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Personnel:



Lindsay Cooper-sopranino saxophone, bassoon

Phil Minton-voice, trumpet

Elvira Plenar-piano, synthesiser

Dean Brodrick-keyboards, accordion, bassoon

Paul Jayasinha-trumpet, cello, wind synthesiser

Robyn Schulkowsky-percussion (marimba, timpani, gong, small drum kit, tuned metal discs, various small percussion instruments


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UPC: 7619942502928

Label: Intakt
Catalog ID: ITK29.2
Squidco Product Code: 1732

Format: CD
Condition: New
Released: 1993
Country: Switzerland
Packaging: Jewel Tray
Recorded at Radio Studio Zurich, Switzerland, on August 3rd, 4th and 5th, 1992, by Peter Pfister.

Descriptions, Reviews, &c.

"Sahara Dust is Lindsay Cooper and Robyn Archer's collaborative score for a music theater production based on the Gulf War, and was recorded in 1992. Her accomplices number five and include vocalist and trumpeter Phil Minton. Scored in five movements, each with a textual element that serves as a meditation for the music, Cooper, who has long scored collaborative projects involving film, television, voices, dances, and theater, has outdone herself this time. The brooding score which slows the vocalist into Archer's words about millions of people coming out of their homes to feel specks of hand interspersed with the raindrops as their televisions sets drone on about a conflict happening somewhere "over there," is comprised of elements of cabaret, jazz, blues, classical and Middle Eastern music. Tonally Cooper goes for a series of colors that walk the line cracking apart all notions of "popular" and "art" song. The story, if it can be called that (meditation is more like it) unfolds at a gradual, unhurried pace with all of the instrumentalists being allowed to solo and add shape and depth to her intricate and somber but deeply beautiful score. There is a harmonic sensibility at work here, which is staggering, as Cooper places the quality of Minton's voice as a central element in her score, and the manner in which she balances the various tonalities from accordions, bassoons, cello, and synthesizers. The result is a stirring, moving political and emotional tour de force that is easy on the ears and taxes the heart to resolve contradictions in the way we perceive the world. No one can ask more of a composer."-Thom Jurek, All Music Guide


Artist Biographies

"Lindsay Cooper (3 March 1951 Ð 18 September 2013) was an English bassoon and oboe player, composer and political activist. Best known for her work with the band Henry Cow, she was also a member of Comus, National Health, News from Babel and David Thomas and the Pedestrians. She collaborated with a number of musicians, including Chris Cutler and Sally Potter, and co-founded the Feminist Improvising Group. She wrote scores for film and TV and a song cycle Oh Moscow which was performed live around the world in 1987. She also recorded a number of solo albums, including Rags (1980), The Gold Diggers (1983) and Music For Other Occasions (1986).

Cooper was diagnosed with multiple sclerosis in the late 1970s, but did not disclose it to the musical community until the late 1990s when her illness prevented her from performing live. In September 2013, Cooper died from the illness at the age of 62, 15 years after her retirement."

-Wikipedia (https://en.wikipedia.org/wiki/Lindsay_Cooper)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Phil Minton comes from Torquay. He played trumpet and sang with the Mike Westbrook Band in the early 60s- Then in dance and rock bands in Europe for the later of part of the decade. He returned to England in 1971, rejoining Westbrook and was involved in many of his projects until the mid 1980's.

For most of the last forty years, Minton has been working as a improvising singer in lots of groups, orchestras, and situations, all over the place. Numerous composers have written music especially for his extended vocal techniques. He has a quartet with Veryan Weston, Roger Turner and John Butcher, and ongoing duos, trios and quartets with above and many other musicians.

Since the eighties, His Feral Choir, where he voice-conducts workshops and concerts for anyone who wants to sing, has performed in over twenty countries."

-Phil Minton Website (https://www.philminton.co.uk/8-2/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born and raised in South Dakota, percussionist Robyn Schulkowsky has been an innovator and collaborator throughout her life. Already during her studies in Iowa and Germany and later on her international solo tours, Robyn Schulkowsky has dedicated herself to revealing the wonders of percussion to people all over the world. Her continuous exploration of new sound dimensions has led to the development of many new and unusual instruments.

An active musician on five continents, Robyn Schulkowsky moved to Germany during a heyday of experimental and adventurous classical composition. She has premiered and recorded some of the most important percussion works of the 20th and 21st centuries, working with composers such as Karlheinz Stockhausen, Kevin Volans, John Cage, Morton Feldman and Iannis Xenakis, presenting their works during tours that included the former Soviet Union, India, Africa, South America, Korea, Japan as well as at major European music festivals.

Robyn Schulkowsky's adventurous nature connects her with exceptional project partners and alternative performance spaces. She has collaborated on multi-media projects with legendary African drummer Kofi Ghanaba, avant-garde visual artist Guenther Uecker, the actress Edith Clever and groundbreaking choreographer Sasha Waltz, and has founded - together with Stephan Andreae - the annual festival Drums Summit Bonn.

Robyn Schulkowsky is particularly passionate about education. Since 1998, as founder of Rhythm Lab, she has taken drumming workshops to countless cities, incorporating indigenous drumming styles and patterns from around the globe, and involving students, professionals and aficionados alike in workshops and concerts. Primarily directed at children and teenagers, the project focuses on the idea of "music as the experience and not the product", aiming to make rhythm tangible by experimenting with music, sound and movement. To this end, Robyn Schulkowsky works closely with the sound artist Lukas Kuehne, with whom she developed new percussion instruments. In spring 2009 she worked with 100 young budding musicians on her new music-theater project based on the story of Antigone which was presented in July in a former cattle-market hall in Ingolstadt (Germany) with resounding success.

Schulkowsky's virtuosity has been captured on over 20 recordings, including CDs with violist Kim Kashkashian and trumpet players Reinhold Friedrich and Nils Petter Molvaer, and seminal recordings of compositions by Christian Wolff and Morton Feldman. She is a composer herself, and in 2005, she performed improvisations and her own compositions twice daily for two weeks on a "sound sculpture" in New York's Grand Central Station. In 2008 her opera The Child of the Sea Otter was premiered in Oldenburg (Germany) and repeated in Mannheim and Berlin.

Last season in Sweden, together with the Gothenburg Symphony and fellow renowned solo percussionists Anders Loguin, Mika Takehara, Eirik Raude and Anders Haag, Robyn Schulkowsky performed the critically-acclaimed premiere of "Glorious Percussion" by Sofia Gubaidulina under the baton of celebrated young conductor Gustavo Dudamel. This new ensemble has since named itself after the piece and has been appearing with several important orchestras, most recently with the Berlin Philharmonic.This season, Robyn Schulkowsky's frenetic global pace continues with a month-long tour of South America with trumpet player Reinhold Friedrich featuring concerts and workshops, as well as a US tour of an Armenian project with violist Kim Kashkashian."

-DrummerWorld (http://www.drummerworld.com/drummers/Robyn_Schulkowsky.html)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Sarah Dust , Pt. 1 12:08

2. Sarah Dust, Pt. 2 6:15

3. Sarah Dust, Pt. 3 8:23

4. Sarah Dust, Pt. 4 10:49

5. Sarah Dust, Pt. 5 6:19

Related Categories of Interest:

Sextet Recordings
Before April-2006
Intakt
European Improvisation and Experimental Forms
Song Based Music
Sextet Recordings
Before April-2006

Search for other titles on the label:
Intakt.


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