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Wilson, Tony Sextet: Lowest Note (Spool)

Vancouver guitarist/composer Tony Wilson's sextet with Dylan van der Schyff, Peggy Lee, Paul Blaney, Dave Say and Kevin Elaschuk, extraordinary improvisation.
 

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product information:


UPC: 778224122029

Label: Spool
Catalog ID: SPl112
Squidco Product Code: 12694

Format: CD
Condition: New
Released: 2000
Country: Canada
Packaging: Jewel Tray
Recorded and mixed May 2000 by Shawn Pierce for Maximum Music, Lt. at Blue Wave Studios, Vancouver BC, Canada.


Personnel:

Tony Wilson-guitar

Dylan van der Schyff-drums

Paul Blaney-bass

Peggy Lee-cello

Dave Say-tenor sax

Kevin Elaschuk-trumpet

Francois Houle-clarinet (#4)

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Artist Biographies:

"Vancouver's Coastal Jazz and Blues hails him as "unquestionably one of the most original guitar stylists on the Canadian scene". Down Beat Magazine entitles him as "...a talismanic West Coast figure." Tony Wilson has studied with many acclaimed jazz musicians including Dave Holland, John Abercrombie, Kevin Eubanks and Steve Coleman and has shared the stage with well know international artists such as William Parker, Gerry Hemingway, Han Bennink, Toby Delius, Benoit Delbecq & Eric Boeren. As a composer, he has been commissioned by Standing Wave, Joe Trio, the Little Chamber Music Society, New Orchestra Workshop and the Hard Rubber Orchestra. He has released six CDs under his own name for the Drip Audio recording label. Favourable reviews of his work have appeared in Downbeat, the Wire, Exclaim and Signal to Noise among other publications."

-Pugs and Crows (http://pugsandcrows.com/about/)
11/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dylan van der Schyff was born in Johannesburg, South Africa in 1970. He now makes his home in Vancouver, Canada, where he lives with his wife, cellist Peggy Lee, and their two children. Van der Schyff attended the schools of music at the University of Victoria and, briefly, McGill University; and he studied military drumming while with the Band of the Ceremonial Guard in Ottawa. He received his MA from Simon Fraser University and is currently engaged in graduate research in music psychology at the University of Sheffield in the UK.

As a performer and producer, van der Schyff has appeared on close to 100 recordings spanning the genres of jazz, electro-acoustic, improvised, experimental and new music; he has performed in almost every major centre in Europe and North America including international festivals in Berlin, Lisbon, Stockholm, New York, Chicago, Montreal, Trento (Italy) and Molde (Norway); and he has collaborated in numerous interdisciplinary projects involving theatre, dance and film. A partial list of notable performance and recording collaborators includes: George Lewis, Joelle Léandre, Dave Douglas, Mark Helias, Peggy Lee, Eyvind Kang, Nicole Mitchell, Brad Turner, Tony Wilson, Wayne Horvitz, Marilyn Crispell, Torsten Muller, Robin Holcolmb, Michael Moore, Ellery Eskelin, Sylvie Courvoisier, Rob Mazurek, Talking Pictures, Ken Vandermark, Paul Rutherford, John Butcher, Tobias Delius, Louis Sclavis, Evan Parker, Mark Dresser, Fred Frith, and Gary Peacock. Van der Schyff has also performed as a sideman with Roswell Rudd, John Zorn, Butch Morris, Misha Mengelberg, Georg Graewe, Oliver Lake, Wadada Leo Smith and the Kenny Werner Sextet with Randy Brecker.

Van der Schyff has served on the music faculty at Capilano University in Vancouver, Canada, since 2009. He also served on faculty at the Banff International Workshop in Jazz and Creative Music between 2002-2005, and at the Vancouver Institute for Creative Music in 2006. Additionally, he has given seminars and workshops at the University of Indiana and at the National Arts Centre in Ottawa. Van der Schyff has appeared on Austrian television and Swedish radio as well as NPR, the CBC and Radio Canada. Articles about his work as an improviser have appeared in publications such as Downbeat, Jazz Times, The Globe and Mail, The New York Times, The Village Voice, The Chicago Reader, The Wire, Coda, and MUZIK."

-Capilano University (https://www.capilanou.ca/jazz-studies/bios/Dylan-van-der-Schyff/)
11/12/2018

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"Cellist, improviser, composer Peggy Lee was born and raised in Toronto, Ontario. She studied classical cello, completing a bachelors degree in performance at the University of Toronto as a student of Vladimir Orloff and Denis Brott. She furthered her studies on the cello with lessons with Martha Gerschefski in Atlanta Georgia. In the fall of 1988 Peggy began a year residency with a string quartet at the Banff Centre in Banff, Alberta. It was here that she first became interested in collaborating with artists from different mediums and in veering away from the classical path. This led to a decision to move away from the known and thus to her relocating to Vancouver, B.C. where she now makes her home.

Peggy's first forays into improvisation in Vancouver happened with dancers at the EDAM (experimental dance and music) studio at the Western Front and eventually led to her meeting and joining guitarists Ron Samworth and Tony Wilson in their respective bands; as well as becoming a member of the New Orchestra Workshop, which went on to have interesting and fruitful collaborations with Butch Morris, Wadada Leo Smith, René Lussier, Barry Guy and George Lewis.

Peggy continues to collaborate frequently with Ron and Tony and with her husband, drummer Dylan van der Schyff, as well as with many other longtime musical associates including Dave Douglas, Wayne Horvitz, Robin Holcomb, Veda Hille and Lisa Miller. She also leads or co-leads a number of musical projects: The Peggy Lee Band, Film in Music, Waxwing (with Tony Wilson and Jon Bentley) and Beautiful Tool (with Mary Margaret O'Hara).

She has also collaborated extensively in theatre and dance with companies and artists such as Ruby Slippers, Rumble Theatre, Presentation House, David Hudgins, Peter Bingham and Delia Brett.

In 2005, Peggy received the Freddie Stone Award for integrity and innovation in music and in 2010 she was awarded a Jesse Richardson Theatre Award for outstanding composition."

-Peggy Lee Website (http://www.peggylee.net/about-peggy.html)
11/12/2018

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"Vancouver trumpet player and composer Kevin Elaschuk has different musical groups he leads including the group ESQ, the Elaschuk/Ryga Quartet and the Kevin Elaschuk Quartet with Ross Taggart and also the Kevin Elaschuk Trio. Kevin also plays in the Tony Wilson Sextet, Peggy Lee's Film and Music and the group Soft Morning City. Kevin Elaschuk has some great recordings out and some of my favorites include Breakfast in Kamloops and Casual Coordinates with Kevin's group ESQ and Any Answers with the Elaschuk /Ryga Quartet. He also plays on Tony Wilson's Sextet albums The Lowest Note and The People Look Like Flowers at Last. Kevin has been an important part of the Vancouver music scene for many years and has also teaches jazz trumpet at Capilano University."

-Player.FM (https://player.fm/series/rhythmaning/october-3-2011-kevin-elaschuk-interview)
11/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Francois Houle (born August 17, 1961, Lachine): "I am a Canadian clarinetist who embraces pretty much any music where the clarinet is present, or has a bit of profile or history. Although I am classically trained, I have not followed the traditional career path associated with the kind of classical training I came out of.

I studied at McGill University with Emilio Iacurto (the legendary, long-time principal clarinetist of the Montreal Symphony Orchestra) and at Yale University with Keith Wilson (whose contribution to the clarinet world is unparalleled). I've had the privilege of participating in masterclasses with some of the world's finest clarinet players, including David Shifrin, Richard Stoltzman and Alan Hacker.

It was Alan Hacker who actually opened the door for me to explore new technical and musical possibilities on the clarinet. Having been part of Fires of London and a close collaborator with composers such as Peter Maxwell-Davies, Alan's insatiable curiosity and deep scholarship inspired me to look for my own personal approach. Following a brief visit to his home in the UK in the late 80's I spent some time in Paris practicing and researching clarinet new music repertoire. At that time I still didn't know what I was going to do with my life, except that I had a deep desire to "make it" in the music scene. It was during this period that I discovered the music of Steve Lacy.

Steve Lacy's career actually began as a dixieland clarinetist, eventually shifting to the soprano saxophone, an instrument very few jazz musicians had investigated since the great Sydney Bechet due to its range, smaller embouchure and faulty intonation. Steve dedicated his life to bringing this instrument at the forefront of creative music (legend has it that he turned John Coltrane on to the soprano's expressive qualities).

At the time I had one occasion of hearing him play live at the New Morning jazz club, and bought a newly released duo recording called "Paris Blues" (Owl Records, 1987) with the great Gil Evans on piano. Heading back to Canada, that was the only music I could listen to for quite a while, being transfixed by Lacy's and Evan's telepathic playing. It was the first time that I had found a jazz performance that rivalled with the finest chamber music making I was then more familiar with. It was a game changer as far as I was concerned. It opened the door for further exploration and discoveries; Anthony Braxton, John Carter, Jimmy Giuffre, all important figures in the development of creative music on the clarinet. It is interesting and deplorable to note that not once were these names ever mentioned in all my years of university clarinet seminars and lessons. It was only a few years later that he agreed to meet with me for one on one lessons at his Paris apartment. His main advice to me was to stick with the clarinet, and forge ahead with my musical thoughts and ideas, no matter how difficult the road ahead may be.

After a stint at the Banff Centre, where I worked on my technique and practiced improvisation (the centre has a great library with an extensive jazz and creative music collection), I relocated to Vancouver in the winter of 1989, where I began playing on the creative music scene and met many musicians who eventually became fantastic collaborators; Claude Ranger, Roger Baird, Tony Wilson, amongst many others. At the time, the New Orchestra Workshop Society was approaching its golden years, with the founding of the legendary Glass Slipper, the "go to" venue for creative music on the West Coast. The Vancouver Jazz Festival was well on its way to establishing itself as one of the most innovative international music happening, not only programming some of the biggest names in the business, such as Miles Davis and Wynton Marsalis, but also the most creative musicians on the planet; Cecil Taylor, Evan Parker, John Zorn, Dave Douglas, Anthony Braxton, William Parker, and a whole sleuth of European 1st generation of improvisors such as Misha Mengelberg, Han Benning, ICP, AMM, and the Italian Instabile Orchestra. It was at the 1992 Jazz Festival that I had my first high profile gig, my first band "Et Cetera" sharing the bill with the Steve Lacy Sextet!

As I was making my first steps in the improvised community, I also became involved with the contemporary music scene, collaborating with composers such as John Oliver and Paul Dolden, as well as freelancing with established organizations; Vancouver New Music, Vancouver Pro Musica. In 1992 I became a founding member of the Standing Wave ensemble. My activities in both creative music and new music allowed me to forge a strong profile, eventually expanding to collaborations with international musicians, and getting international touring opportunities. Some long standing collaborations were forged during that fruitful period, with luminaries such as Benoît Delbecq and Joëlle Léandre among others.

I have since been constantly involved in the advancement of creative music, pursuing collaborative projects with composers and musicians of all persuasions. My work continues to test the boundaries, looking for new vistas and connections with listeners everywhere."

-Francois Houle Website (https://www.francoishoule.ca/about)
11/12/2018

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track listing:


1. #20 5:27

2. Lowest Note 4:10

3. The Gong Song 4:23

4. Untitled #1 9:48

5. New York City Blue 6:05

6. Col. Rowan's March 1:34

7. For Fela Kuti 8:30

8. For Freddie Stone 5:42

9. For Albert 6:24

10. For Chet Baker 4:01

11. Can't Take A Joke 6:52

12. Tears Inside 1:51
sample the album:








descriptions, reviews, &c.

Vancouver guitarist/composer Tony Wilson's sextet with Dylan van der Schyff, Peggy Lee, Paul Blaney, Dave Say and Kevin Elaschuk, extraordinary improvisation. Selected two times to Coda Magazine's Writers' Choice lists, this group brings the subtlety of chamber jazz together with hard driving modern jazz. Wilson writes great melodic and modern music that gives his ensemble plenty of room for free playing and expression. Wilson is surely one of the unsung masters of the Canadian improv scene.

Related Categories of Interest:


Improvised Music
Jazz
Vancouver and Western Canada
Septet recordings
Canadian Composition & Improvisation


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