Amazing guitar and percussion duo on this first encounter between Frith and Glennie, recorded for the filming of Thomas Riedelsheimer's documentary Touch the Soundabout Scottis.
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Catalog ID: TZA-CD-7623
Squidco Product Code: 8491
Packaging: Jewel Tray
Fred Frith-bass, electric guitars, organ, metal objects
Evelyn Glennie-drums, gongs, cymbals, metal objects, vibraphone, steel drum, marimba, simtak, toy piano, bell-tree, paper, voice
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1. A Route of Wolves
2. In the World to Change the World
3. A Rag of Colts
5. A Cast of Hawks
6. Walls are Loosening
Percussion & Drums
Soundtracks, Movie Scores, &c.
Staff Picks & Recommended Items
Objects and Home-made Instruments
sample the album:
"Dynamic and astonishing music from two of the world's greatest musical pioneers, this is another special project from multi-instrumentalist/composer/improviser Fred Frith who has been bravely crossing musical borders since the early 1970's. These remarkable duo sessions were recorded during the filming of Thomas Riedelsheimer's exquisite documentary Touch the Soundabout Scottish virtuoso percussionist Evelyn Glennie. Combining the unpredictability of an improvised first encounter with the magic of studio composition, this is music of another dimension, highlighting the power and sensitivity of both players."-Tzadik
At The Squid's Ear!
• Show Bio for Fred Frith
"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.
In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.
The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.
He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.
His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.
Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."-Fred Frith Website (http://www.fredfrith.com/biography.html)
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