Anthony Pateras was commissioned to compose this work by Synergy Percussion for their 40th birthday in 2014, performed with a six piece ensemble including electronic artist Jerome Noetinger, using the same instrumentation as Xenakis' "Pleiades" of more than 100 orchestral percussion instruments, including Xenakis' 17-pitch microtonal metallophones.

Pianist and composer Myra Melford's 2nd Be Bread release with Cuong Vu, Bend Goldberg, Brandon Ross, Stomu Takeishi and Matt Wilson, outstanding and distinctive acoustic jazz.

Beautiful, mysterious improvised compositions with spoken interludes, recorded live in March 2003 at the first Montréal/Nouvelles Musiques (MNM) festival.

A supergroup of the AM collective with Derome, Hetu, Labrosse, Roger, Tanguay and Tetrault, in adventurous and far-reaching improvisation that have to be heard to be believed!

NY drummer Mike Pride's modern jazz work inspired by the birth of his first child, reflecting the fullness Pride finds in his life as a parent, with Jon Irabagon (sax), Alexis Marcelo (piano), Peter Bienec (bass), Jonathan Moritz (sax) and Jason Stein (bass clarinet).

Composer Ryoko Akama releases a 2 disc set of 23 scores in the crossroads of minimalism and sound compositions, quiet and loud, performed in a sextet with the composer herself plus Christian Muller, Cristian Alvear, Cyril Bondi, Stefan Thut, and d'incise, each section like a page in a notebook related to place, space, time or location.

Tenor saxophonist Albert Ayler leads the New York free improvising sextet of trumpeter Don Cherry, alto saxophonist John Tchicai, trombonist Roswell Rudd, bassist Gary Peacock and drummer Sunny Murray through two extended jams, which were used as the soundtrack for director Michael Snow's short film "New York Eye and Ear Control".

Rova leader Larry Ochs takes his Sax and Drumming Core to the next level with this charged album of mind-bending free improvisation with an hallucinatory edge, joined by Libra artists Satoko Fujii on piano & synth and Natsuki Tamura on trumpet, with Scott Amendola on drums, William Winant and Matthias Bossi on a wild set of percussive instruments.

A compendium of compositions and improvisations from 2009-13 by undersea acoustician and audio engineer A.F. Jones, who uses stringed instruments and analog devices, hand-crafted and found, in works that emphasize structural components such as timbre, tone, or attack over form.

Composer and drummer Dre Hocevar brings an unusual sense of unity, logic and purpose to his improvised work resulting from a number of distinct compositional procedures, performed by vocalist Charmaine Lee, pianist Elias Stemeseder, brass player Weston Olencki reedist Michael Foster, and electronics artist Bernardo Barros, a unique and rewarding album.

A stunningly beautiful album of langurous jazz from a sextet collective of young Portuguese musicians, self-described as a chamber band for the new century, in their 2nd album using melodic elements alongside classical contemporay music, post-rock, alternative metal, intelligent pop, free improvisation and more, creating a rich and embraceable music.

Tenor and soprano saxophonist Ingrid Laubrock's NY band with guitarist Mary Halvorson, pianist Kris Davis, bassist John Hebert, and drummer Tom Rainey in their 3rd album as Anti-House, with strong compositions pushing the quintet into great improvisational territory as the band pushes and pulls each other to create something greater than each player.

Drummer Tomas Fujiwara's sextet is actually two trios interacting, with fellow drummer Gerald Cleaver, both Mary Halvorson and Brandon Seabrook on guitar, and Taylor Ho Bynum on cornet and Ralph Alessi on trumpet, the pairings forming unisons and contrasts that add an unrestrained sense of enthusiasm and excitement to Fujiwara's sophisticated compositions.

Steve Swell presents an homage to composer Olivier Messiaen in a sextet with Rob Brown (saxophone), Jason Kao Hwang (violin & viola), Robert Boston (piano & organ), Tomas Ulrich (cello), and Jim Pugliese (drums & percussion) performed live at Metro Baptist Church in NYC, 2017, a presentation of encompassing and passionate free music that knows little boundary.

A 2-CD release from Japanese percussionist Seijiro Murayama, performing solo on "objects" which combines clearly percussive objects and other electroacoustic items of obscure origin, creating active, rich and curious sonic environments that envelop the listener.

Out and unusual compositions from drummer Ben Hall and his sextet with Mick Dobday on electric piano & organ, Anthony Levin Decanini on electronics, Ronnie Zawadi on percussion, John Dierker on reeds, Mike Khoury on viola & violin, and joined by Joe Morris on guitar, for 6 "Spines", free compositions using odd compositional structures leading to superb solo and group playing.

The Belgian creative improvising quartet Kabas of Jan Daelman on flute, Thijs Troch on piano, Nils Vermeulen on double bass, and Elias Devoldere on drums for a 2-CD release, one album in studio with trumpeter Luis Vicente (Deux Maisons, Chamber 4), and one live at Portugal's SMUP with both Vicente and percussionist Carlos Godinho (Variable Geometry Orchestra).

Montreal's six-piece Cordame and composer Jean Felix Mailloux arrange and interpret 18th century composer Erik Satie's work "17 Variations" in celebration of his 150th birthday, adding a lilting swing and beautiful features allowing the orchestration of piano, harp, violin, cello, double bass, and percussion to improvise over these enduring melodies.

Three complete 2016 concerts at North Sea Jazz Festival, Ljubljana Jazz Festival and Oslo Jazz Festiva, and 3 CDs to present them, from drummer Gard Nilssen's Acoustic Unity, a superb free/post-bop group with a core of Nilssen, bassist Petter Eldh, and saxophonist Andre Roligheten, featuring 3 saxophonists: Fredrik Ljungkvis, Kristoffer Berre Alberts, and Jorgen Mathisen.

New York drummer Federico Ughi in a band with long time collaborator David Schnug on sax, Mike Irwin on trumpet, and Jeff Snyder on electronics, more of a creative jazz album than electric, with Leila Adu on vocals and Zach Swanson on bass on 2 tracks each; informed, intelligent and lyrical free improvisation from a tight-knit group of superb players.

The 2nd album for NY-based saxophonist Yoni Kretzmer's Chamber-Improv ensemble New Dilemma with Frantz Loriot (viola), Christopher Hoffman (cello), Josh Sinton (bass clarinet), Pascal Niggenkemper (double bass) and Flin Van Hemmen (drums), investigating "the intricacies differentiating and combining the written and the improvised continue with further depth and chance".

An exciting meeting of multi-generational and multi-national, forward-thinking free improvisers performing live at Klub Demboh in Berlin in 2017, from the sextet of Axel Dorner (trumpet), Mia Dyberg (alto saxophone), Pierre Borel (alto saxophone), Ernesto Rodrigues (viola), Tristan Honsinger (cello) and Guilherme Rodrigues (cello).

The Creative Sources core string improvisers of violist Ernesto Rodrigues, cellist Guilherme Rodrigues, cellist Miguel Mira, and double bassist Alvaro Rosso, with frequent collaborator percussionist Vasco Trilla, are joined by German violinist Harald Kimmig (Trio Kimmig) for a dynamic album that fluctuates from acoustic lowercase to rapid pointillistic improv.

Scandinavian Alto saxophonist Martin Kuchen in a sextet with Magnus Broo and Mats Aleklint playing Kuchen originals, free jazz with a post-bop twist.

Bay area trumpeter and bandleader Johntson in a set of original compositions performed with Ben Goldberg, Sheldon Brown, Devin Hoff and Smith Dobson.

Unique approaches to modern jazz from NY trumpeter Nate Wooley's Sextet with Josh Sinton (reeds), Matt Moran (vibes), Eivind Opsvik (bass), Dan Peck (tuba) and Harris Eisenstadt (drums), extraordinary music from exceptional players.

Univers Zero bassist Guy Seger brought this eclectic group of improvisers into the studio to develop the music on this genre-defying album, informed by a sextet of musicians who have performed and recorded with projects and artists including Vanishing Pictures, X-Legged Sally, Wrong Object, Tony Levin, Tony Bianco, Paul Schutze, Trevor Watts, Zeena Parkins, Jim O'Rourke, &c.

An hour-long work for an ensemble of six musicians by Swedish composer Magnus Granberg performed by Anna Lindal on baroque violin, d incise on vibraphonen electronics, Cyril Bondi on percussion, Anna Kaisa Meklin on viola da gamba, Christoph Schiller on spinet, and Magnus Granberg himself on prepared piano, transforming material from a song by Franz Schubert.

Drummer Scott Clark continues to explore his Native American roots in this album dedicated to the protests at Standing Rock, North Dakota, each heartfelt piece titled for aspects of those demonstrations, performed with bassist Cameron Ralston, trumpeter Bob Miller, saxophonist Jason Scott, guitarist Alan Parker, and extended with Chicago guitarist Tobin Summerfield.

The Norwegian quintet Honest John of Ole Henrik Moe on violin, Kim Johannesen on guitar & banjo, Ola Hoyer on double bass, Erik Nylander on drums & drum machine, on Klaus Ellerhusen sax and clarinet, are joined by multi-reedist and shakuhachi player Ab Baars at Nasjonal Jazzscene Victoria to capture this quirky, controlled, and incredibly knowledgeable concert.

Pushing the envelope in genre-smashing collective improvisation, Brooklyn-based sax and synth player Chris Pitsiokos and his CP Unit with 2 electric bassists--Tim Dahl and Henry Fraser--2 drummers--Jason Nazary and Connor Baker--and guitarist Sam Lisabeth, take a twisted path through improv, rock, and electronics that always shows a fierce allegiance to free jazz.

The Spanish free improvising quartet Colectivo maDam of Ruben Gutierrez on electronics, objects, Tomas Gris on acoustic guitar, Guillermo Torres on fluguelhorn, and David Area on electronics are joined by Lisbon improvisers Ernesto Rodrigues on viola and Miguel Mira on cello for this 3-part work, the first recorded live at Espacio B, Madrid, the 2nd & 3rd recorded in the studio.

Dedicated to the late free jazz legend Cecil Taylor, this Lisbon sextet of Paulo Alexandre Jorge on tenor saxophone, Ernesto Rodrigues on viola, Eduardo Chagas on trombone, Manuel Guimaraes on piano, Miguel Mira on cello, and Pedro Santo on drums performs four energetic and well-balanced collective improvisations, respecting and evoking the incredible legacy Taylor left behind.

Hungarian composer, improviser and multi-reedist Jasna Jovicevic in an album researching sound vibrations and their direct impact on our body, energy, and creativity, performed with her contemporary chamber jazz sextet of bassoon, percussion, viola, violin and violincello, lyrical and joyful music "divided according to psychic centers in the human body".

Quintet and sextet recordings from the Polyorchard group of Jeb Bishop on trombone, Chris Eubank on cello, Bill McConaghy on trumpet, David Menestres on double bass, David Morris on tuba, Dan Ruccia on viola, Jeb Bishop on trombone, and Jacob Wick on trumpet, recording at "The Store" in Raleigh, NC, for sublime and complex and collective free improvisation.

A sextet of Cyril Bondi (vibraphone), d'Incise (metallic objects), Magnus Granberg (piano), Anna Lindal (Baroque violin), Anna-Kaisa Meklin (viola de gamba) and Christoph Schiller (spinet) perform two works composed by Bondi and d'Incise, recorded by Simon Reynell of Another Timbre, works of repetition with distinct variations that evolve as each piece progresses.

Celebrating bassist and composer William Parker's 65th birthday at the Painted Bride Art Center in Philadelphia in a band led by Bobby Zankel on alto saxophone, Muhammad Ali on drums, Dave Burrell on piano, Steve Swell on trombone, Diane Monroe on violin, and William Parker himself on bass, in a 4-part suite of beautifully turbulent and masterful free jazz.

Double bassist Shay Hazan, a member of the Albert Beger Quartet, provides the compositions for this 10" album recorded in Tel-Aviv,, a sextet that's essentially a double trio, with two tenor saxophonists (Albert Beger and Eyal Netzer), two drummers (Haim E. Peskoff and Ofer Bymel) and a secondary string from Nadav Masel playing a hamsa, a 5-stringed custom cello.

With a frontline of Jonathan Finlays on on trumpet, Steve Lehmanon alto saxophone and Brian Settles on tenor saxophone and flute, plus three members from Finlayson's band Sicilian Defense--Matt Mitchell on piano, John Hebert on bass and Craig Weinrib on drums--"3 Times" features intricate counterpoint, interlocking rhythmic complexity, gorgeous harmonies and strong melodies.

Fitting squarely in the Rock In Opposition mold, Stop Motion Orchestra is an Austin, Texas-based instrumental chamber rock band orchestrated with sax, violin, guitar, synth-bass, drums, here in their second album bringing a bright and melodic force that reminds of Hamster Theatre, Debile Menthol or L'Ensemble Raye; sophisticated, charming and knowledgeable music.

The sextet of Jorrit Dijkstra (sax), Pandelis Karayorgis (piano), Jeb Bishop (trombone), Mary Oliver (violin), Nate McBride (bass) and Han Bennink (drums) take on the music of Steve Lacy in unexpected and impressive ways.

A great example of the current Downtown/Brooklyn scene, using jazz as a jumping-off point to merge free playing, fusion, and rock stylings into an enthusiastic, and technically brilliant album, as bassist Adam Hopkins provides the compositions performed with the sextet of Anna Webber, Ed Rosenberg, & Josh Sinton on sax, Jonathan Goldberger on guitar, and Devin Gray on drums.

Composer & cellist Stefan Thut performs his composition with Ryoko Akama (electronics), Stephen Chase (guitar), Eleanor Cully (piano), Patrick Farmer (metal percussion), and lo wie (tingsha), where half of the group allow single percussive, ringing or electronic sounds to decay, as the other half play high register pitches, in between walking "about" and uttering monosyllabic words.

A mix of songs and instrumentals, with 11 country classic covers, recorded in the studio and on tour from 2017-2018 in Germany, Italy, Switzerland, Slovenia, and Bulgaria, and the UK including one track from Cafe Oto, in the company of Titus Waldenfels (guitar), Thilo Kuhn (keys), Schroeder (drums), Gary Cherwonka (pedal steel) and Steven De Bruyn (harmonica).

Reissuing the 1977 album from UK guitarist Ian Brighton, written as an instrumental story for children, apparently very sophisticated children, in a mix of composed and freely improvised passages, using non-idiomatic approaches with unusual and extended techniques, open atmospheric passages and strange transitions, a peculiar and wonderful album of imaginative playing.

Recorded in 1989 and only now released, this studio album includes Pat Thomas on keys & electronics in a sextet with guitar & bass, synth, turntables, electronic wind instruments, drum machines, samplers, &c., merging ea-improv approaches with disruptively odd asides, fragmented voices, and swelling interventions, making something otherworldly out of then-revelatory technology.

John Zorn's Masada Book Three, "The Book Beri'ah", continues in its second volume with this powerful and demanding album from the Philadelphia avant-metal band of Ludovic Beier on accordion & accordina, Timba Harris on violins, Matt Hollenberg on guitars & Oud, Dan Kennedy on bass, Larry Kwartowitz on drums, and Nick Shellenberger on keyboards & vocals.

Distributing the group--John Butcher, Angharad Davies, Lina Lapelyte, Lee Patterson, Pat Thomas, and Rhodri Davies--inside the Pitt Rivers Museum in Oxford, Butcher chose 4 shamanic objects from the museum's ethnographic collection, evoking water, air, earth, spirit, ritual and utility, used as a score orchestrating varying combinations of players; intense and profound improvisation.

While touring Europe in the autumn of 2017, Minami Saeki (voice), Wakana Ikeda (flute), Yoko Ikeda (viola), and Taku Sugimoto (guitar) visited Switzerland and met up with Swiss musicians Stefan Thut (cello) and Manfred Werder (glockenspiel & typewriter), recording these five minimal improvisations in a recording session at the concert venue Theater Delly.

Caught live at Jazzklubb Fasching in his home of Stockholm, Swedish bassist Torbjorn Zetterberg's The Great Question band with Susana Santos Silva on trumpet, Mats Aleklint on trombone, Jonas Kullhammar on saxophone & flute, Alberto Pinton on reeds, and Jon Falt on drums, perform 6 inventive compositions in an amazing concert of modern, upbeat, innovative jazz.

UK percussionist and electronic artist Trevor Taylor's Circuit project in an extended electroacoustic version with Jon Seagroat on reeds & electronics, Tim Chatzigiannis on computer & electronics, Mathew Hutchinson on piano, Paul Medley on reeds, and Philipp Wachsmann on violin & electronics, in carefully controlled and sublimely detailed improvisation.

Joing Portuguese and Spanish improvisers for four recordings in Bilbao, Spain, this sextet presents sound works using unusual orchestration--piano harp, viola, guitar, metals, electric organ, paper, contact mics, and electronics--balancing spacious exploration with assertive moments of percussive and caustic sound, evolving bold sonic and timbral combinations.

2nd volume of bassist Carl Testa's Sway electroacoustic interactive software, taking the individual playing of Erica Dicker on violin, Junko Fujiwara on cello, Louis Guarino Jr. on trumpet, Andria Nicodemou on vibraphone, Carl Testa on bass & electronics, and Anne Rhodes on voice, Testa's software generating responses that push and pull the musician in unique directions.

Composer/saxophonist Braxton performed "Composition NO 347 + 62'37" " at the 2011 Victo Festival with the "super-group" of Braxton alumni - Mary Halvorson, Taylor Ho Bynum, Jessica Pavone, Jay Rozen, Aaron Siegel, Carl Testa", on their respective instruments + iPods.

Released on trumpeter Ted Daniel's own Ujamaa record label, this impressive free jazz album, in a sextet with two bassists (Richard Pierce and Hakim Jami), two percussionists (Kenneth Hughes and Warren Benbow), Otis Harris on alto sax, and Daniel himse on trumpet, flugelhorn, french horn & bugle, performing two pieces from Harris, and three pieces by Daniel.

A unique sextet of European improvisers active since 2015, comprised of two soprano saxophones, violin, piano, turntables and quarter tone accordion, in their second album of wide-ranging collective improvisation, their orchestration allowing moments of jazz, classical and electroacoustic improvisation to interweave and surprise their listeners; fascinating.

An hour long work for the string quintet of Nigel Deane (violin), Patrick Behnke (viola), Tanner Pfeiffer (viola), Tal Katz (cello) & Julius Tedaldi (cellos) performing on two contrasting charts, one where musical elements change and recur, the other where things change but don't recur, creating a textural feel of dovetailed motion and intricate interstices.

The third volume of NY bassist, composer, and electronic/computer musician Carl Testa's amazing Sway project, giving an interactive electronic processor its own voice interfacing with any size ensemble, here with two new works--one for quintet among a set of Chicago improvisers, the other in Portland, Maine with a sextet--each uniquely voiced and excitingly unpredictable.

The follow-up to trombonist Steve Swell's Soul Travelers album with his quintet of saxophonist Jemeel Moondoc, pianist Dave Burrell, bassist William Parker, and drummer Gerald Cleaver, performing Swell's compositions, four instrumental pieces and two textual songs originally commissioned for Tom Buckner's Interpretation Series, with voice from Leena Conquest.

The core members of NY saxophonist Ohad Talmor's Newsreel Sextet are Jacob Sacks (piano), Miles Okazaki (guitars) and Dan Weiss (drums) along with Matt Pavolka on acoustic bass and Shane Endsley on trumpet, performing Talmor's adventurous modern jazz compositions, merging jazz, North Indian traditional and contemporary compositional forms in lyrically embraceable ways.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Saxophonist & flutist Bonnie Kane (W.O.O.) joins the Turbulence group, the extended horn section of the Leap of Faith Orchestra from Boston area collective Evil Clown led by David Peck (PEK), a concert that was live-streamed to Youtube during the Covid-19 Pandemic in February 2020, in a sextet with four reedists, two trumpeters, electronics, drums & extensive percussion.

A long-form ambient composition from Portuguese composer and electroacoustic performer Rafael Toral, combining piano (Joana Gama), harp (Angelica V. Salve), vibraphone (Luis Bittencourt), clavinet (Joana Baulho), Rhodes (Riccardo Dillon), and sinewaves (Rafael Toral) a generative piece that avoids repetition while creating a floating and vast sense of reverberant space.

The first of two volumes in celebration of legendary saxophonist Charlie Parker's 100th birthday, here remastering his landmark recordings for the Dial label on the US West Coast between 1946-47, performing with jazz greats including Miles Davis, Lucky Thompson, Erroll Garner, Barney Kessel, Red Calender, JJ Johson, Max Roach, &c. for some of Parker's best known and essential compositions.

The second of two volumes in celebration of legendary saxophonist Charlie Parker's 100th birthday, here remastering his landmark recordings for the Savoy label in New York City between 1945-48, performing with jazz greats including Bud Powell, Dizzy Gillespie, Miles Davis, John Lewis, Curley Russel, Max Roach, &c. for some of be-bop's finest and best known compositions.

Recorded over 2 days in a Chicago studio in configurations from duos to an octet, drummer Quin Kirchner provides the compositions on this double CD for 11 pieces, alongside works by Frank Foster, Phil Cohran, Sun Ra & Carla Bley, presented as a story or a journey of differing styles and forms, made cohesive by Kirchner's remarkable drumming and coherently diverse interests.

Mining the area between the blues and creative jazz with pieces by Charles Tyler, Ornette Coleman, Phil Cohran and Sun Ra, this is the 3rd album from the Italian quartet of Alberto Popolla on clarinets, Errico De Fabritiis on saxophones, Gianfranco Tedeschi on double bass, and Fabrizio Spera on drums & percussion, joined by Eugenio Colombo on flute and Francesco Lo Cascio on vibes.

In 2018 guitarist Hedvig Mollestad Thomassen received an invitation from the festival at Vossajazz commissioning a work for the 2019 festival, for which she expanded her instrumental rock trio to a sextet with trumpeter Susana Santos Silva, drummer Torstein Lofthus (Elephant9), percussionist Ole Mofjell, and keyboardists Marte Eberson & Erlend Slettevoll.

The 4th of Karl Records' collaboration series brings Turkish free improvising group Konstrukt together with Japanese experimental improviser Otomo Yoshihide, recording at the Tusk Festival in 2018, Konstrukt configured as a quintet with two drummers, winds, guitar, synth and bass, Otomo adding guitar and turntables to create a dense, exultant and exotic brew of electrified improvisation.

Recorded over 2 days in a Chicago studio in configurations from duos to an octet, drummer Quin Kirchner provides the compositions on this double LP for 11 pieces, alongside works by Frank Foster, Phil Cohran, Sun Ra & Carla Bley, presented as a story or a journey of differing styles and forms, made cohesive by Kirchner's remarkable drumming and coherently diverse interests.

Alto saxophonist/composer Tsahar further investigates what 3rd stream music left behind, a gorgeous exploration of sound and movement with percussionist Nakatani and the KJLA String 4tet.

A studio recording from the electroacoustic sextet of saxophonist & cornetist Patrick Brennan, Red Trio bassist Hernani Faustino, and Creative Sources collaborators Maria do Mar on violin, Ernesto Rodrigues on viola, Miguel Mira on cello, and Abdul Moimeme on electric guitars & objects, in a spirited set of concise and open-minded free improvisations.

This year's An Ayler Xmas, the 4th in the series from saxophonist Mars Williams, expands to a double CD with recordings from two bands: Josh Berman, Jim Baker, Kent Kessler, Brian Sandstrom & Steve Hunt (Chicago); and Steve Swell, Hilliard Greene, Chris Corsano, Nels Cline & Fred Lonberg-Holm (NYC); in incredible free jazz mashups and bash-ups of Holiday favorites.

Two hauntingly beautiful works in microtonal composer and violist Catherine Lamb's "Prisma Interius" series, the first a duo with violinist Johnny Change and Xavier Lopez on the "secondary rainbow synthesizer", which channels the sound outside of the performance space as a generator of ambient sound; then a sextet of strings and winds with two secondary rainbow synthesizers.

Initiated by West Coast drummer John Hanrahan, A Love Supreme Electric examines John Coltrane's A Love Supreme and Meditations album, asking to merge the two as one spiritual ecstatic piece of music, as performed on this 2 CD set with Vinny Golia on sax, Bob Moses on percussion, Henry Kaiser on guitar, Mike Watt on bass and Wayne Peet on organ; profound and powerful!

The 2nd orchestral album from saxophonist Ingrid Laubrock, two very different but complementary sets of compositions using electronics in mostly acoustic settings: the 1st with the larger EOS Chamber Orchestra and guests including Cory Smythe, Tom Rainey, & Sam Pluta; the 2nd a smaller group of Laubrock, Smythe & Pluta + guests Adam Motlock, Josh Modney, and Zeena Parkins.

Five CDs with unique and joyfully creative aspects of saxophonist and composer Trevor Watts' work, from concerts and studio settings in the UK, US and South Americal in configurations of Trevor Watts Moiré Music Group, with the Enjambre Acustico Urukungolo, Trevor Watts' Moiré Music Drum Orchestra, and duos with Jamie Harris, and with Marc Hewins.

The 4th album on Another Timbre from a series of pieces by composer Antoine Beuger, each acknowledging a cultural or intellectual figure, here titled for philosopher, musicologist, educator and one-time member of the French Resistance, Vladimir Jankélévitch, represented by Beuger in a large dramatic work performed by the Apartment House sextet.

Originally released in 1980, this album reissues late trumpeter Bill Dixon's recording from Barigozzi Studio, in Milano, Italy in 1980, performing Dixon's tapestry-like compositions with Dixon on trumpet & piano, Arthur Brooks on trumpet, Stephen Haynes on trumpet, Stephen Horenstein on tenor & baritone saxophones, Alan Silva on bass, and Freddie Waits on drums.

The 2nd release from this Sydney, Austrlian acoustic sextet, creating subtle yet dynamic improvisations influenced by the musical concepts of John Cage and Morton Feldman, balancing contemplative sections with building surges, these works developed on their 2019 Europe tour, which included performances at Copenhagen Jazz Festival as well as shows in Berlin and Stockholm.

While in a residency in 2018 at the Yokohama, Japan jazz club Bitches Brew, Lithuanian saxophonist Liudas Mockunas had the opportunity to perform in duos and trios with some of Japan's most famous improvising reed players--Kazutoki Umezu, Masayo Koketsu, Akira Sakata and Eiichi Hayashi--and also in a trio with Kazutoki Umezu and Otomo Yoshihide performing on electric guitar.

Mining the area between the blues and creative jazz with pieces by Charles Tyler, Ornette Coleman, Phil Cohran and Sun Ra, this is the 3rd album from the Italian quartet of Alberto Popolla on clarinets, Errico De Fabritiis on saxophones, Gianfranco Tedeschi on double bass, and Fabrizio Spera on drums & percussion, joined by Eugenio Colombo on flute and Francesco Lo Cascio on vibes.

After moving to NYC in the early 60s, filmmaker Michael Snow was introduced the music of saxophonist Albert Ayler's Trio with bassist Gary Peacock & drummer Sunny Murray, inviting them and trumpeter Don Cherry, trombonist Rudd and altoist John Tchicai to record these three brilliant freely improvised tracks, parts of which would be used in his art film "New York Eye and Ear Control".

An early assemblage of the EUPHORIUM_freakestra led by pianist Oliver Schwerdt in a 2000 concert at Hochschule fur Musik und Theater in Leipzig, each work part of a fictional narrative of a figure called Birg Borgenthal, realized through a combination of improvisation and contemporary chamber music, orchestrated for 3 pianists, 2 guitarists, and 3 singers and narrators.

Two essential early 60s release from famed UK saxophonist Joe Harriott, an innovator bringing free jazz concepts to the British audience with his quintet of Shake Kane on trumpet & flugelhorn, Pat Smythe on piano, Coleridge Goode on double bass and Phil Seaman on drums, referencing the new forms of jazz from US artists like Don Cherry and Ornette Coleman.