London Improvisers Orchestra
Responses, Reproduction & Reality (freedom of the city 2003-4)
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Catalog ID: 4110
Squidco Product Code: 4588
Country: Great Britain
Packaging: Jewel tray, not sealed.
Recorded at the Freedom of the City Festival at Conway Hall in 2003 and 2004.
Jacques Foschia-bass clarinet
Harrison Smith-bass clarinet
Tom Chant-soprano saxophone
Lol Coxhill-soprano saxophone
Adrian Northover-soprano saxophone
Caroline Kraabel-alto saxophone
John Butcher-tenor saxophone
Simon H Fell-doublebass
Keith Rowe-electric guitar
Dave Tucker-electric guitar
Tony Marsh-drum set
Louis Moholo-Moholo-drum set
Mark Sanders-drum set
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1. Wit's End 12:28
2. Improvisation Panels(1) 9:22
3. Hearing Reproduction 5 6:46
4. Proceeding 6 12:46
5. Responses 5:05
6. ISM 9:20
7. Fantasy And Reality 9:50
Related Categories of Interest:
EMANEM & psi
European Improv, Free Jazz & Related
sample the album:
"From two freedom of the city festivals, with around 30 musicians performing: conceptions by Simon H Fell, Caroline Kraabel (featuring guest Jaap Blonk), David Leahy, and Philipp Wachsmann; conductions by Pat Thomas (featuring John Butcher, Lol Coxhill, Harrison Smith, Ian Smith, Alan Tomlinson and others) and Dave Tucker (featuring Steve Beresford, Adam Bohman, Tom Chant, B J Cole, Roland Ramanan, Orphy Robinson, Paul Rutherford, Alan Tomlinson, Veryan Weston and others)."-Emanem
• Show Bio for Harry Beckett
"Harold Winston "Harry" Beckett (30 May 1935 - 22 July 2010) was a British trumpeter and flugelhorn player of Barbadian origin.
Born in Bridgetown, Saint Michael, Barbados, Harry Beckett learned to play music in a Salvation Army band. A resident in the UK since 1954, he had an international reputation. In 1961, he played with Charles Mingus in the film All Night Long. In the 1960s he worked and recorded within the band of bass player and composer Graham Collier. Beginning in 1970, he led groups of his own, recording for Philips, RCA and Ogun Records among other labels.
He was a key figure of important groups in the British free jazz/improvised music scene, including Ian Carr's Nucleus, the Brotherhood of Breath and The Dedication Orchestra, London Jazz Composers Orchestra, London Improvisers Orchestra, John Surman's Octet, Django Bates, Ronnie Scott's Quintet, Kathy Stobart, Charlie Watts, Stan Tracey's Big Band and Octet; Elton Dean's Ninesense. He has also recorded with Keef Hartley, Jah Wobble, David Sylvian and worked with David Murray. He toured abroad with Johnny Dyani, Chris McGregor, Keith Tippett, John Tchicai, Joachim Kühn, Dudu Pukwana's Zila, George Gruntz's Bands, Belgian quintet The Wrong Object, Pierre Dørge's New Jungle Band and Annie Whitehead's Robert Wyatt project, Soupsongs, which also featured Phil Manzanera and Julie Tippetts, among other jazz and rock luminaries.
His dub-oriented album, The Modern Sound of Harry Beckett, was produced by famed British producer Adrian Sherwood and released on On-U Sound in late 2008.
In 1972, Beckett won the Melody Maker jazz Poll as "Top Trumpeter in Britain". He was a member of the Orchestre National de Jazz between 1997 and 2000.
Beckett died on 22 July 2010 after suffering a stroke."-Wikipedia (https://en.wikipedia.org/wiki/Harry_Beckett)
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• Show Bio for Alan Tomlinson
"Alan Tomlinson was born in Manchester and studied trombone at the City of Leeds College of Music. He has been actively improvising since the early 1970s and was a member of I.L.E.A's Cockpit Theatre Music Ensemble, Tony Oxley's Angular Apron, Barry Guy's London Jazz Composers Orchestra and the Ballet Rambert Orchestra.
He works with musicians including Jon Corbett, David Toop, Phil Minton and Paul Hession and has toured all over Europe and as far afield as North America and Siberia. He recorded the solo album 'Still Outside' in 1980 and more recently 'Trap Street', with Steve Beresford (electronics) and Roger Turner (percussion) which was released in May 2003 on Emanem."-Last.FM (https://www.last.fm/music/Alan+Tomlinson/+wiki)
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• Show Bio for Lol Coxhill
"George Lowen Coxhill (19 September 1932 - 10 July 2012), generally known as Lol Coxhill, was an English free improvising saxophonist and raconteur. He played the soprano or sopranino saxophone. Coxhill was born to George Compton Coxhill and Mabel Margaret Coxhill (née Motton) at Portsmouth, Hampshire, UK. He grew up in Aylesbury, Buckinghamshire, and bought his first saxophone in 1947. After national service he became a busy semi-professional musician, touring US airbases with Denzil Bailey's Afro-Cubists and the Graham Fleming Combo. In the 1960s he played with visiting American blues, soul and jazz musicians including Rufus Thomas, Mose Allison, Otis Spann, and Champion Jack Dupree. He also developed his practice of playing unaccompanied solo saxophone, often busking in informal performance situations. Other than his solo playing, he performed mostly as a sideman or as an equal collaborator, rather than a conventional leader - there was no regular Lol Coxhill Trio or Quartet as would normally be expected of a saxophonist. Instead he had many intermittent but long-lasting collaborations with like-minded musicians.
In the late 1960s and early 1970s, he was a member of Canterbury scene bands Carol Grimes and Delivery and then Kevin Ayers and the Whole World. He became known for his solo playing and for work in duets with pianist Steve Miller and guitarist G. F. Fitzgerald. He was thought to have largely inspired Joni Mitchell's song "For Free", while busking solo on the old footbridge which formed part of the Hungerford Bridge between Waterloo and Charing Cross. Coxhill collaborated with other musicians including Mike Oldfield, Morgan Fisher (of Mott the Hoople), Chris McGregor's Brotherhood of Breath and its musical descendant The Dedication Orchestra, Django Bates, the Damned, Hugh Metcalfe, Derek Bailey and performance art group Welfare State.
He often worked in small collaborative groups with semi-humorous names such as the Johnny Rondo Duo or Trio (with pianist Dave Holland - not the bassist of the same name), the Melody Four (characteristically a trio, with Tony Coe and Steve Beresford), and The Recedents (with guitarist Mike Cooper and percussionist Roger Turner), known as such because the members were (in Coxhill's words) "all bald", though the name may additionally be a play on the American band the Residents. Typically these bands performed a mix of free improvisation interspersed with ballroom dance tunes and popular songs. There was humour throughout his music but he sometimes felt it necessary to tell audiences that the free playing was not intended as a joke. Coxhill was compere and occasional performer at the Bracknell Jazz Festival, and a raconteur as well as a musician; he often would introduce his music by saying the words, "what I am about to play you may not understand". It was following a performance at Bracknell that he recorded the melodramatic monologue Murder in the Air."-Wikipedia (https://en.wikipedia.org/wiki/Lol_Coxhill)
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• Show Bio for Adrian Northover
"ADRIAN NORTHOVER - saxophones, Played and recordings with B Shops for the Poor, The Remote Viewers, Sonicphonics (with Billy Bang), The London Improvisers Orchestra, Ensemble Trip-Tik, Anna Homler, Ricardo Tejero, The Custodians, Sabu Toyozumi, Terry Day, Tristan Honsinger and JJ Duerinckx ,duo CD’s with Adam Bohman, Tasos Stamou, Daniel Thompson and others. Current projects include ‘Hard Evidence’ with John Edwards and Steve Noble, playing the music of Thelonious Monk, Vladimir Miller’s Notes from Underground, ‘Hogcallin’ - a septet playing the music of Charles Mingus, and a trio with Marcio Mattos and Marilza Gouvea. This year (2016) has also seen collaborations with Neil Metcalfe(flute), Jean-Michel Van Schouwburg (voice), Vladimir Tarasov (drums), and Marcello Magliocchi (drums) and Daniel Thompson(guitar). Adrian is also involved with Indian music (Jazz Thali ) and works with live music for film (Ensemble Kino)."-Adrian Norhover Website (http://www.adriannorthover.co.uk/Marchtrio.html)
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• Show Bio for Caroline Kraabel
"Caroline Kraabel (born 1961 in Torrance, California) is a London-based American composer, improviser and saxophonist. She is known for her research into the implications of electricity related to recording, synthesis and amplification.
After living in Seattle, Kraabel moved to London while in her teenage years, at the end of the punk era. There she took up the saxophone and became active in London's improvised music scene, eventually developing a style based on the physicality of the instrument, extended techniques and acoustics. She has performed solo and collaborated with John Edwards, Veryan Weston, Charlotte Hug, Maggie Nicols, Phil Hargreaves, and the London Improvisors Orchestra among others. She has also organized and conducted pieces for Mass Producers-a 20-piece, all-female saxophone/voice orchestra and for Saxophone Experimentals in Space-a 55-piece group of young saxophonists, as well as with her two children during walks through the streets of London.
Recordings include Transitions with Maggie Nichols and Charlotte Hug, Five Shadows with Veryan Weston, Performances for Large Saxophone Ensemble 1 and 2 and Performances for Large Saxophone Ensemble 3 and 4 with Mass Producers and a solo work Now We Are One Two.
Caroline Kraabel has been hosting a weekly radio show on London's Resonance FM and is the editor for the London Musicians Collective's magazine Resonance."-Wikipedia (https://en.wikipedia.org/wiki/Caroline_Kraabel)
^ Hide Bio for Caroline Kraabel
• Show Bio for John Butcher
"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.
He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.
HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.
Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
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• Show Bio for Marcio Mattos
"Marcio Mattos was born Rio de Janeiro, 20th March 1946; double bass, 'cello.
Studied acoustic guitar in early teens, switching to double bass and cello, mainly self-taught, after becoming interested in Jazz. Later entered the Villa-Lobos institute where he became involved in improvisation and electronic music. Since coming to Europe in 1970 has performed, recorded and broadcast both in Britain and abroad in groups including John Surman, Evan Parker, John Stevens, Keith Tippett, Derek Bailey's Company, Dewey Redman and Marylin Crispell amongst others. Has also worked with dance companies such as Ballet Rambert and The Extemporary Dance Theatre Company, and in electro-acoustic music groups such as the West Square Electronic Music Ensemble.
A long- standing member of the Eddie Prevost Quartet and various Elton Dean groups. Other current British projects include the "Bardo State Orchestra", Chris Burn's Ensemble, "Wooden Taps" with Maggie Nicols, "Embers" with John Butcher and others, "Lines" with Phil Wachsmann/Jim Denley and others, and "Full Monte" with Chris Biscoe, Brian Godding and Tony Marsh . International projects working in Europe have included Georg Graewe's Grubenklang Orchestra, Stefano Maltese's "Open Music Ensemble", Tony Oxley's Celebration Orchestra, "AXON"- trio with Phil Minton and Martin Blume , bass/cello and shakuhachi duo with Shiku Yano, and in Japan various groupings with Sabu Toyozumi and Keiko Midorikawa.
Also trained as a Ceramic artist at Goldsmiths college and continues to make and exhibit work in clay."-EFI (http://www.efi.group.shef.ac.uk/mmattos.html)
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• Show Bio for John Edwards
"After taking up the bass, around 1987, John Edwards co-formed The Pointy Birds who went on to win awards for their music for The Cholmondeleys and Featherstonehaughs dance troupes. The group appeared at festivals in Glasgow, Edinburgh, Moers, Leverkusen, Copenhagen. Around 1990, Edwards played his first gigs with London improvisers such as Roger Turner, Lol Coxhill, Maggie Nicols, Phil Minton.
Between 1990 and 1995 Edwards was a member of three touring groups simultaneously: B-Shops For The Poor, The Honkies and GOD. During this period he also became an increasingly regular player on the London improvised music scene and performed his first solo gigs; he composed and performed music theatre with the bass and cello duo The Great Explorers, street-busked a lot and appeared at many more festivals in Germany, Estonia, France, Italy, Czech, etc.
Since 1995 John Edwards has become a "mainstay" of the London scene, playing with just about everybody, an activity that has seen him clocking up between 150 and 200 gigs a year. He has become regular player with Evan Parker, in many groupings, and with Tony Bevan, Veryan Weston, and Elton Dean, often in collaboration with Mark Sanders on percussion. He has become a more frequent player on the European (and festival) scene, appearing at Taktlos, Ulrichsburg, Nickelsdorf, Budapest, New Zealand and in the USA. He continues to work on solo performances."-EFI (http://www.efi.group.shef.ac.uk/musician/medwards.html)
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• Show Bio for David Leahy
"David Leahy is a Kent (UK) based musician and dancer specialising in things improvised, from Free Improvisation in music to Contact Improvisation in dance.
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• Show Bio for Keith Rowe
"tabletop guitarist and painter. Rowe is a founding member of both the influential AMM in the mid-1960s (though in 2004 he quit that group for the second time) and M.I.M.E.O. Having trained as a visual artist, Rowe's paintings have been featured on most of his own albums. After years of obscurity, Rowe has achieved a level of relative notoriety, and since the late 1990s has kept up a busy recording and touring schedule. He is seen as a godfather of EAI (electroacoustic improvisation), with many of his recent recordings having been released by Erstwhile Records.
Rowe began his career playing jazz in the early 1960s-notably with Mike Westbrook and Lou Gare. His early influences were guitarists like Wes Montgomery, Charlie Christian and Barney Kessel. Eventually, however, Rowe grew tired of what he considered the form's limitations. Rowe began experimenting, slowly and gradually. An important step was a New Year's resolution to stop tuning his guitar-much to Westbrook's displeasure. Rowe gradually expanded into free jazz and free improvisation, eventually abandoning conventional guitar technique.
This change in his approach to guitar, Rowe reports, was partly inspired by a teacher in one of his painting courses who told him, "Rowe, you cannot paint a Caravaggio. Only Caravaggio can paint Caravaggio." Rowe reports that after considering this idea from a musical perspective, "trying to play guitar like Jim Hall seemed quite wrong." For several years Rowe contemplated how to reinvent his approach to the guitar, again finding inspiration in visual art, namely, American painter Jackson Pollock, who abandoned traditional painting methods to forge his own style. "How could I abandon the technique? Lay the guitar flat!"
Rowe developed various prepared guitar techniques: placing the guitar flat on a table and manipulating the strings, body and pick-ups in unorthodox ways to produce sounds described as dark, brooding, compelling, expansive and alien. He has been known to employ objects such as a library card, rubber eraser, springs, hand-held electric fans, alligator clips, and common office supplies in playing the guitar. A January 1997 feature in Guitar Player magazine described a Rowe performance as "resemble a surgeon operating on a patient." Rowe sometimes incorporates live radio broadcasts into his performances, including shortwave radio and number stations (the guitar's pick-ups will also pick up radio signals, and broadcast them through the amplifier).
AMM percussionist Eddie Prévost reports that Rowe has "an uncanny touch on the wireless switch", able to find radio broadcasts which seem to blend ideally with, or offer startling commentary on, the music. (Prévost, 18). On AMMMusic, towards the end of the cacophonous "Ailantus Glandolusa", a speaker announces via radio that "We cannot preserve the normal music." Prevost writes that during an AMM performance in Istanbul, Rowe located and integrated a radio broadcast of "the pious intonation of a male Turkish voice. AMM of course, had absolutely no idea what the material was. Later, it was complimented upon the judicious way that verses from The Koran had been introduced into the performance, and the respectful way they had been treated!" In reviewing World Turned Upside Down, critic Dan Hill writes, "Rowe has tuned his shortwave radio to some dramatically exotic gameshow and human voices spatter the mix, though at such low volume, they're unintelligible and abstracted. Rowe never overplays this device, a clear temptation with such a seductive technology - the awesome possibility of sonically reaching out across a world of voices requires experienced hands to avoid simple but ultimately short-term pleasure. This he does masterfully, mixing in random operatics and chance encounters with talkshow hosts to anchor the sound in humanity, amidst the abstraction." "
Some accounts report that Rowe's guitar technique was an influence on Pink Floyd founder Syd Barrett: "Taking his cues from experimental guitarist Keith Rowe of AMM, Barrett strived to push his music farther and farther out into the zone of complete abstraction."
Rowe has worked together with numerous composers and musicians, including Cornelius Cardew, Christian Wolff, Howard Skempton, Jeffrey Morgan, John Tilbury, Evan Parker, Taku Sugimoto, Otomo Yoshihide, Sachiko M, Oren Ambarchi, Christian Fennesz, Burkhard Beins, Kurt Liedwart, Toshimaru Nakamura, David Sylvian and Peter Rehberg.-Wikipedia (https://en.wikipedia.org/wiki/Keith_Rowe)
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• Show Bio for Pat Thomas
"Born 27 July 1960; Piano, electronics. Pat Thomas started playing at the age of 8 and studied classical music and played reggae. He began playing jazz at sixteen after seeing Oscar Peterson on television then listened to snatches of jazz on the radio before, in 1979, playing his first serious improvised gigs. From 1986 he played with Ghosts which was Pete McPhail and Matt Lewis.
In addition to programming his keyboards, Pat Thomas also utilises prerecorded tapes. He told Chris Blackford (1991), 'As far as the tapes are concerned I'll probably just sit in front of the TV and tape whatever's going on and so some editing afterward to decide what might be useful. ...But I don't actually put a label on each tape saying what's on there, so when I come to use them I don't know what I'm going to be playing. That obviously prevents me from setting things up. I pick them at random and see what happens. So I'm just as surprised as anybody else at what comes out'.
In 1988 he was awarded an Arts Council Jazz Bursary to write three new electroacoustic compositions for his ten-piece ensemble, Monads: Roger Turner and Matt Lewis, percussion; Pete McPhail, WX7 wind synthesizer; Neil Palmer, turntables; Phil Minton, voice; Phil Durrant, violin; Marcio Mattos, bass; Jon Corbett, trumpet; Geoff Searle, drum machines. The intention was to feature different aspects of electronics using improvisation so, for example, one piece - Dialogue - featured Pete McPhail and Neil Palmer, another concentrated on the interaction of percussionists and drum machines, and a third piece had Phil Minton and Jon Corbett improvising with a computer. The pieces were performed at the Crawley Outside-In Festival of new music in 1989.
Pat Thomas was invited by Derek Bailey to play in Company Week in 1990 and 1991 and he also took part in the Ist International Symposium for Free Improvisation in Bremen with the guitarist. He has been a member of the Tony Oxley Quartet (documented on Incus CD 15) and played in Oxley's Angular Apron along with Larry Stabbins, Manfred Schoof and Sirone at the 8th Ruhr Jazz Meeting and in the percussionist's Celebration Orchestra. He plays with Lol Coxhill in a range of combinations from duo to being a member of 'Before my time', is a member of Mike Cooper's Continental Drift, and he has a well established duo with percussionist Mark Sanders and a trio with Steve Beresford and Francine Luce. In 1992 Pat Thomas formed the quartet Scatter with Phil Minton, Roger Turner and Dave Tucker; funded by the Arts Council they toured the UK in 1993 and again at the beginning of 1997.
On the 'Festival circuit', Pat Thomas has appeared at: the Young Improvisors Festival at the Korzo Theatre, Den Haag (with Jim O'Rourke, Mats Gustafsson and Alexander Frangenheim); Angelica 95 in Bologna, Italy; the Stuttgart 5th Festival of Improvised Music 96 (with Fred Frith, Shelly Hirsch, Carlos Zingaro and others); and the 3rd International Festival 96 in Budapest (with Evan Parker, Phil Minton, John Russell and Roger Turner).-EFI (http://www.efi.group.shef.ac.uk/mthomas.html)
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• Show Bio for Steve Beresford
"Steve Beresford (born 1950) is a British musician who graduated from the University of York. He has played a variety of instruments, including piano, electronics, trumpet, euphonium, bass guitar and a wide variety of toy instruments, such as the toy piano. He has also played a wide range of music. He is probably best known for free improvisation, but has also written music for film and television and has been involved with a number of pop music groups.
Beresford played in Derek Bailey's Company events and in the groups Alterations with David Toop, Terry Day and Peter Cusack, and the Three Pullovers with Nigel Coombes and Roger Smith. He was also a member with Gavin Bryars and Brian Eno of the Portsmouth Sinfonia.
Beresford has continued to play free improvisation with a number of prominent musicians, including Evan Parker, Lol Coxhill, John Zorn, and Han Bennink. He has collaborated extensively with Swiss-American artist/musician Christian Marclay and is an active member of the long-standing London Improvisers Orchestra.
From 2010 he performed various pieces by John Cage, including Indeterminacy with Tania Chen and comedian Stewart Lee, and a performance with Ilan Volkov at The BBC Proms 2012 at The Royal Albert Hall in London.
He has also worked with a number of popular musicians, including Ray Davis, The Slits, Frank Chickens, Ted Milton and The Flying Lizards. In 2015 he performed a duoproject with the upcoming Norwegian singer Natalie Sandtorv at the Blow Out! festival in Oslo, Norway.
He was awarded a Paul Hamlyn Award for Artists in 2012. He is a senior lecturer on the Commercial Music course at University of Westminster.
Beresford's music and his teachings have inspired the musical community in the UK for over a decade. British songwriter and performer Katy Carr cites Steve Beresford's lectures on musical themes associated with Free improvisation, Experimental music, John Cage, musique concrète, Diamanda Galás and The Slits as a source of initial inspiration with regards to the creation of her debut album, Screwing Lies released in 2001."-Wikipedia (https://en.wikipedia.org/wiki/Steve_Beresford)
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• Show Bio for Veryan Weston
"Born in 1950, and moved from Cornwall to London in 1972 and began playing as a freelance jazz pianist as well as developing as an improviser at Little Theatre Club.
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• Show Bio for Louis Moholo-Moholo
"Louis Tebogo Moholo (born 10 March 1940), is a South African jazz drummer.
Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and is the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, Spirits Rejoice on Ogun Records, is considered a classic example of the combination of British and South African players. In the early 1970s, Moholo was also a member of the afro-rock band Assagai.
He has played with many musicians, including Derek Bailey, Steve Lacy, Evan Parker, Enrico Rava, Roswell Rudd, Irène Schweizer, Cecil Taylor, John Tchicai, Archie Shepp, Peter Brötzmann, Mike Osborne, Keith Tippett, Elton Dean and Harry Miller.
Moholo returned to South Africa in September 2005, performing with George Lewis at the UNYAZI Festival of Electronic Music in Johannesburg. He now goes under the name Louis Moholo-Moholo because the name is more ethnically authentic. South African promoter Slow Life in March 2017 at the Olympia Bakery in Kalk Bay, Cape Town produced a show where Louis performed along with Mark Fransman, Reza Khota, Keenan Ahrends and Brydon Bolton."-Wikipedia (https://en.wikipedia.org/wiki/Louis_Moholo)
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• Show Bio for Mark Sanders
"Mark Sanders has played with many renowned musicians including Roscoe Mitchell, Wadada Leo Smith, Derek Bailey, Henry Grimes, Roswell Rudd, Peter Brotzmann, Barry Guy, Otomo Yoshihide, Jah Wobble, Sidsel Endresen , Charles Gayle, Peter Evans and William Parker. He works with John Edwards in a duo and with groups including Evan Parker, `Foils` with Frank Paul Schubert and Matthius Muller and groups with Veryan Weston, John Tilbury, Agusti Fernandez and Mathew Shipp. Mark works in a regular improvising duo with John Butcher and also performing John`s composition `Tarab Cuts` which has played festivals in Rio de Janiero, Amsterdam, Barcelona, Glasgow, Bristol and London. In a trio with cellist Okkyung Lee, John and Mark have played in Belgium, France, England and Scotland. He also has a longstanding duo with Sarah Gail Brand which has featured on the BBC`s `The Stuart Lee Show`and in the film `Taking the dog for a Walk`.
He has performed solo for a Christian Marclay exhibition at The White Cube Gallery in London, Evan Parker`s festival`Unwhitstable` in Wroclaw, Poland for `Solos Festival` The 100 Years Gallery London, an improvised music series in Derby and Cafe Oto in London. Working with Christian Marclay in his `Everyday` piece for film and live music, he has performed in Aldeburgh, Ruhr Trienalle, Vienna Bienalle, Holland festival and London`s QEH and has also collaborated with him playing for the film `Screenplay`in London and Lisbon. In situations using composition in one form or another Mark works in various projects including `13 Vices` with Brian Irvine/Jennifer Walshe, Alex Hawkins Ensemble featuring Peter Evans, Simon Fell Ensembe, groups with Hasse Poulsen and Luc Ex , Sarah Sarhandi`s `Both Universe`, Elaine Mitchener`s `Sweet Tooth` and has played in the groups of Shabaka Hutchings including`Sons of Kemet` Conceptual Artist Sam Belinfante collaborated with Mark in his piece `On the One Hand, and the Other` in two exhibitions at Camden Arts Centre, London For Conceptual artist Henrik Hakensen`s film `The End` he has performed as an improvising soloist with orchestras conductedd by Jessica Cottis, playing the music of John Coxon in Glasgow, Sydney and Monte Carlo As a guest with New York`s ICE Ensemble he has performed John Zorn`s `The Tempest` in London and at Huddersfield New Music Festival.
Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, in duo and `Frisque Concordance` with Georg Graewe , and the ensembles of Mikolaj Trzaska, Uwe Oberg and Peter Jaquemyn. He has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Australia, Mozambique and Turkey, playing at many major festivals including Nickelsdorf, Riga, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, FMP, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D`hiver and Hurta Cordel."-Mark Sanders Website (http://www.marksanders.me.uk/biography.html)
^ Hide Bio for Mark Sanders
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