Traw (Welsh for pitch or encompassing wholeness) is harpist and electronic artist Rhodri Davies with sampling and real-time processing artists Owen Martell, Richard Llewellyn, and Simon Proffitt, here in 6 pieces about water using layers of Davies' sonic output.
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Catalog ID: ccs 06
Squidco Product Code: 11803
Country: Great Britain
Packaging: CDr in a tin case
Repacking of 2006 CD on Confront in tin case. Recorded in Cardiff, Wales, July 12th, 2005.
Owen Martell-sampling,real-time processing
Richard Llewellyn-sampling,real-time processing
Simon Proffitt-sampling,real-time processing
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• Show Bio for Rhodri Davies
"Rhodri Davies was born in 1971 in Aberystwyth, Wales and now lives in Gateshead in the northeast of England.
He plays harp, electric harp, live-electronics and builds wind, water, ice and fire harp installations. He has released four solo albums: Trem, Over Shadows, Wound Response and An Air Swept Clean of All Distance.
His regular groups include: a duo with John Butcher, Common Objects, HEN OGLEDD: Dawson - Davies, a trio with David Toop and Lee Patterson, Cranc, The Sealed Knot and a trio with John Tilbury and Michael Duch.
In 2008 he collaborated with the visual artist Gustav Metzger on 'Self-cancellation', a large-scale audio-visual collaboration in London and Glasgow.
New pieces for solo harp have been composed for him by: Eliane Radigue, Phill Niblock, Christian Wolff, Ben Patterson, Alison Knowles, Mieko Shiomi and Yasunao Tone.
In 2012 he was the recipient of the Foundation for Contemporary Arts, Grants to Artists Award."-Rhodri Davies Website (http://www.rhodridavies.com/words/)
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1. Sychryd 6:29
2. Sgwd Yr Eira 10:03
3. Einion Gam 5:35
4. Mellte 5:30
5. Y Pannwr 11:07
6. Llia 4:49
sample the album:
"In making Cwymp y Dwr ar Ganol Dydd, each member of Traw took away a selection of Davies' harp + electronics material (recorded by Michael Sansom at Surrey University) and processed them according to his own lights. In July 2005, when the group reconvened in the company of Davies, they improvised with this de- or re-personalised material to make new sound configurations.
Davies too was improvising, in this case with his own transmogrified self, and a live feed of his playing was also available to Traw for further manipulation. It's as though Davies had stepped into a sonic hall of mirrors.
Traw is a Welsh word meaning pitch, or, in a more poetic sense, diapason, a wholeness, an encompassing. The CD title translates as The Water Falls at Morning's End, and all of the track titles are water-related, named after rivers or waterfalls around the Pontneddfechan-Ystradfellte area of South Wales. But there's more to it than that: 'Mellte', a river, also refers to lightning, and 'Einion Gam', the name of a waterfall, means crooked anvil.
On Cwymp y Dwr ar Ganol Dydd, the music is subjected to elemental fire, forged, and doused with water to toughen it up. But forge also means 'to fake', and that too is appropriate: a gloriously fake Rhodri Davies is presented in this recording.'-Confront
London & UK Improv & Related Scenes
Organized Sound and Sample Based Music