Fred Frith's 1982 live album of his solo concerts at various venues in Japan, 1981, performing on guitar, throat mike, violin and piano; long out of print and now remastered by Tom Dimuzio.

Fred Frith provides a complex and fascinating soundtrack for the second film he made with Nicolas Humbert and Werner Penzel--"Middle of the Moment"--merging his guitar work, field recordings, and environment sound, with additional help from Tim Hodgkinson, as the film and music follow nomadic people in their travels, their songs, and the sounds they experience.

Three distinct commissions for dance performed by Frith & Carla Kihlstedt; Frith & Carla with Fred Guiliano & Gail Brand; and with Frith, Hande Erdem & Threresa Wong.

Fred's '88 SST release, one of his finest instrumental releases, with Tenko, John Zorn, Christian Marclay in an intense mix of melodic, rhythmic and technological brilliance.

Taking Rock In Opposition into difficult territory, Peter Blegvad and John Greave's song cycle is a perplexing and rewarding album blending literature with rock and jazz forms, performed in an ensemble including Carla Bley and Michael Mantler; an intricate masterwork.

Brothers John and Robert Kidney play stripped down, guitar-based narrative songs that are occasionally accompanied by the harmonica or tenor sax, and are rooted in the blues.

Instrumental and song work from Chris Cutler (Henry Cow, &c.) and Steve MacLean (Dr. Nerve) with Julie Thompson as vocalist, subtle non-linear songs created using unusual processes.

A specially priced double CD collecting two decades of composition and experimentation from Dr. Nerve alumnus guitarist Steve MacLean.

Beautiful studio works created by Steve MacLean (Dr. Nerve) using guitar and field recordings from the water's edge of frogs, bugs, birds, and pond ambiance.

Maksymenko, founder of the Swedish Beefheart influenced band Kraljursastalten, in a solo release with that band, and with Henry Kaiser, Drumbo French, Sten Standell, &c.

The eclectic and gifted solo pop artist R.Stevie Moore's first LP, recorded by himself from 1974-76 around Nashville; strange, compelling, sometimes brilliant, always engaging!

Overlays and constructs rhythmic and harmonic vignettes of transparent sound (at once complex and simple) from electronic, acoustic and documentary sources, taking ethnic field recordings as it's thematic centre.

The only recording of the short-lived and still phenomenal version of Ubu after Allen Ravestine left to be replaced by Eric Drew Feldman, with Chris Cutler on drums.

Acnalbasac Noom was Slapp Happy's second LP, recorded in 1973, and engineered by Kurt Grauner in Faust's legendary Wumme Studio using Faust as the Slapphappy house band; it was originally rejected by Virgin Records, who made the group re-record the album with different musicians as Casablanca Moon, though through time Acnalbasac is still the definitive and preferred edition.

Recorded around the time of Sleeping Beauty, this album features the same funky approach to grooves and swinging electric trance, a focal point of Sun Ra's 70's catalog

A suite of fiendishly complex compositions for mixed real (Bob Drake, Chris Cutler, Djorge Delibasic, Pegja Milosavljevic) and virtual resources.

Originally released in 1982, this is a collection of specially commissioned and (at the time) newly recorded pieces by the most interesting groups and individuals then in the ReR catalogue.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.