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Sun Ra and his Omniverse Jet-set Arkestra

Beyond The Purple Star Zone + Oblique Parallax

Sun Ra and his Omniverse Jet-set Arkestra: Beyond The Purple Star Zone + Oblique Parallax (Art Yard)

Two related classic Saturn LP reissues on a single CD, both recorded at the Detroit Jazz Centre in 1980 and 1981 respectively with Sun Ra's large Omniverse Jet-set Arkestra.
 

Price: $15.95


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product information:


UPC: 752725028325

Label: Art Yard
Catalog ID: Art Yard CD005
Squidco Product Code: 13245

Format: CD
Condition: New
Released: 2010
Country: Great Britain
Packaging: Digipack - 3 panel
Recorded December 26-31 1980 at The Detroit Jazz Center. Originally released on the Saturn label.


Personnel:

Sun Ra-synth, organ, vocals

John Gilmore-tenor sax, percussion, vocals

Marshall Allen-alto sax, percussion

Michael Ray-trumpet, vocals

Danny Thompson-baritone sax, flute, percussion

Noel Scott-alto sax, vocals

June Tyson-vocals

Tyrone Hill-trombone, vocals

Eloe Omoe-bass clarinet

Craig Harris-drums

Tommy "Bugs" Hunter-drums

Al Evans-flugelhorn

Jaribu Shahid-bass

Samarai Celestial-drums

Vincent Chancey-french horn

Francisco "Ali" Mora-drums, percussion

Bright Moments-congas

The Bell Brothers-bells

John Ore-bass

James Jacson-vocals, Ancient Egyptian Infinity Lightning Drum

Highlight an artist name or instrument above
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track listing:


1. Beyond The Purple Star Zone 5:50 2. Rocket Number Nine 8:15

3. Immortal Being 4:02

4. Romance On A Satellite 5:01

5. Planetary Search 4:20

6. Oblique Parallax 2:44

7. Vista Omniverse 4:50

8. Celestial Realms 5:03

9. Journey Stars Beyond 13:13
Related Categories of Interest:

Sun Ra

Improvised Music
Jazz
2010 Top 40
Jazz Reissues
Instant Rewards

sample the album:








descriptions, reviews, &c.

"Two related classic Saturn LP reissues on a single CD, both recorded at the Detroit Jazz Centre - in 1980 and 1981 respectively. They share an excellent sound quality and great playing - there's a classic version of "Rocket No.9" and plenty of otherworldly Moog and electronic keyboards - up there with Ra's best on record. Rocket excepted, all the pieces are original to these LPs and don't appear elsewhere, though the first track of "Purple Star Zone" is heard again at the end, with another name (exactly as it was on the 2 LPs), so it was clearly much liked by the boss. These were 10 -14 piece bands, featuring the regulars, including June Tyson, and some visiting guests. The first LP features prominent electric guitar (not identified in the personnel list on the CD - but every listing I've seen for these LPs is different; this one should be fairly accurate in general, since the promoter helped to get the CD together). A fine release, touched with greatness. And with a good sound. Comes in the usual elaborate gatefold digipack covers for which the Artyard label is justly praised."-ReR USA


Artist Biographies:

"Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, poet and philosopher known for his experimental music, "cosmic philosophy", prolific output, and theatrical performances. He was inducted into the Alabama Jazz Hall of Fame in 1979. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up.

Born and raised in Alabama, Blount would eventually become involved in the 1940s Chicago jazz scene. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity. His widely eclectic and exploratory music would eventually touch on virtually the entire history of jazz, ranging from swing music and bebop to free jazz and fusion, and his compositions ranged from keyboard solos to big bands of over 30 musicians. From the mid-1950s until his death, Ra led the musical collective The Arkestra (which featured artists such as Marshall Allen, John Gilmore, June Tyson throughout its various iterations). Its performances often included dancers and musicians dressed in elaborate, futuristic costumes inspired by ancient Egyptian attire and the space age.

Though his mainstream success was limited, Sun Ra was a prolific recording artist and frequent live performer, and remained both influential and controversial throughout his life for his music and persona. He is now widely considered an innovator; among his distinctions are his pioneering work in free improvisation and modal jazz and his early use of electronic keyboards. Over the course of his career, he recorded dozens of singles and over one hundred full-length albums, comprising well over 1000 songs, and making him one of the most prolific recording artists of the 20th century. Following Sun Ra's death in 1993, the Arkestra continues to perform."

-Wikipedia (https://en.wikipedia.org/wiki/Sun_Ra)
11/29/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"John Gilmore (September 28, 1931 – August 19, 1995) was an avant-garde jazz saxophonist known for his tenure with keyboardist/bandleader Sun Ra from the 1950s to the 1990s.

Gilmore grew up in Chicago and played clarinet from the age of 14. He took up the tenor saxophone while serving in the United States Air Force from 1948 to 1952, then pursued a musical career, playing briefly with pianist Earl Hines before encountering Sun Ra in 1953.

For the next four decades, Gilmore recorded and performed almost exclusively with Sun Ra. This was puzzling to some, who noted Gilmore's talent, and thought he could be a major star like John Coltrane or Sonny Rollins. Despite being five years older than Gilmore, Coltrane was impressed with his playing, and took informal lessons from Gilmore in the late 1950s. Coltrane's epochal, proto–free jazz "Chasin' the Trane" was inspired partly by Gilmore's sound.

In 1957 he co-led with Clifford Jordan a Blue Note date that is regarded as a hard bop classic: Blowing In from Chicago. Horace Silver, Curly Russell, and Art Blakey provided the rhythm section. In the mid-1960s Gilmore toured with the Jazz Messengers and he participated in recording sessions with Paul Bley, Andrew Hill (Andrew! and Compulsion), Pete La Roca (Turkish Women at the Bath), McCoy Tyner (Today and Tomorrow) and a handful of others. In 1970 he co-led a recording with Jamaican trumpeter Dizzy Reece. His main focus throughout, however, remained with the Sun Ra Arkestra.

Gilmore's devotion to Sun Ra was due, in part, to the latter's use of harmony, which Gilmore considered both unique and a logical extension of bebop. Gilmore had stated that Sun Ra was "more stretched out than Monk" and that "I'm not gonna run across anybody who's moving as fast as Sun Ra ... So I just stay where I am."

Gilmore occasionally doubled on drums and also played bass clarinet until Sun Ra hired Robert Cummings as a specialist on the latter instrument in the mid-1950s. However, tenor sax was his main instrument and Gilmore himself made a huge contribution to Sun Ra's recordings and was the Arkestra's leading sideman, being given solos on almost every track on which he appeared. In the Rough Guide to Jazz, Brian Priestley says:

Gilmore is known for two rather different styles of tenor playing. On performances of a straight ahead post-bop character (which include many of those with Sun Ra), he runs the changes with a fluency and tone halfway between Johnny Griffin and Wardell Gray, and with a rhythmic and motivic approach which he claims influenced Coltrane. On more abstract material, he is capable of long passages based exclusively on high-register squeals. Especially when heard live, Gilmore was one of the few musicians who carried sufficient conviction to encompass both approaches.

Many fans of jazz saxophone consider him to be among the greatest ever, his fame shrouded in the relative anonymity of being a member of Sun Ra's Arkestra. His "straight ahead post-bop" talents are exemplified in his solo on the Arkestra's rendition of "Blue Lou," as seen on Mystery, Mr. Ra.

After Sun Ra's 1993 death, Gilmore led Ra's Arkestra for a few years before his own death from emphysema. Marshall Allen then took over the Arkestra leadership."

-Wikipedia (https://en.wikipedia.org/wiki/John_Gilmore_(musician))
11/29/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Marshall Belford Allen (born May 25, 1924) is an American free jazz and avant-garde jazz alto saxophone player. He also performs on flute, oboe, piccolo, and EVI (an electronic valve instrument made by Steiner, Crumar company).

Allen is best known for his work with eccentric keyboardist/bandleader Sun Ra, having recorded and performed mostly in this context since the late 1950s, and having led Sun Ra's Arkestra since 1993. Critic Jason Ankeny describes Marshall as "one of the most distinctive and original saxophonists of the postwar era."

Marshall Allen was born in Louisville, Kentucky.

During the Second World War he enlisted in the 92nd Infantry Division and was stationed in France. Allen studied alto saxophone in Paris and played in Europe with Art Simmons and James Moody.

He is best known for his mastery of pyrotechnic effects on the alto - he has said that he "wanted to play on a broader sound basis rather than on chords" (1971 interview with Tam Fiofori cited in). The opportunity came through his long association with Sun Ra, with whom he performed almost exclusively from 1958 to Ra's death in 1993, although he did record outside the Arkestra, notably with Paul Bley's group in 1964 and with Olatunji's group during the mid-1960s. Critic Scott Yanow has described Allen's playing as "Johnny Hodges from another dimension".

Since the departure of Sun Ra and John Gilmore, Allen has led the Arkestra, and has recorded two albums as their bandleader. In May 2004, Allen celebrated his 80th birthday on stage with the Arkestra, as part of their performance at the Ninth Vision Festival in New York City. Allen gave another performance on his birthday in 2008 at Sullivan Hall in New York City.

Allen often appears in NYC-area collaborations with bassist Henry Grimes and has also participated in the "Outerzone Orchestra" together with Francisco Mora Catlett, Carl Craig and others in an appreciation of Sun Ra's music."

-Wikipedia (https://en.wikipedia.org/wiki/Marshall_Allen)
11/29/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"June Tyson (born February 5, 1936, Albemarle, North Carolina - d. November 24, 1992, Philadelphia, Pennsylvania) was a singer and dancer who achieved prominence performing with keyboardist and bandleader Sun Ra.

When she joined Sun Ra's Arkestra around 1968, she became the first female member of his band. (Sun Ra had previously recorded with a few female vocalists, but they were not members of his band.) She became a close and trusted friend of Ra, and helped him with costume design. Tyson continued to perform and record with Ra up to her death.

Tyson was diagnosed with cancer and grew increasingly ill. When she was unable to sing because of her illness, she played the violin."

-Wikipedia (https://en.wikipedia.org/wiki/June_Tyson)
11/29/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Vincent Chancey - French Horn and Composer

Over the past 25 years I have built a solid reputation as an accomplished and totally dedicated french horn player, performing in a wide variety of musical contexts, and as an increasingly active composer. My first instrument as a member of the junior high school band was the cornet and later the trumpet and fluglehorn. But after hearing the french horn during rehearsals I felt a strong affinity for that instrument and was happily able to make the change. Simultaniously with my band experience in high school, I was first active in Giles Yellow Jackets and later the St. Andrews Hornets and the DesPlaines Vanguard competitive drum & bugle corps. Through high school and college, I lived a kind of musical schizophrenia, studying and playing classical music, but listening to and loving jazz. Continuing in that direction for some time, I finally decided that I needed some instruction on how to approach jazz on this instrument.

Upon graduation from the Southern Illinois University School of Music, I moved to New York to seek out and study with the long-time pioneering jazz french hornist Julius Watkins. I was able to win a N.E.A. grant to begin this study program. After several years of instruction and hard practice, I first came to prominence as a regular member of the Sun Ra Arkestra from 1976 to 1978. After that I worked sporadically for Sun Ra, making a number of recordings with the ensemble, and then worked for six years with the Carla Bley Band. In 1984, I joined Lester Bowie's Brass Fantasy and have been featured on all of the group's nine recordings. For many years, I have also been part of the David Murray Big Band in which I am featured on five CD's. I have been able to employ my talent playing with Chick Corea, Cassandra Wilson, Shirley Horn, Randy Weston, The Gil Evans Orchestra and The Mingus Orchestra. In the Contemporary Classical idiom , I have worked with Guus Janssen on varied projects in The Netherlands. I have also performed with popular artists such as Ashford and Simpson, Melba Moore, Peggy Lee, Maxwell, Aretha Franklin, Freddy Jackson, The Winans, Elvis Costello, Brandy, Charlie Haden Liberation Orchestra, Dave Douglas, singer Diana Krall and many more. In 2000 I had the honor of playing a performance for Pope John Paul II's 80th birthday concert.

I have recorded as a sideman with various artist on more than 150 albums, CD's and soundtracks. Eventually I came to the point that many musicians reach when they feel the need for more personal creative expression. I began writing music that could best express myself and my instrument. I felt that no one was writing for the french horn the way I knew it could be played. Several bands were put together over many years, which lead to my first CD. This recording entitled "Welcome Mr. Chancey" was released in 1993 on In + Out Records. A quartet was featured on this album using electric guitar, bass and drums. I enjoyed working with this group, but felt that I wanted to do something closer to the music that I had always listened to as a developing jazz musician, classic jazz. I started first by composing music that I thought worked with the way I liked to play my instrument. Soon after I was asked to do a CD of music commemorating my jazz horn teacher, Julius Watkins and his group, The Jazz Modes. In 1996 I recorded my second CD "Vincent Chancey and Next Mode" on DIW records. This one featured a Quintet with tenor saxophone, piano, bass, and drums.

The french horn is my natural voice. Throughout my career I have been devoted to the idea of achieving wider recognition for the horn as a jazz instrument and I have constantly sought to increase the capability of the instrument and overcome the inherent problems of adapting it to the vocabulary of jazz."

-Vincent Chancey Website (http://www.vincentchancey.com/biography.htm)
11/29/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

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