A quartet of finesse and great communication led by pianist Copland, with saxophonist Greg Osby, bassist Doug Weiss and drummer Victor Lewis, performing original compositions and two well-placed standards.
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Catalog ID: 3054
Squidco Product Code: 14394
Recorded on December 4th and 5th, 2010 live to two-track by Jason Seizer at Bennett Studios, New Jersey.
Greg Osby-alto saxophone
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• Show Bio for Marc Copland
"Marc Copland (born May 27, 1948, as Marc Cohen) is an American jazz pianist and composer.
Copland became part of the jazz scene in Philadelphia in the early 1960s as a saxophonist, and later moved to New York City, where he experimented with electric alto saxophone. In the early 1970s, while pursuing his own harmonic concept, he grew dissatisfied with what he felt were inherent limitations in the saxophone and moved to the Baltimore-Washington D.C. area, where he remained for a decade to retrain as a jazz pianist. He returned to New York in the mid-1980s."-Wikipedia (https://en.wikipedia.org/wiki/Marc_Copland)
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1. Talkin' Blues 6:53
2. Diary Of The Same Dream 4:23
3. Ozz-Thetic 4:12
4. Tenderly 7:46
5. Crosstalk 8:13
6. Slow Hand 7:15
7. Hey, It's Me You're Talkin' To 4:52
8. Three Four Civility 3:46
9. Minority 6:33
sample the album:
"After spending the early part of the 2000s in a recording spree that found him releasing as many as four albums each year on a variety of labels, Marc Copland has, since 2006, parked his piano with Germany's upstart Pirouet label. It's clearly been a fruitful pairing, with Copland releasing a variety of albums, in 2009 along releasing solo (Alone), duo (Insight, with bassist Gary Peacock) and trio (Night Whispers, the final installment of his New York Trio Recordings series). Copland has also renewed friendships with longtime musical partners, bringing back the quartet that released 1996's Second Look (Savoy), for another round on 2008's Another Place. Crosstalk reunites Copland with alto saxophonist Greg Osby, but this time for a full-fledged quartet that brings a different complexion to a clearly simpatico relationship explored on their two duo recordings, 2003's Round and Round and 2004's Night Call, both on Germany's defunct Nagel-Heyer label.
It's not just a first-time quartet record for the pair, it's the first time that Copland has recorded (at least under his own name), with bassist Doug Weiss, while it's been five years since he last recorded with drummer Victor Lewis. They're both inspired choices, working empathically with Copland's signature impressionism and delicacy, but adding more punch and fire than has been heard from the pianist since his quartet date with trumpeter Randy Brecker, Both / And (Nagel-Heyer, 2006), which, not coincidentally, also featured Lewis. With Copland sharing compositional duties amongst the group, in addition to a couple of well-chosen standards, the drummer's "Hey, It's Me You're Talkin' To" swings with a firm but elegant hand, Copland's harmonic ambiguity funneled through its light bop melody, his soft touch and motivic approach to solo development intact, but with more grounded pointillism than usual. Ditto Osby, a saxophonist whose own discography has ranged far and wide, always combining heady intellectualism with a deeper resonance, as here he builds his own solo of focused construction, working melodic fragments into lengthier, serpentine phrases. [...]"-John Kelman, All About Jazz
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