Composer and tenor saxophonist James Brandon Lewis' exceptional Red Lily Quintet quintet (Kirk Knuffke on cornet; William Parker on bass; Chad Taylor on drums; Christopher Hoffman on cello) pays homage to gospel and jazz singer Mahalia Jackson through a suite of original Lewis compositions, reimagining some of Jackson's best known works; CD & LP issues include a bonus download track.

Composer and tenor saxophonist James Brandon Lewis' exceptional Red Lily Quintet quintet (Kirk Knuffke on cornet; William Parker on bass; Chad Taylor on drums; Christopher Hoffman on cello) pays homage to gospel and jazz singer Mahalia Jackson through a suite of original Lewis compositions, reimagining some of Jackson's best known works; CD & LP issues include a bonus download track.

Bringing together two masterful and legendary players from the European Free Improv scene -- French double bassist and vocalist Joëlle Léandre and UK drummer & percussionist Paul Lovens -- heard in this live performance at Les Temps du Corps, in Paris, free playing in two parts with an incredible sense of communication, timing, humor, virtuosity and finesse.

Reissuing the 1995 In Situ album of the sublime 1993 concert at Vandoeuvre-Les-Nancy in France from the free improvising quartet of Daunik Lazro on alto & baritone saxophones, Carlos Zingaro on acoustic and electroacoustic violins, Sakis Papadimitriou on piano and Jean Bolcato on double bass & voice, in a highly focused set of concentrative collective expression.

Emphasizing the electronic aspect of ea-improv, the trio of Jean-Marc Foussat on Synthi AKS, voice & toys, Emmanuelle Parrenin on hurdy-gurdy & voice and Quentin Rollet on alto and sopranino saxophones & small electronics, are heard in an immersive performance at Allumes du Jazz, in Le Mans, France in 2023, for a superb concert of unrestricted free improvisation.

Recording in Athens, Greece and drawing on their mythology, cellist Emmanuel Cremer performs five solo works under the title Five songs of Athens, each piece presenting a unique take on solo cello performace from deeply resonant to confrontationally acoustic, in both intensely active playing or thoughtful ruminations, a tour de force of exceptional expression.

Continuing their collaboration from the trio of Nakatani / Tiner / Drake and the duo album Dagny on Nakatani-Kobo, trumpeter Kris Tiner (Empty Cage Quartet) and percussionist Tatsuya Nakatani are heard in a recording from the top floor of the historic Woolworth's building in downtown Bakersfield, CA, adding a beautiful layer of resonance to their deceptively contemplative dialogs.

A duo improvisation by American-based, Japanese percussionist Tatsuya Nakatani and pianist sara(.es), recorded by Yasushi Utsunomiya in Osaka, Japan as part of a series of duo recordings, bringing out the subtleties of their interaction as each improviser approaches their instrument in unique ways, creating a virtual universe of sounds that intersect and contrast in captivating ways.

After sharing a stage with Belgium bassist Farida Amadou--whose collaborations include Peter Brötzmann, Steve Noble, and Thurston Moore--Chicago saxophonist Dave Rempis and Amadou sought an opportunity to record together, joining with Amadou collaborator, pianist Jonas Cambien, to record these startling studio improvisations during a 2022 tour in Belgium and The Netherlands.

Recording in Switzerland at La Becque Residency Center, the experimental improvising duo of Francisco Meirino on synth & field recording and Jerome Noetinger using electronics, tape, reel to reel player & radio, create a 6-part series of unusual sonic interactions, patiently exposing unidentifiable sounds and synthetic punctuation, neither subtle nor explosive but wonderfully engaging.

Restoring and remastering the 1979 Atlantic album Mingus at Antibes from bassist & composer Charles Mingus, an extraordinary concert from the 1960 Antibes Jazz Festival with the masterful sextet of Eric Dolphy on alto sax & bass clarinet, Ted Curson on trumpet, Booker Ervin on tenor saxophone, and Dannie Richmond on drums, with Bud Powell or Mingus himself on piano.

Born from a project from the "Jazz in Chur" association where Swiss jazz musicians team up with a musical partner from a country with a different language and cultural region, here between Swiss saxophonist Hans Koch and Lebanese saxophonist Christine Abdelnour, the two recording their half of the duo independently, joined in the studio and split left & right for a stunning and unanticipated collaboration.

Calato, the quartet of Javier Areal Vélez, Jorge Espinal, Agustín Genoud and Pablo Verón based in Buenos Aires, formed in 2010 as an improvisation and experimental composition group exploring music notation and graphic scores in convergence with free improvisation, performing on prepared electric guitars, drums, sampler and amplified voice, here taking on two works by John Cage: Variations I-III, and Four6.

An investigation into the depths of the body's neurological frontier from Swedish electronic artist Joakim Forsgren, presenting a series of intuitive compositions drawing from the latest medical research on how light and sound at specific frequencies has a potential to affect bodily functions, using analog synthesizers to create retro-rhythmic environments of flowing sound.

The first release from Corbett vs. Dempsey drawing on the Paul Lytton Archives, this recording of electronic & acoustic improvisation from UK percussionist Paul Lytton and German guitarist Erhard Hirt was recorded in Belgium in 1981 for the German Po Torch label, founded in 1976 by Paul Lovens & Paul Lytton to release forward-looking forms of free improvisation.

Irish guitarist and composer Scott Fields has worked with the poems of late New York writer Steve Dalachinsky over the years, here bringing together an ensemble of improvisers, electronic and contemporary classical performers to set a suite of six poems by Dalachinsky sung by soprano Barbara Schachtner, with interludes between each weaving them into a larger and satisfying opus.

A concert recording on the occasion of the 10th anniversary of Einstein Kultur in Munich from the quartet of Erhard Hirt on guitar & computer and Paul Lytton on drums, percussion & objects (half of the Quartet XPACT) plus Harri Sjostrom on soprano & sopranino saxophones and Philipp Wachsmann on violin & electronics, presenting a remarkable set of collective ea-improvisations.

The debut for UK saxophonist John Butcher on 577 Records is this exemplary 2021 live recording at Cafe OTO in London by the quartet of Butcher on tenor and soprano saxophones, Pat Thomas on piano, Dominic Lash on double bass and Steve Noble on drums, four of the UK's leading free improvisers demonstrating their prodigious abilities in concentrated conversation.

Members of the Chicago free improvising, collaborative band TV Pow--Todd A. Carter and Michael Hartman--as a duo are Superposition, recording improvisations and composed improvisations primarily on piano, Rhodes, organ, and synthesizers, then mixing, adding and editing them into appealing tracks that merge electronics, jazz forms and soundscape.

The second full-length album from the UK genre-merging rock band Squid, in eight new songs of quirky imagistic and insightful lyrics and playing, surprising instrumental combinations and an experimental approach to layering sound, born from onstage improv experiments during their 2021 tour, recording this album at Peter Gabriel's studio at the end of that tour.

Based in Cologne but including improvisers from Europe, Australia and South America, pianist Simon Nabatov extends his quartet concept into a sextet (hence the title), allowing greater flexibility in the band's collective free improvisations with influences of chamber jazz, as heard in two sophisticated improvisations capture live in 2022 at Salon de Jazz, in Cologne, Germany.

A compact version of the Exploding Star Orchestra, trumpeter & composer Rob Mazurek's octet with guitarist Jeff Parker, drummer Gerald Cleaver, pianists Angelica Sanchez & Craig Taborn, flutist Nicole Mitchell, vocalist Damon Locks and percussionist Mauricio Takara present a far-ranging set of electric jazz, Miles-atmospheres and lyrically compelling music.

Using his Broad Palate concept to introduce multiple sonorities to solve problems of large group improvisations, composer/multi-reedist David Peck's Turbulence project of the extended horn section of the Leap of Faith Orchestra is here represented by Peck, Jared Holiday, David Welans and Dennis Livingston (winds), and Bob Moores, Erich Dahlman and Duane Reeds (brass).

An offshoot of Metal Chaos Ensemble, Simulacrum features 3 the core members of that band--David Peck on winds, horns, percussion and electronics, Eric Woods on analog synth, and Bob Moores on space trumpet, guitar & electronics--substituting Joel Simches for Woods to provide maximum real-time signal processing for this extended and diverse set of free improv, jazz and soundscape.

A sophisticated album of collective free jazz recorded in Brooklyn in 2004, from the trio of husband and wife improvisers Roberta Piket on piano and Billy Mintz on drums, with under-recorded saxophonist Mark Reboul rounding out the trio, as the three present "Seven Pieces" in "About an Hour" of stunningly elegant, implicitly melodic and impressively creative playing.

Ten years having passed since his last solo acoustic guitar album, Bill Orcutt's new release focuses on a more lyrical, relaxed and reflective side to his playing, in ten succinct pieces recorded in the spring and summer of 2002 at San Francisco's community focal point for and member of Intersection for The Arts, The Living Room.

Recorded in Schloss Prinzendorf shortly after the passing of composer and artist Hermann Nitsch, this realization of his six-day play festival of the Orgien Mysterien Theater, an aesthetic ritual of the glorification of existence, merging art, photography and color together, the music an essential element derived from the interplay of sound and colour through harmony or dissonance.

A working project of the Boston-based Evil Clown collective, Metal Chaos Ensemble explores chaotic rhythms on metallic instruments, in this live-streamed performance from 2022 as a quintet with strong jazz influences, from David Peck on reeds and percussion, Bob Moores on trumpet & keys, Michael Caglianone on sax, Albey onBass on bass, and Steve Niemitz on drums & percussion.

Using only their right arms and never fingering the strings with their left hand, this recording of Alvin Lucier's "One Arm Bandits" was recorded in Lucier's own dining room, the hour-long piece in four parts exploring the relationship between bow direction changes and shifts in phase, scored for four cellists and performed by Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann.

Working with Alex Lemski, who produces the Boston-area Creative Music Series, reedist and multi-instrumentalist David Peck organized a concert of unique orchestration for Leap of Faith, the duet of himself and cellist/aquasonic player Glynis Lomon, here with two bassists--Albey onBass & Nate McBride--plus trumpeter Vance Provey and drummer Eric Rosenthal.

Recorded a month after Outspan No 1, this album was captured live at 1974 Ost-West-Festival in Nurnberg, Germany from the legendary, masterfully amusing and absolutely serious trio of Peter Brötzmann on alto saxophone, tenor saxophone & clarinet, Fred Van Hove on piano, and Han Bennink on drums, clarinet, homemade junk, everything & anything.

An outrageously powerful improvised exposition of nine rivers from New York pianist John Blum, performing live in a solo concert as part of the 2013 Crosscurrent Festival in Pecara, Italy, Blum's commanding technique and density making clear his influence by former mentors Cecil Taylor and Borah Bergman, as he rolls and roars rapidly through each torrent.

The soundtrack to the 2022 German documentary film This Stolen Country of Mine directed by German filmmaker Marc Wiese about Ecuadorian resistance fighters and journalists opposed to the sale of the country's resources to Chinese investors, in 19 subtle, elegantly passionate electronic works from sound artist Carsten Nicolai, aka Alva Noto.

A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework.

The NY trio of Jessica Ackerley (SSWAN) on electric guitar, Yuma Uesaka on saxophone & reeds and Colin Hinton on drums & percussion, associated with improvisers including Tyshawn Sorey, Patrick Shiroshi, Ingrid Laubrock, &c., in a collective trio of exceptionally attuned and implicitly melodic dialog promoting energetic interplay balanced with periods of explorative reflection.

A "subterranean homage to trumpet players of the caliber of Don Cherry, Bill Dixon, Miles Davis, Lester Bowie, Tomasz Stanko, Wadada Leo Smith, Jaimie Branch and Chet Baker", in six improvisations of unusual technique and creative concept from Chilean trumpeter Benjamin Vergarda, known for his work with Fred Frith, Keefe Jackson, &c, and director of the Festival of Experimental Music Relincha.

Working in her native Buenos Aires, Argentina and in Berlin, tenor saxophonist Camila Nebbia (Habitable Records) presents sixteen succint, diverse and authoritative solo recordings captured in the studio in Bueno Aires, a mix of assertive harmonic statements and lyrical, often introspective works, at times narrating over her playing or adding effects.

An album of cathartic release in five solo saxophone improvisations from Omaha, Nebraska reedist Kyle Jessen, aggressive and angst-filled expositions that reflect anger and isolation, but also powerful statements of technical skill and personal expression, from the brutal "Death Trap" to the more introspective explorations of "Poltergeist"; exactingly purgative.

Bringing together two exceptional trumpeters approaching their instruments in innovative ways--Berlin trumpeter Axel Dorner and Toronto trumpeter Lina Alleman--in duos and virtual ensembles, each of the eight improvisations titled for lesser-known, smaller celestial bodies, the album title referring to the furthest distance an object achieves while orbiting the sun.

The extended horn section from the Boston collective Leap of Faith Orchestra is heard in this ensemble session with reeds and winds from David Peck and Michael Caglianone, and brass from Eric Dahlman, Bob Moores and John Fugarino on trumpets and Duane Reed on double bell euphonium, plus Jared Seabrook on drums and all members performing on the Evil Clown extended percussion arsenal.

Turbulence projects are orchestrated for multiple horn players drawn from the Leap of Faith Orchestra, here using David Peck's Broad Palate concept to introduce multiple sonorities, in an octet of four trumpeters (Ellwood Epps, Bob Moores, Vance Provey and John Fugarino), one lower brass (Duane Reed) and three reeds (Peck, Michael Caglianone and Jared Holaday).

A special edition of the Turbulence wind ensemble, part of the Leap of Faith Orchestra, in a live to 2-track recording with live processing, extending the core group of wind & brass players David Peck, Michael Caglianone, Dennis Livingston, Bob Moores and Duane Reeds with trumpeter John Fugarino and drummer percussionist, who brought flute & sax player Bonnie Kane of WOO fame.

Simulacrum is an offshoot of Metal Chaos Ensemble featuring 3 the core members David Peck on reeds & winds, an arsenal of percussive devices & narration, Eric Woods on analog synth, and Bob Moores on space trumpet, guitar, & electronics, joined on this set by Michael Caglione on saxophones, plate gong & spring & chime rod boxes, and Joel Simches providing perturbations.

An offshoot of the Boston collective Evil Clown band, Metal Chaos Ensemble, orchestrated for additional electronics and without a drummer, featuring the three core members from MCE--David Peck on reeds, winds and percussion, Eric Woods on analog synth, and Bob Moores on space trumpet, guitar & electronics--expanded with Albey onBass on bass and moog, Eric Zinman on synth, and Michael Caglianone on reeds.

A quartet of collective improvisors focused on the merging of percussion and electronics from the Boston project Simulacrum in an extended transmigration, here with Bob Moores on guitar and synths, former Cecil Taylor bassist Albey onBass, keyboardist Eric Zinman also performing on drum kit, and David Peck on reeds, winds, electronics and percussive devices.

Leveraging the real time signal processing of Evil Clown house engineer Joel Simches, this project from the Boston free improving collective centers around reedist & multi-instrumentalist David Peck and Simches, who provides the "perturbations" of each player through his processing, making him the 4th in this quartet with bassist Albey onBass and reedist Michael Caglianone.

One of Evil Clown's most prolific groupings, Metal Chaos Ensemble was formed in 2015 by David Peck and Yuri Zbitnov as a working project to explore chaotic rhythms on metallic instruments, here in a live performance with real time signal processing by Joel Simches, performed with saxophonist Michael Caglianone, bassist Mike Gruen, analog synthesist Eric Woods and percussionist Steve Niemitz.

A unique and fascinating edition of the Leap of Faith Orchestra, bringing special guests Jimmy Zhao, Yazhi Gao, Jiaxin Winky Wan, Ziya Gao, and Jiangcheng Guan performing on Chinese instruments to join with the core duo of David Peck on clarinets, saxophones, clarinets & flutes, Glynis Lomon on cello, aquasonic & voice, along with percussionist/drummer Michael Knoblach.

Looking to configure The Leap of Faith ensemble with a 3-horn front line, Boston wind & reed player and Evil Clown label leader David Peck recruited John Fugarino to perform on trumpet, slide trumpet & trombone, and surprisingly, Japanese pianist Keiichi Hashimoto, who also performs on trumpet, cornet & flugelhorn, with cellist Gylnis Lomon filling out the band for this dynamic, extended set.

Leap of Faith (David Peck on reeds, winds & percussion and Glynis Lomo on cello & aquasonic) are joined by saxophonist Bonnie Kane, former Cecil Taylor bassist Albey onBass, John Loggia on drums, Joel Simches performing real time processing, and in his debut with the Boston collective, Chris Alford on guitar & signal processing, in a dynamic jazz-oriented extended set.

Reuniting drummer Sydney Smart with Leap of Faith, the core duet from the Leap of Faith Orchestra of cellist Glynis Lomon and reed, wind & percussionist David Peck, in a sextet configuration of theÊBoston collective band with Ellwood Epps on trumpet, Eric Zinman on keyboards, Joel Simches performing real-time signal processing, and Smart on a variety of exotic drums and gongs.

The 2nd live performance from the Evil Clown headquarters post-pandemic, in a trio edition of Leap of Faith comprised of David Peck on reeds & winds, Glynis Lomon on cello, aquasonic & voice and Steve Niemitz on drums, plus an extended encore with 3 strings, reeds, trumpet and drums adding Nate McBride, Eric Rosenthal, Vance Provey and Albey onBass.

Leap of Faith is the core duet of the Leap of Faith Orchestra (LOFO) comprised of PEK on clarinets, saxophones, double reeds & flutes, and Glynis Lomon on cello, aquasonic & voice, here joined by John Fugarino performing on trumpet, slide valve trumpet, flugelhorn, trombone and leveraging the vast Evil Clown arsenal of percussion devices.

The core duet from the Leap of Faith Orchestra of David Peck (PEK) on clarinets, saxophones, double reeds & flutes, and Glynis Lomon on cello, are joined by Tom Swafford on violin and Kit Demos on double bass, all performing on the vast collection of percussive instruments in the Evil Clown arsenal, performing transformations across highly varied sonorities.

After receiving interest in joining the Evil Clown collective from Count Robot and DNA Girl (Deb Angelosanto), and in parallel from guitarist Tim Mungenast, collective director David Peck scheduled a session for this 7th Expanse album, adding drummer Michael Knoblach to complete this quintet configuration of the band's electric-oriented approach to space and restraint.

The Boston-based Expanse, inspired by the concepts of space and restraint, configured as a trio in a livestreamed session where Evil Clown stalwart David Peck on clarinets, saxophones, fog horns & percussion is joined by Eric Woods on analog synth & percussion, and Michael Knoblach, who focuses on exotic percussion instruments, for a unique journey in electroacoustic improv.

Arranged around the core of bassist Albey onBass and poet Jane SpokenWord, who were a part of Cecil Taylor's final trio, this spoken word, drummer-less ensemble from the Boston-based Axiom collective is a live quartet performance with David Peck on reeds, winds, percussion & electronics, and Glynic Lomon on cello and aquasonic, in an extended, eclectic and electric discourse.

Cecil Taylor trio associates, the working duo of poet Jane SpokenWord and bassist Albey onBass, joins the collaborative Boston duo of David Peck on reeds & percussion and Gylnis Lomon on cello and aquasonic, the "Axioms" focusing on statements or propositions that bridge the distance between poetic discussion of truths and abstract musical structures.

Starting as an electric jazz album, the UK trio of Mark Sanders on drums & percussion, Chris Mapp on bass & electronics and Andrew Woodhead on keys & electronics slip into moody and experimental ea-improv territory, fluctuating between acoustic and electronic material of masterful virtuosity, presenting two unconventional solo sections for drummer Sanders along the way.

BLACK LINE THRU BAR CODE

Reissuing and remastering two seminal albums on the Riverside label from pianist and composer Bill Evan's trio with double bassist Scott LaFaro and drummer Paul Motian — Sunday At The Village Vanguard and Waltz for Debby — yielding jazz standards and helping define the modern jazz trio through impressive technical underpinnings and lyrical sophistication.

Reissuing three essential album from trumpeter Bill Dixon's work in the 60's, first his 1962 album with saxophonist Archie Shepp in configurations of trio & quartet; then Dixon's septet album from 1964 in two compositions; and his orchestra album from 1967, showing the evolution of the trumpeter's work, approach to soloing, and his unique sense of orchestration.

Impeccably recorded in the studio, the long-running and varied collaborations of saxophonist John Butcher, double bassist Dominic Lash and drummer Emil Karlsen come together for the first time as a trio, recording eight succinct improvisations of remarkable technique and nearly telepathic dialog, allowing space for each player to display their masterful skill.

A 2022 live performance at The Vortex in London from the trio of Maggie Nicols on voice, Caroline Kraabel on alto saxophone & voice and Charlotte Hug on viola & voice, reuniting the partnership from their 2002 Emanem album, Transitions, each track taking its titles from an observational poem by Jenny Xie, rendered in expressive, mostly wordless vocalization.

Referencing Twittering Machine, a 1922 painting by Paul Klee that depicts a group of birds on a wire connected to a hand-crank, interpreted as as a visual representation of the mechanics of sound, the ea-improvising quartet of Ernesto Rodrigues (viola), Bruno Parrinha (bass clarinet), Flak (electric guitar) and Carlos Santos (modular synth) present three hi-tension improvisations.

Adding Chicago cellist Fred Lonberg-Holm to their string-oriented improvisation, the Portuguese collaborative quartet of Ernesto Rodrigues on viola and crackle box, João Madeira on double bass, Flak on electric guitar and percussionist Jose Oliveira perform an 8-part suite of entwined strings and subtle punctuation, a selfless blending of masterful skill.

A highly interactive and textural set of chamber-oriented free improvisations with an often pointillistic approach from the quartet of Portuguese improvisers Ernesto Rodrigues on viola & crackle box, Bruno Parrinha on clarinet & alto saxophone, Joao Madeira on double bass with Swiss electric guitarist Florian Stoffner, in three detailed and engaging conversations.

Referencing the asian evergreen shrub "Hoya" through a series of solos, duos and quartets between Portuguese string players Maria da Rocha on violin, Ernesto Rodrigues on viola and Joao Madeira on double bass with visiting US bassist Daniel Levin on cello, first in four solo performances of remarkable technique, then permutations of duos, culminating in two quartet improvisations.

Ute Wassermann adds a unique expressiveness to this Berlin studio session, bringing her impressive talents as a free improvising vocalist along with her bird calls and objects, providing an unusual yet extremely complementary foil to the intertwined strings of the father/son collaboration of violist Ernesto Rodrigues and cellist Guilherme Rodrigues; idiosyncratically wonderful!

Focused mostly on introspective yet propulsive improvised interaction of concentrative listening, punctuated by moments of explosive exchanges, the trio of Dirk Serries on archtop guitar, Benedict Taylor on viola and Friso Van Wyck on drums & percussion are heard live in an engaging concert at Koffie and Ambacht's Le Sud, in Rotterdam in 2022.

Part of the 2022 trio tour of violinist Ernesto Rodrigues, cellist Guilherme Rodrigues and saxophonist Nuno Torres is this studio recording in Berlin with free jazz legendary pianist Alexander von Schlippenbach and drummer/percussionist Willi Kellers, each of the 9 improvisations named for mythical beasts, appropriate to the fearsome force of these five masterful players.

Excellent pacing with introspective richness and detail through five improvisations, as US pianist Thollem McDonas joins Portuguese improvisers Ernesto Rodrigues on viola, Bruno Parrinha on alto clarinet, Flak on acoustic guitar and Jose Oliveira on percussion for this studio recording in Lisbon, each passage reflecting a word from the title; inspired and beautiful.

Four improvisations titled for the way nature deals with water (The Whirlpool, The Vortex, The Whirlwind, Maelstrom) from the quartet of Lina Allemano on trumpet, Uwe Oberg on piano, Matthias Bauer on doublebass and Rudi Fischerlehner on drums & percussion, heard in this well-flowing, well-recorded and energetically upbeat set at Zentrifuge in Berlin in 2022.

The quartet of Udo Schindler on reeds, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Nuno Torres on saxophone are heard in Munich, first in a wildly interactive live performance at Schindler's Salon successor: BASIS_Soundscape at MUCCA; then live in the studio for 7 improvisations with track titles borrowed from and under the influence of the poetry of Allen Ginsberg.

Jazz flutist and composer Joe Melnicove, Israeli-born and living in NYC, is joined by his mentor George Garzone on tenor & soprano saxophones, Ben Street on bass and Billy Hart on drums, with Jerry Bergonzi joining on piano for one piece, as the band performs a set of lyrical and upbeat Melnicove original compositions along with one from Garzone and one from Liana Catalano-Garzone.

Formed at Michael Attias's Washington Heights, Manhattan apartment by three improv compatriots, the trio of Kenneth Jiminez on bass, Michael Attias on saxophones and Francisco Mela on drums & voice incorporate free and experimental jazz forms with heartfelt tradition, in five collective improvisations captured in the studio, plus Paul Motian's "From Time to Time".

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

Recorded in Brooklyn by Jordan Dykstra performing on viola, electronics, percussion & programming, this is the second release in his subharmonic series "Seeing the Forest in a Tree", exploring one conceptual idea with four radically different realizations through arrangements contrasting the acoustic sources of viola & bells with prepared speakers and sine-tones.

Six songs from Michael Pisaro's "Tombstones" project--experimental songs developed from recontextualized fragments of popular songs--heard in this 2012 Brooklyn recording directed by guitarist Jason Brogan, with Julia Holter (voice), Tucker Dulin (trombone), Andrew Lafkas (bass), Katie Porter (clarinet), Sam Sfirri (piano and melodica), and Ron Wiltrout (keyboard & percussion).

The original score composed by Brooklyn violist and multi-instrumental Jordan Dykstra for the documentary movie Globes directed by Nina de Vroome, exploring the relationship between bees and humans through their history and affect on the global economy and our cultures, realized in a diverse set of contemporary musical forms from orchestral to electronica.

A powerful set of succint compositions, themes and sea shanties for the soundtrack for Danielle Krudy and Bridget Savage Cole's film Blow the Man Down , scored through the collaboration of composers Jordan Dykstra, who also performs on viola, piano, prepared piano, vibraphone & percussion, and Brian Mcomber, who also performs on keyboards and percussion.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

Exploring diverse landscapes and moments of extreme behavior changes through a single acoustic viola, composed and performed by Jordan Dykstra, in four pieces that vary his approach to the instrument through overlapping tones, drones, extended techniques and rolling cycles, performed in California at the California Institute of the Arts and at the Cathedral of Saint Vibiana.

The Suspensao octet are heard in this live performance at SMUP, in Parede, Portugal in 2023, blending primarily acoustic instruments with electric guitar and analog synth, using a reductionist approach to highly concentrative and suspenseful free improvisation, their long-running collective history allowing an impressive level of articulation and control through the integration of diverse voices.

Berlin studio recordings from the free improvising quartet of Beat Keller on feedbacker electric guitar, Ernesto Rodrigues on violin, Rieko Okuda on piano and Guilherme Rodrigues on cello; four string players invoking the reptilian Mesozoic age through unusual approaches to their instruments, extending the palette of each while creating unexpected percussive elements.