, and he has performed many of the live electronic "classics" of the 20th century; he has also collaborated with other composers to realise their electronic performance ideas. He is noted for the breadth and variety of his collaborations, which cross styles and generations."

-Lawrence Casserley Website (http://www.lcasserley.co.uk/biography.shtml)
12/8/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Other Releases With These Artists:
Corringham, Viv / Lawrence Casserley
Anemoi
(FMR)
Guy, Barry
Frogs [VINYL 7-inch PICTURE DISC]
(Trost Records)
Laubrock, Ingrid (w/ Peter Evans, Peter / Dan Peck / Miya Masaoka / Miya / Tyshawn Sorey / Craig Taborn / Sam Pluta)
Serpentines
(Intakt)
Guy, Barry
The Blue Shroud
(Intakt)
Rothenberg, Ned / Hamid Drake
Full Circle - Live in Lodz
(Foundation Listen)
Casserley, Lawrence / Jeffrey Morgan
Exoplanets
(Creative Sources)
Zorn, John
There Is No More Firmament
(Tzadik)
Fernandez, Agusti & Joan Saura
Vents
(psi)
Rothenberg, Ned / Mark Feldman / Sylvie Courvoisier
In Cahoots
(Clean Feed)
Cirera, Albert / Hernani Faustino / Gabriel Ferrandini / Agusti Fernandez
Before the Silence
(NoBusiness)
Evans, Peter
Lifeblood [USB Drive]
(More Is More)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Hein, Nicola / Paul Lytton
Nahezu Nicht
(Creative Sources)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
ISKRA 1903 (Rutherford / Bailey / Guy)
Chapter One (1970-2) [3 CDs]
(Emanem)
Renga Ensemble, The: Falzone / Vandermark / Jackson / Rothenberg / Stein / Goldberg
The Room Is
(Allos Documents)
Evans, Peter / Tim Dahl / Mike Pride
Pulverize The Sound
(Relative Pitch)
Lytton, Paul
?!
(Pleasure of the Text Records)
Jones, JC
ReComp
(Kadima)
Jones with Friends, JC
Duos II
(Kadima)
Wachtelaer, Dirk
Vanishing Pictures
(FMR)
Teletopa (Collins / Evans / Aherns / Frampton)
Tokyo 1972 [VINYL 3 LPs]
(Splitrec)
Frith, Fred / Barry Guy
Backscatter Bright Blue
(Intakt)
Parker, Evan ElectroAcoustic Septet
Seven
(Les Disques Victo)
Mostly Other People Do The Killing
Blue
(Hot Cup Records)
PBB'S Lacus Amoenus with Peter Evans
The Sauna Session
(Long Song Records)
Guy, Barry New Orchestra
Amphi + Radio Rondo
(Intakt)
Amado, Rodrigo Motion Trio & Peter Evans
The Freedom Principle
(NoBusiness)
Amado, Rodrigo Motion Trio & Peter Evans
Live in Lisbon [VINYL]
(NoBusiness)
Schmid, Peter A. / Ned Rothenberg
En Passant
(Creative Works Records)
Parker, Evan / Paul Rutherford / Hans Schneider / Paul Lytton
Waterloo 1985
(Emanem)
Wooley, Nate
Seven Storey Mountain III and IV [2 CDs]
(Pleasure of the Text Records)
Rocket Science
Evan Parker / Peter Evans / Craig Taborn / Sam Pluta
(More Is More)
Trumpets and Drums (Wooley / Evans / Black / Lytton)
Live in Ljubljana
(Clean Feed)
Parker, Evan / Barry Guy / Paul Lytton
Live at Maya Recordings Festival
(NoBusiness)
Parker, Evan / Paul Lytton
Collective Calls (Urban)
(psi)
Stevens / Rutherford / Parker / Guy
One Four and Two Twos (1978/79/92)
(Emanem)
Mostly Other People Do the Killing
Slippery Rock
(Hot Cup Records)
Various Artists
Wandelweiser und so weiter [6 CD Box]
(Another Timbre)
Morris / Fernandez / Wooley
From The Discrete To The Particular
(Relative Pitch)
Lytton / Wooley + Ikue Mori and Ken Vandermark
The Nows [2 CDs]
(Clean Feed)
Parker / Schlippenbach / Guy / Lovens / Lytton
2X3=5
(Leo)
Morris, Joe
Perpetual Frontier The Properties of Free Music [BOOK]
(Riti Publishing)
Weber, Katharina
Games And Improvisations
(Intakt)
Parker, Evan / Lee / Evans
The Bleeding Edge
(psi)
ISKRA 1903
Goldsmiths
(Emanem)
Nechushtan, Alon (with Dresser / Swell / Rothenberg / Dick / Wooley / Kaiser / &c.)
Dark Forces
(Creative Sources)
Linson, Adam Systems Quartet (Dorner / Mahall / Linson / Lytton)
Figures And Grounds
(psi)
Morris, Joe & Agusti Fernandez
Ambrosia
(Riti Records)
Fernandez, Agusti & Joan Saura
Vents
(psi)
John Zorn
Zorn: The Satyros Play / Cerebrus
(Tzadik)
Rothenberg / Volkov
Live in Dom - Duo Music for Nicolai Dmitriev
(DOM Records)
Parker / Guy / Lytton + Peter Evans
Scenes in the House of Music
(Clean Feed)
Evans, Peter Quartet
Live in Lisbon
(Clean Feed)
Wooley / Lytton
Creak Above 33
(psi)
Mostly Other People Do The Killing
Shamokin!!!
(Hot Cup Records)
Parker, Evan
Set
(psi)
Mostly Other People Do the Killing
This Is Our Moosic
(Hot Cup Records)
Evans, Peter Quartet
!
(Firehouse 12 Records)
Wooley / Lytton / Grubbs
Seven Storey Mountain
(Important Records)
Jensson, Hilmar's TYFT
Smell the Difference
(Skirl)
Talibam!
Boogie in the Breeze Blocks
(ESP-Disk)
Evans, Peter
nature/culture
(psi)
Fernandez, Agusti
Un Llamp Que No S'acaba Mai
(psi)
Maroney, Denman Quintet
Udentity
(Clean Feed)
Lee / Evans / Beresford
Check For Monsters
(Emanem)
Jones, JC
ReComp
(Kadima)
Maroney Quartet, Denman
Gaga
(Nuscope)
Parker, Evan / Rothenberg, Ned
Live at Roulette
(Animul)
Casserley, Lawrence / Desorgher, Simon
Music From ColourDome
(psi)
Rothenberg / Buck / Takeishi / Tronzo
The Fell Clutch
(Animul)
Parker Octet, Evan
Crossing the River
(psi)
Sync
Port of Entry
(Intuition)
Rothenberg, Ned: Sync
Harbinger
(Animul)
Rothenberg, Ned
The Crux: Selected Solo Wind Works (1989-1992)
(Leo)
Rothenberg Ned, Double Band
Overlays
(Moers Music)
Fernandez, Agusti & Peter Kowald
Sea of Lead
(Hopscotch Records)
Jones with Friends, JC
Duos II
(Kadima)
Various Artists
Free Zone Appleby 2004
(psi)
Dunmall, Paul
In Your Shell Like
(Emanem)
Sandell, Sten / David Stackenas with Parker / Guy / Lytton
Gubbrora
(psi)
Parker, Evan Trio & Peter Brotzmann Trio
The Bishop's Move
(Les Disques Victo)
Recommended & Related Releases:
Laubrock, Ingrid (w/ Peter Evans, Peter / Dan Peck / Miya Masaoka / Miya / Tyshawn Sorey / Craig Taborn / Sam Pluta)
Serpentines
(Intakt)
Guy, Barry
The Blue Shroud
(Intakt)
Rothenberg, Ned / Hamid Drake
Full Circle - Live in Lodz
(Foundation Listen)
Zorn, John
There Is No More Firmament
(Tzadik)
Fernandez, Agusti & Joan Saura
Vents
(psi)
Rothenberg, Ned / Mark Feldman / Sylvie Courvoisier
In Cahoots
(Clean Feed)
Cirera, Albert / Hernani Faustino / Gabriel Ferrandini / Agusti Fernandez
Before the Silence
(NoBusiness)
Evans, Peter
Lifeblood [USB Drive]
(More Is More)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Hein, Nicola / Paul Lytton
Nahezu Nicht
(Creative Sources)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
ISKRA 1903 (Rutherford / Bailey / Guy)
Chapter One (1970-2) [3 CDs]
(Emanem)
Renga Ensemble, The: Falzone / Vandermark / Jackson / Rothenberg / Stein / Goldberg
The Room Is
(Allos Documents)
Evans, Peter / Tim Dahl / Mike Pride
Pulverize The Sound
(Relative Pitch)
Jones, JC
ReComp
(Kadima)
Jones with Friends, JC
Duos II
(Kadima)
Wachtelaer, Dirk
Vanishing Pictures
(FMR)
Teletopa (Collins / Evans / Aherns / Frampton)
Tokyo 1972 [VINYL 3 LPs]
(Splitrec)
Frith, Fred / Barry Guy
Backscatter Bright Blue
(Intakt)
Parker, Evan ElectroAcoustic Septet
Seven
(Les Disques Victo)
Mostly Other People Do The Killing
Blue
(Hot Cup Records)
PBB'S Lacus Amoenus with Peter Evans
The Sauna Session
(Long Song Records)
Guy, Barry New Orchestra
Amphi + Radio Rondo
(Intakt)
Amado, Rodrigo Motion Trio & Peter Evans
The Freedom Principle
(NoBusiness)
Amado, Rodrigo Motion Trio & Peter Evans
Live in Lisbon [VINYL]
(NoBusiness)
Parker, Evan / Paul Rutherford / Hans Schneider / Paul Lytton
Waterloo 1985
(Emanem)

Search for other titles on the psi label.