The sextet Eugene Van Beethoven (Doc Chad and Camper Van Beethoven) performing in Hamburg, 1991 on a set of originals and covers including Monk, Pharoah Sanders, T. Rex, with a strong anti-war focus.
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Catalog ID: chadVanBeethoven
Squidco Product Code: 14919
Condition: Sale (New)
Packaging: CDR in a cardstock sleeve with Dr. Chad's unique packaging
Recorded on January 24th, 1991 in Hamburg.
Walter Malli-soprano saxophone, schnapps, banter
Jonathan Segal-violin, mandolin
Cris Pedersen-drum set
Graham Connah-piano, keyboards
Eugene Chadbourne-electric guitar, vocals, electric rake
Victor Krummenacher-electric bass, vocals
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• Show Bio for Eugene Chadbourne
"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.
Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.
Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
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1. Life's a Gas 3:31
2. Red Headed Stranger 7:52
3. I Must Have Been Blind 4:47
4. I Ain't Marchin' Anymore 3:28
5. Feel Like I'm fixin to Die (Iraq) 3:40
6. Oil of Hate 2:52
7. Lonnie's Lament 3:41
8. Psychadelic Basement 4:00
9. Let's Go Back in Time 4:31
10. The Shah Sleeps in Lee Harvey's Grave 3:13
11. Take the Skinheads Bowling 2:27
12. Hippies and Cops 3:28
13. Technique of Death 5:19
14. Ask Me Now 7:25
15. Hand of Death 2:16
16. ZZ Top in Egypt 3:47
17. Pharoah & Leon Medley 8:41
18. Sword and Shield 4:06
sample the album:
"My favorite of the line-ups under this name, the sextet Eugene Van Beethoven did a three week non-stop series of dates in Europe during the Gulf War. The Hamburg Markethalle show was early in the series so in the intial round of tinkering with live tapes I didn't pay that much attention it. The soundboard recording surfaced eventually and shows that soundman Eppo Kroll had a good feel with this large room and its possibilities for big thick sound. The program mixes originals, cover versions, has a strong anti war focus as well as jazz covers-Ask me Now by Thelonious Monk, a Pharoah Sanders medley-and also includes two sections of the Post Day of the Dead suite."-Eugene Chadbourne
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