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Catalog ID: Rune 407
Squidco Product Code: 1300
Country: Great Britain
Packaging: Jewel Tray
Recorded Feb.'88-Feb.'89 at:The Yog Factory, First Films Inc.JMC Studios by Bob Drake. Re-mastered by Mark Fuller.
Fred Frith -guitar on "Organism"
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1. Lycanthrope 7:17
2. Run Amok 3:12
3. Malaise 4:41
4. Organism (Version II) 11:46
5. Love 7:14
6. The Guardian 5:31
7. Fountain of All Tears 7:40
RIO (Rock in Opposition)
Song Based Music
Rock and Related
Staff Picks & Recommended Items
New in Rock Forms
sample the album:
"In This Life, originally released in 1989, was the group's 3rd album and their first CD release after two previous albums that flew under the radar of most listeners.
Originally released by the ReR label, this was the first album to really bring this superb US band to a wider audience. It was their last to feature singer Susanne Lewis, who lends a convincing air to the menace of some of the lyrics. It is also their last album to feature Bob Drake as a full member of the band.
Just over twenty five years have passed since I first heard this album upon its release, but what I originally wrote about it still rings quite true, even if I didn't anticipate that the band would still be a vital force two and a half decades later: 'Combine the sound of the 5uu's with the Art Bears, add a (non Dagmar like) female singer & woodwinds, & you come up with this unique U.S. slant on the European art rock song sound. What a great album; one of 1989's best releases!'
It comes back into print now for the first time in years. The two 'bonus tracks', which were taken from their first two albums and can be found in superior form on Early Plague Years have been removed and this presents the album as the band originally planned it. The CD is now shorter, but much more focused this way and a more coherent, single work. It has been newly remastered by Mark Fuller from the original stereo mixdown master, as overseen by the band."-Cuneiform Records
• Show Bio for Fred Frith
"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.
In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.
The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.
He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.
His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.
Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."-Fred Frith Website (http://www.fredfrith.com/biography.html)
^ Hide Bio for Fred Frith
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