Ex-Spaceseed wordsmith/gizmoist Serson Brannen explores the outer limits of high tech spoken word space art .

Minimalist guitar collaborations from members of Remora, Aarktica, Lycia, Rivulets, 6P.M., Red Morning Chorus, & Jessica Bailiff.

Heavy improvisation from the NY trio of C. Spencer Yeh on violin and electronics, Ben Hall on trap set and Don Dietrich on saxophone and electronics, bringing Borbetomagus strength to this authoritative and exciting album of sonically oriented free improv.

The finale for the 2012 "Extreme Rituals" concert was this performance, where each artist used a wireless EEG headset to send brainwave signals to audio engineers who transformed them into audio, as the performers sculpt sound using meditative and ecstatic trance states.

Kai Parviainen's Enema Syringe in a 7" release recorded in 1987, 14+ minutes of raw and primitive staccato electronics edgy with a darkly disordered mental state, a stark testimony to the tenacity of his work, which continues into the 2010s.

Fifty tracks, one minute and three seconds long each, of open circuit electronics miniatures from sound and noise artists Bryan Eubanks, an unusual suite that challenges the senses and expectations of a suite of sound.

Anders Bryngelsson and Mattin make up Regler, a project of varying genres performed on rock instruments, following sets of rules to create conceptual sound works; Regler #4 deals with harsh noise walls, generating a 30 minute piece of thick, savage sound.

Tomek Mirt resurrects the memory of Norwegian composer Arne Nordheimie through this five part work of slowly shifting electronics, tense atmospheres, and gentle murmurs, detailed work that reveals its meditative depth through repeated listenings.

Supersilent's Helge Sten presents three works--"Quads", "Monochrome", and "Solitude Of Sounds" by Tomasz Sikorski--dark sound works based on sampling, time stretching, and other effects, that slowly move and fascinate the listener in subtle detail and determination.

Acoustic hallucinations for violin and piano from the duo of violinist Erkki Veltheim and pianist Anthony Pateras, exploring spectral techniques throughout extended temporal structures to generate unrelenting harmonic waves that create a singular psycho-harmonic texture.

A meditation on the inner mental environments that one encounters and endures during times of work-related travel, intended as a distraction in airports, bus stations, train stations, subway terminals, &c, reflected in literal and abstract sound for a mix of patience and terror.

Electronics & drums in a duo from Portugese musician Rafael Toral and drummer Alfonso Simoes performing live at All Tomorrow's Parties in 2012, two extended improvisations that develop from slow psychedelic cries to blistering interactions of strong statements.

Two extended works from Herbal International label leader Goh Lee Kwang: the two part "Vurnmmkied" the first of static sonic environments that slowly morph, while the second varies with a mix of subtle and harsh sound; "3753" contrasts with gentler, slower territory.

Japanese no-input mixing board innovator Toshimaru Nakamura joins Norwegian improviser Martin Taxt on amplified Microtonal Tuba for a gritty album formed by running Taxt's tuba into the mixing board, interrupting Nakamura's signal with unexpected sonic results.

A double CD of UK's experimental music ensemble Apartment House performing 14 chamber pieces composed by and under the supervision of Laurence Crane, beautiful and informed minimal work from a unique voice in modern composition.

Live electronic compositions from 1993-2005 by composer Agostino Di Scipio, using acoustic instruments and digital sound processing to create unusual and previously unheard sound worlds.

Guitarists Bernard Falaise and Ron Samworth play alongside percussionists Pierre Tanguay and Dylan Van der Schyff in this loud debut album of free improvisation.

British guitarist Jon Attwood's Yellow6 solo project finds him performing on guitar, bass, electronics, and drum programming for a beautiful album of shoegaze rock with elements of minimalist, electronica, and ambient sound.

American saxophonist Tim Berne and French double-bassist Bruno Chevillon in the studio after 3 live gigs in Portugal, improvising freely while exploring sound and spinning tales in the moment.

Four tracks produced by file-exchange from 2010-2012 between sound artist Lee Patterson in Austin, Texas and Manchester, UK-based Vanessa Rossetto, impressive works on a large geographic and sound scale.

Dutch improviser van Heumen (N Collective, OfficeR, &c.) in a dynamic and shifting solo work of laptop electronics, noise textures, and text.

The title of this work for a cross-wired analog DJ mixer from Goh Lee Kwang translates to "Internal Pleasures", as he finds unexpected sounds from the noise floor of his equipment, which he develops into 7 untitled sound works of hiss, hum, controlled feedback, and rich sound.

Three soundtracks to movies from sound artist Eric La Casa, developed for directors Luke Fowler, Christian Jaccard and Marie-Christine Navarro, organizing sounds from field recordings, with Navarro's soundtrack complemented by organ recordings from Jean-Luc Guionnet.

A limited LP from the trio of European improvisers Giovanni Di Domenico on piano and Peter Jacquemyn on double bass with American drummer Chris Corsano, recording in the studio in Belgium, 2013, for 3 free improvisations of dexterous and expressive playing.

Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).

On her first solo album, pianist Lisa Ullen plays 13 of her complex compositions, and, in addition to the keyboard, uses the inside piano and, on one track, her own upright bass, to illustrate her extended piano techniques.

A recomposition of sound artists Howard Stelzer and Frans de Waard's album "Pink Pearl", reworked into two extended compositions of throbbing ambience that glacially grows over the life of each compositions.

Four sessions of music mostly against the Vietnam War - all featuring Steve Lacy and Irene Aebi, in sextet, trio, and quintet with associates including Enrico Rava, Karl Berger, Kent Carter, Richard Tietelbaum, &c.

The solo harsh dream sound project of media and sound artist Ryan Lewis, delving deep into his childhood traumas through sound, which he developed as an outlet and meditative release for the artist using sound.

Ben Owens presents the 1st of his "Birds and Waters" series, two long, unedited works created at the Experimental Television Centre in Owego, NY, using David Jones' image processing system including a multi-input syncable sequencer and a bank of oscillators.

Three recent sound works by Yannis Kyriakides using source material highlighting specific vocal traditions - Turkish pop music, Cypriot epic song, and Baroque opera - making extensive use of other forms of speech and vocal acts.

Nacka Forum, the Scandinavian quartet of Jonas Kullhammar on sax and other winds, Goran Kajfes on trumpet & cornet, Johan Berthling on double bass and Kresten Osgood on drums, in their 5th studio album of lyrical free jazz of massive technical and creative skill.

Viennese experimental guitarist and laptop artist Christian Fennesz and Jim O'Rourke on synthesizer in a beautiful album of sonic environments, with "gurgling harmonies swimming among the shimmering frequencies and strummed melodies"; recommended.

Part of a series of 8 split release cassettes, all hand-painted & numbered; this release presents the collaborative long-form improvisation noise project Amalgamated backed with Odd Person, the ongoing project of Bicephalic label leader August Traeger.

Part of a series of 8 split release cassettes, hand-painted & numbered; Side A presents S27E152, aka Brisbane's Tristan Eyles, using field recordings and image synthesis; Side B is Chefkirk, aka Roger Smith, combining concrete sound with improvised drone and harsh electronics.

Part of a series of 8 split release cassettes, hand-painted & numbered; Side A is Dog Hallucination (D. Petri) for manipulated guitars, textural element, and organized sound; Side B is Ichtyor Tides (Nikola Akileus) for synthetic ambience, glitches, hazy drones, & field recordings.

Part of a series of 8 split release cassettes, all hand-painted & numbered; Side A is Promute (Shaun Sanders) using homemade instruments in a live recording of strange distractions; B is Phillip Klampe (Homogenized Terrestrials) in a rich electronic work.

Part of a series of 8 split release cassettes, hand-painted & numbered; this release presents the Dutch sound artist Steffan de Turck (Staplerfahrer) reworking material recorded in a duo with Jos Smolders; and 2 tracks from Korean sound artist Noizaki Eum Kyeong (Bonehole).

Luigi Archetti's "Null" project, referring to a state of pausing and anticipatory waiting, is issued in a beautiful box set, presenting 7 CDs of rich slowly moving drones and layered sound derived from e-guitars, slowly transformed and mutated in entrancing ways.

An epic, hypnotic work for three choirs, three pairs of noise musicians, and church organ, to be performed in a cathedral or similar location with musicians surrounding the audience, here from a live performance at the Huddersfield Contemporary Music Festival 2012.

Two interpretations of Luigi Russolo's 1914 Futurist noise composition "Risveglio Di Uns Citta" ("The Awakening Of A City"), performed forwards and backwards, from a live performance at Squidco headquarters in Wilmington, NC.

Inspired by the glitch audio work of Korean-American improviser Bonnie Jones, Rutger Zydervelt (Machinefabriek) unscrews the base of pedal effects to circuit-bend and probe them for unexpected sounds, organized into this album of pure and deformed electronics.

New sealed copy....

Madrid multi-instrumentalist and cross media artist Edith Alonso in an album of prepared solo electric bass improvisations, a four part work of muscular and shadowy sound, dark vibrations with crepitating edges making a sinister and cathartic dungeon of sound.

The 3rd collaboration between guitarist Chris Forsyth and trumpeter Nate Wooley following "The Duchess of Oysterville" and "Chocolate Monk", here recording live in concert in Philadelphia for the two part "Evening Rage", creating rich sonic palettes of unexpected sound.

A live and studio rendition of Gifonni's solo composition for portable synth and analog filter, themed on the South American large vulture of the name Zamuro.

Two side long tracks of mutated electronic trumpet work from experimental trumpeter Greg Kelley. "This is not jazz"-No Fun Productions

Chicago improviser Anthony Levin-Decanini in two multi-part works of unsettling and deconstructed sound work using a roll-up keyboard, xo laptop, and a language master.

"Trinitarian" represents an attempt to break down the essence of Nadja by offering a solo track from each of its two members plus one Nadja composition.

New York bands Talibam! and Peeesseye together for a limited edition album mixing rock, sound and noise, and altogether unknown territory; great stuff!

Former Sub Pop noise recording artist, guitarist Yonkers (Microminiature Love) in 11 tracks of ferocious and fierce effected electric guitar work.

Recordings of an installation piece built in Iles-de-la-Madeleine in the summer of 2013, a large sculpture made of resonant metal pipes with propane torches and whale bones, used as a huge musical instrument allowing three people to play simultaneously from different sides.

An album of dark and cavernous sound in the second release from the sound-sculpting duo of R. Lee Dockery and Smoke Emery (aka Daniel Hipolito), two long tracks that evolve with the patience and intensity of a dark sacramental journey in deeply detailed drone.

Originally released in a limited edition of forty copies for a solo/duo show with Jason Lescalleet in 2013, this 10" release remasters the original album; a disorienting and melodic album of tape loops and dark ambient drone.

The 4th collaboration between electronic artists Michel Banabila and Machinefabriek (Rutger Zuydervelt), in captivating music exploring the concepts of macro and micro: how insiginificant we become when zooming out, and how small worlds can be found when zooming in.

Jerome Noetinger was commissioned by the Ensemble Phoenix Basel, a challenge for a non-notational conceptualist, which he accepted, creating this work in collaboration with the Ensemble, and based on the book by Pascal Quignard, "La haine de la musique" (The hate of music).

An extended improvisation of muted sound from the long-running duo of Jeph Jerman and Tim Barnes, performing live at Non-Event in Boston, creating mysterious analog sounds and cycles of drones with underlaying metallic textures creating an environment of suspense.

Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.

Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.

Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.

Derek Rogers sculpted these six compositions from live performances, organizing them using strings and synthesizers, and employing digital processing and granular synthesis with concert and field recordings, creating richly complex works that evolve with beautiful pacing.

A journey in sound--drone, abrasive noise and subtle ambiance--in a well-paced example of non-idiomatic soundscape from the first meeting of Reed Evan Rosenberg on microphones, pedals, max, and voice, and Ethan Tripp on speakers, microphones, motors, junk.

Darkly disturbed Aleister Crowley inspired sound work from the Greek Heavensore, who mix drone, black metal and thick grinding rock, or 'drone metal'.

Layered and manipulated sound created in the studio and captured through live improvisation to create these rich, resonant compositions from Grant Stewart, a member of Machine Language, Daedal, A Perfect Mirror, The Eschaton Manifest, and The Inference Engine.

An album of hallucinogenic and melodic rhythhm and sound from the Amalgamated collective, who take their influence from 80's industrial / cassette culture, as heard in these 8 tracks, balancing modern electronics with lo-fi/home taper instruments and sensibilities.

D. Petri and Doggy P. Lips create rich sonic environments of processed guitars layered with strong tribal percussion, here in a followup to the 2015 release "Mitzi" is the 23 minute 3" CD EP named after various permuations of the equation 1-3.

A split cassette and art booklet from US sound artists August Traeger performing as Odd Person, and Spanish sound artist Miguel A. Garcia, presenting works of experimental electronic sound, both diverse and extensive journeys through unusual sonic worlds.