The second of two volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 2nd volume presenting the most interesting of their investigations.

A new sub-unit of the Leap of Faith Orchestra showcases the work of David Peck (PEK) on clarinets, saxophones, and a wide array of percussive devices, in a duo with new drummer Michael Knoblach, also on an assortment of percussive devices including antique sheep shears, African circumcision rattles, dan mo, &c, for 5 unique improvisations recorded in the studio.

The project of Southern Italy's Giovanni Todisco (percussion) and Giuseppe Candiano (synthesizer), since 2015 touring Japan and Europe to perform in festivals and venues, this album presents their experimental improvisation combining classic afrikaans and symphonic percussion with modular synthesis, merging ancient rhythms with modern electronic excitement.

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The duo of Carlos Santos and Jorge Valente developed this project around the metallics of a cymbal, recording it and digitally manipulating and transforming it into a musical structure using the maxmsp programming; this recording was captured live at the Hertzoscopio Festival in Fabrica da Polvora, Barcarena, Portugal in 2004.

The third volume of this excellent German sound magazine and audio CD, 9 artists working in sound art, electroacoustic composition; a "listenable exhibition" of modern compositional approach.

Three muscular and inventive solo improvisations on the acoustic upright bass from North Carolina bassist and composer Phil Venable, a member of Tragic Assembly and The Phil Venable - Paul Swest Duo, recorded in the studio in 2022, the three "Basswork" parts are mostly demonstrating his strong walking and plucking skills, at times applying objects to his strings.

An exceptional album of widely-embracing collective improvisation recorded during Vertical Squirrel's 2019-20 residency at Silence as part of the You Are I Am series, the core quartet of Daniel Fischlin on guitars, monotron, flute & percussion, Ajay Heble on piano, Lewis Melville on bass & percussion and Ted Warren on drums & percussion are joined by cornetist and world instrumentalist Gary Diggins and vocalist & percussionist Dong-Won Kim.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

"The jazz is not always subject to their premises. Even the breaks in their future creative. The jazz in the present century, taking t...

Referencing Thomas Chapin, Ornette Coleman, Roscoe Mitchell & Evan Parker, Spanish saxophonist Liba Villavechia's trio with drummer/percussionsit Vasco Trilla and double bassist Alex Reviriego explore the "tentacles that stem from the great Jazz octopus" through five Villavecchia compositions, one collective improv, and Thomas Chapin's "Bypass".

Swiss pianist/composer Luzia von Wyl and her Ensemble of jazz and classical performers presents von Wyl's compositions that borrow from modern and early jazz, chamber music and world sources, in works that draw on her experiences traveling and performing through the world.

An exceptional quartet of electroacoustic improvisers captured in concert at MUG Einstein Kultur in Munich, organized by the non-profit Offene Haken e.V. - Freunde der improvisierten Musik (Friends of improvised music), from Markus Eichenberger on clarinet, Carl Ludwig Hubsch on tuba, Philip Zoubek on synthesizer and Etienne Nillesen on extended snare drum.

Innovative and idiosyncratic Swiss pianist Michel Wintsch in a set of original compositions that combine ambient sound and intentionality, displaying great technical skills and a unique mind that embraces melody and the unexpected aspects of improvisation.

German vocalist Birgit Wunsch leads this improvising trio with Edith Steyer on clarinet & saxophone and Alberto Cavenati on guitar, using abstract and atonal melodies in a chamber improvised setting for freely improvised voice, text and sound, crossing a sense of pop music with non-idiomatic improvisation of great technical and creative intent.

Translating to "Eulogy of the Shadows", the free improvising duo of violinist Carlos Zingaro and percussionist Pedro Carneiro performing on marimba with a damper pedal, structure their work as though emerging out of the dark night, each step subtly increasing the glow of luminescence through intensity of interaction until receding again into obscurity; sublime.

Promo copy with line thru bar code. An album of raw and emotional "love songs", 17 unique solo violin improvisations and vocal utterance as the New York improviser runs her bow with passionate openness and intimacy through raspy edges, ardent plucking, introspective aching, and moments of beauty, all displayed through immense technique and powerful control over her instrument.

Promo copy with line thru bar code. The second album from Argentinian cellist, composer and improviser Violeta Garcia, exploring the amplified, prepared, expanded and extended violoncello through 15 succinct solo expositions in an album that she describes as a "very hyper-sensitive monster", using unconventional, extended and sometimes terrifying technique amidst powerful creative expression.

Promo copy with line thru bar code. An unusual set of electroacoustic improvisations recorded at Firehouse 12 from a New York trio led by trumpeter Forbes Graham, also on laptop and drum machine, Cecelia Lopez on analog synth, and bassist Brandon Lopez, Graham mutating his trumpet through sound processing, complemented by Cecelia Lopez's synthetic punctuations, all grounded by Brandon Lopez' solid bass work.

Promo copy with line thru bar code. Swedish guitar improviser Jon Lipscomb (LOPLOP, Swedish Fix) takes his listeners on a rugged trip across the strings, using distortion, tremolo and rapid-fire technique as he mines territories between free improv, noise and rock, his nimble mind stopping to explore areas of interest then cascading into new, turbulent environments; frightfully powerful.

Promo copy with line thru bar code. Working inside and out of the piano and sometime evoking wild sounds that seem to have no relationship to the instrument, Polish-born and Amsterdam-based pianist Marta Warelis explores the concepts of realities beyond our perception, and a thought that we are a part of a big organism where everything goes endlessly bigger and smaller in scale of size, time and speed.

The French duo of bassoonist Sophie Bernado and sound artist Céline Grangey expand on the rich timbre of Bernado's bassoon, starting solo in beautiful etude improvisations only to have Grangey's sound designs expand around her playing, developing rich environments through electronics, field recording & voice, a beautiful intersection of experimental, composed and improvised music.

The duo of Pierre Tanguay on drums and percussion and Tom Walsh on trombone in a release of minimalist construction that blends composition and improvisation.

Sealed copy. A large Lisboa ensemble presenting a collective improvisation titled after a painting by Yves Klein, with performers including Ernesto Rodrigues (baritone violin), Miguel Mira (bass), Nuno Torres (sax), Carlos Santos (electronics), Rodrigo Pinheiro (piano), &c. &c.

One of Portugal's most interesting large scale lowercase ensembles led by violist Ernesto Rodrigues, with frequent Creative Sources collaborators including Nuno Torres on alto sax, Carlos Santos on electronics, Guilherme Rodrigues on cello, Miguel Mira on bass, 14 musicians move with subtlety in a tapestry of electroacoustic resonance and mystique.

Xenography is the ability to write in a language which the individual has not learned, an apt description of the rich dialects sculpted from feedback sources and expertly routed through circular circuits of sound processors by New York sound artist David Lee Myers, AKA Arcane Device, captured and layered into these astounding electronic compositions.

A percussive "Natchtprogramm" and a tonal "Syntax" from composer Torsten Papenheim, recorded in the studio in Cologne and Berlin, the former performed with trombonist Matthias Much, double bassist Achim Tang and pianist Philip Zoubek; the latter with Johannest Trondle (violincello) & Axel Haller (electric bass), then with Elena Kakaliagou (french horn) & Evi Filippou (percussion).

Argentinian sound artist Alexis Perepelycia explores his influences in an extended sonic work, drawing on his roots in the sounds of garage, punk, metal, industrial music into his work in academia, using abstract references of assertive and acousmatic sound with powerful electronic emphasis as he seeks his ghosts amidst references like Russolo, Stockhausen, &c.

A modern soundscape in three acts from Italian improvisers, drummer Walter Forestier (Death Roars, Angelo Mastronardi Trio) and guitarist Vito Pesce (Minus Tree, Pastel, Squieti), their 2nd album a dialog shifting between pensive introspection and aggressive evocation, a full range of expression that builds and releases suspense as the two unfold their narrative.

Active since 2008, the PLASMA 8 duo of German pianist & vocalist Thomas Reuter and saxophonist Andreas Krennerich explore the geological deposits of porphyr, a hard igneous rock containing crystals, through free improvisation, expressed here in 20 concise interactions of piano keys & strings, soprano & baritone saxophones plus unusual vocal utterance.

Emulating a solar eclipse and a lunar eclipse in two evolving improvised chamber works that take the quartet of Guilherme Rodrigues on cello, Mariana Carvalho on piano, Joao Valinho on percussion and Ernesto Rodrigues (switching from viola to harp & deploying electronics) through mysterious soundwork that move from darkness to light in detailed and subtle ways.

A confluence of strings from the trio of Portuguese improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, performing in Berlin with double bassist Stephan Bleier, the title referring to a gradual ascending progression formed through small changes, an apt analogy for the illusory and shape-shifting approach their 5-part improvisations lead.

The music to composer Craig Shepards performance work that presents listeners with text drawn from court testimony in the sex abuse scandal in the Catholic Church, here concentrating on the quiet long tones generated by wind instruments and ebow strings, where pure tones pass between the musicians to build a pulsating chord that then drops away tone by tone.

Stockholm pianist Alexander Zethson invited Greek saxophonist Nicky Kokkoli and guitarist Giannis Arapis to take part in his 13-piece Thanatosis festival ensemble VÖ; they then asked drummer Nils Agnas, bassist Torbjörn Zetterberg and trombonist Mats Äleklint to join them for this sublimely flowing sextet studio session, which includes works by Mingus and Coltrane.

A tribute to legendary audio engineer George Belle (1948-2019) who worked with a who's who including Horace Tapscott, Jimmy Smith, Gene Rodenberry, &c., in a set of compositions from Mal Waldron, Albert Heath, Herbie Nichols plus original work from leader James Bennigton, saxophonist Dustin Laurenzi, saxophonist James Cook, and group improvisations.

Swiss vocalist Sarah Buechi leads a new trio with Franz Hellmüller on guitar and Rafael Jerjen on bass, putting a uniquely expressive touch to a mix of original Buechi songs, standards including "I Thought About You" and "Moon River", and traditional song, the intimate and adept playing of Hellmüller and Jerjen enveloping the trio with a warm glow.

An extension of his prior solo record, ONOMAT, Chicago drummer & percussionist Bill Harris also uses a prepared floor tom and feedback in this unedited 25 minute live performance at Music Garage in Illinois, notated for six track section as he explores unique rhythmic concepts augmented with encompassing environmental sonics and unusual disruptive elements.

Stripping down their performance matter to its most minimal expression, their work developed since 2011 as they've toured the European alternative scene, the Hippie Diktat trio of Richard Comte on electric baritone guitar, Julien Chamla on drums and Antoine Viard on amplified baritone saxophone work an energetic and heavy set of Steve Reich-ian grooves.

A diverse set of works from Australian composer Cat Hope, employing acoustic instrumentation--strings, keys, flutes, reeds & percussion--along with electronics and field recordings, in chamber configurations from duos to quintets, performed by the Western Australia Decibel new music ensemble for which Hope is both director and a performer.

With masterful technique and remarkable creative drive, the Canadian duo of clarinetist François Houle and Joe Sorbara explore unorthodox sound worlds through microtones, pad percussives, circular breathing to stretch phrasing, Houle taking apart his instrument to affect tone and pitch, and Sorbara using idiosyncratic percussive instruments including "back porch piano guts".

Zurich tenor saxophonist & composer Christoph Irniger in his fourth album on the Intakt label with his creative and cooperative band Pilgrim of Stefan Aeby on piano, Dave Gisler on guitar, Raffaele Bossard on bass and Michael Stulz on drums, performing Irninger's lyrical and thoughtful compositions, along with one from bassist Raffaele Bossard.

Five works from US composer often based in Amsterdam, Evan Johnson, in solo, duo and trio settings including a triptych titled "L'art de toucher" in three configurations, demonstrating his unique approach to writing using disparate musical influences from modern to Baroque, mated to anarchic experimentalism and a Wandelweiser sensibility; fascinating!

An extraordinary set of solo double bass improvisations captured in the warm Booklyn Conveyor Recording Studio, Johnson showing his strength with his fingers on the large strings or a bow in his hand, in five turbulent and superb solos under reflection of personal struggles and the strain of pandemic, bringing a new sense of self and determination to his playing.

A truly fascinating and seamless hybrid of improvised and composed music, alongside an exploration of feedback and "its acoustic double, a harmonic noise", from the merging of two projects--LAMIEE and Dròlo Ensemble--plus Italian poli-instrumentalists Nicholas Remondino and Andrea Giordano (OTONN), yielding wonderfully complex and enveloping sound worlds.

A series of reed and wind improvisations, including two pieces with electronics, from Southern California composer and improviser Rob Magill, each of the 9 tracks on this album focusing on a different instrument: alto saxophone, soprano saxpohone, clarinet, flute, bass clarinet, bass recorder, sheng and tenor saxophone, plus a multi-instrumental "misc".

Intended to be played continuously without a break, composer and violinist Andrew McIntosh's long-form composition features field recordings of pine woods in his home state of California in performance with violin, viola, piano, wine glasses, slate and electronics, an ethereal work combining improvisation, open tunings, just intonation and sympathetic resonance.

Beautiful long-form drones and harmonic interactions develop and are then shaken up with sonic deformations and collisions, returning to beautiful environments and then reversed once again, from the duo of sonic explorers Bob Bellerue and Christian Ronn, recording in Copenhagen using organs, electronics, winds, and feedback to create these wonderfully alien domains.

Udo Schindler follows his duo album with drummer Eric Zwang-Eriksson @ Salon fur Klang+Kuns, Poetry?? Ein Wurfelwurf with this recording at BASIS_Sound_Space at MUCCA - Munich Center of Community Arts in Munich, Schindler on sopranino & tenor saxophones and the deep TUBAX, interacting with Eriksson's rapid-fire and uniquely voiced drum & percussion work.

Performing on both piano and bass drum, Italian improviser & composer Luca Sguera presents six works based around the physical sounds of the piano, traditional acoustic piano progressions and rhythmic arrangements fitting the development of each piece's sound, as much sound art as piano composition through sophisticated hybrids of acoustic and sonic environments.

Known for his The Rite of Trio, guitarist Andre B. Silva releases his 2nd solo album featuring compositions in a chamber jazz mode, including long passages of composed music that open into improvisation, performed with Jose Soares on saxophone, Raquel Reis on cello, Sophie Bernado on basson, Paulo Bernardino on bass clarinet, Andre Carvalho on double bass & Ricardo Coelho on drums & vibes.

A compelling and lyrical debut from the London-based trio Aspyrian of Robin Porter on tenor & soprano saxophones, Jack Gillen on guitar and Matt Parkinson on drums, the band name from Old English translating to "To search, explore, trace, discover, explain", which the band does with ebullient dexterity through seven original compositions from Porter and Parkinson.

The long-standing duet of guitarist Richard Comte and tenor saxophonist Julen Pontvianne (Onze Hours Onze) is a conversation of introspective and resonant repetition around silence, tonal decay, slow call and response and submerged themes, here symbolically immersed as they explore four sunken islands from around the world: Vordonis; Lohachara; Semionovski and Elugelab.

Translating to "Cross Black", French guitarist Richard Comte provides a set of four diverse soundtracks, from deep turbulent darkness and sonic decay to crisply ringing guitar resonance, over which sound poet Sébastien Lespinasse intones with solemn import his dark words of imagery and observation.

Referencing the traditional dance of Salento named for the tarantula, this Italian 9-piece improvising ensemble spent several days developing the unique orchestration, melodies and themes of these eight pieces, recorded after the OSIMU festival held in Taviano, using an acousmatic recording device to optimize the details of their insightful and often biting conversations.

A live album at the Cafe de Paris in 2019, and the recording debut of the international quartet Diaphane of Frantz Loriot on viola, Raphael Loher on piano, Carl Ludwig Hübsch on tuba and Carlo Costa on percussion, heard here in an extended and fully free improvisation using unusual techniques and objects to extend the pallet of their acoustic instruments.

Focusing on the harmonic interaction, delicate nuances and harmonic functionality of closely related tones, Chicago instrumentalists Zachary Good on clarinet and Ben Roidl-Ward on bassoon recorded these six works of acoustical and phenomenological events using the interplay between coinciding clarinet and bassoon notes, creating illusory and haunting tonal works.

A collection of poems written by and read by ninth Poet Laureate of North Carolina and the first African American and third woman to hold the title--Jaki Shelton GreenÐ-presenting 11 texts with experimental sound work arranged by Shirlette Ammons, a fascinating set of observations and an insightful selection of "political statement, cultural commentary, and an aesthetic milestone".

A CD EP from North Carolina Poet Laureate Jaki Shelton Green, the first African American and third woman to receive the appointment, persenting her work "I Want to Undie You" expressing her sorrow at the unexpected death of her daughter Imani and a celebration of her life, with audio arrangements by Alec Ferrel, plus versions of the text and music only.

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Referring to the music on this album from New York feedback and electronic pioneer David Lee Myers as "firmly rooted in the electronic music of the 1950s-1960s", over nine tracks we are taken on an otherworldly journey of detailed particulate electronic adventures, sometimes swooping, vertiginous, monstrous and unpredictable, each track captured live in Myer's Pulsewidth studio.

An unusual quintet of prominent New York improvisers--Peter Evans on trumpet, Tim Dahl on bass violin, Matt Nelson on tenor saxophone, and Ron Stabinsky on bass--performing Nandor Nevai's compositions: two Quintets and the two part "Sap Gloves"--Nevai performing on tenor sax, voice and conducting, blurring modern improv, chamber jazz and bizarre spoken word moments; outstanding and unsettling.

A dark trio of NYC heavyweights Tim Dahl and Trevor Dunn on bass and Nandor Nevai ( _ (Underscore)) on drums and conducting, in Nevai's fifth iteration of the _ ("UNDRSKOR") project, following a fusion of forms referred to as 'Neauxtheque' invoking "Danger Classical", the Martial Pop subgenre of Industrial and the virtuosic demands of Technical Death Metal.

A member of the Paul Dunmall Quintet and Ed Gauden's Crux, Birmingham UK pianist, composer and band leader Steve Tromans presents an album of original work, lyrical and introspective pieces improvised in the studio as a response to the duress of the global pandemic, motivated to record on a great piano in the great Sansom Studio based on recent life experiences.

An energetic trio of Serbian free improvisers from Tibor Takacs Faki on reeds, Laslo Lenkes on guitar and Goran Grubisic on drums, Tibor Takacs Faki and Goran Grubisic both part of the rock band Wooden Ambulance, that energy translating into their indefatigable approach to collective improvisation, just keeping a lid on their rambunctious interaction.

Referencing the unusual 1896 feat of catching a turnip dropped 270 feet from a bridge by a member of the troupe The Royal Zanettos, the duo of London pianist Liam Noble and Geoff Simkins perform the slightly less daring but equally fascinating feat of performing a lyrical jazz concert at The Vortex in Dalston in 2022, for a mix of originals, standards and traditional tunes.

From post/hard bop to African-influenced spiritual jazz, the 2nd release from saxophonist & clarinetist Avram Fefer's quartet with Marc Ribot on guitar, Eric Revis on bass and Chad Taylor on drums swings freely or finds introspective grooves in nine original Fefer compositions of rich melodies around unusual time signatures, yielding extraordinary soloing and group interplay.

Citing references including Sun Ra, electric Miles, Ornette, Wadada Leo Smith, Stockhausen & Gabriel Prokofiev, guitarist Luis Lopes's Abyss Mirrors brings together artists drawing on European & Brazilian performers from Clean Feed, Shhpuma and Creative Sources for these evolving and often ecstatic collective, experimental improvisations; unpredictably edgy and exciting!

Energetic and urgent free jazz from the Portuguese trio MOVE of Felipe Zenicola on electric bass, Yedo Gibson on saxophones and Joao Valinho on drums, long time collaborators and members of bands including Rodrigo Amado Refraction Quartet and Naked Wolf, these five shredding improvisations were captured live at Desterro Club, in Lisbon in 2022.

A truly unique improvisational setting between three Norwegian artists--inspired tap dancer JanneEraker, fiddle player and vocalist Vegar Vardal and double bassist Roger Arntzen--finding an exuberant excitement through the percussion of body movement, strange and slippery vocalizations and two emphatic strings; virtually indescribable and absolutely enthralling.

An absorbing album of electronic jazz and improvisation from the Portuguese string and percussion trio of Ricardo Jacinto on cello, electronics & harmonium, Goncalo Almeida on double bass & electronics and Nuno Morao on drums & percussion, exploring unique and innately lyrical intersections of chamber improv, ea-improv and compositional forms.

Following their 2007 Clean Feed release Delphinius and Lyra the duo of Gunter Baby Sommer and Raymond MacDonald reach deeper into their collective creative conversation for sixteen succinct improvisations--confident, boisterous or introspective--including a 5-part series of "Miniatures", performed on alto & soprano saxophones, drums and an eclectic set of percussive devices.

A well-balanced and often scorching performance at Igreja do Espírito Santo in Portugal from trumpeter Luis Vicente, presented as two long improvisations each comprised of two works inspired by childhood times in a rural environment and by everyday life at home during pandemic, performed with the outstanding quartet of saxophonist John Dikeman, bassist Luke Stewart and drummer Onno Goevart.

Powerful, modern jazz from a Norwegian ensemble of cross-genre improvisers, bringing an eclectic mix of jazz, electronic, African & orchestral expression into a series of works by double bassist Per Zanussi that explore the concept of "Li", a neo-Confucian term for fixed and dynamic patterns in nature, expressed through passionate ensemble work and exemplary soloing.

Formed as a collective in 2016, Baraque à Free brings together young free improvisers from Toulouse, France, who leverage influences from jazz, contemporary and rock forms, creating passages that include harmonious tranquillity, noisy spaces, rhythmic rage, math rock, and hints of orchestral chamber music; a positive album of musical statement and emotional release.

Active in both contemporary music and as an improviser, Portuguese accordionist João Barradas is heard live at the 2022 Festival d'Aix-en-Provence in France, performing solo on a chromatic accordion, MIDI chromatic accordion and voice for an expansive, un-interrupted six-part improvisation that showcases both his technical skills and his emotional passion.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

Exploring diverse landscapes and moments of extreme behavior changes through a single acoustic viola, composed and performed by Jordan Dykstra, in four pieces that vary his approach to the instrument through overlapping tones, drones, extended techniques and rolling cycles, performed in California at the California Institute of the Arts and at the Cathedral of Saint Vibiana.

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

Irish guitarist and composer Scott Fields has worked with the poems of late New York writer Steve Dalachinsky over the years, here bringing together an ensemble of improvisers, electronic and contemporary classical performers to set a suite of six poems by Dalachinsky sung by soprano Barbara Schachtner, with interludes between each weaving them into a larger and satisfying opus.

The first release on his new imprint, Right Brain Records, French guitarist Guillaume Gargaud improvises on acoustic guitar on the seven part Kōenji, a district in Japan known for its temple and falconry, here envisioned through creatively dexterous and inventive passages, recorded live in Le Havre, France in the spring of 2023.