The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2017, Squidco LLC


Rose, Jon: //shoppinglive@victo (Recommended Records)

 

Price: $15.95

**Adding this out of stock item to your basket with other in stock items may delay shipping or incur additional shipping charges.


Quantity:

Out of Stock


Shipping Weight: 5.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


UPC: 752725007023

Label: Recommended Records
Catalog ID: ReR JR4
Squidco Product Code: 775

Format: CD
Condition: NEW
Released: 1997
Country: Great Britain
Packaging: Jewel Tray
Recorded live on May 22nd, 1994 at the 11th Festival International De Musique Actuel de Victoriaville, Canada by Pierre LŽger. Track 28 was recorded on October 23rd, 1995 at Golden Gai in Tokyo, JP by Pierre LŽger.


Personnel:

Jon Rose-violin

Jo‘lle LŽandre-doublebass, vocals

Chris Cutler-electronics, drums

Otomo Yoshihide-turntables, sampler, guitar

Lauren Newton-vocals

Highlight an artist name or instrument above
and click here to Search
track listing:




Related Categories of Interest:

Cutler, Chris
Unusual Vocal Forms
Compositional Forms
Stringed Instruments
Recommended Records
Turntablists
Quintet Recordings
Before April-2006

descriptions, reviews, &c.
"This is an unexpurgated copy of the Victoriaville concert (Radio recording) with group: Lauren Newton, Joelle Leandre, Otomo Yoshihide and Chris Cutler. In my opinion the wildest and most dizzying version on record. Unfolding chaos with luminous performances - viz, Lauren's hair-raising interpretations and vocal event, Joelle's oscar-winning bag lady performance, THE CAST for maintaining an atmosphere of knife-edge confusion. All human life and a whole lot of other stuff too. High quality radio recording with nothing cut or edited - nightmarish, and funny. " - ReR Megacorp

Artist Biographies:

"Chris Cutler started messing about with banjo, guitar and trumpet at school, settling for drums and playing shadows and other instrumental covers in his first band in 1963. Subsequently he played in R'n'B and Soul Bands, winding up in 1967 playing in London's psychedelic clubs. At the start of the seventies, with Dave Stewart, he co-founded The Ottawa Music Co, a 22 piece Rock composer's orchestra, eventually joining British experimental group Henry Cow with whom he toured, recorded and worked in dance and theatre projects until it's demise in 1978. In 1977 Henry Cow, The Mike Westbrook Orchestra and Frankie Armstrong formed a big-band and toured around Europe. After Henry Cow, Cutler went on to co-found a series of mixed national groups Art Bears, News from Babel, Cassiber, The (ec) Nudes, P53 and The Science Group. He was a permanent member of American bands Pere Ubu, Hail and The Wooden Birds and now works sporadically with John Rose, Fred Frith, Zeena Parkins, Iancu Dumitrescu, Peter Blegvad and Stevan Tickmayer.

Other lasting collaborations have included Aqsak Maboul (Belgium), Lussier/Derome and Les Quatre Guitaristes (Canada), The Kalahari Surfers (Africa), Perfect Trouble (Germany), Between (Sweden), N.O.R.M.A., (Italy), Telectu (Portugal), Mieku Shimuzu (Japan),The Hyperion Ensemble (Romania), The Film Music Orchestra, 'Oh Moscow', Gong, The Work and Towering Inferno (UK), The Residents (USA), and stateless Tense Serenity and Mirror Man. There have also been countless improvisational groupings and solo performances. Recent projects include Radio pieces with Lutz Glandien and Shelly Hirsch, Live Soundtrack for Carl Dreher's Vampyr (with Italians Musci and Venosta), his Timescales project and work with David Thomas and Linda Thompson.

He also founded and runs the independent label and distribution service ReR/Recommended and, until 1991, the East European specialist label Points East. He is editor of the New Music magazine Unfiled and author of the theoretical book File Under Popular as well as of numerous articles and papers published in 14 languages. He lectures intermittently on theoretical and music related topics. He has appeared on more than 100 recordings."

-Chris Cutler Website (http://www.ccutler.com/)
10/11/2017

Otomo Yoshihide - born in 1959 in Yokohama, Japan. As a teenager, he spent time in Fukushima. Staying independent, he has consistently composed a wide range of music from improvisation to noise music and pop, and his music talent has spread all over the world. He has a successful career as a film score composer and has produced more than 70 movie soundtracks. In recent years, he has produced special type of concerts and musical works in collaboration with other various artists under the name of "ensembles". In addition, one of his priorities is,producing musical workshop projects involving handicapped children. In 2011, after the Great East Japan Earthquake , he started "PROJECT FUKUSHIMA!" along with people in various sectors. He has been active beyond the music scene and this is the reason that he has attracted a great deal of attention. In 2012, he received the Minister of Education Award for Fine Arts in the category of Promotion for "PROJECT FUKUSHIMA!". In 2013, he received various prizes including the Japan Record Award for his accomplishments, such as composing the theme music for the TV drama "Amachan".

"I use my real name "Otomo Yoshihide" as my stage name. When you write your Japanese name in English alphabet, many people often write their given names first, then their family names, following in the Western traditional culture. But originally, some Asian countries, including Japan, write their family names first, and then their given names follow after that. In my opinion, there is not only one standard for people's names and we should respect the values each person attaches to their name. Calling someone by his first name is a wonderful custom in Western culture to express familiarity with each other but that custom is not necessary in Japan because nobody has ever called me by my first name. It does not mean that people are unlikely to become close friends with me. It is just that calling me "Otomo" seems easier. There are some places with such customs in the world; where people friendlily call you by your family name. I am definitely not a nationalist but I have a feeling that something is wrong with those people who do not only disregard the tradition I am familiar with, but would rather follow Western standards.

For this reason, I would like to continue using the notation "Otomo Yoshihide" as before. When you call me, please call me "Otomo" as before. This will not cause any problems in its use. Until now, many people have written my name "Yoshihide Ōtomo" or "Yoshihide Otomo" but please understand those notations are not my intention. I am sincerely grateful for your consideration."

-Otomo Yoshihide Website (http://otomoyoshihide.com/en/?page_id=4)
10/11/2017

Other Releases With These Artists:
Recommended & Related Releases:

Search for other titles on the Recommended Records label.