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Catalog ID: erstwhile 032
Squidco Product Code: 2241
Matt Davis-field recordings, electronics, trumpet
Phil Durrant-software synths and treatments
Mark Wastell-amplified textures
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1. open (18:27)
2. fist (23:30)
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"Mark Wastell and Matt Davis met and first played together in a workshop led by Eddie Prevost in London during the spring of 1996. Soon after, Wastell was invited to join Chris Burn's Ensemble, in which he played with Phil Durrant for the first time. Subsequently, Phil and Mark worked together in the quartets Assumed Possibilities and Quatuor Accorde, documented on Rossbin and Emanem CDs, respectively. The debut trio concert by Davis/Durrant/Wastell took longer to organise than any of the participants could have anticipated, due mainly to Matt's temporary relocation to Barcelona. The three musicians didn't come together until August 2000, for a concert at All Angels in West London. This was an all-acoustic incarnation: trumpet (Davis), violin (Durrant) and cello (Wastell). A recording of this concert was issued on Wastell's Confront label as a limited edition CD-R, now long out of print. When Davis returned from Spain in early 2002, the trio began to rehearse on a regular basis.Arising from these intensive rehearsals was a new group aesthetic and a shift in focus from acoustic to electronic-based material. By this stage, Durrant had developed a personal language using software synths and treatments and Wastell had begun investigating a sound source comprising what he refers to as "amplified textures", into which Davis' newfound interest in field recordings and electronics fit perfectly. open documents this exciting period in the group's evolution, with enough groundwork having been laid to develop a strong and unique musical identity but without the all-too-identifiable sound of a group overfamiliar with itself. open was recorded in two sessions at LMC sound in March and May 2003, both superbly engineered by Tom Wallace. It represents the first recording of Durrant exclusively using a computer, and points to a new direction for the London scene, one more organic and less directly rooted in the free improvisation of the 1980's. open largely consists of tiny,connected events, never drifting into excessive caution, always taking risks and ceaselessly pressing against the overhanging silence."-Erstwhile
• Show Bio for Mark Wastell
"Mark Wastell Born 1968; cello.
Much of Mark Wastell's relationship with his chosen instrument is concentrated on the tactile, textural and sonic possibilities of both violoncello and bow. He is increasingly interested in working with extreme elements drawn from frequency, timbre and pitch.
His early activity was consciously and subconsciously influenced by a variety of improvising musicians including John Stevens, Barry Guy, Phil Durrant and John Russell. Subsequent exposure to contemporary composers lead to a greater understanding and appreciation of the works written for strings by Feldman, Cage, Nono, Lachenmann and Sciarrino. The use of live electronics and music concrete by Tudor, Parmegiani, Xenakis and others was another important early influence.
Wastell's current instrumental material primarily focuses on using abstract principles of space and texture - encompassing elements of new London silence, pro-instrument minimalism, new complexity and electro-acoustics. Because of the very nature of his chosen instrument, he tends to favour 'chamber' style ensembles and is a member of a number of regular groups:• Chris Burn's Ensemble, with John Butcher, Rhodri Davies, John Russell, Matt Hutchinson
• Derek Bailey's Company - with, for example, Will Gaines, Simon H. Fell and Rhodri Davies
• Evan Parker's String Project, with Peter Cusack, Hugh Davies, Rhodri Davies, Phil Durrant, John Edwards, Kaffe Matthews, Marcio Mattos, John Russell
• Assumed possibilities, with Chris Burn, Rhodri Davies and Phil Durrant
• The Sealed Knot, with Burkhard Beins and Rhodri Davies
• Necessaire with Alessandro Bosetti, Ignaz Schick and Burkhard Beins
• IST with Simon Fell and Rhodri Davies
• Quatuor Accorde with Tony Wren, Phil Durrant and Charlotte Hug
• Broken Concort, a duo with Rhodri Davies
Mark Wastell has also performed with many other leading musicians including John Zorn, Keith Rowe, Peter Kowald, Hugh Davies, Roger Turner, Veryan Weston, Lol Coxhill, Mark Sanders, Axel Dorner, Hans Koch, Phil Minton, Max Eastley and Steve Beresford.
As a soloist he has played at the Micro-classical Festival (London 1996), LMC Festival (London 2000) and the Huddersfield Contemporary Music Festival (2000). He has travelled extensively with various groups, performing on tour and at festivals in the USA, France, Spain, Italy, Germany, Sweden, Denmark and Greece. Other work includes the launch in 1996 of his own record label, Confront Recordings. Wastell is also joint co-ordinator of the concert venue All Angels, together with Rhodri Davies."-European Free Improv (EFI) (http://www.efi.group.shef.ac.uk/musician/mwastell.html)
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