Ricefall (2), the 2nd is a 72-minute piece for 64 separate tracks of rice falling on objects, performed with percussionist Greg Stuart, a composition of unusual dynamics and pacing.
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Label: Gravity Wave
Catalog ID: GW 001
Squidco Product Code: 16200
Packaging: Cardstock Oversized Sleeve
Recorded by Greg Stuart.
Greg Stuart-percussion, mixing
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1. Ricefall (2) 1:12:00
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Percussion & Drums
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"This recording is the second part of a trilogy of the first disc length works by Stuart and Pisaro (an unrhymed chord is the first part, and A wave and waves is the third). The dynamic range of the recording is extremely wide. In the second of the four sections, there is a storm of falling rice that is certainly the loudest music the duo have made; the final section is an unbroken 16 minutes of lightly falling, slightly pitched sounds. The release features a short essay by Pisaro on working with Stuart."-Gravity Wave
• Show Bio for Michael Pisaro
"Michael Pisaro was born in Buffalo in 1961. He is a composer and guitarist, a member of the Wandelweiser Composers Ensemble and founder and director of the Experimental Music Workshop, Calarts. His work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues. It has been selected twice by the ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997), Aspen (1991), London (Cutting Edge, 2007), Glasgow (INSTAL 2009), Huddersfield (2009), Chicago (New Music Chicago, 1990, 1991) and elsewhere.
He has had extended composer residencies in Germany (Künstlerhof Schreyahn, Dortmund University), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival, Wisconsin). Concert length portraits of his music have been given in Munich, Jerusalem, Los Angeles, Vienna, Merano (Italy), Brussels, New York, Curitiba (Brazil), Amsterdam, London, Tokyo, Austin, Berlin, Chicago, Düsseldorf, Zürich, Cologne, Aarau (Switzerland), and elsewhere.
He is a Foundation for Contemporary Arts, 2005 and 2006 Grant Recipient. Much of his music of the last several years is published by Edition Wandelweiser (Germany). Several CDs of his work have been released by such labels as Edition Wandelweiser Records, Compost and Height, confront, Another Timbre, Cathnor, Nine Winds and others, including most recently "transparent city, volumes 1-4", "an unrhymed chord", "hearing metal 1", "A Wave and Waves" and "harmony series (11-16)".
His translation of poetry by Oswald Egger ("Room of Rumor") was published in 2004 by Green Integer. He is Co-Chair of Music Composition at the California Institute of the Arts near Los Angeles. He has performed many of his own works and those of close associates Antoine Beuger, Kunsu Shim, Jürg Frey and Manfred Werder, and works from the experimental tradition, especially John Cage, Christian Wolff, James Tenney and George Brecht."-Edition Wandelweiser (http://www.wandelweiser.de/michael-pisaro.html)
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• Show Bio for Greg Stuart
"Greg Stuart is a percussionist whose work draws upon a mixture of music from the experimental tradition, Wandelweiser, improvisation, and electronics. His performances have been described as "a ghostly, gorgeous lesson in how close, concentrated listening can alter and enhance perception" (The New York Times). Since 2006, he has collaborated extensively with the composer Michael Pisaro, producing a large body of music comprised of pieces that focus on the magnification of small sounds through recording and layering, often in combination with field recordings and/or electronic sound. His role as an interpreter of Pisaro's compositions has been called "a David Tudor to Pisaro's Cage" (The Boston Globe). Stuart's most recent collaboration with the composer, Continuum Unbound, a three-disc box set on Gravity Wave, grew out of the pair's field recording work in Congaree National Park and was selected by The Wire as one of the best albums of 2014.
Stuart currently performs with fellow percussionists Tim Feeney and Sarah Hennies in the percussion trio, Meridian, and with computer musician Joe Panzner. Other recent collaborations include projects with Ryoko Akama, Erik Carlson, Antoine Beuger, Jürg Frey, Manfred Werder, Kunsu Shim, Phillip Bush, Nomi Epstein, and Speak Percussion. He has appeared as a featured performer at numerous festivals and notable venues presenting experimental music including MaerzMusik (Berlin), the Melbourne Festival, Café Oto (London), Arnolfini Centre for Contemporary Arts (Bristol), Gallery Kapelica (Ljubljana), Cha'ak'ab Paaxil (Mérida), Issue Project Room (New York), REDCAT (Los Angeles), Dreamland (Louisville), Elastic Arts Foundation (Chicago), New Music Co-Op (Austin), Philadelphia Sound Forum, and Non-Event (Boston) among others. He has recorded for numerous labels, including Edition Wandelweiser, Gravity Wave, Erstwhile, Cathnor, New World Records, Accidie, L'innomable, caduc, Lengua de Lava, Crisis, and Senufo Editions.
An enthusiastic educator, Stuart has given lectures, workshops, and performances at the University of Huddersfield, Universidade Federal de Goiás, Victorian College of Arts, Oberlin Conservatory, the University of Louisville, the New England Conservatory of Music, Harvard University, Florida State University, Georgia State University, and Tulane University. Stuart holds a D.M.A. and M.A. from the University of California, San Diego, and a BMus from Northwestern University. He is currently an Assistant Professor at the University of South Carolina School of Music in Columbia, SC where he teaches experimental music, music history, and runs the Experimental Music Workshop."-University of South Carolina, School of Music (https://www.sc.edu/study/colleges_schools/music/faculty-staff/Stuart.php)
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