Three creative young musicians in New York Tsahar, Mat Maneri and Black in a trio of warmly orchestrated free improv with witty restraint in extended conversation.

Prolific and working incredibly fertile creative ground, New Yorkers Cooper-Moore, Tsahar and Taylor release their first as a trio on Tsahar's Hopscotch label.

The 2nd Digital Primitives release (Cooper-Moore, Asif Tsahar, Chad Taylor) digs in deep to fuse a new sound from blues, folk, jazz & funk, with accents from the music's African antecedents.

Part of bassist Kowald's 2000 US tour of solo and performances with local musicians, here with alto player Tsahar and drum legend Rashied Ali in a brilliant encounter.

Drummer Ibarra's trio with Cooper-Moore and violinist Charles Burnham blur boundaries in a band of great versatility, taste and collective musicianship.

Israeli saxophonist Yoni Kretzmer now living in NY in a trio with NY drummer Mike Pride and Chicago/NY bassist Jason Ajemian, technical, lyrical, conceptual, and emotional jazz.

The trio of saxophonist Assif Tsahar, drummer Chad Taylor and multi-instrumentalist Cooper-Moore in the 3rd Digital Primitives release, rhythmic and soulful improvisation with an inventive New York attitude.

Three Swedish improvising musicians from different generations are heard in this set of five free jazz and non-idiomatic exchanges, recorded at the artist-run venue Fylkingen Stockholm in 2019, bringing together pianist Arne Forsen (Roscoe Mitchell, John Tchicai and Charles Tyler), drummer Andreas Axelsson (Lia Ullen) and bassist Mats Dimming (APUH!).

A raucous blast of free jazz, electrifyingly extending the Italian improv unit Jooklo Duo of drummer/percussionist David Vanzan and saxophonist Virginia Genta, here on amplified tenor & sopranino saxophones, with New York improviser Brandon Lopez on electric bass, burning six hair-raising pieces of aggressive free improv of exemplary relentlessness.

With tracks dedicated to friends, family and musicians including Claude Thornhill & John Zorn, the 3rd album from The Sylvie Courvoisier trio with Drew Gress on bass and Kenny Wollesen on drums & "Wollesonics", is an exuberantly sophisticated album of slyly complex jazz compositions that both happily swing and leave room for creative exploration; extraordinary!

Hard-edged NY improvisation from the performing trio of Sam Weinberg on sax, Henry Fraser on bass and Weasel Walter on drums, who since 2017 have developed a group sound of powerful and fiercely determined free jazz roots using interesting instrumental technique, often muscular and urgent but also with periods of constrained interplay and dialog; an extremely well balanced band.

Four unorthodox improvisations that evade idiomatic playing through "wantonly abstract" and unusual approaches to their instruments, keeping their listeners guessing where their playing might take them, from frequent collaborators Sandy Ewen on guitar, Damon Smith on bass, and Weasel Walter on drums & percussion, recording in the studio in Brooklyn, 2019.

A concert by drummer Eddie PrŽvost, electric guitarist N.O. Moore, and saxophonist Jason Yarde on alto & soprano recorded at the Vortex Jazz Club, in London, Moore deploying effects and Yarde using electronics to create subtexts of sounds, especially on the extended 25 minute "Impossible Meaning" where unusual structures meld with the acoustic free playing.

The culmination of 15 years of work is this ambitious installment of Bryan Eubanks with Joe Foster, Dan Brown, and Dan Reynolds' sound project, in a CD of diverse compositions merging concrete, acousmatic sources and field recordings, with an accompanying 391 page book of letters, notes, aphorisms, scores, images, and commentary from the artists & contributors.

A conceptual performance piece from Christina Kubisch, composed and recorded between 1974-84 while in Italy, including a NY performance recorded by Phill Niblock, realized with Arturo Morfino on drums, guitar & objects and Fabrizio Plessi gargling water; an unusual, engrossing and excursive work integrating electronics, field recordings, wind instruments and voice.

The trio of drummer Klaus Kugel, bassist Mark Tokar and vocalist Andre Pabarciute use extended vocal & instrumental technique, archaic sound objects, & ritual percussion within free metric structure.

Drummer Joao Lobo's trio with guitarist Norberto Lobo and double bassist Soet Kempeneer perform the drummer's dynamic compositions, along with one traditional works, a tight trio of highly interactive playing and a sense of familial interplay as the band weaves around Lobo's layered drumming and emphatic grooves, taking time for introspection among their energetic spontaneity.

The Norwegian trio Ballrog, which started as the duo of Klaus Ellerhusen-Holm on clarinet and Roger Arntzen on double bass, then expanded with guitarist Ivar Grydeland, who is replaced by guitarist David Stackenäus, a perfect choice for the lyrical chamber approach of intertwining lines and fluid melodic statement, with a sense of "free chamber americana"; beautiful.

Pianist Espen Eriksen takes his trio of bassist Lars Tormod Jenset and drummer Andreas Bye back to their roots in their first pure trio record in five years with this beautifully rendered set of original Eriksen compositions, lyrical and touching music with a melancholic tinge, as Eriksen focuses on unforced melodic character that belies an optimistic glow.

Blurring the lines between jazz and rock in ECM and blues-tinged playing in compositions with a solid melodic center, Washington-area guitarist Anthony Pirog presents an album of lyrical music tinged by electronics and rich with evocative environments, performed with Michael Formanek on acoustic and electric bass, and Chess Smith on drums, percussion & electronics.

Pianist & improviser Steve Beresford performing on prepared piano, toys & electronic, percussionist Valentina Magaletti and bass player Pierpaolo Martino are heard in this cataclysmically interesting album based around Beresford's compositions, each piece a vignette that merges elements of free improv, rock, sound & avant structures in inventive and compelling ways.

Swedish saxophonist Martin Kuchen in trio with bassist Per Zanussi and drummer Raymond Strid, challenging and urgent jazz from a trio concerned with the state of our world.

An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.

Five CDs with unique and joyfully creative aspects of saxophonist and composer Trevor Watts' work, from concerts and studio settings in the UK, US and South Americal in configurations of Trevor Watts Moiré Music Group, with the Enjambre Acustico Urukungolo, Trevor Watts' Moiré Music Drum Orchestra, and duos with Jamie Harris, and with Marc Hewins.

Picking up where the 2013 Clean Feed album Tone Hunting left off, the quartet of Anna Kaluza on alto saxophone, Artur Majewski on cornet, Rafal Mazur on acoustic bass guitar, with drummer/percussionist Vasco Trilla replacing Kuba Suchar, the refreshed quartet is heard live at the University of Zielona Gora, Poland for an informed 6-part free improvisation.

A superb trio of NY improvisers and composers whose collective work bridges the divide between free playing and jazz tradition, a kind of avant swinging bebop.

A set of informed avant/abstract acoustic and electroacoustic improvisations recorded in the studio in Austria in 2019, from the transatlantic trio of Euro free jazz legend, trombonist Matthias Muller, Quebec bassist Eric Normand on electric bass, and innovative trumpeter Petr Vrba also deploying electronics, the trio's interaction focused on patient and inspired sonic detail.

A superb concert of masterful collective improvisation captured live at LOFT Cologne in 2018 from the trio of Luc Houtkamp on tenor saxophone & clarinet, Steve Beresford on piano & objects, and Martin Blume on drums & percussion, in three extended improvisations, thoughtful work building to periods of powerful passion while maintaining a reflective introspectiveness.

Refined and free ranging improvisation between German reedist Udo Schindler performing on bass clarinet, tenor & sopranino saxophones and also on cornet, and US double bassist Damon Smith, recorded 3 days after the first volume in this series, presenting two sets from the same day of informed and diverse dialogs between two masterful improvisers.

The Red Trio of pianist Rodrigo Pinheiro, bassist Hernâni Faustino and drummer Gabriel Ferrandini mark their 10th anniversary as a trio on this 2-CD set of an outstanding concert in Lisboa, PT, joining forces with the 13-member Celebration Band, whose members include John Butcher, Ernesto Rodrigues, Luis Vicente, Sei Miguel, Rodrigo Amado, Mattias Stahl, Carlos Santos, &c.

American pianist Marilyn Crispell joined London Improviser's Orchestra saxophonist & clarinetist Harry Smith and AMM drummer Eddie Prévost for this 2012 concert at London's Cafe OTO, playing in a melodic free jazz mode of passionate interaction and deep communication, resulting in an unforced and naturally masterful set of thoughtfully lyrical improvisation.

Chicago saxophonist and Kettle Hole label leader Gerrit Hatcher joins with West Coast saxophonists Rob Magill (Weird Cry Records, Dreamcolour) and Japanese saxophonist based in Los Angeles Patrick Shiroishi, for five collective free improvisations of informed saxophone interaction; three approaches to the horn that complement and contrast in fascinating ways.

The Chicago collective trio of tenor saxophonist Gerrit Hatcher, Lebanese bassist Eli Namay and drummer/percussionist Bill Harris are captured live at Chicago's The Whistler in the summer of 2019 for two extended and exploratory improvisations, showing both technical mastery and a curiosity for new modes of expression through inspired and intuitive conversation.

The UK ensemble Apartment House commissioned this work from composer & experimenter Jim O'Rourke based on their performance of other O'Rourke works, here interpreting a new graphic score designed like a sonic mobile, creating a minimal yet episodic piece of flexible interpretation as the performers whistle, hum and quietly sing in combination with bowed harmonics.

Drummer Tomas Fujiwara composed these compositions specifically for his trio with Patricia Brennan (vibraphone) and Tomeka Reid (cello), beautifully orchestrated for the unique combination of instruments and the extraordinary technique of each player, resulting in lyrical improvisation performed with a clarity appropriate for each piece's dedication.

A brilliant example of trans-Atlantic collective free improv from the quartet of New York free jazz heavies Matthew Shipp on piano, Joe Morris on double bass, Gerald Cleaver on drums, and UK tenor saxophonist Paul Dunmall, playing in the tradition of ecstatic and extended free jazz in a nearly hour long live performance recorded at Roulette in Brooklyn in 2012.

A melodically subtle and sophisticated album of twenty improvisations composed by saxophonist Christoph Gallio and performed with Gerry Hemingway on drums and Silvan Jeger on electric bass, with Friederike Mayrocker providing words on several tracks, the compositions as short as 19 seconds and a long as 7:40, each dedicated to visual artists and colleagues.

Extending their previous collaborations during the time of pandemic, NY electronic improviser Ikue Mori and Japanese improvisers Natsuki Tamura on trumpet and Satoko Fujii on piano developed this extraordinary ea-improv album via file exchange, starting with Fujii's piano improvisations to which Mori & Tamura added their layers, with Mori mixing the final, startling results.

Commissioned by Another Timbre for the quarantine commissions series, Hlaholika was developed by composer Adrián Demoč for the Apartment House ensemble as a quintet of violin, double bass, clarinet, viola & piano, using the configurations for 3 other works performed here by Apartment House; plus a piece for an ensemble from the Janacek School of Music in the Czech Republic.

Recorded at the same time and influenced by the recording of their 2020 album The Anthony Braxton Project, the NY Thumbscrew trio of Tomas Fujiwara on drums, Mary Halvorson on guitar, and Michael Formanek on double bass & electric bass present 9 original compositions, three pieces from each of the musicians, of melodically inclined forward thinking, creative jazz.

Perhaps one of the quirkiest releases from the Klaxon Gueule trio of Michel F Côté, Bernard Falaise and Alexandre St-Onge, performing respectively on drums, guitar and bass, and all on synthesizers and computer, recalling early electronic albums while adding a whimsical and alluring edge to their often darker and more experimental prior releases.

After work supporting Lee Morgan, Gerry Mulligan, Sonny Rollins, McCoy Tyner, Steve Lacy, Albert Ayler, Don Cherry, Cecil Taylor, &c., free jazz bassist Henry Grimes recorded this great example of his skills as a composer and leader, in a trio with Tom Price on drums and Perry Robinson, here in a definitive vinyl LP reissue of this exemplary album.

The third and final CD in composer John Zorn's trilogy inspired by historic figures of Christian mysticism, following works for Francesco d'Assisi and Julian of Norwich, these 10 pieces are conducted by Zorn and written specifically for the acoustic guitar trio of Bill Frisell, Julian Lage and Gyan Riley; an album of breathtaking character and inspired playing.

Bringing an innate lyricism to free improvisation in the piano trio format, albeit a thoroughly modern take on that format where all performers are equal and active participants, from Aki Takase on piano, Christian Weber on bass, and Michael Griener on drums, performing five Takase originals, one from Griener & Takase, and 8 collective works.

French voice artist and composer Yannick GuŽdon living in Brussels composed this extended work, the title translating to "insistence on possibilities", realized with cellist Deborah Walker and violist Cyprien Busolini, Guédon merging extended utterance into long string drones, contrasted with silence, as the piece moves through very specific placement.

A wild ride in two live performances, one at Elastic Arts in Chicago and the other at The Sugar Maple in Milwaukee, Wisconsin, both in 2018 from the Kuzu trio of Dave Rempis on alto, tenor & baritone saxophones, Tashi Dorji on guitar, and Tyler Damon on drums, evolving free improvisation that builds from introspective to full-on burning free jazz.

In 2019 pianist Thollem McDonas toured the US -- 12 months and 25 albums worth of recordings -- joining collaborators from a vast spectrum of improvisers and performers, this album presenting two such recordings: one a duo with drummer/percussionist Alex Cline from a live concert in Santa Monica; the other a duo with guitarist Susan Alcorn recorded in Baltimore.

Sharing compositional credits with the title translating to "the cooked", the trio of Andreas Nordheim on cornet, Ole Schmidt on clarinets, and Chris Weinheimer on flutes, with pianist Jan Gerdes guesting on one piece, present 16 recordings of minimalist harmonic and tonal development, mysterious and haunting works are taxonomically named by their location.

Joining the exemplary New York City Flow Trio of Louie Belogenis on tenor & soprano saxophones, Joe Morris on bass, and Charles Downs on drums is NY legendary saxophonist & trumpeter Joe McPhee, performing on tenor saxophone in an album of collective free jazz that reminds its listeners of the power of passionately unfettered yet superbly controlled free playing.

Four works by Argentinian composer Max Bober living in Warsaw, Poland, performed in solo, duo and trio configurations by pianist Alejandro Peña Gutiérrez, flutists Francisco Rojas and Clara Peláez Hidalgo, and soprano Natalia Jarosiewicz; fragile works of depth and beauty that unfold gracefully.

With "fragments of alien melodies, bizarre call-and-response activities, boiling liquids, airy perturbations, clusters", the electroacoustic improvising quartet of Markus Eichenberger on clarinet, Carl Ludwig Hubsch on tuba, Etienne Nillesen on extended snare drum and Philip Zoubek on synthesizer, focus their listeners on their remarkably turbulent and rich interactions.

The core of the German free improvising Takatsuki Trio is Rieko Okuda (piano, viola, &c.), Antti Virtaranta (bass), and Joshua Weitzel (shamisen, guitar), who, while touring, ask a guest from the area they're performing in to join them, here inviting tenor saxophonist Matthias Schubert in Kassel, Germany, and in Wiesbaden, Germany inviting saxophonist Dirk Marwedel.

Formed in 2014 to explore their own personal history with jazz music, the French trio of Fidel Fourneyron on trombone, Sebastien Beliah on double bass and Geoffroy Gesser on tenor saxophone & clarinet put their focus on the master of be-bop, Charlie Parker, updating, reinventing and making an inventive playground of Parker's music through thirteen classics.

Found dead in the Thames River in 1969, pianist & composer Mike Taylor left a legacy of two solid & lyrical jazz albums, of which the complete Trio album and one track from Pendulum are remastered; but he was also a songwriter for the Eric Clapton/Ginger Baker/Jack Bruce band Cream, of which three Taylor compositions with lyrics and vocals by Baker are included.

Three active Portuguese improvisers in a trio of remarkably sensitive rapport from Gonçalo Mortágua on tenor saxophone, Guilherme Rodrigues on cello and Higino Andrade on double bass, their group name referencing "3 Old Women", though their playing is youthful and adept, bringing a sense of bright space in 14 concise and intensely creative conversations.

The electroacoustic improv trio of flutist Paolo Pascolo and electronics guru Alberto Novello (JesterN') on modular synthesizer, and Slovenian drummer Vid Drašler, for seven haunting improvisations of unfaltering patience, electronic tones commingling with atmospheric flutes and subtle percussive intervention, creating rich sonic environments or quirky conversation.

The trio of Bruno Parrinha on bass clarinet & alto sax, Abdul Moimeme on prepared electric guitar & objects, and Carlos Santos on electronics & objects performed this confrontational improvisation at the 2020 Small Formats Materials Festival, weaving acoustic and electronic expression with assertive confidence, affirming reductionist approaches as commanding statements.

Cleverly complex yet melodically embraceable, the trio of Beligan pianist residing in Norway, Jonas Cambien's trio with Andre Rolighete on tenor and soprano saxophone and drummer Andreas Wildhagen perform eleven original Cambien compositions, a mix of astute, joyful and irrepressibly creative approaches to jazz and free improvisation.

Recording in the studio in Switzerland, the trio of Sylvie Courvoisier on piano, Ned Rothenberg on alto saxophone, clarinet, bass clarinet & Shakuhachi, and Julian Sartorius on drums & percussion perform a mix of compositions, with 3 from Courvoisier and 1 by Rothenberg, and 4 collective improvisations; a unified and accomplished album of diverse approaches to free improv.

The Hammond organ takes the lead sound on this straight-up, melodically grooving and fast-paced album, with compositions coming mostly from Finnish saxophonist Mikko Innanen, performed in this trio with French organist Cedric Piromalli and Danish drummer Stefan Pasborg; an album that puts one foot in the history of 60's jazz and one foot firmly in the creative present.

Their 2020 tour cut short and no prospects of perfomance in March 2020, the trio of trumpeter Thomas Heberer, bassist Joe Fonda and drummer Joe Hertenstein began a weekly discipline of composing and rehearsing new music, doing so for the next five months, recording this superbly defined set of new compositions in August, the day before Herstenstein left NYC for Berlin.

After the Desalambrado duo album album between Spanish pianist Agustí Fernandez and drummer/percussionist Lucía Martinez, Fernandez enjoined UK bassist Barry Guy to record with them while he was in Spain working on his Via Augusta; the results are this album of mysterious environments that lead to intense and exciting interaction, expansive improv through Martinez' percussive elements.

The Selva trio of Ricardo Jacinto on cello, Goncalo Almeida on double bass and Nuno Morao on drums join with Rutger Zuydervelt of Machinefabriek who adds unique electroacoustic transformations to their fusion of free improvisation and hydrid world elements, resulting in this wonderfully dark venture inside a virtual jungle of contrasting darkness and refined acoustic beauty.

Discovered in a box of recordings in BPA's possession, this recording from 2003 restores a stimulating freely improvised studio encounter between then-West Coast frequent collaborators, double bassist Damon Smith and percussionist Gino Robair, in a trio with Austrian alto saxophonist & bass clarinetist Tanja Feichtmair, mastered to pristine quality by Weasel Walter.

A percussive "Natchtprogramm" and a tonal "Syntax" from composer Torsten Papenheim, recorded in the studio in Cologne and Berlin, the former performed with trombonist Matthias Much, double bassist Achim Tang and pianist Philip Zoubek; the latter with Johannest Trondle (violincello) & Axel Haller (electric bass), then with Elena Kakaliagou (french horn) & Evi Filippou (percussion).

An exotic album of tradition-spanning improvisation from the trio of tenor saxophonist Ivo Perleman, oud player Gordon Grdina and percussionist Hamin Honari on tombak and daf, avoiding any cliches of "world fusion" as the effusive Middle Eastern rhythmic devices propel Perelman and Grdina into joyful flights of ecstatic playing that bridge the East and West.

Drum and percussion improviser Barry Altschul leads his trio with Jon Irabagon on tenor, sopranillo saxophones & alto clarinet and Joe Fonda on bass in their fourth release since forming in 2013, here with five original compositions in free jazz form with strong melodic heads that manifest in tremendous soloing from his players and outstanding drum work.

A scorching album of instrumental rock bridging avant, prog and jazz/rock forms, from the inspired and burning Norwegian band led by guitarist Hedvig Mollestad Thomassen and her trio with bassist Ellen Brekken and drummer Ivar Loe Bjornstad; reference John McLaughlin, Led Zeppelin, Jimi Hendrix, Black Sabbath, or just focus on the powerhouse that is the Hedvig Mollestad Trio.

A scorching album of instrumental rock bridging avant, prog and jazz/rock forms, from the inspired and burning Norwegian band led by guitarist Hedvig Mollestad Thomassen and her trio with bassist Ellen Brekken and drummer Ivar Loe Bjornstad; reference John McLaughlin, Led Zeppelin, Jimi Hendrix, Black Sabbath, or just focus on the powerhouse that is the Hedvig Mollestad Trio.

The productive and excellent work of Norwegian rock band Motorpsycho, releasing an album a year for 30+ years, continues with this superb example of long form and diverse approaches to the rock medium, the core trio of Saether (bass, vocals, mellotron, &c), Hans Magnus Ryan (guitar, sax, vocals) and Tomas Jarmyr (drums) extended by Reine Fiske on guitar and Ola Kvernberg on percussion.

Reissuing two essential and innovative piano trio albums: Paul Bley Trio's 1965 album Touching with Bley on piano, Kent Carter on double bass and Barry Altschul on drums, plus the title track from the 1967 Bley album In Haarlem - Blood with Altschul and Mark Levinson taking the double bass roll, performing compositions by Paul Bley, Carla Bley and Annette Peacock.

After their first encounter at the M.I.A. Improvisation Festival in Atouguia de Balei, the trio of Carlo Mascolo on trombone, Joao Madeira on bass and Felice Furioso on percussion entered the Dwarte Studio in Lisbon to record these seven instant compositions, profound work from three players dedicated to finding unique expression and structure through free improvisation.

Three disparate improvisers--Guy-Frank Pellerin on soprano & tenor saxophones, Matthias Boss on violin & voice and Eugenio Sanna on amplified guitar plus small metallic layers, balloons & voice--present a non-idiomatic, fully improvised set of "sonorities, fragments, atmospheres seeming to constitute independent parts, but actually forming a unicum".

An energetic trio of Serbian free improvisers from Tibor Takacs Faki on reeds, Laslo Lenkes on guitar and Goran Grubisic on drums, Tibor Takacs Faki and Goran Grubisic both part of the rock band Wooden Ambulance, that energy translating into their indefatigable approach to collective improvisation, just keeping a lid on their rambunctious interaction.

Darkly powerful sonic interaction through transformative use of their instruments, the trio of trombonist Matthias Müller, drummer Christian Marien and pianist Eve Risser obscure their sources through non-traditional techniques, energetically and mysteriously evoking industrial mechanisms with riveting nuance and inventiveness, an exceptional achievement.

The 2nd of two 3-CD sets released as trumpeter Wadada Leo nears his 80th birthday, these albums were recorded in 2015 & 2016 in bassist Bill Laswell's studio, the first presenting the duo of Smith and late drummer Milford Graves, the second a duo with Laswell, those discs leading to the expansive and outstanding full trio of Smith, Laswell & Graves on the final disc.

"Scraps", or leftovers from the recording sessions of soprano saxophonist Steve Lacy and drummer/percussionist Andrea Centazzo, the same sessions that yielded the albums Clangs and Tao, with remastered studio and live sessions in Udine, Bologna and other cities in Italy, plus a live recording from an audio cassette with Kent Cart on bass at Teatro Lirico in Milano.

Reissuing clarinetist Jimmy Giuffre's 1963 Columbia album Free Fall, presenting trio performances with bassist Steve Swallow and pianist Paul Bley recorded after their 1961 European tour, along with duos between Giuffre and Swallow and several solo tracks from the clarinetist himself, propelling himself and his band into his sophisticated, risk-taking chamber jazz compositions.

Documenting the efforts by saxophonist and label leader Dave Rempis to continue his creative output during the pandemic, in a 2-CD set with solo pieces from weekly streamed performances at his practice space, alongside duo & trio performances from outdoor concerts including collaborators Tomeka Reid on cello, Joshua Abrams on bass, and Tim Daisy or Tyler Damon on drums.

The debut of the advanced and innovative collaboration between improviser and prominent double bassist Barre Phillips, British saxophonist John Butcher and Norwegian drummer, percussionist and improviser, Stale Liavik Solberg, recording at the Blow out Festival in Oslo, Norway in 2019, and at Offene Ohren, Einstein Kultur, in Munchen, Germany in 2018.

Known for her chamber and piano works, Canadian composer and widow of Morton Feldman presents five beautiful chamber works performed by the trio of George Barton on percussion, Siwan Rhys on piano and Mira Benjamin on violin, introspective and contemplative pieces of rich color & reflection that reveal the gravity between sound and silence.

While in a residency in 2018 at the Yokohama, Japan jazz club Bitches Brew, Lithuanian saxophonist Liudas Mockunas had the opportunity to perform in duos and trios with some of Japan's most famous improvising reed players--Kazutoki Umezu, Masayo Koketsu, Akira Sakata and Eiichi Hayashi--and also in a trio with Kazutoki Umezu and Otomo Yoshihide performing on electric guitar.

Taking its title from the rum-running yacht on which McPhee's father sailed from Nassau to Miami, this free electroaoustic improvised concert with Joe McPhee on pocket cornet & alto saxophone, Jen Clare Paulson on viola and Brian Labycz on electronics was captured live in 2014 at the Sugar Maple in Milwaukee, Wisconsin, during Okka Fest 6, released as CvsD's first vinyl LP.

An album of spiritual and lyrically rich free improvisation from trumpeter Luis Vicente's Trio with double bassist Goncalo Almeida and drummer/percussionist Pedro Melo Alves, the three Portuguese improvisers performing Vicente's compositions that urge the performers to search and extend themselves expressively through both inspiring interplay and reflective calm.

Cleverly complex yet melodically embraceable, the trio of Beligan pianist residing in Norway, Jonas Cambien's trio with Andre Rolighete on tenor and soprano saxophone and drummer Andreas Wildhagen perform eleven original Cambien compositions, a mix of astute, joyful and irrepressibly creative approaches to jazz and free improvisation.