The Squid's Ear Magazine


Schliemann, Wolfgang / Vorveld, Michael: alle neune: rheinländer partie (Creative Sources)


 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:


product information:

Personnel:



Wolfgang Schliemann-asorted percussion and found objects hit, bowed, scratched and thrown

Michael Vorveld-percussion and stringed instruments hit, bowed, scratched and plugged


Click an artist name above to see in-stock items for that artist.




Label: Creative Sources
Catalog ID: cs089
Squidco Product Code: 8355

Format: CD
Condition: New
Released: 2007
Country: Portugal
Packaging: Jewel Tray
Recorded in Berlin on March 31 and April 1, 2005.

Descriptions, Reviews, &c.

Sonically rich continuous sound work in minimal acoustic improvisations using percussive elements that are hit, struck, bowed, scratched, plugged and thrown. The duo present encounters from minimal interactive improvisation to glowing stringed environments to clattering minimalism or resonantly ringing worlds; a surprisingly wide sonic palette in distinct percussive and improvisational concepts. The opening "Vorderkranz, grosser Keil" is an amazing sound environment, never grating, but not simply meditative, 9 minutes of motion and progression in an ecstatic state, where guessing the source of the sound is half the fun. The variety and permutations of music that these two create taken together make a fascinating and sometimes intensely encompassing listen.



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Born 1956 , working since 1978 as free-lancing percussionst on improvised / composed New "Music, sound art and performance. Activities in Germany and abroad.

Constant development of individual musical idioms.

Solo / duo / ensemble / orchestral work; Participation in projects based on intermediary concepts (dance / theater / fine arts etc), increasingly refering to space; Emphasis of synaesthetic impacts.

Co-founder of the Wiesbaden musicians'cooperative new jazz (1979), ARTist collective (1983), HumaNoise congress - Days of Contemporary Improvised Music (1987).

Current working and / or available projects are:

* AS?! - Wiesbaden improvisation ensemble (trio with Ulrich Phillipp, doublebass, electronics, Dirk Marwedel, saxophones)

* Ensemble 2 INCQ. (Chamber ensemble with Marianne Schuppe, singing, Ulrich Böttcher, electronics, Joachim Zoepf, Dirk Marwedel, reeds, Christoph Korn, Hans Tammen, guitars, electronics Georg Wolf, Ulrich Phillipp, doublebasses, Michael Vorfeld, percussions)

* Endorfine (duo with Fine Kwiatkowski, dance)

* AQT RZ (trio with Joachim Zoepf, saxophones, bassclarinet, Christoph Korn, guitar, electronics)

* Percussion etcetera (duo with Michael Vorfeld, percussion)

* Acoustic / material sound (performance ensemble with Franz Erhard Walther, Jens P. Carstensen, Jan PER Sunday)

Performances on festivals in Berlin, Bremen, Cologne, Copenhagen, Darmstadt, The Hague, Dresden, Frankfurt, Hamburg, Hanover, Linz, Ljubljana, Munich, Münster, Nancy (among others).

So worked with many players of the european improvisation scene in numerous ad hoc projects.

Publications:

CD> 1991
CD> lanks
CD> congress
CD> should be run after twelfth
CD / MULTIPLE> Acoustic
CD> Exploration
CD> BACH 4/7
CD / brochure> # 7 / # 8 / # 9
CD> AQT RZ <(Ch. Korn / J. Zoepf) Improvisers' Series ONLY / NOT / ONLY / Berslton 199 01 05 1999

CD> tre pezzi per percussione spesso usate in maniera non convenzionale
Selected projects:

> Phenomenal ward
> Interior sound of the outer space - exterior of the interior
> Urbanoper Wiesbaden Summer <- one month of art in public space (1989)

> Stadtraumbespielungen <8 concerts in public spaces with Wiesbaden Improvisations Ensemble (1989)

> 27'10.554 for a percussionist 45 minutes for a speaker <(1990)

> (Con) sequences / mo (ve )ments
> Longstrings and percussion Unerhört
> Acoustic / material sound
> Endorfine
> Ensemble H "en silence"
> About: Shadows, Jumping
> Ensemble H "2 INCQ."
> Helmeteutics 1-3
> The Vulnerability Room (Live / Performances) with artist Schanghutter, Fine Kwiatkowski and Wiesbaden Improvisation Ensemble (1995/96)

> Penthouse 356
> BACH 4/7
> Nomadic-sedentary / nomadic <> climatic
> Arche eo chordata
> Swimming pool study for sound and light
> Impromptu á trois / Tripfuge
(Rhizom DancePerformanceTheatre) (1997), with the title "

> TanzKlangFarbe
> Interpretation - 4/4 in gray tones
> Animorfine
> Böttcher / Kaczynski / Schliemann / Vorfeld (1998)

> Tamashi Endo, Adriana Kocijan, Gernot Frischling and Fine Kwiatkowski

> Listen-field research I-III
> Music for a Spa Park
> Divergent
> Stadtlucht
> Supercollider
> Vario 36
> Character
> Men at work
> OB: ACHT
> Metamorphoses
> Sound-installation / performance / concert for sound-objects, video-projection and live percussion (2000)> soundpanel / PLAYGROUND / JARDIN des objets trouvés

> Time: structured -Nurnichtnur.DE (Translated by Google) (http://www.nurnichtnur.de/artists/schliemann.htm)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. vorderkranz, grosser keil

2. rumelner kracher

3. drei - gerade aus, bärbel

4. variante von fuchsschwanz

5. böse fünf

6. schräge sechs links

7. die verflixte sieben

8. hau den könig

9. letzte chance

Related Categories of Interest:

Creative Sources
Improvised Music
Percussion & Drums
Electro-Acoustic Improv
June 2007
Free Improvisation
Duo Recordings
Objects and Home-made Instruments

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
Other Recommended Releases:
Eichler, Hendrick
Dimensions
(Creative Sources)
Active in the modern creative music scene around Germany and The Netherlands, drummer/percussionist Hendrik Eichler explores a variety of "Dimensions" and "Transcendence" in solo percussive playing, using traditional and extended techniques, from highly active to deeply introspective moods, assisted at time through digital technology.
Pau Nasim (Lopez-Palacios / Serra)
Alusion
(Creative Sources)
Taking their project name as a concatenation of their personal names, appropriate to the close improvisational bond shared by the Spanish drum and sax duo of Nasim Lopez-Palacios and Pau Torres Serra, who present a unique and idiosyncratic language on their instruments to create an engaging set of dialogs through energetically controlled yet never chaotic interaction.
AAM (Forsen / Axelsson / Dimming)
Mollymawk
(Creative Sources)
Three Swedish improvising musicians from different generations are heard in this set of five free jazz and non-idiomatic exchanges, recorded at the artist-run venue Fylkingen Stockholm in 2019, bringing together pianist Arne Forsen (Roscoe Mitchell, John Tchicai and Charles Tyler), drummer Andreas Axelsson (Lia Ullen) and bassist Mats Dimming (APUH!).
Un Coup de Des (Barriere / Sainz)
Volcan Evaporado
(Creative Sources)
Two women in a duo of voice and amplified objects, Lali Barrier using a variety of devices that are clearly micro-amplifed and mixed in performance, as Marta Sainz intones vocal sounds, never speaking but creating innuendo and drama at a cautious pace, allowing Barrier's objects to interact, creating an unusual sonic environment of unpredictable and interesting discourse.



Customers Who Bought This Item Also Bought:
Flying Luttenbachers, The (Walter / Dahl / Battistoni / Nelson / Ospovat)
Terror Iridescence
(ugEXPLODE)
Perhaps the darkest and most experimental album from the Flying Luttenbachers, the 4th from the NYC-based version of Weasel Walter on guitars & drums+bagpipe chanter & electronics, Tim Dahl on bass, Katie Battistoni on guitar, Matt Nelson on sax & live electronics and Sam Ospovat on drums, in two extended, terrific collective improvisations.
Ceccarelli, Isaiah
Toute Clarte m'est Obscure
(Ambiances Magnetiques)
A profound contemporary work integrating improvisation into composed forms from Montreal composer and percussionist Isaiah Ceccarelli and performed by an ensemble of 16 Musique Actuelle improvisers and performers, beautifully balanced between diverse instrumental passages and texts inspired by different poetical and musical forms of the past; sublime.
Ensemble Nist-Nah
Elders
(Black Truffle)
The debut of Ensemble Nist-Nah, a nine-piece collective group of French percussionists led by Nantes-based Australian drummer and percussionist Will Guthrie, incorporating a diverse set of influences including Gamelan performance, contemporary composition, noise and jazz into rich and ecstatic performances, an exciting album of informed approaches to modern and traditional percussion.
Tamura, Natsuki
Summer Tree
(Libra)
A stunning album of solo trumpet performance from Natsuki Tamura, who's name in Japanese translates as 'Natsu' meaning 'summer' and 'Ki' means 'tree', performed as layers of remarkable technique led by clarion playing over trumpet drones, sonic turbulence and percussive interaction on a wok, each layer using his extended vocabulary without studio manipulation.
Kahn, Jason / Jon Mueller / Greg Davis
Green Door
(Autumn Records)
Recorded on the 7th of 8 concerts in a tour with the electroacoustic-improvising trio of Jason Kahn on percussion & electronics, Greg Davis on percussion & electronics and Jon Mueller on percussion & tape, an exemplary performance of close listening, highly textured and evolving ea-improv, each motion subtle and contributing to a richly diverse journey.
Archer / Keeffe / Pyne
Hi Res Heart
(Discus)
Inspired by the 70's Leo Smith Trio and the AACM tradition, during pandemic lockdowns UK multi-reedist & wind player Martin Archer, Charlotte Keeffe on trumpet & electronics and Martin Pyne on drums, percussion, vibraphone & toy piano, developed these 12 pieces where each member recorded four ideas independently, the other two arranging and recording their own parts in response.
Rova Saxophone Quartet
The Circumference of Reason
(ESP Disk)
Four decades into their project, the SF Bay Area saxophone quartet ROVA of Bruce Ackley (soprano & tenor), Steve Adams (alto & sopranino), Larry Ochs (tenor) and Jon Raskin (baritone) continue expanding their magnificent repertoire with original compositions, collective improvisations, and a piece from Glenn Spearman (Cecil Taylor, Double Trio) arranged by Larry Ochs.
Duplant, Bruno
Deux Songes (Les Jours Sont Faits Pour Expliquer Les Nuits)
(Meenna)
Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction.
Cage, John
Klang der Wandlungen [3 CDs]
(Edition Rz)
An impressive triple-CD box with recordings of some late works by John Cage, including "Seventy-Four for Orchestra, 1992", "103 for Orchestra, 1991, part 1 & 2", In a Landscape fur Harfe", "Postcard From Heaven fur Eine Bis Zwanzig Harfen", and some of "The Harmony of Maine"; including a 32 page booklet with photos and liner notes by Jakob Ullmann.
Monteiro, Alfredo Costa
Um Em Um
(Monotype)
An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.
Freedman, Lori
3
(Ambiances Magnetiques)
Clarinetist Lori Freedman brought together 3 distinct trios over the course of 3 consecutive nights with a total of 6 other Montreal musicians for live encounters of improvisation.
Butcher / Durrant / Lovens /Malfatti / Russell
News From The Shed
(Emanem)
Bailey, Derek & Fine, Milo
Scale Points on the Fever Curve
(Emanem)



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC