The Squid's Ear Magazine


Zorn, John / Frith, Fred: Late Works (Tzadik)

The long-standing duo of alto saxophonist John Zorn and guitarist Fred Frith continues with these "late works", improvisations in a unique language of formidable breadth and imagination.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



John Zorn-alto saxophone

Fred Frith-electric guitar


Click an artist name above to see in-stock items for that artist.




UPC: 702397763420

Label: Tzadik
Catalog ID: TZA-CD-7634
Squidco Product Code: 12963

Format: CD
Condition: New
Released: 2010
Country: USA
Packaging: Jewel Tray
Recorded and mixed October 16, 2009 by Marc Urselli at East Side Sound, NYC.

Descriptions, Reviews, &c.

"Fred Frith and John Zorn have a close working relationship that's has been fruitful since they first met in 1978. Close friends and cohorts, veterans of many ensembles and bands, they are two of the downtown scene's founding fathers. Sharing a love for improvisation, composition and music from all over the map, they have developed a unique duo language that jumps from moment to moment with lightening speed and a near-endless imagination. Their yearly sold-out duo performances are some of the most anticipated events in New Music and while their previous releases have all been documents of these exciting concerts, here they enter the studio for the first time in a beautiful recording of improvisation at its very best. Two of the world's greatest experimental instrumentalists in wild telepathic interplay!"-Tzadik


Artist Biographies

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.

In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.

The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.

He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.

His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.

Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."

-Fred Frith Website (http://www.fredfrith.com/biography.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Ankle Time 5:03

2. Baffled Hats 3:20

3. Creature Comforts 3:11

4. Foetid Ceremony 5:34

5. The Fourth Mind 9:40

6. Horse Rehab 5:43

7. Legend Of The Small 2:17

8. Mosquito Slats 2:09

9. Movement Of Harried Angels 7:29

10. Slow Lattice 5:58

Related Categories of Interest:

Tzadik

Improvised Music
NY Downtown & Jazz/Improv
Frith, Fred
Zorn. John
Free Improvisation
Duo Recordings

Search for other titles on the label:
Tzadik.


Recommended & Related Releases:



Customers Who Bought This Item Also Bought:
Remote Viewers, The
City of Nets
(Remote Viewers)
London's Remote Viewers in their 13th release, quoting W.H. Auden in an album of excellent structured improvisation with David Petts, Caroline Kraabel, Sue Lynch & Adrian Northover (saxes), John Edwards (bass & drums), and Rosa Lynch (keys and percussion).
Way Out Northwest (John Butcher / Tortsen Mueller / Dylan van der Shyff)
The White Spot
(Relative Pitch)
The UK and Vancouver meet for a second release under the Way Out Northwest name - British saxophone master John Butcher with bassist Torsten Muller and drummer Dylan van der Schyff - recording for Sonarchy Radio.
Bisio, Michael / Matt Shipp Duo
Floating Ice
(Relative Pitch)
NY bassist Michael Bisio and pianist Matthew Shipp continue their collaborations from their trio work with Whit Dickey in this duo release recorded in the studio, beautiful and amazing telepathic communication.
Remote Viewers, The
To The North
(Remote Viewers)
Dave Petts' Remote Viewers, now a septet of 4 saxophonists, marimba, bassist John Edwards and drummer Mark Sanders, in 7 pieces blending rock and improvisational aesthetics in seductive ways.
Coleman, Steve and Five Elements
Harvesting Semblances and Affinities
(Pi Recordings)
Saxophonist Coleman's 1st US label release in 9 years, 6 original compositions of complex, constantly shifting rhythms that convey a fundamental sense of groove from his 6 piece band.
June, Sarah
In Black Robes
(Silber Media)
Sarah June sings and plays all instruments on goth-tinged folk americana songs; for fans of the Cranes, PJ Harvey, or Joanna Newsom.
Hebert, John Trio
Spiritual Lover
(Clean Feed)
Bassist Hebert's Trio with French pianist and synth player Benoit Delbecq and drummer Gerald Cleaver, expansive and spacious jazz with a beautiful spirituality.
Lightcap, Chris' Big Mouth
Deluxe
(Clean Feed)
Bassist Lightcap's Bigmouth with Tony Malaby, Chris Cheek & Andrew D'Angelo on sax, Craig Taborn on keys and Gerald Cleaver on drums, NY jazz with remarkable rapport and prowess.
Mahanthappa / Lehman
Dual Identity
(Clean Feed)
The New York duo of saxophonists Rudresh Mahanthappa and Steve Lehman in their co-led quintet with Liberty Ellman on guitar, Matt Brewer on bass and Damion Reid on drums.
Fight the Big Bull
All is Gladness in the Kingdom
(Clean Feed)
Guitarist, composer and arranger Matt White with his unique big band including Steven Bernstein, J.C. Kuhl, John Lilley, BobMiller, Reggie Pace, Bryan Hooten, &c.
Magic I.D., The
till my breath gives out
(erstwhile)
Superb 1st erstwhile 'pop' release as only an erstwhile artist could define the term: abstract lower case and perceptive songs with dual clarinets creating harmonic interactions (Kai Fagaschinski & Michael Thieke, aka The International Nothing), guitar & voice from Margareth Kammerer and electronics & vocals from Christoph Kurzmann.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC