The Squid's Ear Magazine


Chadbourne, Eugene / Rene Lussier: L'Oasis (Les Disques Victo)

"Amazingly, it was only the second time the two guitarists had ever played together, and the first time in North America. Both are strongly influenced by the country and folk traditions, and it was a real twisted hoedown that took place...
 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units

Sample The Album:


product information:

Personnel:



Eugene Chadbourne-guitar, acoustic guitar, banjo

Rene Lussier-guitar


Click an artist name above to see in-stock items for that artist.




UPC: 077405008428

Label: Les Disques Victo
Catalog ID: VICCD084
Squidco Product Code: 1061

Format: CD
Condition: New
Released: 2002
Country: Canada
Packaging: Jewel Tray
Recorded live in Paris, France, 1998 and at the Festival International de Musique Actuelle de Victoriaville, Canada, on May 19th, 2002.

Descriptions, Reviews, &c.

"Amazingly, it was only the second time the two guitarists had ever played together, and the first time in North America. Both are strongly influenced by the country and folk traditions, and it was a real twisted hoedown that took place, with each bringing out the best in the other. When they get to it, both Lussier and Chadbourne can really pick, and we were even treated to some singing by Dr. Chadbourne. Easily the most purely enjoyable performance of the festival!"-Mike Chamberlain, Signal to Noise, Fall 2002


Artist Biographies

"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.

Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.

Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."

-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"René Lussier (born April 15, 1957) is a musician based in Quebec, Canada. He is a composer, guitarist, bass guitarist, percussionist, bass clarinetist, and singer. Lussier has collaborated with such figures as Fred Frith, Chris Cutler, Jean Derome and Robert M. Lepage. His work, which combines elements from all major genres, is often referred to within the discourse of New Music, or Musiques Actuelles, in French.

Born in Montreal, Lussier began his musical career in 1973 in Chambly as part of the progressive rock group Arpège. From 1976 to 1980, he was a member of the Montreal folk-progressive group Conventum, led by André Duchesne. Lussier was also a member of the groups Quatour de l'Emmieux and les Reins, Nébu and La G.U.M in the late 1970s and early 1980s. In 1986 he joined Duchesne's Les 4 Guitaristes de l'Apocalypso-Bar.

He began doing soundtrack work in 1979, via a collaboration with Duchesne on the music for a short film called Tanobe. Lussier has written or co-written the scores to more than 35 films, including Chronique d'un génocide annoncé, a documentary by Danièle Lacourse and Yvan Patry about the Rwandan genocide.

Lussier played guitar for the popular singer Pauline Julien between 1982 and 1984, though he also worked on esoteric music that blurred distinctions between progressive rock, jazz, improvisation, modern composition, and circus music. His first solo album, Fin du travail (version I), was released in 1983 and consolidated his reputation as a quirky, humorous and talented guitarist-composer. He has collaborated extensively with Derome and Lepage and has recorded as a member of the Fred Frith Guitar Quartet. Lussier is featured prominently in Step Across the Border (1990), a documentary feature film by Nicolas Humbert and Werner Penzel about the work and travels of Frith. Lussier was also a member of Frith's band Keep the Dog (1989-1991).

In 1983, Lussier co-founded the Ambiances Magnétiques record label and recording collective with Derome, Lepage and Duchesne, and produced an extensive body of work in this environment. His best known work, Le trésor de la langue (1989), was created during this period. The album interspersed music with taped recordings of Quebec residents discussing the importance of the French language. It won the Grand Prix Paul-Gilson award in 1989.

In the late 1990s, Lussier recorded two albums for solo guitar and a pair of collaborations with Martin Tétreault which reflected an interest in the history of musique concrète and electroacoustic music composition and theory."

-Wikipedia (https://en.wikipedia.org/wiki/Ren%C3%A9_Lussier)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Buckdancer's Choice 3:55

2. I Wish We Could Do This Live 2:31

3. Louis Riel 3:58

4. Steel Guitar Rag 5:21

5. Scruggs Souffle! 11:10

6. Prelude 1:14

7. Pan Handle Rag 6:25

8. First Day Of Spring 6:53

9. Our Satanic Majesty's Request 3:09

10. Alabama Jubilee 7:34

11. Les Double Six De Paris Invitent Un Grand Oiseau Au Jazz Club 5:29

Related Categories of Interest:

Duo Recordings
Before April-2006
Guitarists, &c.
Song Based Music
Victo
Lussier, Rene
Duo Recordings
Before April-2006

Search for other titles on the label:
Les Disques Victo.


Recommended & Related Releases:
Other Recommended Releases:
Zorn / Chadbourrne / Bradfield / Baker / Hutton
John Zorn's OIympiad - Vol. 2 Fencing 1978
(Tzadik)
Two exceptional live performances of John Zorn's interactive "Fencing" concept leading free improv into unusual directions, from the early Downtown NY scene in 1978, first at Zorn's own loft in the trio of guitarists Eugene Chadbourne, Duck Baker and Randy Hutton; then at Bard College, in Kingston, NY with Zorn on multiple reeds, Chadbourne on guitar and Polly Bradfield on violin.
Lussier / D'Orion / Kuster / Tetreault
Printemps 2021
(Les Disques Victo)
This mercurial and impressive 2021 Victoriaville Festival concert brought together improvisers from three duos as a quartet: guitarist Rene Lussier, who has a long running duo with turntablist Martin Tetreault; Erick d'Orion on computer and electronics, who also has a experimental sound duo with Tetrault; and frequently collaborator with Lussier, drummer Robbie Kuster.
Chadbourne, Eugene / Henry Kaiser
Wind Crystals: Guitar Duets By Wadada Leo Smith
(Relative Pitch)
Long-time collaborators, guitarists Henry Kaiser and Eugene Chadbourne perform the compositions of trumpeter Wadada Leo Smith, starting with their recording from 1977 of his "Wind Crystals", then improvising over 5 other Smith compositions, ending the album with an updated, 2017 version of "Wind Crystals"; an excellent refresh and retrospective from two incredible improvisers.
Chadbourne, Eugene
The Lost Eddie Chatterbox Session [2017 REISSUE]
(Corbett vs. Dempsey)
Reissuing free improvising guitarist Eugene Chadbourne's 1977, San Francisco recording of compositions by the likes of Thelonious Monk, Charlie Parker, John Coltrane, and Ornette Coleman, plus a few standards and originals, captured on an ailing quarter-track tape deck, but saved for the force of his playing, here restored, corrected, and remastered.
Frith, Fred / Evan Parker
Hello, I Must Be Going
(Les Disques Victo)
Two masters who rarely play together--guitarist Fred Frith and saxophonist Evan Parker--performing together as a duo at the 30th Musique Actuelle Festival in Victoriaville, Canada for an amazing exchange of ideas and intensely subtle dialog.



Customers Who Bought This Item Also Bought:
Oxley, Tony
Unreleased (1974 to 2016)
(Discus)
The second in Discus Music's "Unreleased" series selected from percussionist and electronics legend Tony Oxley personal collection, here in three configurations: a quintet with Barry Guy, Dave Holdsworth, Howard Riley and Paul Rutherford; a quintet with Howard Riley, Larry Stabbins, Phillip Wachsmann and Hugh Metcalfe; and a duo with Stefan Hoekler.
Taylor, Cecil
Music From Two Continents feat Stanko, Rava, Frank Wright, Lyons, Borca, Barker, Hampel
(Listen! Foundation (Fundacja Sluchaj!))
A truly wild concert of free jazz from Cecil Taylor's transatlantic orchestra, captured live at the 1984 Jazz Jamboree in Warsaw, Poland, bringing together impressive improvisers from the US--William Parker, John Tchicai, Jimmy Lyons, Karen Borca, Frank Wright, & Henry Martinez--with European Free Jazz leaders Tomasz Stank, Enrico Rava, Conrd Bauer & Günter Hampel.
Taylor, Cecil Ensemble
Gottingen [2 CDs]
(Listen! Foundation (Fundacja Sluchaj!))
A double CD of the complete Cecil Taylor Ensemble's 1990 performance at Junges Theater in Gottingen, Sweden, with personnel similar to his 1989 Cecil Taylor Workshop Ensemble album Legba Crossing, here in an adventurous concert of large group improvisation with Taylor performing on piano while directing and conducting the extended orchestration that includes balafon & elephanthorn!
Fragile Quartet (Moore / Fraanje / van der Feen / Hemingway)
Cretan Dialogues
(Ramboy)
If fragile means a thoughtful album of improvisation with a lyrical intention and sophisticated playing, then reedist Michael Moore's quartet with Harmen Fraanje on piano, Clemens van der Feen on bass, and Gerry Hemingway on drums & percussion shows a sublimely muscular fragilility in a lovely and extremely intelligent modern jazz album of embraceable and exemplary work.
Brotzmann, Peter / Lonberg-Holm, Fred
Memories Of A Tunicate
(Relative Pitch)
While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.
Dunmall, Paul Nonet The
Interpretations of Beauty
(FMR)
Paul Dunmall's nonet with Neil Metcalfe, Philip Gibbs, Trevor Taylor, Hannah Marshall, Sarah Farmer, Theo May, Alison Blunt and John Edwards on one track, is a larger ensemble blurring improvisation and compositional approaches through violin, viola, cello, double bass guitar, reeds, flute, and guitar; sophisticated chamber improvisation of superb quality.
Spectral (Dave Rempis / Darren Johnston / Larry Ochs)
Empty Castles
(Aerophonic)
Spectral, since 2012 the working horn trio of Dave Rempis on alto & baritone sax, Darren Johnston on trumpet, and Larry Ochs on sopranino & tenor sax, split their time between San Francisco and Chicago, in their 3rd album of spontaneous, complex free improv, here using the setting of Bunker A-168 in Mare Island Shoreline Heritage Preserve, CA, to influence their performance.
Plimley, Paul Trio
Safe-Crackers
(Les Disques Victo)
Hard Rubber Orchestra
Cruel Yet Fair
(Les Disques Victo)
Sharp, Elliott / Zeena Parkins
>Blackburst<
(Les Disques Victo)
Schiano, Mario (Schiano / Guy / Lovens / Parker / Tramontana)
Social Security
(Les Disques Victo)
Rova
Ptow!!
(Les Disques Victo)
The West Coast Rova Saxophone quartet in a 7 track studio album from 1995, from Jon Raskin on alto saxophone, baritone saxophone, sopranino saxophone, Steve Adams on alto saxophone, sopranino saxophone, Bruce Ackley on soprano saxophone, tenor saxophone and Larry Ochs on tenor saxophone, sopranino saxophone.
Kovac, Boris
Anamnesis: Ecumenical Mysteries
(Les Disques Victo)
Deane, J.A.
Nomad
(Les Disques Victo)
Non Credo
Happy Wretched Family
(Les Disques Victo)
Gayle, Charles
Unto I Am
(Les Disques Victo)
Rieu, Yannick
Sweet Geom
(Les Disques Victo)
A live concert at the 11Th Festival International De Musique Actuelle De Victoriaville on May 19th, 1994, from the free improvising trio of Frederik Alarie on contrabass, Paul Leger on drum, Yannick Rieu on tenor saxophone.
Ellis, Lisle / Cauley / Robinson / Ruthier / Ochs / McPhee / Spearman
Elevations
(Les Disques Victo)
Bauer, Konrad Trio (Bauer / Sommer / Kowald)
Three Wheels - Four Directions
(Les Disques Victo)
Plimley, Paul / Lisle Ellis / Gregg Bendian
Noir
(Les Disques Victo)
Bauer, Konrad
Toronto Tone
(Les Disques Victo)



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC