Stockhausen's three movement "Plus-Minus", working with serialism in extended ways to arrange not just pitch, but also systems of sounds, time, space, &c., creating engaging and complex compositions.
Out of Stock
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Hat [now] ART
Catalog ID: 178
Squidco Product Code: 12816
Packaging: Cardboard Gatefold 3 Panels
Recorded in Theater Romein, Leeuwarden, Netherlands from June 29-July 2, 2002 by Sem de Jongh and Arjan van Asselt.
The Ives Ensemble:
Hans Petra-bass clarinet
Jan Willem van der Ham-bassoon
Reinier van Houdt-piano, celesta
Josje ter Haar-violin
Job ter Haar-cello
Click an artist name above to see in-stock items for that artist.
Highlight an instrument above
and click here to Search for albums with that instrument.
1. Refrain No.11 (1959) 9:54
2. Kreuzspiel No.1/7 (1951) 11:43
3. Plus-Minus No.14 (1963) 51:03
descriptions, reviews, &c.
"Perhaps more than any other composer of his generation, Stockhausen realised that serialism had an expressive potential which went far beyond the method of twelve-tone composition devised by Schoenberg. In these three key works works from the 1950s and early 1960s he found ways of using the serial principle to govern not just pitch, but every aspect of sound-types and their distribution in time and space, culminating in "Plus-Minus", a score which specified not sounds but rather a system of organising sounds."-Christopher Fox
The Squid's Ear!
Staff Picks & Recommended Items
Limited Editions & Out of Print
Search for other titles on the Hat [now] ART label.