Instant Composers Pool Orchestra in a much-needed remaster of their 1999 Hat Hut CD, one suite from the Orchestra and one from Misha Mengelberg, unpredictable, meticulous and joyful Dutch jazz.
Catalog ID: 667
Squidco Product Code: 13406
Packaging: Cardboard Gatefold 3 Panels
Recorded live in Zurich at Rote Fabrik on November 6th, 1997, by Peter Pfister and Middelberg at Kloveniersdoelen on November 15th, 1997 by Ansgar Ballhorn.
Michael Moore-clarinet, alto saxophone
Ab Baars-clarinet, tenor saxophone
Highlight an artist name or instrument above
and click here to Search
1. Jubilee Varia 1 8:07
2. Jubilee Varia 2 9:44
3. Jubilee Varia 3 10:11
4. A Bit Nervous Jealous? Me? 4:52
5. Next Subject 12:01
6. Roll I 12:14
Related Categories of Interest:
European Improv, Free Jazz & Related
sample the album:
"On first hearing this CD may sound to you like an ill-programmed mess, with the improvisations up front and the catchy numbers buried deep. But with ICP, over the long haul or short, the more you hear it, the more apparent its trajectory becomes, the more orderly and less chaotic it sounds. Or, the more you hear ICP's improvised "instant compositions" and their instant demolitions of Misha's highly whistleable tunes, the less clear it becomes what's order and what's chaos to begin with. They rewrite the book on accepted musical practices, just as they rewrite their own book, every precious evening they're on the bandstand."-Kevin Whitehead, All About Jazz
"Yes, there is a quality of mishmash to it all, but nonetheless, this long-awaited recording by the ICP Orchestra should satisfy those who enjoy the unique sounds that pianist Misha Mengelberg, drummer Han Bennink, and the other seven participants create. There are two suites, each divided into three distinct pieces, and not all feature the entire ensemble. For example, the opening section of "Jubilee Varia Suite" is a duo between Mengelberg and Bennink, which is followed by a trio of cellists Ernst Reijseger and Tristan Honsinger and bassist Ernst Glerum. Along the way, everyone glows, and there is choice sound from Wolter Wierbos (on trombone), Thomas Heberer (on trumpet), and Michael Moore and Ab Baars (on clarinet and saxophones). Ultimately, it is the originality, the humor, and the wackiness of it all combined with the consummate musicianship, that entertain and impress. The excellent liners by Kevin Whitehead are a plus."-Steve Loewy, All Music Guide
At The Squid's Ear!
• Show Bio for Tristan Honsinger
"Tristan Honsinger told Kevin Whitehead, 'I grew up in New England, took up cello at age nine in Springfield, Massachusetts... My first teacher was a Dutch Jew. Almost all my teachers were European immigrants. Later I went to the New England Conservatory. It was quite a good school, but I didn't feel very welcome, so I went to Peabody Conservatory in Baltimore from '68 to '69. By then I'd had it, really, with the whole classical music world. I changed teachers so many times, I suppose I was confused by their contradictory advice'.
It was after moving to Montreal in 1969 that Honsiner began improvising and, after meeting Dutch percussionist Peter van Ginkel and listening to his copy of Topography of the lungs, decided he could play this music and uprooted to Europe, moving to Amsterdam in 1974: 'They arrested me the first time I played my cello in the street... confiscated our instruments'. As a result, he moved to Paris, travelled around France, eventually finding his way back to Amsterdam where he began playing with Maarten van Regteren Altena, Han Bennink and Misha Mengelberg as well as being involved in Derek Bailey's Company Weeks and playing with Globe Unity.
The late '70s and early '80s were spent in Italy with Katie Duck, working with theatre - Duck had her group the Great Salt Lake Mime Troupe - and Italian and Sardinian musicians. During this time, Honsinger started his group This, That and the Other, the early version including Tiziana Simona, Sean Bergin, Toshinori Kondo, Jean-Jacques Avenel and Michael Vatcher which recorded Picnic in Amsterdam in 1985. 'Because of a promoter's brilliant organising, the group kind of fell apart', but there have been fairly regular and recent incarnations, including an appearance at the Italian Angelica Festival in 1996.
Since the memorable set of concerts in Berlin in 1988, released on the much sought-after FMP box set, Honsinger has been a fairly regular member of Cecil Taylor's groups. At those concerts, Honsinger performed in a trio with Taylor and Evan Parker as well as being a member of the large European Orchestra but since then he has been a member of various Taylor groups, including the now-disbanded European Quartet with Harri Sjöström and Paul Lovens, including an unusual combination that performed at the Total Music Meeting in November 1999: the Cecil Taylor Ensemble with Franky Douglas, Tristan Honsinger and Andrew Cyrille."-European Free Improv Site (http://www.efi.group.shef.ac.uk/musician/mhonsing.html)
^ Hide Bio for Tristan Honsinger
• Show Bio for Han Bennink
"Drummer and multi-instrumentalist Han Bennink was born in Zaandam near Amsterdam in 1942. His first percussion instrument was a kitchen chair. Later his father, an orchestra percussionist, supplied him with a more conventional outfit, but Han never lost his taste for coaxing sounds from unlikely objects he finds backstage at concerts. He is still very fond of playing chairs.
In Holland in the 1960s, Bennink was quickly recognized as an uncommonly versatile drummer. As a hard swinger in the tradition of his hero Kenny Clarke, he accompanied touring American jazz stars, including Sonny Rollins, Ben Webster, Wes Montgomery, Johnny Griffin, Eric Dolphy and Dexter Gordon. He is heard with Gordon on the 1969 album "Live at Amsterdam Paradiso" (on the Affinity label) and with Dolphy on 1964s "Last Date" (PolyGram). At the same time, Bennink participated in the creation of a European improvised music which began to evolve a new identity, apart from its jazz roots. With fellow Dutch pioneers, pianist Misha Mengelberg and saxophonist Willem Breuker, he founded the musicians collective Instant Composers Pool in 1967. Bennink anchored various bands led by Mengelberg or Breuker, and appeared in their comic music-theater productions.
Bennink attended art school in the 1960s, and is also a successful visual artist in several media, often constructing sculpture from found objects, which may include broken drum heads and sticks. He has designed the covers for many LPs and CDs on which he appears. Bennink is represented by Amsterdam's Galerie Espace, and has been the subject of several one-man shows, including one at the Gemeente Museum in the Hague in 1995.
In 1966, Bennink played the US's Newport Jazz Festival with the Mengelberg quartet. From the late 1960s through the '70s Bennink collaborated frequently with Danish, German, English and Belgian musicians, notably saxophonists John Tchicai and Peter Broetzmann, guitarist Derek Bailey and pianist Fred van Hove. Bennink, Broetzmann and van Hove had a longstanding trio well documented on FMP Records. There Bennink also showcased his talents on clarinet, trombone, soprano saxophone and many other instruments, also featured in a series of solo albums he began in 1971.
Bennink's many recordings from the 1980s include sessions with Mengelberg's ICP Orchestra (where he remains), South African bassist Harry Miller, soprano saxophonist Steve Lacy, trombonists Roswell Rudd and George Lewis, and big-bandleaders Sean Bergin and Andy Sheppard.
From 1988 to'98 Bennink's main vehicle was Clusone 3, with saxophonist and clarinetist Michael Moore and cellist Ernst Reijseger, a band noted for its free-wheeling mix of swinging jazz standards, wide-open improvising, and tender ballads. Clusone played Europe and North America, West Africa, China, Vietnam and Australia, and recorded five CDs for Gramavision, hat Art and Ramboy.
Nowadays he is frequently heard with tenor saxophonist Tobias Delius's quartet and in a trio with pianist/keyboardist Cor Fuhler and bassist Wilbert de Joode, and he still collaborates occasionally with jazz luminaries such as Johnny Griffin, Von Freeman and Ray Anderson.
A conspicuous feature of Bennink's musical life since the 1960s is the spontaneous duo concert with musicians of many nationalities and musical inclinations; in the '90s he recorded in duo with among others pianists Mengelberg, Irene Schweizer and Myra Melford, guitarist Eugene Chadbourne, trumpeter Dave Douglas and tenor saxophonist Ellery Eskelin.
Since 2008 Han Bennink has his own Han Bennink Trio consisting of Han Bennink, Joachim Badenhorst on clarinet and Simon Toldam on piano."-Han Bennink Website, Kevin Whitehead (http://www.hanbennink.com/music/biography/biography.php)
^ Hide Bio for Han Bennink
Search for other titles on the Hatology label.