Amsterdam-based bass clarinetist Ziv Taubenfeld leads the Bones trio, performing Taubenfeld's compositions, with double bassist Shay Hazan and drummer Nir Sabag, three friends since their youth, as their improvisation emphasizes lower tones through slowly slinking, saurian improvisation that bridges tonal work and energetic scrabbling.

Three British free jazz giants, having worked in a number of configurations and as a trio over many decades, are caught live in the Russian Drama Theater during the 2017 Vilnius Jazz Festival--Evan Parker on soprano & tenor saxophones, Barry Guy on bass, and Paul Lytton on drums, for four improvisations of nuance and surprise, incredible mastery, and profound conversation.

Recorded during two nights at Underflow Records and Art Gallery in Athens, Greece in 2019, The Underflow trio of Mats Gustafsson (reeds, fluteophone, electronics) from Sweden, with Chicago-based Rob Mazurek (trumpet, electronics), and David Grubbs (electric guitar) present an album of wide-ranging, powerful, often explosively eccentric, and always informed improvisation.

50 years after saxophonist Peter Brotzmann's Octet recorded the legendary "Machine Gun" album, the trio of Berlin pianist, composer Alexander von Schlippenbach and Dutch percussionist Han Bennink commemorated the album at Lila Eule in Bremen, the concert heard here so successful that the trio decided to release the album and continue on as a working trio.

Surprising, singular and unconventional interpretations of four pieces from John Coltrane--"The Father and the Son and the Holy Ghost", "Naima", "Improvisation For Mr. J.C.", and "Inspired by Seraphic Light"--from the Gdansk trio of Michael Gos (drums), Mark Tokar (bass) and Tomasz Gadecki (tenor & baritone sax), comissioned by and performed at the 2019 Jazz Jantar Festival.

The trio of Renato Grieco on bass, Francesco Gregoretti on drums, Carl Ludwig Hubsch on tuba in a studio album of dense, deep improvisation, using amplification and feedback with extreme technique and meticulously controlled playing to create slowly evolving sonic environments of profound depth and mystery, a shadowy and fascinating album fraught with suspense.

Performing together since 1989, at first frequently and now as very special events, this concert at Concertgebouw in Brugge of pianist Georg Graewe, cellist Ernst Reijseger, and drummer and marimba player Gerry Hemingway, is a superb example of the both telepathic and confidently confrontational interplay of their chamber-oriented and superbly paced improvisation.

Trombonist Steve Swell stands out in this trio of collective improvisation, recorded in the studio in Brooklyn with pianist Robert Boston, also on organ, and drummer Michael Vatcher, in a set of eleven outstanding dialogs that range from highly energetic to deeply introspective, with quirky and unusual technique from Vatcher and Swell adding unique qualities to their collective "brain".

Nine improvisers--Joelle Leandre, J.D.Parran, Ernst Reyseger, Hugh Davies, Jamie Muir, Peter Brotzmann, Evan Parker, Vinko Globokar, & John Corbett--joined Derek Bailey for this 1983 Company week, recording at the I.C.A. in London over 4 days in 1983, mostly performing in trio configurations, with one duo between Bailey & Reijseger, and a final ensemble with all 9 players.

The extended horn section for the Leap of Faith Orchestra from the Boston-area collective led by reedist/multi-instrumentalist David Peck, here with PEK on an assortment of saxophones, clarinets, flutes, game calls and percussion, the other horns from Michael Caglianone on sax, game calls, wind sirens and percussion, with drums, bells, bowls and other percussion from Yuri Zbitnoff.

Taking the improvising duo Bad Plus of electric bassist Reid Anderson and acoustic & electronic drummer Dave King and adding Craig Taborn on synthesizer, electric & acoustic pianos, for an accessible album of rhythmic and melodic tunes, electronics adding effervescence and a pop sensibility amongst sly rhythmic twists, strong grooves, and memorable themes.

New York bassist Michael Formanek's trio with Tim Berne on alto saxophone and Mary Halvorson on guitar, embraces free music with strong melodic intent through Formanek's solid compositions, providing interesting structures in time and texture through sublimely complex and sinuous pieces that lead to rewarding resolutions of profoundly authoritative improvisation.

In their second album the trio of saxophonist Ellery Eskelin, bassist Christian Weber and drummer Michael Griener revisit the music of jazz tradition through the modern ears of the free improvisation, alternating the music of Jelly Roll Morton, Scott Joplin, Harry Edison/Count Bassie, and Russell Robinson with original group compositions, a fascinating contrast in time and style.

Making complex rhythms comprehendible, drummer Jim Black and his trio with Thomas Morgan on bass and pianist Elias Stemeseder, present their 4th album, with 11 original compositions by the leader recorded in the studio in Switzerland, reckoning unusual pulses with swinging rhythms over which all three improvise with free and lyrical mastery for brilliant results.

Absolutely compelling rhythms and grooves from this trio bringing together Ivory Coast balafon player Aly Keita with Cameroon clarinetist and saxophonist Jan Galega Bronnimann and Swiss drummer Lucas Niggli, who was born in West Cameroon, the trio bringing strong African rhythms and melodic progressions to their propulsive and joyful improvisations.

Nicola L. Hein, performing on prepared guitar, and Etienne Nillesen on extended snare drum, present three trio recordings with three different pianists--Magda Mayas, Eve Risser, and Marta Warelis--each adding a different dimension to Hein & Nillesen's playing, as heard in these three live recordings from The Loft in Cologne, Germany in 2018.

In 2018 on their 2nd tour, the Kuzu trio of Dave Rempis on alto, tenor & baritone saxophones, Tashi Dorji on guitar, and Tyler Damon on drums, captured this, their 15th concert in the tour, at The Sugar Maple, in Milwaukee, an extended improvisation that lives up to its title in dark ruminations that reveal beauty and rare color through powerful and passionate playing.

With the essential sidemen to express his unique voice and approach to free jazz, saxophonist Albert Ayler, double bassist Gary Peacock, and drummer Sunny Murray, recorded these sessions in 1964 for the ESP label as "Prophecy", this excellent reissue & remaster also adding the live "Albert Smiles with Sunny" (inRespect) from the same concert; essential.

Unusual "broken jazz" and ea-improvisation with strange interventions from the European trio of Jaka Berger (prepared drums), Jure Borsic (reeds) and Colin Petit (tape & electronics), with a sly sense of humor through track names like "Miles DeVice" and "Or Not Coleman" as they deconstruct free jazz with aberrantly excellent intentions; obscure great fun.

Rick Countryman on alto saxophone, Simon Tan on bass, and Christian Bucher on drums cover diverse territory while letting each player stand out in this studio album of collective improvisation, their frequent collaborations allowing them to evoke a strong degree of melodicism among spontaneous interaction, from energetic grooves to ballads to beautiful textural work.

Recordings from Stavanger, Norway in 1992 by a trio of legends--Derek Bailey on amplified guitar, John Stevens on percussion and mini trumpet, and Frode Gjerstad on alto saxophone--a trio that only performed three gigs on three consecutive days, this album captured on the last of those performances, a testament to their great compatibility and intent.

Rob Burke composed the first seven pieces for this experimental NY quartet, the multi-reedist joined by guitarist Ben Monder, drummer Tom Rainey, and Ben Grayson on electronics, the last "Discordat" a collective improvisation in 4 parts, as the band investigates emotional approaches to playing, using subtle distortion and Grayson's post-editing sonic additions.

The UK Decoy trio of John Edwards (bass), Steve Noble (drums) and Alexander Hawkins (keys) joins forces with pocket trumpet and saxophone player Joe McPhee during McPhee's residency at London's Cafe OTO, recording these two huge sets of brilliant free improv, Hawkins performing on organ adding a unique and soulful tone to a set that balances powerful energy with innate lyricism.

The trio of British free improvisation innovators--John Butcher on saxophones, John Edwards on double bass, and Mark Sanders on percussion--in their 2nd album under the "Last Dream Of The Morning" moniker after their Relative Pitch album, captured live at Cafe Oto in 2018 displaying their incredible affinity to creative freedom through technically superb playing.

An exhilarating live concert from the international trio led by Scandinavian saxophonist Torben Snekkestad, with Spanish pianist Agusti Fernandez, and British double bass player Barry Guy, blurring the lines between free improvisation, free jazz, and contemporary classical music in quick-witted interaction and explorative, innovative sounds and textures.

An exhilarating live concert from the international trio led by Scandinavian saxophonist Torben Snekkestad, with Spanish pianist Agusti Fernandez, and British double bass player Barry Guy, blurring the lines between free improvisation, free jazz, and contemporary classical music in quick-witted interaction and explorative, innovative sounds and textures.

Free collective improvisation with an electronic edge from the trio of Nels Cline, double bassist William Parker and pianist Thollem McDonas, following up on their 2012 "Gowanus Session I" recorded in the same studio space, here expanding on the 1st session's shorter works with two large and evolving improvisations that balance reflective moments with intensive playing.

Merging heavy melodic jazz with tinges of heavy metal, John Zorn's Simulacrum trio of John Medeski on organ, Kenny Grohowski on drums, and Matt Hollenberg on guitar perform nine of Zorn's intense compositions in a beautifully recorded concert at the Firehouse 12 studio, the band's consummate playing and passion bringing power to Zorn's darkly exciting music.

Following up "Nove Cantici Per Francesco D'Assisi" with the three acoustic guitars of Bill Frisell, Gyan Riley and Julian Lage, "Virtue" is inspired by Julian of Norwich, one of the founders of Christian mysticism, portrayed through twelve succinct Zorn compositions of beautifully lyrical contrapuntal interplay and transcendental reflection.

A brilliant example of free improvisation from the performing trio of Barry Guy on double bass, Agusti Fernandez on piano and Torben Snekkestad on sax & trumpet, recording live at KoncertKirken Ð Blagards Plads in Copenhagen, merging shards of jazz and fully free playing using astonishing technique and creative intention that is as rewarding as it it intrepid.

Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion & electronics, Juan Garcia on double bass, and Ignaz Schick on turntables & electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.

Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion & electronics, Juan Garcia on double bass, and Ignaz Schick on turntables & electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.

ZNR, the French trio of Hector Zazou, Joseph Racaille, and Patrick Portella, in a deluxe box set combining both of the official ZNR releases, "Barricades III" and "Traite de Mechanique Populaire" along with 2 CDs of additional released and unreleased material and a book of memories, histories, reflections, photographs, documents, interviews and other memorabilia.

The second album of open-minded free improvisation of great drive, skill and and experimental determination from the Anticlan trio, a facet of the Albatre trio in the duo of Portuguese saxophonist Hugo Costa and German drummer Philipp Ernsting, along with Mexican guitarist residing in Rotterdamn, Josue Amador, recording in the studio in Rotterdam, 2019.

Portugal's Lisbon String Trio of saxophonist Nuno Torres, electric guitarist Abdul Moimeme and violist Ernesto Rodrigues, are joined by Red Trio/ Rodrigo Amado Motion Trio drummer Gabriel Ferrandini for this concert performance at O'Culto da Ajuda, in Lisbon, Portugal as part of the CreativeFest XIII, finding inspired balance in introspective sections and periods of exciting activity.

Two distinct improvisation from the trio of Japanese musician Rieko Okuda on piano & viola, Finnish musician Antti Virtaranta on double bass, and Russian musician Girilal Baars on voice & objects, the first with Baars primarily focused on free vocals in a Phil Minton-esque mode, the second all instrumental with Baars performing on "old wheel".

A trio of legendary Canterbury, avant improvisation and contemporary compositional players come together for an album recorded live in the studio over two days, from Alex Maguire on piano and Hammond organ, Martin Pyne on vibraphone, drums, percussion & electronics, and Mark Hewins on guitars & electronics; inventive, sophisticated, hallucinatory & virtuosic work.

Three musicians who are active members of the Lille-based collective Muzzix--Peter Orins on drums, Barbara Dang on grand piano, Sakina Abdou on saxophone & recorder--captured live at La Malterie, in Lille, France for two extended improvisations of minimalist conversation using extended techniques and unusual approaches to their instruments; fascinating.

Two Norwegians and a Geordie (ie, NE Englander), from drummer Stale Birkeland, saxophonist Petter Frost Fadnes, and guitarist Chris Sharkey, since 2007 creating epic works of rich electroacoustic improvisation, recording their third album after extensive touring through Europe and Japan, using the the natural resonance of the Chapel FM, in Leeds to enrich their sound.

Schizophrenically skronky improv of ea-cutups and semi-maniacal segments that resolve to near-stillness from the West Coast TONED trio of Nathan Corder on electronics, Leo Suarez on drums, and Tom Weeks on sax, using a nonlinear and nonhierarchical organizational process and multiple layers of compositional feedback loops to create unpredictably bizarre and overtly fun music.

Three extended improvisations from the three Australian improvisers Chris Abrahams (piano), Lloyd Swanton (bass), Tony Buck (drums/percussion) in their 21st album of mesmerizing music, from the dynamic opener "Bloom" to the introspective "Lovelock" dedicated to Damien Lovelock of The Celibate Rifles, ending in the lyrical and rich groove of "Further".

Renowned pianist and composer Burton Greene joins French composer and improvising guitarist Guillaume Gargaud performing on acoustic guitar, for four duo improvisations recorded at Tilo's Ark, in Weesp, The Netherlands in 2019, in crisp & often rapid dialog that uses space and reflective moments well, the duo joined by Tilo Baumheier on flute for three pieces.

Christoph Nicolaus began working with the stone harp around 2007, a block of granite with a slanted top that is deeply notched to create fins that resemble a loaf of bread, played by "bowing" the sides with wet hands causing each to vibrate in unique and beautiful tones; this album collects 13 compositions & improvisations performed between 2008 and 2018, in rich and uniquely evocative sound.

Pianist Danny Fox's trio with bassist Chris van Voorst van Beest and drummer Max Goldman in an album showing how the tight rapport this touring band has developed on the road, performing Fox's melodic and inventive compositions with a wealth of influences and style.

The duo of saxophonist Boris Hauf and pianist D Bayne team up with guitarist Martin Siewert in this collection of tracks inspired by different U.S. national parks and their representation in iconic posters.

The long-running trio of saxophonist Kidd Jordan, pianist Joel Futterman and drummer Alvin Fielder, established in 1994 and together until Fielder's passing in 2018, are heard in this incredible 1997 studio recording from New Orleans, 7 collective tracks that start as an invocation and then build in intensity & excitement with a strong spiritual connection; profound.

"Distant Radio Transmission" was originally recorded as an improvisation by Roscoe Mitchell, Craig Taborn, and Kikanju Baku in 2013, then transcribed by Stephen P. Harvey in 2016, extended for strings by John Ivers in 2017, and then fully orchestrated by Roscoe Mitchell himself in 2017; the album also includes "Noonah Trio", "Cutouts for Woodwind Quintet" and "8/8/88".

Cuban pianist Aruán Ortiz reflects on his upbringing in Santiago de Cuba, evoking the cascades of daily sound and rhythm he heard there, through compositions performed with the trio of fellow Cuban Mauricio Herrera on percussion & marimbula, and drummer Andrew Cyrille, Emeline Michel and Marlene Ramirez-Cancio providing vocals on the powerful opening invocation.

The trans-Atlantic Tipple Trio of David Watson on guitar & smallpipes, Kevin Norton on percussion & drums, and Frode Gjerstad on saxophone, clarinet & alto flute in their 5th album since 2010, a studio recording from the NY area of 15 succinct and diverse approaches to free improvisation, each player shining uniquely and in extraordinary group interplay.

The long-running UK collaboration of Paul Dunmall on tenor sax & alto flute and drummer Mark Sanders, is joined by NY pianist Angelica Sanchez to record five superb collective trio compositions, Sanchez and Sanders providing outstandingly active rhythmic foundations over which Dunmall passionately soars, then adding unusual foundations over Sanchez's astute solo sections.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Pianist Mathias Landaeus's trio with Johnny Aman on bass and Chris Montgomery on drums are joined by saxophonist Martin Kuchen (Angles, &c) for a limited edition LP of superb music merging free and lyrical elements for a tremendous modern jazz album.

The 4th in improving guitarist and composer Joe Morris' Instantiation series, where each part is unique, composed with specific notated and operational components such that it impossible to perform any of them the same way twice; performed with two active Boston improvisers, trombonist Eric Stilwell (hear on Joe Morris Trio "Value") and cellist & bassist Brad Barrett.

Two albums released together as a single-priced 2-CD set, NY drummer, composer and free improviser Whit Dickey leads two groupings: on Reckoning, a duet with frequent collaborator, pianist Matthew Shipp; and Pacific Noir, a trio with Shipp and trumpeter Nate Wooley; both superb examples of modern jazz with creative inventiveness and virtuouso execution.

Chinese Buddhism defines "Hungry Ghosts" as beings who are driven by intense emotional needs in an animalistic way, an apt description of this trio's dynamic and often bristling collective free jazz, with Malaysian saxophonist Yong Yandsen and Norwegians, Christian Meaas Svendsen on bass and Paal Nilssen-Love on drums, performing live in Kuala Lumpur, 2018.

Insanely inventive and obsessive, the Bascaille trio of Antoine Letourneau-Berger, Olivier Tremblay-Noel and Tom Jacques use a mix of traditional and world percussive devices, homemade instruments, objects and amplification to create works of contemporary art and percussion, using equal temperament, microtonality, noise music, improvisation, unison, and polyrhythms.

Longtime bandmates Ken Filiano (bass) and Andrew Drury (drums) join violinist Jason Kao Hwang for 6 original compositions, each a progression of gestures, songs, movements and locations that bring the musicians into a state of discovery and compassion, completed during the COVID-19 pandemic and honoring healthcare workers and those tragically lost to the disease.

An album of ecstatic noise improv with an experimental edge from the trio of Ulrich Krieger on tenor saxophone & contrabass clarinet, Nandor Nevai on "throats" & drums, and Wolcott on oscillator & electronics, viciously assertive music in seven track of mostly succinct statements composed or conceived by each of the band members; cathartic.

This puzzling display of punk/jazz surrealism is masterminded by Nondor Nevai on drums and vocals, featuring Weasel Walter on bass and legendary journeyman Kenny Millions (aka Keshavan Maslak) on guitar and reeds, a sort of unholy fusion between extreme metal, bludgeoning noise rock, free jazz, black humor and true stream-of-consciousness improvisation.

Not Two Records celebrates their 20th Anniversary with a festival in Wlen, Poland, inviting 13 of the finest European & US improvisers--Guy, Leandre, Mazur, Nilssen-Love, Kaucic, Fernandez, Gustafsson, Vandermark, Trzaska, Brotzmann, Swell, Holmlander, & Homburg--performing in configurations from duo to quintet, released in a limited 5-CD wooden box set.

Recording in Graz, Austria in 2019 at the club Tube's, Chicago alto saxophonist Dave Rempis and drummer Michael Zerang, frequent collaborators with Ken Vandermark and The Resonance Ensemble, joined with Austrian improvising and classical pianist Elisabeth Harnik to record three exuberant and incredibly informed improvisations: "Triple Tube" I through III.

Recording at the Lilypad in Cambridge, MA, the Boston-area trio of pianist Pandelis Karayorgis, bassist Damon Smith, and drummer Eric Rosenthal are captured in concert for an adventurous album of free improvisation, Karayorgis's compositions leading this piano trio of magnificent mastery into buoyantly exciting interaction as they take their listeners to a dizzying precipice edge.

With origins in Switzerland in the Recall Pollock duo of trombonist Roland Dahinden and pianist Hildegard Kleep, this trio with UK electronics artist based in South Africa Cameron Harris has its origin in the quartet CubeZ with visual artist Charbel Ackermann, here focused on their unusual language through acoustic improv altered and complemented by interactive electronics.

A fully improvised cycle of seven miniatures, or "Mutations", recorded live on Kultur-Schranne in Dachau, Germany in 2019 by the trio of two masterful and legendary players--Catalan pianist Agusti Fernández and British double bassist Barry Guy--inviting young Catalog saxophonist Don Malfon as they transmute their conversation for fascinatingly creative conversation.

Aggressive "honk-n-skronk" free jazz from the Moscow based trio of alto saxophonist Anton Ponomarev, with Danish drummer Peter Ole Jørgensen (aka P.O. Jorgens known for his work with Peter Brötzmann) and bass guitarist Dmitry Lapshin, in a studio album of eight burning "Circles", demanding skirmishes of fiery imformed collective free jazz.

Instigated by Simon Reynell and Ryoko Akama and recorded on the last day of a residency at at Dai Hall in Huddersfield in early 2020, the long-standing collaborative relationship of violinist Angharad Davies and cellist Anton Lukoszevieze are joined by Klaus Lang on harmonium, heard in this incredibly rich, mesmerizing and fascinating journey in pitch, tone & timbre.

Four chamber pieces for strings, covering 5 decades of work by veteran German composer Ernstalbrecht Stiebler--each with his representative focus on concentration and quiet intensity--recorded in Bulgaria and performed by violinist Biliana Voutchkova, to whom two of the pieces are dedicated, with Michael Rauter (cello) and Nurit Stark (viola).

A beautiful, melancholic soundworld created by three musicians who have a rare rapport--Cyril Bondi on Indian harmonium, Pierre on Yves Martel on viola da Gamba, and Christoph Schiller on spinet--following their previous CDs tse and awire by moving on to new territory in 3 compositions allowing for freedom from each musician, two from Schiller and one from Bondi.

The title aptly describes the intense excitement and exhilaration of NY guitarist Brandon Seabrook's second trio album on Astral Spirits, performed with rhythm giants Cooper-Moore on Diddley Bow (a single-string bass) and free jazz drum legend Gerald Cleaver, the two creating a percolating interactive foundation for Seabrooks powerfully expressive and investigative playing.

The title aptly describes the intense excitement and exhilaration of NY guitarist Brandon Seabrook's second trio album on Astral Spirits, performed with rhythm giants Cooper-Moore on Diddley Bow (a single-string bass) and free jazz drum legend Gerald Cleaver, the two creating a percolating interactive foundation for Seabrooks powerfully expressive and investigative playing.

The trio of guitarists Patricia Bateira (NATurlich), Jochen Arbeit (Einstürzende Neubauten) and Vitor Rua (Vitor Rua & The Metaphysical Angels) combine to create a new style of long-form electronic music, a richly continuous work seemingly without start or end, incorporating sustain, effects, & field recordings into a beautifully abstract aural environment.

Czech trombonist Conny Bauer and brother, double bassist Matthias Bauer, are joined by Stavanger drummer Dag Magnus Narvesen, captured live at Christchurch, Berlin in 2018, inspired by their surroundings the three present a sophisticated concert of collective free improvisation of great energy and playfulness, born from decades of experience and improvisational affinity.

An archival recording from the Kraine Art Gallery in NYC in October of 1987 by French horn player Vincent Chancey, double bassist Wilber Morris and percussionist Warren Smith, their distinctive instrumentation revealing the passionate dialog of agile and commanding ability, balancing the innate lyricism of jazz traditions with the liberation of free & out playing.

Two thirds of the free jazz group "Boom Box"--saxophonist Thomas Borgmann and drummer Willi Kellers--and referencing that band's 2011 album titled Jazz, Keys & Screws is rounded out as a trio with double bassist Jan Roder, following the format of "Jazz" with compositions from each player following head/solo format, fueled by each player's extensive experience.

Captured live in San Francisco in 1978, the lastest in the NoBusiness Sam Rivers Archive series finds the masterful wind player in peak form with the trio of Dave Holland on bass & cello, and Barry Altschul on drums, Rivers on tenor & soprano sax, flute & piano, in the 52 minute free jazz epic "Ricochet", a high-energy work of diverse mood and character; superb!

Taking their band name from a Thelonious Monk quote, the Norwegian power trio of vibraphone player Amund Storløkken Åse (son of keyboardist Ståle Storløkken and vocelist Tone Åse), guitarist Nicolas Leirtrø and drummer Øyvind Leite bridge the divide between 70's progressive rock, classical music, jazz and improvisation with a unique instrumentation.

Taking their band name from a Thelonious Monk quote, the Norwegian power trio of vibraphone player Amund Storløkken Åse (son of keyboardist Ståle Storløkken and vocelist Tone Åse), guitarist Nicolas Leirtrø and drummer Øyvind Leite bridge the divide between 70's progressive rock, classical music, jazz and improvisation with a unique instrumentation.

The Thumbscrew trio of NY improvisers Tomas Fujiwara on drums & vibes, Mary Halvorson on guitar, and Michael Formanek on double bass, turn their focus to their shared history with composer and reedist Anthony Braxton as he celebrates his 75th birthday, performing 11 previously unheard compositions selected from Composition No. 14 through No. 274; masterful and profound.

Merging players from the NY, Philidelphia and Chicago scenes, the trio of drummer Chad Taylor, saxophonist Brian Settles and pianist Neil Podgurski have a history reaching into the 90s in NYC, bringing a confident kinetic energy to their playing, energized by Taylor's powerful rhythmic center and a lyrical bent that makes their music exuberant and intelligent at once.

The collaboration of American alto saxophonist living in the Philippines Rick Countryman with legendary Japanese free improvising drummer Sabu Toyozumim, also performing on Erhu, continues with this outstanding performance at the LIMBO Art Gallery in Makati, Philippines in 2020, joined by Malaysian tenor saxophonist Yong Yandsen for a burning set of free jazz.

Recorded over 2 days in a Chicago studio in configurations from duos to an octet, drummer Quin Kirchner provides the compositions on this double CD for 11 pieces, alongside works by Frank Foster, Phil Cohran, Sun Ra & Carla Bley, presented as a story or a journey of differing styles and forms, made cohesive by Kirchner's remarkable drumming and coherently diverse interests.

The collective Who Trio of pianist Michel Wintsch, bassist Bänz Oester and drummer Gerry Hemingway take on the music of Billy Strayhorn & Duke Ellington in eight studio recordings and one live performance, interpreting in a collective fashion rather than straight readings of each work, allowing a unique level of freedom to be applied to these essential jazz compositions.

Blues with a strong sonic sense in Atlanta, GA guitarist Tyler Higgin's 2nd release on Shhpuma, his trio again featuring drummer Paul Stevens, and here adding bassist Gabriel Monticello, known for symphonic, jazz and rock forms, bringing masterful skill to this album that richly blends blues, gospel, folk, jazz and rock forms with passion and style.

Two major 20-minute long-form compositions scored for piano trio from composer John Zorn, performed by the NY trio of pianist Brian Marsella along with the dynamic rhythm section of Trevor Dunn and Kenny Wollesen, each piece a tour-de-force from rapid runs of technical mastery to fervid moments of instrospection and delicacy, a passionate expedition in the piano trio form.