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Peeping Tom (Dorner / Badaroux / Grip / Gerbal): Boperation (Umlaut Records)

The Boperation quartet of Axel Dorner (trumpet), Pierre-Anotoine Badaroux (sax), Joel Grip (bass), and Antonin Gerbal (drums) apply modern playing techniques to the original compositions of bepop artists including Herbie Nichols, Jackie McLean, Fats Navarro, &c.
 

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product information:


UPC: 7319200000288

Label: Umlaut Records
Catalog ID: umfr-02
Squidco Product Code: 17259

Format: CD
Condition: New
Released: 2011
Country: France
Packaging: Digipack
Recorded at Atelier Polonceau, Paris on March 7th, 2011.


Personnel:

Axel Dorner-trumpet

Pierre-Antoine Badaroux-alto saxophone

Joel Grip-doublebass

Antonin Gerbal-drums

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Artist Biographies:

"Axel Dörner (born 26 April 1964 in Cologne, Germany) is a German jazz musician (trumpet and piano) and composer.

Dörner studied piano in the Dutch town Arnhem (1988-89) and at the Music Academy in Cologne (1989-1996). From 1991 he studied trumpet with Malte Burba, and during his studies he collaborated with trumpeter Bruno Light in the "The Street Fighters Duo". At this time he also joined the ensembles "The Street Fighters Quartet" and "The Street Fighters Double Quartet" together with Matthias Schubert, Bruno Leicht, and Claudio Puntin. In addition the "Axel Dörner Quartet" was initiated (with Frank Gratkowski, Hans Schneider and Martin Blume). With saxophonist Matthias Petzold. he participated on the albums Lifelines and Psalmen Und Lobgesänge.

Dörner has resided in Berlin since 1994, and occurs in the most diverse settings like "The London Jazz Composers Orchestra" and with "Hedros" (together with Mats Gustafsson, Günter Christmann, Barry Guy and others). Since then he has contributed on more than 50 album recordings.

Dörner is distinguished mainly by his versatility. He bouth play the more traditional Bebop, just like he fits in to classic Free Jazz or electronic music. He playd with Otomo Yoshihide at the Donaueschinger Musiktage in 2005. Dörner play both solo concerts and collaborates with his trio "TOOT" (together with Phil Minton and Thomas Lehn) and "Die Anreicherung" with Christian Lillinger, Håvard Wiik and Jan Roder, and in Ken Vandermarks "Territory-Band". Dörner is an integral part of the Berlin scene of experimental new improvisational music. Dörner was given special attention for his interpretation of all compositions by Thelonious Monk, with the pianist Alexander von Schlippenbach and his own band "Die Enttäuschung" released on a three CD album (Monks Casino, Complete 2005)."-Wikipedia

-Wikipedia (https://en.wikipedia.org/wiki/Axel_D%C3%B6rner)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Pierre-Antoine Badaroux is a Paris-based alto saxophone player, composer and producer. He is working as a freelance composer since 2006, focusing on relations between sound, notation and the role of the musician in an ensemble. In 2008 he became an active member of record label and collective Umlaut Records, producing his own albums from the deconstructed Bebop of Peeping Tom to the original Composition No. 6, to a historical project on arrangers of Swing music with Umlaut Big Band that he leads, to the improvised music of r.mutt."

-Umlaut (http://www.umlautrecords.com/people/pierre-antoine-badaroux/)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"For a number of years now, energetic double bassist, filmmaker and producer Grip has played an important role for the new scenes of improvised music in Europe. As founder of Umlaut Records, he opened up for creative forms of organizing collectives of musicians and promoting their music internationally. Since 2003 he has been one of the main organizers of Hagenfesten in Dala-Floda, Sweden, a stand-alone festival, and quite frankly possibly the most pleasant venue for free improvised music not only in Sweden but in the whole of Europe. Few other places offer quite the same endearing combination of sophisticated musical risk-taking, and up-beat, social get-together. GripÕs musicianship is informed by a similar knack for welding musical sophistication with social communication, often with an analog film camera at hand. With a handful of short films Joel Grip met mexican filmmaker Mauricio Hern‡ndez and shortly the film production company Umlicht was established. They are right now working on their third and forth feature film together. Umdicht is amplifying the pencil of Joel GripÕs hand, partly through the irregular issue of Lšsa Blad and partly in the future release of books."

-Joel Grip Website (http://www.joelgrip.com/Joel/biograf.html)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Since the release of File under: Bebop - Peeping Tom in 2009, Antonin Gerbal has developed his own approach of the drums - reinterpreting history of jazz drumming through the prism of european musical improvisation. Improviser, composer, teacher and performer, Antonin Gerbal is associated with the vitality of the Parisian music scene, notably through Umlaut Records. He has performed in Europe, U.S., Russia and Japan, with many original projects such as Nakasanye, Zoor, ISM or Peeping Tom. Involved in large ensembles such as ONCEIM (playing pieces Eliane Radigue or Stephen O'Malley) and Umlaut Big Band (swing dancing band), Antonin Gerbal works regularly with English, German, Swiss and Japanese artists. At the begining of 2016, he releases his solo works called Sound of Drums."

-Antonin Gerbal Website (http://antoningerbal.com/about)
5/15/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Boperation 6:06

2. Cromagon Nights 4:28

3. Escalating 5:07

4. Fantasy In Blue 4:43

5. The Gig 5:24

6. House Party Starting 4:58

7. Mo is on 8:22

8. Pile Driver/Dodo's Dance 4:30

9. Snakes 6:06

10. Up Jumped the Devil 3:38
sample the album:








descriptions, reviews, &c.

"The idea with the project Boperation is to work and develop the music of bebop pianists. Why pianists? Mainly because of the natural complexity that is found in their compositions; the relations of harmony, melody, and the rhythm section which is in dual charge (drums and bass) of the rhythm as well as keeping a solid ear to the harmony, and the ongoing melodic development of the soloist. Peeping Tom's idea is to bring these somewhat forgotten treasures to light by re-working them - putting them in the actual daylight - and take them on a more of an abstract journey. The frst problem these compositions bump into is that there are no qualifed harmonic instruments in Peeping Tom (the lack of piano), so already at this point we fnd a new territory of imagination to dress-up these rare be-bop beauties in.

In the way Peeping Tom approach and treat their repertoire, a pedagogical side is also heard. The project Boperation makes people re-discover an extremely rich music full of surprises, the one of the bebop pianists, and let people understand that jazz is not dead, but alive and can be played just as dynamic and innovative as fun - something musicians of today needs to hear."-Umlaut

Related Categories of Interest:


Improvised Music
Jazz
European Improv, Free Jazz & Related
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Quartet Recordings
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Fox, Christopher (w/ John Butcher / Thomas Lehn / Paul Lovens / Axel Dorner)
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Denzler, Bertrand / Antonin Gerbal
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Search for other titles on the Umlaut Records label.