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© 2002-2017, Squidco LLC


Jensson, Hilmar's TYFT: Smell the Difference (Skirl)

3rd release from Icelandic guitarist Hilmar Jensson's improv metal trio with Andrew D'Angelo, Jim Black and guests Chris Speed and Peter Evans, heavy and inspired playing!
 

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product information:


UPC: 884501146333

Label: Skirl
Catalog ID: 12
Squidco Product Code: 11674

Format: CD
Condition: New
Released: 2009
Country: USA
Packaging: DVD Digipack
Recorded by Joel Hamilton at The Bunker, November 1-3, 2008.


Personnel:

Hilmar Jensson-guitars

Andrew D'Angelo-alto sax, bass clarinet

Jim Black-drums

Chris Speed-tenor sax, clarinet

Peter Evans-trumpet

Joel Hamilton-electronics (track 4)

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Smell The Goodness 5:39

2. Froth 7:13

3. Pittles 4:57

4. Kryppa 5:42

5. Klondike 5:40

6. Flimbergeist 6:02

7. Clifton 6:21

8. Klinglet 3:41




Related Categories of Interest:


Improvised Music
NY Downtown & Jazz/Improv
Rock and Related
Improvised Rock
Staff Picks & Recommended Items
Peter Evans
Sextet Recordings

sample the album:








descriptions, reviews, &c.

"Smell The Difference is the third album by Icelandic guitarist Hilmar Jensson's metallic power trio Tyft, which features longstanding members Andrew D'Angelo (alto saxophone and bass clarinet) and Jim Black (drums). Since the late nineties, Jensson has explored the fertile territory between popular music and jazz improvisation, both with his own ensembles and Jim Black's Alasnoaxis. Where Black draws inspiration from melodic indie rock, Jensson delves deeper, into testosterone fueled heavy metal.

Augmented by horn players Chris Speed (tenor saxophone and clarinet) and Peter Evans (trumpet), this already impressive trio is given a more colorful palette to work with. Jensson continues to seed his compositions with angular melodies, unusual time signatures and pulverizing grooves, using the additional voices for orchestral impact.

Demonstrating an encyclopedic knowledge of underground music trends, Jensson adopts aspects of nu metal ("Smell The Goodness"), punk-funk ("Froth"), thrash metal ("Pittles") and power metal ("Flimbergeist") throughout this visceral set. Augmented with advanced harmonies, intricate polyrhythms, shifting tempos and ornate counterpoint, Jensson and company add surprising new wrinkles to these staid genres, while maintaining a cohesive sensibility.

[...]

Buoyed by enthusiastic guest contributions, Smell The Difference is a marked departure from the excellent Meg Nem Sa (Skirl, 2006). Embracing edgier facets of the underground for inspiration, Tyft forges ahead, blazing new paths for jazz and improvised music in the new millennium."-Troy Collins


Get additional information at All About Jazz

Artist Biographies:

Jim Black is at the forefront of a new generation of musicians bringing jazz into the 21st century. In addition to being one of the most influential drummers of our time, he is also the leader of one of the world's most forward-thinking bands, AlasNoAxis, featuring his longtime collaborators Chris Speed, Hilmar Jensson and Skúli Sverrisson. Based on the foundation of his virtuosic but highly personal approach to jazz drumming, Black's aesthetic has expanded to include Balkan rhythms, rock songcraft and laptop soundscapes. Though he is revered worldwide for his limitless technique and futuristic concepts, what many listeners treasure in most Jim Black's work is the relentless feeling of joy and invention he brings to his performances. Jim Black's smiling, kinetic, unpredictable presence has enthralled and inspired audiences worldwide for over twenty-five years.

Since the mid-90's, Black has played a major role in the incorporation of new sounds and techniques into the jazz/creative music context. As a member of the collective group Pachora (with Speed, Sverrisson, and guitarist Brad Shepik) Black was one of the leaders in the study and adaptation of Balkan music into jazz-based music. His advanced techniques abstracted the odd time signatures of the Balkans into a new polyrhythmic language equally informed by modern jazz, drum&bass and the dumbeks of the Balkans. Black has also been an innovator in the use of electronics in improvisation, bridging the gap between electro-acoustic improv and more jazz-based traditions. Today, Black's performances are just as likely to feature his laptop-based electronic textures as his drumming.

Born in 1967, Jim Black grew up in Seattle alongside future colleagues Chris Speed, Andrew D'Angelo and Cuong Vu. After cementing their personal and artistic relationships in Seattle's various youth jazz ensembles, in 1985 they moved to Boston, where Black entered the Berklee School of Music. In Boston, Black, Speed and D'Angelo formed Human Feel with guitarist Kurt Rosenwinkel, which rapidly attracted the attention of the jazz cognoscenti in Boston, New York and beyond.

By 1991, Black and the other members of Human Feel had moved to New York City, where they electrified the Downtown music scene then centered around the Knitting Factory and rapidly became among the city's busiest sidemen. Black's early years in New York saw him take featured roles in some of the most critically acclaimed bands of the time, like Tim Berne's Bloodcount, Ellery Eskelin's trio, and Dave Douglas's Tiny Bell Trio. Thus began fifteen years of near-constant touring and recording, with the above bands as well as artists like Uri Caine, Dave Liebman, Nels Cline, Steve Coleman, Tomasz Stanko, and Laurie Anderson.

-Jim Black Website (http://www.jimblack.com/Jim_Black_dotcom/BIO.html)
4/25/2017
"Chris Speed is a composer, clarinetist and saxophonist - and is "one of the principal figures in a dynamic left-of-center jazz/improv scene in the city" (NYTimes). His own bands include Endangered Blood, Human Feel, yeah NO, Trio Iffy, Pachora and The Clarinets. He is a founding member of Jim Black's Alas No Axis and John Hollenbeck's Claudia Quintet (two of the most influential working bands today), works with Uri Caine (deconstructing works by Mahler, Mozart, Bach, Schoenberg, Gershwin) and maintains a busy career of touring, recording, performing, composing, practicing and teaching. Current projects include work with Craig Taborn's Heroic Frenzies, Michael Formanek's Ensemble Kolossus, Dave King's Trucking Co., Matt Mitchell Quartet, Mary Halvorson's Reverse Blue, Banda de los Muertos (NYC's only Banda band), as well as touring his latest project, Endangered Blood (with Black, Trevor Dunn and Oscar Noriega) which was featured on NPR's Tiny Desk Concerts in 2012. (Endangered Blood 2010, Work Your Magic 2013 Skirl). "Speed's Endangered Blood originals stand out as his most melodically generous, accessible and warm batch of compositions he's yet to produce." -DownBeat ****Born in 1967, Speed grew up in the Seattle area where he met future colleagues Jim Black and Andrew D'Angelo, all of whom ended up in Boston in the late 80's where they formed Human Feel with guitarist Kurt Rosenwinkel. (Scatter 1992, Welcome to Malpesta 1994, Speak To It 1996, Galore 2007). While in Boston he studied at New England Conservatory and graduated in 1990. By 1992, after a short tour with the Artie Shaw Band (led by Dick Johnson), Speed moved to New York City where he started working with Tim Berne's (now legendary touring band) Bloodcount. (Unwound 1996, Discretion 1997, Saturation Point 1997, The Seconds 2006).In April 2006, he launched Skirl Records, a label dedicated to Brooklyn based creative music" -Chris Speed Website (http://chrisspeed.com/bio/)
4/25/2017

"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."

-Peter Evans Website (http://pevans.squarespace.com/about/)
4/25/2017

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