Twenty two vignettes of improvised conversations named for desert fauna between alto saxophonist & flutist Biggi Vinkeloe, tuba & trombonist Mark Weaver, and double bassist Damon Smith, using a unique tuning choice for the band suggested by Vinkeloe, and applying a quality to the studio to create a uniquely orchestrated and resonant album of masterful playing.

The solo debut album from Dutch composer & clarinetist Germaine Sijstermans: seven recent contemplative works in a Wandelweiser vein, composed between 2017-2019 and performed with six exemplary and complementary performers: Antoine Beuger (concert flute), Rishin Singh (trombone), Johnny Chang (viola), Fredrik Rasten (guitar, ebow), and Leo Svirsky (accordion).

Reedist Udo Schindler continues his exploration into the double bass and low-tone reed instruments, here on bass & contrabass clarinets contrasted only with his soprano saxophone, in a 2022 live recording from MUCCA_Kommandozentrate in Munich of the five-part improvisation "Hybride Synergetic" in a trio with double bassists Peter Jacquemyn and Georg Karger.

Experimental chamber music from the German trio of Udo Schindler on tenor saxophone, bass saxophone & cornet, Eric Zwang Eriksson on percussion and Sebastiano Tramontana on trombone & voice, performing at BASIS_Klangraum in MUCCA, Munich, the title translating to "singing without words" from the poetry cycle "Il taccuino del vecchio" by Guiseppe Ungaretti.

The first album from 1982 by drummer Geoff Serle's band Research, combining free improvisation with rock forms, electric and acoustic, or as he described it: "an electro-funk industrial jazz unit", configured as the quartet of trumpeter Jim Dvorak, a member of Mujician & Brotherhood of Breath, bassist Dan Brown from The Fixx, and legendary pianist Veryan Weston.

Referencing the unusual 1896 feat of catching a turnip dropped 270 feet from a bridge by a member of the troupe The Royal Zanettos, the duo of London pianist Liam Noble and Geoff Simkins perform the slightly less daring but equally fascinating feat of performing a lyrical jazz concert at The Vortex in Dalston in 2022, for a mix of originals, standards and traditional tunes.

On the last day of the 2021 Spontaneous Music Festival at the Dragon Club in Poznań, Poland, the trio of Berlin trombonist Matthias Muller was joined by younger generation Polish guitarist Pawel Doskocz on prepared electric guitar and fellow Berlin drummer and electroacoustic improviser Emilio Gordoa for these two extended sonic adventures recorded in near-darkness.

A remarkable concert as part of reedist Udo Schindler's LowToneStudies, referred to as "acoustronic" for the transformational aspects of each instrumentalist's playing, deceivingly electronic sounding despite being fully acoustic, captured live at Kulturschranne Dachau from the trio of Schindler, Gunnar Geisse on laptop guitar and Sebastian Gramss on double bass.

The second Interstellar Nao album recorded at No Somos Nada Distro Cafe in Mexico City presents the previous day's concerts from their first FMR album Live at No Somos Nada, expanding the trio of Philippine-based saxophonist Rick Countryman, Swiss drummer living in Mexico City Gabriel Lauber and Lauber's collaborator in the group Zero Point, Mexico City native double bass player Itzam Canois, with guitarist Juan Castañón, founder of Impromuzak Collective.

The core duo of Danish trance/noise artists, guitarist Lars Bech Pilgaard also on organelle & driftbox, and drummer Anders Bach, also on plumbutter (a drum and drama machine) join with Acid Mother's Temple modular synth wizard Ichiraku Yoshimitsu, aka Dora Video, for eight impressive works of free-form rhythm and sound, sonic collage with far-ranging influences.

Translating to League of Shadows, Swiss composer Jürg Frey's sublime twilight compositions for solo piano are performed by Dutch pianist Reinier van Houdt, presenting seven of Frey's works written from 1984-2018, including one previously unreleased composition, in all 20 movements spread over 3 CDs ranging in time from 1:47 to 40:34, a significant addition to both musician's oeuvres.

Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside.

Known best for his extraordinary saxophone playing, UK reedist and wind player Paul Dunmall also is a first-rate clarinetist, one of the most challenging of the single reed instruments, heard here in four extended improvisations captured in the studio, performing with contemplative thoughtfulness and prodigious technique on four members of the clarinet family: C, A, Eb and Bb.

The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.

Powerfully rich sounds from two NY-based instrumentalists — John McCowen on contrabass clarinet & Carlo Costa on bass drum & percussion — in a three-part work of acoustic improvisations, McCowen sounding deceptively electronic through overtones and masterful harmonic technique, while Costa's bass drum provides deep foundations as he mysteriously layers percussive distractions; phenomenal!

Referencing the traditional dance of Salento named for the tarantula, this Italian 9-piece improvising ensemble spent several days developing the unique orchestration, melodies and themes of these eight pieces, recorded after the OSIMU festival held in Taviano, using an acousmatic recording device to optimize the details of their insightful and often biting conversations.

A study of language through the repetition of fragmented sound, demonstrating how repetition brings alienation of meaning, Cole creating a synthetic alphabet within an unsignified musical context of electronic responses, repeated until the listener loses contact or reference to the original word; a challenging series of transformations rewarding to the engaged listener.

Bringing together two aberrant sound artist--Chefkirk, aka Roger Smith, based in Oregon; and Crank Sturgeon, aka Matt Anderson currently based in Massachusetts--for two CDs of rhythmic mayhem layered and punctuated with electronics and mutilated sounds from objects & voice, with beats that feign steadiness but derail in amusing and embraceable ways; weird fun! Mastered by Squidco's own Carl Kruger.

Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.

The collaboration between Swiss drummer Christian Bucher, Filipino bassist Simon Tan and American ex-patriate living in the Phillipines, saxophonist Rick Countryman, continues with this exceptional collective free jazz album, their fourth on FMR, captured in the studio in Quezon City, Philippines in 2022 for nine exuberant and astute improvisations.

Four unusual studio recordings of voice, electronics, double bass, drums & percussion from the trio of Netherland vocal improviser Jaap Blonk with bassist Damon Smith and drummer Ra Kalam Bob Moses, Moses and Blonk collaborating on the concrete poem that makes up "liner notes" for this wonderfully odd and sophisticated album of avant free improv.

The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.

An investigation into the depths of the body's neurological frontier from Swedish electronic artist Joakim Forsgren, presenting a series of intuitive compositions drawing from the latest medical research on how light and sound at specific frequencies has a potential to affect bodily functions, using analog synthesizers to create retro-rhythmic environments of flowing sound.

A compelling and lyrical debut from the London-based trio Aspyrian of Robin Porter on tenor & soprano saxophones, Jack Gillen on guitar and Matt Parkinson on drums, the band name from Old English translating to "To search, explore, trace, discover, explain", which the band does with ebullient dexterity through seven original compositions from Porter and Parkinson.

Composer & clarinetist based in Heerlen, Netherlands, Germaine Sijstermans, in a collaborative work with fellow Dutch composers and performers, Reinier van Houdt performing primarily on Indian harmonium and Koen Nutters on harmona organ, both employing field recordings, tapes, objects and sine waves in this peacefully meditative 2022 concert at Savelberg Chapel.

Adapting Roscoe Mitchell's large work "Distant Radio Transmission" for the 2022 Fault Zone Festival in a large ensemble conducted by Steed Cowart, along with four other compositions performed in varying configurations from very large ensemble, two pieces from the Space Trio of Mitchell, Thomas Buckner & Scott Robinson, and a duo with pianist Sarah Cahill and violinist Kate Stenberg.

Expanding on pianist/composer Matt Mitchell's 2013 duo album Fiction with Ches Smith is this double-duo release over 2 CDs, one CD with Smith performing on drums, gongs, percussion, vibraphone, glockenspiel, tam-tam & timpani, and one CD with drummer/percussionist Kate Gentile, performing Mitchell's fascinatingly convoluted works that integrate composition with improvisation.

Continuity, Fragility, Resonance is an extended compositions by Jürg Frey orchestrated for an octet of a string quartet and a saxophone quartet, here recorded after the 2021 premier of the work in a 2022 3-day recording session in Bern, Switzlerland in the presence of the composer at the Auditorium of Zentrum Paul Klee; gorgeous and delicate.

A new trio from NY bassist & composer Nick Dunston, featuring Kalia Vandever on trombone & effects, and Do Yeon Kim on gayageum (a traditional Korean plucked zither), a uniquely orchestrated band performing Dunston's original (and humorously titled) compositions, on some of which each performer uses effects to create sonic environments; a creatively inventive configuration.

Giving homage to creative musicians before them, the Berlin quintet of Koen Nutters (upright bas), Heather Frasch (flute), Carina Khorkhordina (trumpet), Han-earl Park (electric guitar) and Quentin Tolimieri (bass & soprano melodica)--explore the notion of integrating open improvisations around melody and modal harmonies into a post-musical, conceptual, and social framework.

Looking to create a sound realm that would reflect more life and less process, NY guitarist/banjo player Brandon Seabrook takes his 8-piece ensemble Epic Proportions on a truly epic journey through "lyrical melodies, dynamic improvisations and manic counterpoint", showing great evolution and development as a contemporary composer and player; "Brutal is beautiful".

A foundational member of the early Downtown NY scene, now West Coast-based double bassist Mark Dresser expands the sonic properties of his instrument in 12 succinct and forceful improvisations, expanding 4- & 5-string basses through metal tines, bowed and plucked, along with magnetic pickups amplifying nearly inaudible sounds from the strings and the instrument; awe inspiring!

Wandelweiser founder and composer Antoine Beuguer and French composer Anastassis Philippakopoulos in a work for voice (Philippakopoulos) and breath (Beuguer), employing spaces of silence against utterance and sibilant expression, a patiently developing work that floats by in deceptively simple ways, captivating through each articulation that seems perfectly placed.

During an artistic residency at the GMEA in Albi, France, composer & pianist Giovanni Di Domenico recorded with the trio of violinist Silvia Tarozzi and percussionist Emmannuel Holterbach performing on a large frame drum, completing the piece into this mysteriously insinuating and lovely triptych where sparse melodies emerge & submerge into a multidimensional expanse.

Following an exploration of the double bass in his 2018 Confront release Basse Seul, Swiss-French composer and saxophonist Bertrand Denzler again jumps into the deep end again with a quartet of accomplished double basssists--Sebastien Beliah, Jon Heilbron, Mike Majkowski, Derek Shirley--for two extended works of encompassing low-register tones.

In 1978 after recording his acclaimed solo album Monoceros, saxophonist Evan Parker embarked on a solo tour of the US and Canada, in New York City performing at the legendary loft space Environ, his first-ever solo performance in NYC and a masterpiece of extended techniques, circular breathing and spectacular control on the soprano and tenor saxophones.

Referring to the music on this album from New York feedback and electronic pioneer David Lee Myers as "firmly rooted in the electronic music of the 1950s-1960s", over nine tracks we are taken on an otherworldly journey of detailed particulate electronic adventures, sometimes swooping, vertiginous, monstrous and unpredictable, each track captured live in Myer's Pulsewidth studio.

The 3rd stellar album of modern jazz recorded in the studio after a five-city tour from the quartet of Tomas Fujiwara on drums, Taylor Ho Bynum on cornet & flugelhorn, Mary Halvorson on guitar and Benoit Delbecq on piano, performing three compositions each from Halvorson, Fujiwara and Delbeq, illustrating their distinctive approach to creative improvisation.

Circumventing pandemic lockdowns, the trio of Brandon Seabrook on guitar, banjo & tapes, Mike Pride on drums, marimba, glockenspiel, bells & organ and Mike Watt on bass recorded their contributions in separate studios and file-shared to create this genre-merging album of free improv, rock, experimental and inexplicable forms; an inspired and seriously unique album of challenges overcome.

Two powerfully intense 1969 free jazz recordings by American ex-patriots, saxophonist Arthur Jones and cornetist Clifford Thornton, recorded days apart in the same studio and released on BYG Records, Jones this reissue's connection with his own trio, and joining Thornton for four uniquely configured sessions that include Archie Shepp, Grachan Moncur III, Dave Burrell, and Sunny Murray.

Following the evolution in form and approach of composer and tenor saxophonist Wayne Shorter from his 1966 Blue Note album Adam's Apple with Hancock, Workman and Chambers (including a pre-Miles "Footprints") to the 1969 Weather Report precursor Super Nova with John McLaughlin, Sonny Sharock, Miroslav Vitous, Chick Corea, and Jack DeJohnette.

Expanding the rhythmically exuberant Natural Information Society led by Chicago bassist & guimbri player Joshua Abrams with core members Lisa Alvarado (harmonium), Mikel Patrick Avery (drums) & Jason Stein (bass clarinet), are Hamid Drake (percussion), Josh Berman & Ben Lamar Gay (cornets), Nick Mazzarella & Mai Sugimoto (alto sax & flute), Kara Bershad (harp) and Ari Brown (sax).

A brutal and complex concert of processed sopranino saxophone, electric guitar and electronics from the long-running Italian quartet Melting Mind of Virginia Genta, Michele Mazzani, David Vanzan and Matteo Poggi, recorded during a 2019 tour of France at Grnd Zero in Lyon, a 33 minute performance of thick noise & feedback layered with inexplicable detail.

Rich in lyrical playing and creative freedom, Vancouver cellist Peggy Lee's 6th album expands on her goal to explore different strategies for improvisation within composition, featuring the unique voices of her ensemble including Brad Turner (trumpet), Jon Bentley (sax), Jeremy Berkman (trombone), Ron Samworth & Tony Wilson (guitars), Andre Lachance (bass) and Dylan van der Schyff (drums).

Recorded after a three-day series of concerts at New York City's venue The Stone, the trio of Zeena Parkins on electric harp & objects, Mette Rasmussen on saxophone, objects & voice and Ryan Sawyer on drums & objects brought their dynamic and far-ranging approach to collective free improv into Brooklyn's Figure 8 studio to capture these 10 extraordinary recordings.

The ninth solo album from pianist Satoko Fujii, the most recent in a "torrent" of solo releases over the last six years, this album a remarkable display of force and beauty in improvised playing on the keyboard and inside the piano, captured live at IYO Yume Mari Kan Bunka Hall in six improvisations of cascading notes and introspective passages; spectacular!

With a booklet of images showing the riverside location of the first performances of French guitarist Marc Ducret's sophisticated compositions reflecting tidal river flows & fluctuations by season, the four meticulous recordings on this album were captured in the studio with Fabrice Martinez on trumpet, flugelhorn & tuba, Christophe Monniot on saxophones and Samuel Blaser on trombone.

An album of transporting drones and industrial soundscapes from Chicago experimental artist Kevin Drumm, drawing the listener into his soundspace slowly through distracted studio clatter and then journeying deep into textures and tones, maintaining a natural quality to synthetic and obscure sources in this fine addition to his expansive discography.

Definitely of the Borbetomagus mold, the duo of tenor saxophonist Don Dietrich and cellist Camille Dietrich, his daughter who grew up under the influence of that band's relentlessly aggressive free jazz, here in a live performance at Tubby's in Kingston, New York for four burning improvisations that take apart a tree, leaving the audience to catch the fragments; terrifyingly intense!

Recording in France in 1970, the Art Ensemble of Chicago (Malachi Favors on bass, Joseph Jarman on saxophone, Roscoe Mitchell on saxophone, Lester Bowie on trumpet) recorded the soundtrack to director Moshé Mizrahi's movie Les stances à Sophie, joined by vocalist Fontella Bass, releasing a classic and exciting album that stands as a great testament to the versatility of its players.

A warmly lyrical, mostly instrumental album of modern jazz that surprisingly takes it's title from legendary punk band MDC, and its songs from their 1982 debut album Millions of Dead Cops, led by NY drummer Mike Pride and performed with Jamie Saft (keys), Brad Jones (bass), Mick Bar (guitars) and on a few songs, vocalists JG Thirlwell (Foetus), Sam Mickens (The Dead Science) and Dave Dictor from MDC itself.

Composed by Henry Threadgill based on his observations of the exodus of people from New York City during the Covid pandemic and the debris left behind, this work titled "Valence" and dedicated to percussionist Milford Graves, is a chamber jazz piece in three movements was taken from recordings at Roulette of the second of two performances entitled "One" and "The Other One".

Interdisciplinary Spanish percussionist Núria Andorrà whose background includes contemporary music and improvisation with performers including Agustín Fernández, Joëlle Léandre, Mats Gustafsson, Nate Wooley, and Joe Morris joins Fred Frith in Santa Maria de Palautordera for studio and concert recordings of eleven far-ranging dialogs of unusual and imaginative technique and concept.

A beautifully recorded session at Germany's Club Lila Eule for Radio Bremen from 1969 by the Marion Brown Quartet, his touring band at the time with AACM legendary drummer Steve McCall and German double bassist Siggi Busch and trombonist Ed Kröger, performing eight solid free jazz pieces including "Ode to Coltrane" and "Juba Lee"; a spectacular addition to Brown's discography.

The 19th Pere Ubu album brings members from the history and offshoots of the band that initiated in Cleveland with vocalist David Thomas, melded with members Keith Moline and Andy Diagram from Pale Boys, legendary drummer Chris Cutler (Wooden Birds & Pere Ubu), clarinetist & guitarist Alex Ward and bassist Michel Templem, for 17 wide-ranging songs, often eccentric, but always uniquely Ubu.

Four live recordings from Tokyo performances during 2021 & 2022 by No-Input Mixing Board performer Toshimaru Nakamura, the 11th in his series of albums featuring his unique approach to cross-wiring a mixer to harness the unexpected (and manufacturer's ill-advised) sounds of feedback & distortion, structuring the results into surprising and riveting sonic soundscapes.

Seven forays into dark experimental electroacoustic improvisation from electric bassist and Tour de Bras label-leader Éric Normand and French clarinetist Xavier Charles, leveraging unlikely techniques on both instruments, eight dialogs both assertive and cautiously mysterious, employing harmonic overtones, remarkable reed techniques, and rich electronic foundations.

The second chapter in the duo of West Coast improvisers Chris Williams on trumpet, cornet, objects & mutes and Patrick Shiroishi on alto, soprano and tenor saxophones plus snare drum, essentially a free jazz outing of six fascinating dialogs, from call and response to pointillistic interaction, a masterful display of assertive playing through intensive listening.

The 2nd album as a leader from NY drummer's Chad Taylor's Trio with long-time collaborators and friends, saxophonist Brian Settles and pianist Neil Podgurski, in nine diverse compositions with contributions from all three players along with two works from late pianist Andrew Hill; a wonderfully balanced album of creative jazz, from meditative to joyfully upbeat and rhythmically compelling.

The core duo of guitarist & bassist Chris Cochrane (No Safety) and drummer & electronics artist John Thayer dig deep into a bag of aural tricks in eight compelling tracks that blur rock, jazz and experimental approaches to upbeat rhythmic music, assisted on various pieces by an excellent cast including Zeena Parkins, Graham Haynes, Gelsey Bell, and Kato Hideki.

The third album in Chicago 6- & 12-string guitarist Elijah McLaughlin's numbered album series of original compositions, rich flowing works of lyrical textures augmented with environmental field recordings and tape loops, performed with Jason Toth on upright bass, Katinka Kleijn on cello, effects, Joel Styzens on hammered Dulcimer and Adler Scheidt on piano.

A collaboration between Montreal saxophnist Aaron Leaney (Ratchet Orchestra, Nebula) with legendary free jazz drummer and founder of Le Nouveau Jazz Libre de Quebec in 1967, Guy Thouin, performing on a wealth of winds, percussions and bells, their music infused with a rich spiritual and natural feeling of world elements, lyrical playing and folkloric rhythms.

The duo of improvisers Lina Tullgren on violin and Japanese koto player based in Boston Alec Toku Whiting, joined on one track by Ted Reichman on synthesizer & pedals, Reichman also recording these studio sessions, as the duo apply unsual techniques with an ear toward sonic assault and unexpected twists & turns, particularly some especially aggressive interaction on "Polly Chainsaw".

Exploring the crossing point of jazz and funky electro-beats, experimental electronics and dub grooves, the Chicago trio of Quin Kirchner on drums, percussion, sampler & electronics, Daniel Van Duerm on acoustic & electric pianos, organ, mellotron & electronics and Matthew Lux on bass & electronics dig more deeply into their engaging and upbeat approach to modern forms of fusion improv.

A new collaboration between keyboardist Brent Cordero and bassist Peter Kerlin, a gorgeous blurring of jazz, rock and Terry Riley-esque composition in a swirling collection of original work and a cover of Eddie Harris' "Freedom Jazz Dance", performed in a core trio with drummer Ryan Sawyer and prestigious guests including Daniel Carter, Jessica Pavone, James Brandon Lewis, &c.

Five interpretations of works by contemporary composers Franco Donatoni, Iannis Xenakis, Xavier Bonfil, Thanos Chrysakis and Tim Hodgkinson performed by a stellar set of performers in varying configurations, including bass clarinetist Jason Adler, trombonist Christian Larsen, bass clarinetist Yoni Silver, clarinetist Hodgkinson, horn player Julian Faultless, &c.

After suffering and recovering from cancer surgery for a tumor in his sinus, the darkest period of despair in NY-area tenor saxophonist Allen Lowe's life, he turned to composition of new jazz works, finding that the music poured out of him, as heard in this set of lyrical and sophisticated original compositions performed with his aptly named ensemble: The Constant Sorrow Orchestra.

Saxophonist Allen Lowe's statement on American music and American song form across the many genres and styles that make up the terrain, including jazz, the blues, gospel, honky tonk, heavy metal, hillbilly/minstrel song & medicine shows, &c.; diverse forms of popular music that reflect a commingled society, as Lowe blurs the sacred and the profane with a stellar ensemble of musicians.

A 2022 recording at Evil Clown Headquarters, in Waltham, MA of the duo offshoot of the Leap of Faith Orchestra--David Peck on reeds & flutes, and Glynis Lomon on cello, aquasonic & voice--with guests, trumpeter Vance Provey, saxophonist Michael Caglianone, modular synth player Eric Woods and Albey on bass, with Joel Simches performing real-time signal processing.

The core duet of the Leap of Faith Orchestra of David Peck on clarinets, saxophones, clarinets & flutes and Glynis Lomon on cello, aquasonic & voice, are joined by Michael Caglianone on trumpet, Eric Woods on modular synth, Albey on bass, all processed in real time by Joel Simches, extending their previous acoustic-only approach to incorporate electronics.

An intimate set of solo expressions from Chicago tenor saxophonist and Kettle Hole label-leader Gerrit Hatcher, seven improvisations recorded in the studio that bring together the soloist's interests in free jazz, lyrical playing and intricate technical passages on the sax, infused with a sense of whimsy alongside serious concentrative playing.

Referencing Maxim Gorky's plays Children of the Sun, Alva Noto, aka Carsten Nicola, developed this music for a theater piece titled Komplitzen (Accomplices) by Simon Stone, presented in fourteen compositions of lush electronics, rich atmospheres of tones & timbre, detailed glitch and glacial rhythms that create a wonderful sense of tension and release.

Referencing Maxim Gorky's plays Children of the Sun, Alva Noto, aka Carsten Nicola, developed this music for a theater piece titled Komplitzen (Accomplices) by Simon Stone, presented in fourteen compositions of lush electronics, rich atmospheres of tones & timbre, detailed glitch and glacial rhythms that create a wonderful sense of tension and release.

Continuing the sense of film noir and consummate conceptual compositions, Dave Pett's Remote Viewers ensemble of four saxophones--Adrian Northover, Sue Lynch, Caroline Kraabel & David Petts--and the powerful and often drum-like double bass of John Edwards, continue their journey in this strange place with 10 new solidly crepuscular and complex works.

As part of a 2004 performance series at Fabrique in Brisbane, Australia, Lawrence English invited experimental cassette and field recording artrist Aki Onda to present his unique approach to reusing and rupturing recordings using cassettes, Walkmans, delay pedals and fender twin amps, improvising this extended work & its coda, blurring concrete and inexplicable sources in remarkable ways.

Extremely active in the Downtown NY scene as a versatile double bassist in a wide variety of settings, Brandon Lopez presents a tour de force album of solo improvisations, developed to illuminate his abilities as a powerful string player but also as a mischief-maker on the strings through unexpected technique and the application of "RealBadVibes".

Extremely active in the Downtown NY scene as a versatile double bassist in a wide variety of settings, Brandon Lopez presents a tour de force album of solo improvisations, developed to illuminate his abilities as a powerful string player but also as a mischief-maker on the strings through unexpected technique and the application of "RealBadVibes".

Organized by Miriodor drummer & composer Remi Leclerc, this experimental group features Canadian & European improvisers in a creative session with a sense of novelty and humor, from Pianist Andre Pelletier (Saint-Pascal), accordionist Robin Servant and guitarist Olivier D'Amours (Rimouski), bassist Alexandre Dubuc (Montreal) and saxophonist Cathy Heyden (Paris).

Part of a 2022 creative residency at the Abbey of Saint-Benoît-Labre, in Beauce at the invitation of the organization EXEcentrer, this duo recording captures the September concert of two magnificent Montreal sound artists: Érick d'Orion performing on electronics & synthesizers, and Martin Tétreault on turntables, vinyl records & synthesizer.

After performing together in Canada beginning in 2019, bass clarinetist & electronic artist Philippe Lauzier and NY percussionist Carl Costa remained in contact during the pandemic by exchanging compositional concepts, the 4-part "Sincronica Vaga" and "Soft Routine" the results, the former based on dovetailing motives, the latter on harmonic counterpoint interaction.

Reissuing trumpeter Don Cherry's 1969 album on the Sonet label, performing at the US Embassy in Ankara, Turkey in a quartet with Turkish improvisers Selcuk Sun on bass, Okay Temiz on drums & percussion and Irfan Sumer on percussion & tenor saxophone, for a wild set of world-influenced free jazz, particularly two pieces referencing Ornette Coleman, and several pieces using Turkish folk melodies.

Ten years having passed since his last solo acoustic guitar album, Bill Orcutt's new release focuses on a more lyrical, relaxed and reflective side to his playing, in ten succinct pieces recorded in the spring and summer of 2002 at San Francisco's community focal point for and member of Intersection for The Arts, The Living Room.

Commissioned by and recorded during the 2018 Ars Musical Festival, Fred Frith composed this work while under the inspiration of his residency at Lou Harrison's straw-bale house in the desert at Joshua Tree, CA, then performed with the Ensemble Musiques Nouvelles, along with two very unique improvisations, one recorded during the dress rehearsal and then again in concert.

Commissioned by and recorded during the 2018 Ars Musical Festival, Fred Frith composed this work while under the inspiration of his residency at Lou Harrison's straw-bale house in the desert at Joshua Tree, CA, then performed with the Ensemble Musiques Nouvelles, along with two very unique improvisations, one recorded during the dress rehearsal and then again in concert.

A 6-CD box set in a magnetic snap case compiling double bassist Pascal Niggenkemper's musical journey between the years 2017-2022, in a variety of creative approaches improvising in acoustic and electroacoustic settings, from solo work through collaborations in trio, quartet and large ensembles; an absolutely magnificent presentation of his diverse work.