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Malaby, Tony : Tamarindo (Clean Feed)

Tony Malaby's trio with William Parker & Nasheet Waits shows his great stylistic diversity in original compositions, making this his finest release to date.
 

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product information:


UPC: 5609063000993

Label: Clean Feed
Catalog ID: CF099
Squidco Product Code: 9258

Format: CD
Condition: New
Released: 2007
Country: Portugal
Packaging: Cardstock Gatefold Sleeve

Personnel:

Nasheet Waits-drums

Tony Malaby-tenor, soprano sax

William Parker-doublebass

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Artist Biographies:

"Nasheet Waits, drummer/music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits. Over the course of his career, Freddie Waits played with such legendary artists as Ella Fitzgerald, Sonny Rollins, Max Roach, McCoy Tyner, and countless others.

Nasheet's college education began at Morehouse in Atlanta, GA, where he majored in Psychology and History. Deciding that music would be his main focus, he continued his college studies in New York at Long Island University, where he graduated with honors, receiving his Bachelor of Arts in Music. While attending Long Island University, Waits studied privately with renowned percussionist, Michael Carvin. Carvin's tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach. It was Max that first gave Nasheet's formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M'BOOM. One highlight of Nasheet's tenure with M'BOOM was the live concert performance of M'BOOM with special guests Tony Williams and Ginger Baker.

Nasheet's talent came to the attention of reedman Antonio Hart, who asked Waits to originate the percussion chair of his first quintet. Waits remained a standing member of Antonio's various ensembles, recording three albums and touring nationally and internationally in noted venues, jazz festivals, as well as live television and radio performances. Nasheet remained a member of Antonio's group through 1998.

Most recently Nasheet has been a member of Andrew Hill's various bands, Jason Moran's Bandwagon, and Fred Hersch's trio. As an originating member of pianist Jason Moran's Bandwagon, Jason, bassist Tarus Mateen, and Nasheet have been deemed, "the most exciting rhythm section in jazz" by JazzTimes, The 2001 recording "Black Stars" with the Bandwagon, featuring Sam Rivers was named the "Best CD of 2001" in (Jazz Times, Jan 2002) and "The New York Times".Nasheet's recording and performing discography is a veritable who's who in Jazz, boasting stints with jazz notables such as Geri Allen, Mario Bauza, Hamiett Bluiett, Abraham Burton, Ron Carter, Marc Cary, Steve Coleman, Stanley Cowell, Orrin Evans, Stefon Harris, Andrew Hill, Bill Lee, Jackie McLean, The Mingus Big Band, The New Jersey Symphony Orchestra, Greg Osby, Joshua Redman, Vanessa Rubin, Antoine Roney, Wallace Roney, Jacky Terrason, Bunky Green, and Mark Turner. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United Stat

Amidst his performing, recording and touring activity, Nasheet teaches private lessons to youth and adults, stressing a personal approach to the drums and music. He has been heralded for his musicality and creativity by such virtuosos as Ed Thigpen, Max Roach, Andrew Hill, and Stanley Cowell . True to his personal philosophy of the necessity to balance Tradition and Modernism, Waits collaborates and performs regularly with a wide range of artists. He remains dedicated to exploring his role and creative path in music."

-Nasheet Waits Website (http://www.nasheetwaits.com/biography.htm)
9/28/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tony Malaby (born January 12, 1964 in Tucson, Arizona) is a jazz tenor saxophonist. Malaby moved to New York City in 1995 and has played with several notable jazz groups, including Charlie Haden's Liberation Music Orchestra, Paul Motian's Electric Bebop Band, Mark Helias's Open Loose, Fred Hersch's Trio + 2 and Walt Whitman project, and bands led by Mario Pavone, Chris Lightcap, Bobby Previte, Tom Varner, Marty Ehrlich, Angelica Sanchez, Mark Dresser, and Kenny Wheeler. Other collaborators have included Tom Rainey, Christian Lillinger, Ben Monder, Eivind Opsvik, Nasheet Waits, and Michael Formanek. His first album as a co-leader was Cosas with Joey Sellers."

-Wikipedia (https://en.wikipedia.org/wiki/Tony_Malaby)
9/28/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."

-William Parker Website (http://www.williamparker.net/)
9/28/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Buried Head

2. Floral and Herbacious

3. La Mariposa

4. Tamarindo

5. Mother's Love

6. Floating Head



All music composed by Tony Malaby
descriptions, reviews, &c.

" "He is sonic, he is time, he is gesture," writes contrabassist Mark Helias about Tony Malaby in his liner notes for "Tamarindo." Helias knows his stuff. Malaby's reputation as a complete tenor and soprano saxophonist continues to grow and his modesty and absolute dedication to his music have become legend. Without making a fuss he has become one of the most spectacular musicians on the New York scene. It's not difficult to understand why he is so valued as a sideman and so respected as a leader. Unlike some saxophonists, his playing appears egoless. Malaby doesn't use more notes than necessary to say what he has to say, he never shouts to be heard, and he gets out of the way of other players. This behavior reflects his personality, although he prefers to credit Tai Chi for his temperament. If the ancient Chinese martial art has indeed influenced his music, his music's spirit is strongly rooted in jazz history. That said, Malaby is not burdened by the past; for him, tradition is food for creative work but nothing more. His companions on this wonderful record - the much-in-demand rhythm section of William Parker and Nasheet Waits - are, like Malaby, acutely aware of the past, yet inventors of the future."-Clean Feed

Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Clean Feed
Parker, William


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