UK composer Oliver Leith presents a work in 8 movements for piano, keys and percussion performed by Siwan Rhys (keys) and George Barton, an invocation of everyday life through a personal and often idiosyncratic orchestration reflective of personal ritual & habits; our good and our irrational, often contradictory impetus, portrayed through quirky and embraceable episodes.

Stymied by Covid-19, the planned May 2020 tour of sound artists Tim Olive and Phil Maguire was cancelled, motivating each to create four 10-minute solo pieces which were then overlayed to create four "distant duo" pieces, merging Olive's textured home-made electronics and Maguire's reductive approach to audio simplicity and spare sonic environments.

Six musicians play along with Wolfgang Mitterer's one hour and fifty-four minute computer track which leaves ample room for free improvisation, mixing contemporary composition with electronic and jazz music.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

Using feedback matrices, oscillator banks and multi-processing, NYC sound and feedback artist David Lee Myers, A.K.A. Arcane Device, references the quote from metaphysics scholar Frithjof Schuon--"You must detach your life from an awareness of the multiple and reduce it to a geometrical point before God"--which he manifests in four focused works of rich, slowly evolving sound.

During the lockdown of 2020 clarinetist and composer Aaron Novik recorded the sounds of clarinet, bass clarinet and contrabass clarinet, using those samples to create this 10-part composition, a work of active counterpoint and minimalist structures with a playful sense of humor, the character of the samples bringing forth both acoustic and electronic evocations.

The second-ever solo release from Tim Olive and his first since 2008, in a distinctive set of compositions that layer and superimpose multiple, darkly intense recordings of improvisations made with magnetic pickups, metal plates, springs, wire, tuning forks, electromagnets, bow, breath, dental floss, envelope generator, fuzz, spring reverb, and preamplifier.

A live performance at Fridman Gallery in New York City as part of erstwhile's AMPLIFY 2015 festival from sound artists Taku Unami & Devin DiSanto, using electronics, concrete sounds, and spoken word to create diverse active environments of narratives and pure sound.

Originally released in 2013 on CDR, this meeting of sound artists Jeph Jerman and Aaron Dilloway show the skill, subtlety, and disruptive sonic skills of two innovators, using objects, damaged electronics, electronic loops and live acoustic sound to create large tapestries: 4 pieces that defy characterization through diverse approaches to impactful sound.

An astonishingly diverse album of solo piano works performed by pianist and composer Claudio Sanna, performing works from eight Sardinian composers including his own, weaving improvisation, acousmatic & musique concrete elements, turntablism, electronics, inside piano playing, chalk-board writing and more into lyrical and experimental pieces that flow together exquisitely.

Aside from her exceptional trumpet work in free improvisation settings, Portuguese trumpeter Susana Santos, currently based in Stockholm, is also an electro-acoustic composer, these six compelling compositions merging field recordings--particularly birds, waters and yes, a phone--along with her trumpet playing and Irish flute, the album title a reference to John Cage's book Silence.

Organized sound compositions using recordings from Monteiro's home environment, compositing acoustic sound without adding electronic effects processing.

Recordings of improvisations from different rooms with unique resonant properties, manipulated and organized into 5 compositions mixing musique concrete and e-a improv.

Reissuing La Casa's 2006 album of ventilation systems, which started with a bathroom vent and expanded to a sonic exploration of aeraulic devices and air flows in Paris buildings of various ages and dimensions, documenting their sonic and musical qualities, functioning as a sound study, a sonic data bank, a CD of environments, and finally as music.

A diverse album of compositional work from Australian pianist and The Necks legend Chris Abrahams, in two works of rich ambience and spacious soundscape performed on acoustic and electric pianos, organ, detuned bells and acousmatic sources, contrasted with two more capricious works on acoustic piano, unusual percussive platforms, haunting tones and moody interjections.

Translating to Paths of Light and Shadows, Argentine electronic composer Beatriz Ferreyra's 16-channel piece is inspired by astrophysics, the mystery of the pre-Big Bang era and uncanny motions of the unconscious mind; a major work of exploration through electronics and acoustic transformation, presented in two parts: "Abysmal Paths" and "Forgotten Paths".

Italian electroacoustic composer and former directed of the French GMR studio Daniel Teruggi is heard in four major and spectacular acousmatic works from the 1980s into the 2000s: "Space of Mind (2004)" in four movements; "Birds (2006)" in five moments; "Transmutations (2009)" in five movements; and the earlier "Terra" exploring the four fundamental substances.

Trying to strike a balance between composition and the challenges of being a young parent, Rutger Zuydervelt, aka Machinefabriek, created a series of short tracks that could be developed quickly with invited collaborators, a concept that worked so well that in little time he found 52 enthusiastic and diverse musicians to develop the expanse of this impressive collection.

Netherlands keyboardist, sound artist and composer Michel Banabila's work is explored through 14 recent projects in different configurations with 10 collaborators including guitarist Anton Goudsmit, violinist Oene van Geel, clarinetist Gareth Davis, cellist Peter Hollo, &c.; beautifully dramatic works of great depth and texture with rich and often haunting melodies.

The music project of Polish sound explorer Lukasz Szaankiewicz is Zenial, merging minimal ambient and micro-sounds with field recordings and a sense of skewed motion, creating long-form virtual journeys through strange environments, or in rich textures of a dark night accompanied by slowly moving tones, his years of experience heard through exceptional sonic qualities.

Working with sound and the relationship to food, crops, and the culinary identity of communities, Beta Vulgaris, (the latin name of the common beet) was composed by Bogota, Columbia born David Velez, a PhD graduate in Sound Art from the University of Huddersfield, who used these specific tones to stimulate the growth of beetroot in the garden of the Modern Art Museum in Medellin.

A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.

A unique concert even by the standards of Victoriaville from The Growlers, a vocal ensemble who interpret heavy metal, known for their epic work "Hate.Machine" and "The Dayking" with participation from poet Fortner Anderson, performed here along with a comprovisation backed by an electronic track originated from electric guitar recordings.

The second of NY electronic explorer David Lee Myers', aka Arcane Device, N28 series, an album of excited electronics, field recordings, inexplicable sound and rotating, splintering and otherwise lovingly mangled sound, not so much a noise collection as instead a controlled chaos with moments of cavernous beauty in a journey of mercurial rummaging.

A journey through an uncharted jungle island from NY electronic composer David Lee Myers, aka Arcane Device, using field recordings in rhythmic environments with synthetic sounds buzzing and whirling around and electronic tones and textures rising and falling, composing detailed song structures that are embraceable and awe-inspiring at the same time.

Aural Terrains label-leader, composer and sound artist Thanos Chrysakis presents six new pieces merging electronic composition with field recordings and other electro-acoustic sources, in five rich and beautifully paced works of a diverse nature, evolving a consistent sound world where each piece draws the listener into the composer's detailed and engaging concepts.

Beaks Plinth (Jared Blum) takes on a stack of organ-based records slowed to a dragging 16 2/3 and 81/3 rpms of all genres; Easy, Church, Jazz, Ice Skating music and more.

A work of scientific sound from Australian sound artist Philip Samartzis, creating compositions based on field work from the High-Altitude Research Station at Jungfraujoch, Switzerland, over four weeks deploying various recording devices and microphones in and around the station to capture anthropogenic & geophysical forces, allowing listeners to experience the ecology under stress.

Aside from her exceptional trumpet work in free improvisation settings, Portuguese trumpeter Susana Santos, currently based in Stockholm, is also an electro-acoustic composer, these six compelling compositions merging field recordings--particularly birds, waters and yes, a phone--along with her trumpet playing and Irish flute, the album title a reference to John Cage's book Silence.

Performing on both piano and bass drum, Italian improviser & composer Luca Sguera presents six works based around the physical sounds of the piano, traditional acoustic piano progressions and rhythmic arrangements fitting the development of each piece's sound, as much sound art as piano composition through sophisticated hybrids of acoustic and sonic environments.

Sonic explorer and feedback pioneer David Lee Myers in a collection of eight pensive electronic ambience works recorded at Pulsewidth in the spring of 2022, meditating on the mysteries of time and eternity through Apophis, a demon serpent of darkness whom Ra, as sun god, destroys every morning at dawn.

A series of sound impressions and an audio documentary of metal barriers placed at entrances to public buildings after the coordinated 2015 Paris attacks by ISIS; 29 compositions recorded and mixed between 2018-2023 by Eric La Casa, wondering what the barriers protected Parisians from, and answering the question of what Paris sounds like to the barriers themselves.

Composed, constructed and mixed by bassist, improviser and composer David Menestres, this extended electroacoustic work features work from a tremendous set of performers: Jeb Bishop, Olie Brice, Sean Clancy, D. Edward Davis, Laurent Estoppey, Chris Eubank, David Grubbs, Michael Thomas Jackson, David Jordan, David Menestres, & Catherine Sikora.

For more than 10 years since its inception as a spin-off from founder and principal programmer Eufrasio Prates's doctorate research in 2012, the Brasilia Laptop Orquestra has become a regular institution on the Brasiliense experimental and electronic scene, the orchestra an ever-changing collaboration of musicians, heard in 11 recordings captured live between 2013-2020.

Referring to the music on this album from New York feedback and electronic pioneer David Lee Myers as "firmly rooted in the electronic music of the 1950s-1960s", over nine tracks we are taken on an otherworldly journey of detailed particulate electronic adventures, sometimes swooping, vertiginous, monstrous and unpredictable, each track captured live in Myer's Pulsewidth studio.

An investigation into the depths of the body's neurological frontier from Swedish electronic artist Joakim Forsgren, presenting a series of intuitive compositions drawing from the latest medical research on how light and sound at specific frequencies has a potential to affect bodily functions, using analog synthesizers to create retro-rhythmic environments of flowing sound.

The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.

Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.

Bringing together two aberrant sound artist--Chefkirk, aka Roger Smith, based in Oregon; and Crank Sturgeon, aka Matt Anderson currently based in Massachusetts--for two CDs of rhythmic mayhem layered and punctuated with electronics and mutilated sounds from objects & voice, with beats that feign steadiness but derail in amusing and embraceable ways; weird fun! Mastered by Squidco's own Carl Kruger.

A study of language through the repetition of fragmented sound, demonstrating how repetition brings alienation of meaning, Cole creating a synthetic alphabet within an unsignified musical context of electronic responses, repeated until the listener loses contact or reference to the original word; a challenging series of transformations rewarding to the engaged listener.

The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.

Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside.

The core duo of Danish trance/noise artists, guitarist Lars Bech Pilgaard also on organelle & driftbox, and drummer Anders Bach, also on plumbutter (a drum and drama machine) join with Acid Mother's Temple modular synth wizard Ichiraku Yoshimitsu, aka Dora Video, for eight impressive works of free-form rhythm and sound, sonic collage with far-ranging influences.

An organized sound work paying homage to German cartographer Karl Ortmann; and a piece built around the video installation "MSTM Wall" by British media artist Ian W. Coel.

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An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

Using the building site of the Paris Philharmonie as their source location and inspiration, the trio of Pascal Battus using found objects, Bertrand Gauget on saxophone, and Eric La Casa on microphones, improvise and record the background sounds, machines, and environmental influences, using those recordings to create these three fascinating compositions.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

A split LP from two sound and electroacoustic artists: Paris bassoonist Dafne Vicente-Sandoval deconstructs the instrument itself using an electro-acoustic device that generates feedback, developing compositions from those explorations; and Norwegian Lars Petter Hagen revisits Richard Strauss's Metamorfosen through decay and fragmentation of its musical lines.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

Rutger Zuydervelt, aka Machinefabriek, returns to rhythmic electronic solo work with his fourth mini-CD release after Hinkelstap (2022), Tuimelval (2022) and Haast (2023), in this seven-part work Kadans (translating to "Cadence"), each track using a unique rhythmic foundation under warm electronics, plus a violin sample from collaborator Anne Bakker.

After working with clarinetist Monika Bugajny on his + album, composer & electronic artist Rutger Zuydervelt, aka Machinefabriek, joined again with Bugajny for a set of eight reconstructions of classical works from Debussy, Messiaen, Brahms, Stravinsky, &c., each reinterpreted work cleverly composed from Bugajny's recording of the original composition.

Two sound works from multimedia artist John Collins McCormick (Sky Thing) recorded using a multi-channel, portable sound system that employs up to 8 subwoofers in drum stands, amplifying low frequencies and rattling odds and ends he collected over the years, creating a rolling and controlled cacophony of quick rhythms and unusual asides from objects placed on the subwoofers.

A collection of original songs recorded in NY & Paris from vocalist Hélène Breschand, also performing on acoustic and electric harp, in a duo with Elliott Sharp, who creates grooves and instrumental environments on guitar, analog synth, bass, toy piano and drum programming; unusually structured and richly detailed, from idiosyncratic to sensuous.

Beautiful long-form drones and harmonic interactions develop and are then shaken up with sonic deformations and collisions, returning to beautiful environments and then reversed once again, from the duo of sonic explorers Bob Bellerue and Christian Ronn, recording in Copenhagen using organs, electronics, winds, and feedback to create these wonderfully alien domains.

Performing on both piano and bass drum, Italian improviser & composer Luca Sguera presents six works based around the physical sounds of the piano, traditional acoustic piano progressions and rhythmic arrangements fitting the development of each piece's sound, as much sound art as piano composition through sophisticated hybrids of acoustic and sonic environments.

Referring to the music on this album from New York feedback and electronic pioneer David Lee Myers as "firmly rooted in the electronic music of the 1950s-1960s", over nine tracks we are taken on an otherworldly journey of detailed particulate electronic adventures, sometimes swooping, vertiginous, monstrous and unpredictable, each track captured live in Myer's Pulsewidth studio.

A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework.

Members of the Chicago free improvising, collaborative band TV Pow--Todd A. Carter and Michael Hartman--as a duo are Superposition, recording improvisations and composed improvisations primarily on piano, Rhodes, organ, and synthesizers, then mixing, adding and editing them into appealing tracks that merge electronics, jazz forms and soundscape.

Expanding the collaboration between guitarist, saxophonist and electronic artist Elliott Sharp and electric & acoustic harpist Helene Breschand, in a quartet with Zafer Tawil performing on oud, violin & percussion and Floy Krouchi on electric bass, for an exotic, globe-embracing, groove-oriented album of unusual and often ecstatic acoustic and electric orchestration.

Members of the Chicago free improvising, collaborative band TV Pow--Todd A. Carter and Michael Hartman--as a duo are Superposition, recording improvisations and composed improvisations primarily on piano, Rhodes, organ, and synthesizers, then mixing, adding and editing them into appealing tracks that merge electronics, jazz forms and soundscape.

The trio of Belgian reedist Joachim Badenhorst, French-Japanese violist Frantz Loriot, and French-German bassist Pascal Niggenkemper formed the Baloni trio in Brooklyn in 2008, presenting a blend of chamber and free jazz; reserved to frenetic playing that consistently surprises.

The Italian free improv quartet The Assassins (Francesco Cusa, drums; Giulio Stermieri, piano; Flavio Zanuttini, trumpet; Giovanni Benvenuti, sax) joins together with the classical chamber string ensemble, Florence Art Quartet (Daniele Iannaccone, violin; Lorenzo Borneo, violin; Agostino Mattioni, viola; Cristiano Sacchi, cello) in a wonderful hybrid of both approaches.

An excellent 50 year overview of the work of drummer & composer Chris Cutler, best known for his work with Henry Cow and his label ReR Megacorp, but also heard here in groupings including Art Bears, Cassiber, News From Babel, Aqsak Mabou, Duck and Cover, Peter Blegvad, Rene Lussier, The Work, Pere Ubu, The (ec) Nudes, Domestic Stories, Cutler/Frith, Cutler/Parkins, &c.

A collaborative release of Nijmegen's saxophone wielding grind duo of Rene Aquarius and Otto Kokke with sound artist Machinefabriek (Rutger Zuydervelt), tempering the duo's Ayleresque frenetic drive in response to Zuydervelt's long form drones.

Jason Viseltear, based in NYC, makes violins, violas, and cellos for both contemporary and period / baroque performance. Inexplicably, Mr. Dorgon dedicated this work to him, a piece of sound and noise, perhaps constructed using string instruments; perhaps not.

"Both Giesriegl and Gratkowski are responsible for the sound in the gearbox. It deals with an extreme range of vocalisms, which are often composed of elements of spoken language, which are part of the sound ensemble. He draws from an al...

Edition Rz's "Parallele" series in a spiral bound catalog and 2 CDs from the 2000 Berliner Festival Neuer Musik with compositions by Francois Donato, Tom Johnson, Christina Kubisch, Alvin Lucier, &c.

Since 2007 Japanese pianist Satoko Fujii and Australian keyboardist Alister Spence have collaborated on performance and recording in several configurations, including work with Tony Buck, Raymond McDonald, Jim O'Rourke, &c.; this energetic and otherworldly quartet session with trumpeter Natsuki Tamura and drummer Ittetsu Takemura was recored live Knuttel House, in Tokyo, 2017.

Electronic music theater orchestrated by Yannis Kyriakides in collaboration with the Dutch musical theater group, VeenFabriek, that's centralized around the concepts of Spinoza's texts.

A tribute to late experimental sound artist Peter Rehberg (Pita) from collaborators and friends Lasse Marhaug and Jérôme Noetinger, ten recordings of wildly creative, slippery electronics, crunching sound bunts, rapid fire electronic turmoil and tapehead jamming, ending with a beautifully drifting tribute to an artist who widely influenced modern sound culture.

Merging Hannes Strobl's electric bass and effects with David Moss' unusual vocal approach into stream of consciousness observations and rich music of momentum and mood that are evocative, mysterious and fully engaging.

A split LP with each side featuring a 20 minute solo track from both brotherly halves of the acclaimed space guitar improvising band My Cat Is An Alien.

Appropriately recorded at Seizures Palace in Brooklyn, the 3rd release from the NY trio Pulverize the Sound of Peter Evans on trumpet, Tim Dahl on electric bass and Mike Pride on drums & glockenspiel, expands on this 10 year working band's assertive approach to collective free improv, doing so with innovation, breathtaking technical skill and a wide range of mood and texture.

The Ratchet Orchestra is a large ensemble of 30 fringe musicians from Montreal headed by director Nicolas Caloia whose compositions allow for improvised chamber jazz and showcase the talents of the orchestra's most passionate players.

"Recorded live at the Victoriaville Festival in 1996, this disc features the Italian saxophone and improvisation master surrounded by a band from heaven -- or hell, depending on your view of modern free jazz -- ensuring his own "social s...

An improvisation for two laptop computers performed by Tim Blechmann and Klaus Filip, recorded live in Vienna at "neue musik in st ruprecht", 2010, contrasting minimal tones with massive bass rumble and frothing frequencies.

Two like-minded electronic sound & feedback artists, David Lee Myers, aka Arcane Device from NYC and Toshimaru Nakamura from Japan, use feedback matrices & modular electronicsÊ(Myers) and No-input Mixing Board (Nakamura) in a remote collaboration of alien overlays, sonic extensions and disruptive digressions through 12 complex and varying compositions.

Two mysteriously veiled electroacoustic improvisations recorded live at Maison des musiques, in Brussels, Belgium between performers Nicola Lancerotti, an Italian-born double bassist & sound artist, and sound artist Chiara Bacci, using glitch, veiled voices, synthetics and acousmatic sources, packaged in a sparkly green tinted cassette with download code.

A psychedelic set of recordings based around the guitar work of Philip Gayle, improvised, recorded, and layered into diverse experiments in sound and performed on banjo, bass, cello, door, guitars, mandolin, percussion, piano, toy piano, voice, ukulele and waterphone, with guests including saxophonist Shogo Ohshima and vocalists Shizka Ueda, Omusubisan and Fuuchan.

Percussionist Sheldon Suter steps out from groups including Musique Brute, Big Bold Back Bone, Marco von Orelli 6 or Jurg Wickihalder Orchestra for a seductive album of solo percussion, using zithers, portable turntables, a shruti box and harmonica in immersive works intermixing six pulsing and serene lullabies with five ominous nocturnal environments.

Percussionist Sheldon Suter steps out from groups including Musique Brute, Big Bold Back Bone, Marco von Orelli 6 or Jurg Wickihalder Orchestra for a seductive album of solo percussion, using zithers, portable turntables, a shruti box and harmonica in immersive works intermixing six pulsing and serene lullabies with five ominous nocturnal environments.