Jeremy Young, aka Szilard, in his debut full-length release as a solo performer on guitar and sine waves, with texts from Charles Baudelaire's "Les Fleurs Du Mal" (1857) read by Aki Onda, Ella Joyce Buckley, Liam Singer and Catherine Metayer.

Argentinean pianist Emilio Teubal has lived for more than a decade in NYC, presenting his blend of jazz and Argentinian music, rhythmically and harmonically rich compositions.

The "guess" was guitarist and electronics artist Dave Tucker's educated guess that these four musicians--himself, pianist/keyboardist Pat Thomas, guitarist Thurston Moore and drummer/percussionist Mark Sanders--would create someting extraordinary if he brought them together for a concert at London's Cafe OTO, this boundary-pushing album the indisputably successful result.

The Brooklyn trio of Yuma Uesaka on tenor saxophone & clarinets, Cat Toren on piano & synthesizer, and Colin Hinton on drums, percussion, gongs, glockenspiel, & vibraphone, in a sophisticated album of modern creative improvisation with a lyrical attitude and a confidently introspective approach, all three players contributing original compositions to this debut album.

Performing on drums, trumpet, guitar, bass, moog bass, and keyboards, Philadelphia born and West Coast drummer/multi-instrumentalist Grant Calvin Weston, a member of Ornette Coleman's Prime Time Band, presents an album or fierce drumming and powerful electronic sources balanced with beautifully paced sonic environments, 16 tracks of diverse and gripping music.

A powerful recording that features heavy, intricate and deep grooves from Philadelphian Grant Calvin Weston (Ornette Coleman's Prime Time) on drums, percussion and synths and Lucas Brode on guitars, effects and loops, a great album of creative improvisation that blends fusion-oriented playing balanced with modern sound collage and atmospheric moments.

A beautiful trio album of compositions from pianist Yuko Fujiyama and presented in a mix of solo pieces and duets & trios with cornetist Graham Haynes and electronic improviser Ikue Mori, for a subtle set of elegant improvisations balancing spacious moments with responsively relaxed interplay rich with anticipation, punctuated with two poems by Shutaro Tankikawa.

Xenography is the ability to write in a language which the individual has not learned, an apt description of the rich dialects sculpted from feedback sources and expertly routed through circular circuits of sound processors by New York sound artist David Lee Myers, AKA Arcane Device, captured and layered into these astounding electronic compositions.

A perfect example of the radiant electronics David Lee Myers, aka Arcane Device, has developed over decades, in nine shimmering works of clear tones, controlled feedback and electronic errata, each piece transitioning in sublime ways as Myers evolves luminescent stories in glowing atmospheric sound, a richly lustered album of sound sculpting.

The 3-headed monster Khimaira--a lion head in front, a goat head at its back and a snake head at its tail--is rendered by the transatlantic trio of NY saxophonist Chris Pitsiokos, Portuguese trumpeter Susana Santos Silva and Swedish bassist Torbjourn Zetterberg, using profound technique, snarling interaction and contemplative patience to coax the beast in masterful interplay.

The Geometry quartet of Tomeka Reid on cello, Taylor Ho Bynum on cornet, Kyoko Kitamura on voice, and Joe Morris on guitar in their sophomore release of subtly ferocious acoustic improvisation, acute and obtuse angularity through both highly interactive playing and spacious sprawls that merge melody and pointillist styles, expanded through Kitamura's imagistic vocals; outstanding.

Downtown NY pianist Anthony Coleman (John Zorn, Marc Ribot, Glenn Branca), and drummer Brian Chase (Jeremiah Cymerman, Yeah Yeah Yeahs, Drums and Drones) present their debut collaboration, balancing jazz-influenced improvisation with avant compositional forms to forge a chamber jazz album of thoughtful interaction informed by profound technique and creative drive.

An examination of the lives and work of anti-fascist political activists Natalia and Leone Ginzburg during World War II, researched and developed by late vocalist and composer Jewlia Eisenberg, this album completed by her longtime collaborator Marika Hughes and performed with musicians including Nils Frykdahl, Darren Johnston, Dan Cantrell, &c.

Essential to any collection charting the transition from Birth of the Cool era jazz to the modern explosion of harmonic and compositional forms, are pianist George Russell's two most essential albums from 1961 & 1962--Ezz-thetics and The Stratus Seekers--in a sextet & septet including Eric Dolphy, Don Elliss, Steve Swallow, &c., remastered to reveal their vital clarity.

Named for the long history of collaboration over decades, the NY free jazz Telepathic Band of Daniel Carter on saxophones, clarinet & trumpet, Patrick Holmes on clarinet, Matthew Putman on piano, Rhodes, Hilliard Greene on bass and Federico Ughi on drums are heard live at the 2018 Forward Festival in Brooklyn, NY for four outstandingly informed improvisations.

An early example of the focus and encompassing direction of the 577 label run by Italian-born/NY-based drummer Federico Ughi, in a trio with trumpeter Kirk Knuffke and guitarist Chris Welcome, building from an introspective approach to free playing as they expand their group energy through shards of organic sound, finally releasing into a beautiful "Inner Void".

"This 'Aella' release is one of three in a series curated by myself and released by 577 Records. The other two records are of my trio and of Alan Bjorklund's Amygdala. This trio displays the amazing potential of improvised music. Whenev...

One of three albums in a series curated by saxophonist David Schnug and released by 577 Records, trumpeter Alan Bjorklund's Amygdala presents an inventive and adventurous set of compositions, from a succinct 16 seconds to more than 7 minutes on the title track, in a mix of composed and improvised approaches using modern syntax and compositional strategies to compelling effect.

After years of collaboration through New York's Downtown scene, multi-reed & wind player Daniel Carter (also on piano) and drummer Federico Ughi recorded this 2012 studio album, their 3rd duo album together and a great example of their spontaneously lyrical give and take, ability to anticipate each other's momentum, and the deep jazz roots that each brings to their music.

"Concrete Science is not a stiff, cerebral test of complex music. It is the natural unfettered dialogue between three masterful improvisers: saxophonist Daniel Carter, trombonist Steve Swell, and drummer Federico Ughi. Though cerebral i...

Inspired by the work of Lennie Tristano, Brooklyn-based saxophonist and wind player David Schnug steps out as a leader in the first of three albums (along with Aella and Alan Bjorklund's Amygdala) in a trio with bassist Chris Tordini and drummer Max Goldman, each of the 7 amusingly titled pieces employing a different compositional concept.

"Bonus material from the album Songs For Four Cities. Exclusive limited edition of 20 hand-numbered copies."-577 Records

"On the first piece of this album, "Talk in Play, People On Mercy", you will hear a rare wall of sound created by two acoustic instruments : Federico Ughi's drums and Gene Janas' bass. For close to nine minutes they bury every aspect of...

One of a pair of complementary CDs (Navajo Sunrise and Navajo Sunset) this 2010 trio recording of a live performance at Area Sismica, Ravaldino in Monte, Italy between Daniel Carter on alto sax & piano, William Parker on bass & shakuhachi and Federico Ughi on drums, is a solid example of the sensitivity and collaborative power of the Downtown NY creative jazz scene.

Recorded in Brooklyn in 2009 from the Downtown New York working band of David Moss on bass, Federico Ughi on drums, Matthew Putman on piano, Daniel Carter on saxophone and Demian Richardson on trumpet, this album was self-released by the artists, to Wake Up! the world through solid grooves and hard playing electric jazz of intensely spirited soloing.

The first new Bootstrappers album since 1992, joining band leader Elliott Sharp for this 3rd album are longtime collaborators Melvin Gibbs on electric bass and Don McKenzie on drums, for seven assertive rock-based improvisations fueled by electronics, free jazz, no wave and electroacoustic sound, manifesting a hardboiled NY ethic of focused grooves and free playing.

Including three previously unreleased live tracks, one of Downtown NY's supergroups of drummer Samm Bennett, reed & wind player Ned Rothenberg and guitar & bass player Elliott Sharp's 2nd album is reissued, bringing this collection of seemingly endless possibility in improvisation back to the foreground, sounding as modern today as it did in the percolating creativity of 1987.

An unusual blend of jazz tradition, spoken word and soundscape, presenting mostly as a jazz album with spoken narration from Steve Piccolo (Lounge Lizards) guiding the album with abstract comments that interject with Sergio Armaroli's virtuoso vibe playing, Elliot Sharp adding both acoustic sax elements and inventive sonic environments underpinning many moments; conceptually fascinating.

The fifth album on Leo Records for vibraphonist Sergio Armaroli, and his second with NY guitarist, saxophonist & electronic artist Elliott Sharp and bassist Steve Piccolo, using lyrical interpretations of jazz standards as a jumping off point for experimental and unusual approaches to improvisation, a unique balancing point in a fascinating collection.

A dark trio of NYC heavyweights Tim Dahl and Trevor Dunn on bass and Nandor Nevai ( _ (Underscore)) on drums and conducting, in Nevai's fifth iteration of the _ ("UNDRSKOR") project, following a fusion of forms referred to as 'Neauxtheque' invoking "Danger Classical", the Martial Pop subgenre of Industrial and the virtuosic demands of Technical Death Metal.

An engrossing set of compositions through field recordings captured around the globe, transitioning by passages of trains, trucks and cars and accompanied by unusual percussive elements and strange melodies, as Niblock invites us to a funeral procession, a collective farm, and untold other exotic and fascinating streets and unexpected environments.

His 2nd album as a leader on Tao Forms, drummer Whit Dickey expands on his previous trio album with Rob Brown on alto sax and Brandon Lopez on bass, adding Mat Maneri on viola, bringing together four collaborative New York players that share a long history, evident in the confident interaction, freedom and momentum this band shows on five conceptually linked Dickey compositions.

A scorching studio recording from 2011 recently discovered in the archives from the trio of Elliott Sharp on guitar, Tim Dahl on bass guitar, Weasel Walter on drums, a raging album of free improvisation in the Downtown NY style from three players steeped in expressing instrumental agitation with clarity and conviction - a truly burning power trio!

Borrowing from traditional music notation, Jessica Pavone's compositions for her string ensemble with Aimée Niemann and Abby Swidler alternates between metered and time-based scores allowing the performers freedom to move between long tone sounds and clusters at the performer's chosen rate, responding to each other while creating a "collaboratively sewn musical fabric".

A fully acoustic set of creative free improvisation from the Survival Unit III trio of Fred Lonberg-Holm on cello, Joe McPhee on tenor saxophone & pocket trumpet and Michael Zerang on percussion, performing at the 2018 The Instigation Festival in New Orleans in a set of concerts that also was drummer Alvin Fielder's last concert, to whom this album is dedicated.

An album of raw and emotional "love songs", 17 unique solo violin improvisations and vocal utterance as the New York improviser runs her bow with passionate openness and intimacy through raspy edges, ardent plucking, introspective aching, and moments of beauty, all displayed through immense technique and powerful control over her instrument.

Borrowing from traditional music notation, Jessica Pavone's compositions for her string ensemble with Aimée Niemann and Abby Swidler alternates between metered and time-based scores allowing the performers freedom to move between long tone sounds and clusters at the performer's chosen rate, responding to each other while creating a "collaboratively sewn musical fabric".

The debut of Trio Xolo, bringing together Mexican-American bassist Zachary Swanson, inventive Lithuanian ex-pat & long-time New York drummer/percussionist Dalius Naujokaitis and lyrical Baltimore saxophonist Derrick Michaels, three players steeped in both tradition and avant free playing, captured live in-studio for an album of perceptive creative jazz.

Blurring free improvisation and compositional strategies in this encounter at the "First Meeting Series" at FAB Music Studio Chicago between New York violinist Mark Feldman and Chicago cellist Katinka Kleijn, a remarkable concert in two parts showing imaginative skills of phenomenal technical expertise and experience, instant compositions of the highest order.

An incredible solo concert from legendary New York pianist Cecil Taylor in October, 1968 at the Sala Kongresowa (Congress Hall, Palace of Culture and Science) in Warsaw during the Jazz Jamboree, recorded by Polski Radio and remastered in 2021, an excellent example of the nimble mind and quick technical skills of Taylor's personal take on improvisation; stunning!

A set of blues songs of a personal nature, concepts for a broken yet hopeful age, written and sung by improvising guitarist Marcin "M" Olak (Gadt/Osborne/Zakrocki/Olak, Agusti Fernandez) performed and expanded by a set of stellar improvisers: Ben Stapp on tuba, Fred Lonberg-Holm on cello, Marco Colonna on flute and Steve Swell on trombone.

A determined set of electric jazz from the Brooklyn, NYC trio of Nathaniel Morgan (Buckminster) on alto saxophone, Dustin Carlson on guitar & bass and Kate Gentile on drums & vibraphone, bringing driving rock and experimental music approaches to their improvisations, a uniquely voice and tenacious trio of unorthodox improvisers.

Inspired by Miles Davis, particularly his album On The Corner and Davis' respect and interest in the work Karlheinz Stockhausen, LaPlante wrote Wild Tapestry as a commission from Seth Knopp of Vermont's The Yellow Barn Music Festival in 2021, exploring how direct inspiration between musicians is translated into musical composition and strategy.

Recorded a year after Volume 1, alto saxophonist Steve Coleman's Five Elements band with Jonathan Finlayson on trumpet, Anthony Tidd on bass, Sean Rickman on drums and, replacing guitarist Miles Okazaki, improvising vocalist Kokayi credited as "wordsmith", performing at The Village Vanguard for a sophisticated, rhythmically fascinating and energetic concert; exemplary!

Cuban/NY pianist David Virelles in his first solo album, 14 original compositions and 2 from Cuban composers, blending modern jazz with Cuban, African and European influences, a tour-de-force of clear and balanced, irrepresible rhythms and elegant ballads, an inspired album opening on marimbula and expanded with percussion from Julio Barreto on three tracks.

Trickster, the stellar quartet of New York guitarist Miles Okazaki with Matt Mitchell on piano, Fender Rhodes & synth, Anthony Tidd on electric bass and Sean Rickman on drums, in a sequel to The Sky Below, blending acoustic and electric jazz in four captivating compositions that Okazaki describes as striving towards something like collective dreaming.

Beginning with a reimagining of the Civil Rights anthem "We Shall Overcome", trumpeter Dave Douglas' album is an emotional and powerful statement of human engagement towards justice--Racial justice; Climate justice; Voting justice; Gender justice--performed with Ryan Keberle on trombone, Fay Victor on voice, Camila Meza on voice, guitar, Jorge Roeder on bass and Rudy Royston on drums.

A new trio from NY bassist Max Johnson with Anna Webber on tenor saxophone & flute and Michael Sarin on drums, performing five lyrically inclined yet inventive compositions from Johnson, allowing distinction for each performer as they bridge sections between fluid straight-ahead playing and spaciously singular experimentation, keeping player and listener on their toes.

A large work from Downtown New York improviser and innovator Ikue Mori, seven piece dedicated to women artists whose vision found them creating into their 80's & 90s, performed in an ensemble with Sylvie Courvoisier, Ned Rothenberg, Zeena Parkins, Satoko Fujii, Natsuki Tamura, Erik Friedlander, David Watson, Makigami Koichi, Charmaine Lee & Sae Hashimoto.

The fifth set of compositions from John Zorn for the guitar trio of Bill Frisell, Julian Lage and Gyan Riley, these works inspired by the short stories of Argentine philosopher and writer Jorge Luis Borges, each of the nine pieces drawing on elements of folk, classical, jazz, bluegrass, world music and more, rendered impeccably by the masterful skills of all three guitarists.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

Changing approaches to his music with new quartet of Jimmy Lyons on alto sax, Alan Silva on double bass and Andrew Cyrille on drums, pianist Cecil Taylor's incredible 1966 concert in Paris presented four extended compositions, here remastered and reissued with a track from a compilation LP--"With (Exit)"--extending his quartet with Bill Dixon on trumpet and Henry Grimes on double bass.

Two collaborations in a split LP, and the continuation of a series of duo pieces for piano and other instruments that pianist and keyboardist Eric Wubbels has been pursuing since 2006: first an intensive 3-part "Field Of Action" with vocalist and noise artist Charmaine Lee; then "Contraposition" with trombonist Weston Olencki in a duo with Wubbels on prepared piano.

Free jazz recorded one person at a time from the duo of saxophonist Chad Fowler and WC "Chad" Anderson who, constrained by pandemic, chose to create "simulated concerts" by exchanging solo recording, each starting the process for different pieces and surprised at how "live" the results felt, as they built up the twelve excellent, rule-breaking tracks of this album.

A tribute to avant jazz saxophonist and composer Frank Lowe by assembling players who had never previously played together as a group, but who had all individually performed and been influenced by Lowe: Chad Fowler on saxophones, Christopher Parker on piano, Bernard Santacruz on bass, Anders Griffen on drums & trumpet, Kelley Hurt on vocals and Bobby Lavell on saxophone.

Celebrating the temerity and successes of the students known as the Arkansas "Little Rock Nine", who in 1957 set a precedent as they fought to enter a segregated high school, in six pieces written by pianist Christopher Parker and vocalist Kelley Hurt, who narrates the student's successes over the powerfully uplifting and reflective music of a six piece jazz band.

Known first as one of New York's finest audio engineers running Park West Studios, Jim Clouse is also a drummer and saxophonist, this his first recorded foray into free jazz partnering with legendary multi-instrumentalist Daniel Carter on sax, trumpet, piano & drums, for seven diverse and extremely well informed improvisations as each follows their natural inclinations.

An intimate sax and piano duo from two improvisers with a 30-year friendship--Chad Fowler and Christopher Parker--both living in the same block of Park Hill, Staten Island, forming a close musical bond that is heard in their confident exchanges, both playing together and in providing space for each to express themselves; a lovely album of warm and informed conversations.

Four of New York's most versed free jazz players--Eri Yamamoto on piano, Chad Fowler on stritch & Saxello, William Parker on bass and Steve Hirsh on drums--aim for a form of Spontaneous Folk Music through post-bop/free jazz idioms, recording in the studio for naturally lyrical music that builds from a beautiful glimmer to a passionate fire of masterful interaction.

Led by Ivo Perelman on tenor saxophone, (D)ivo brings four of New York City's finest improvising saxophonists together for an outrageous quartet session, with Tony Malaby on soprano saxophone, Tim Berne on alto saxophone and James Carter on baritone saxophone, their unique styles and masterful skills creating a thrilling and intricate weaving of profound reed expression.

A solid album of buoyant collective improvisation led by NY drummer Chad Anderson, with vibraphonist Warren Smith adding an optimistic voice to the quintet of relative newcomer, sax and flute player Zoh Amba and bassist Barry Stephenson, the sophisticated and generally upbeat sound of the group taking a stinging tone on two tracks with the sharp observations from The Ankhitek.

Recorded at Vision Festival XXIV in June of 2019, legendary drummer Alvin Fielder's friends and long time partners Kidd Jordan on tenor saxophone, Joel Futterman on piano and William Parker on contrabass are joined by drummer/percussionist Hamid Drake for an emotional and potent swinging free jazz tribute to Fielder, who passed away in January of that year.

NY sound artist Aki Onda pays tribute to multi-media pioneer Nam June Paik (1923-2006), a work inspired after Onda's series of performances at Nam June Paik Art Center in South Korea, here using submerged and anonymous radio signals as a shamanic invocation of Paik's work; includes a 20-page booklet with photos & a remembrance of Paik plus 2 essays on radio-wave phenomena.

Following her duo albums on Intakt with pianists Aki Takase and Kris Davis, New York saxophonist Ingrid Laubrock collaborates with pianist Andy Milne (Dapp Theory, M-Base Collective) for ten beautifully empathetic, delicate and sophisticated dialogs, Laubrock performing on tenor & soprano saxophones and Milne at times using preparations.

A new piano-less trio led by a modern giant of jazz--saxophonist David Murray--who composed the lyrically upbeat and swinging compositions for this Brave New World Trio with bassist Brad Jones and drummer Hamid Drake, two incredible and innovative players who expand each piece with enthusiastic playing of free and inventive approaches to Murray's music.

A massive archive of drone & ambient composer Phill Niblock's films and music, from recordings made between 2013 and 2016 in festivals and studios around the world, orchestrated with primarily acoustic instruments using rich and closely related harmonics, paired with moving images of people from around the world engaged in work; hypnotic and engrossing.

The music to composer Craig Shepards performance work that presents listeners with text drawn from court testimony in the sex abuse scandal in the Catholic Church, here concentrating on the quiet long tones generated by wind instruments and ebow strings, where pure tones pass between the musicians to build a pulsating chord that then drops away tone by tone.

Trumpet City is a 60 minute live-installation of 40 or more trumpets performing outdoors in a public space, first commissioned and presented by the Prasidialdepartement and the Musikpodium of the City of Zurich, these two realization are from recordings at 51st Street, in Manhattan, New York and at Meeker Avenue between Lorimer and Leonard Streets, in Brooklyn, New York.

The fourth album from pianist Matthew Shipp's Trio with Michael Bisio on bass and Newman Taylor Baker on drums, a well-sequenced studio recording from short lyrical works leading to diverse moods of creatively unique abstractions and powerfully grooving passages, a wealth of styles and magnificent playing from one of the most interesting piano trios active.

Formed in 2011, this 2nd album from WeFreeStrings led by violist and composer Meland Dyer is at its core the trio of Dyer, violinist Gwen Laster and bassist Ken Filiano, expanded on two of the four pieces with cellist Alex Waterman, violinist Charles Burnham and drummer Michael Wimberly, in an impressive collection of exquisite string interactions influenced by social issues.

The first studio recording for the performing quartet of New York improvisers, Cecilia Lopez (synthesizer), Michael Foster (tenor & soprano saxophones), Sean Ali (double bass) and Eli Wallace (upright piano), taking listeners on an inflating journey from "Stratosphere" to "Exosphere" through unorthodox approaches, from sparse intensity to dense textural interaction.

The Tarbaby trio of pianist Orrin Evans, drummer Nasheet Waits and double bassist Eric Revis, is joined by trumpeter Josh Lawrence and as with previous albums, featuring acclaimed alto saxophonist Oliver Lake (+ percussionist Dana Murray on track) in an album mixing post-bop, free and lyrical approaches to jazz, with compositions from all four plus a Prince cover.

A short book of fiction depicting dark scenes from the ambience of extraordinary normalcy, descriptive texts insinuating horror from everyday occurrence, written by double bassist Nat Baldwin and published by Calamari Press in 2017, here in an audio version of excerpts narrated by Baldwin himself, performing on double bass through two panned tracks of unusual improvisations.

Multi-instrumentalist & experimental composer Weston Olencki in three historically-driven sound works, recording with saxophonist Anna Webber as they explore the tenor sax in jazz and recording studio technology; the banjo with bluegrass and the mechanized modernism of the Carolinas; and a pump organ with Sacred Harp hymnody and the aging marble industries of Vermont.

Since 1965 Wadada Leo Smith has developed string quartets influenced by a diverse set of composers including Ornette Coleman, Claude Debussy, Howlin' Wolf, Scott Joplin, Olly Wilson, &c. heard here in 12 Quartets from 3 major periods of his work, compositions exploring the African-American experience, with scores that leave room for interpretation and expression from his players.

Part of his 80th Anniversary celebration and subtitled "The Art Of The Trumpeter And Drummers", this 5-CD box set brings legendary improviser Wadada Leo Smith together with four long-time collaborators and masterful drummers--Andrew Cyrille, Jack DeJohnette, Pheeroan akLaff and Han Bennink--with Smith performing on both piano and trumpet.

A mix of original compositions and collective improvisations from the NY trio of cornetist Kirk Knuffke, bassist Michael Bisio and pianist Matthew Shipp, in a double album of exemplary creative jazz from three players steeped in both tradition and forward-thinking approaches to improvisation, filled with spectacular playing from enthusiastic to introspective; a superb release.

Dark, often unsettling and rich in detail and innuendo, bassist Marc Urselli brings together this quartet with Lee Ranaldo on guitar, pedals & bells, Jim Jarmusch on guitars, pedals & synth, and Balazs Pandi on drums for their second album of sublimely tension-filled improvisation, patiently building to stealthy momentum and retreating back into night.

Referencing Ornette Coleman in the group name, Portuguese tenor saxophonist engages three US free jazz players--legendary saxophonist and pocket trumpeter Joe McPhee, double bassist Kent Kessler and drummer Chris Corsano--for this 2017 concert at Jazzhouse in Copenhagen, Denmark, capturing four exemplary, at times explosive, and always tightly interactive collective improvisations.

A confluence of masterful playing through two soprano & two tenor saxophones plus one pocket cornet, as Evan Parker and Joe McPhee perform live in 2003 at the Chicago Cultural Center as part of the Empty Bottle Festival of Jazz & Improvised Music, weaving lines with intricately relaxed confidence and coming together for beautiful moments of lyrical connection.

A collage of styles and experimentation developed over several years by bassist and multi-instrumentalist Evan Strauss, using long-form graphically notated conceptual compositions based on bird calls along with thematic material from Ursula K. Le Guin, expanded with narration and poetry from Daniel Carter and titled from an excerpt by Virginia Woolf.

Four configurations of far-reaching free improv at Notice Recordings's 2021 event in Accord, NY: a solo performance by Charmain Lee on voice & electronics; a duo between Lee and Weston Olnecki on synths & trombone; a trio from Gabby Fluke-Mogul on violin, Fred Lonberg-Holm on cello and Joanna Mattrey on viola; a duo between Lonberg-Holm and Olencki.

An album of evocative electronic and acousmatic soundscapes from German composer, electronic artist and keyboardist John Franek, who performs the four pieces on this album on organ and electronics, interweaving rich harmonics with stark tones, melding his sounds in slowly evolving interaction, like beams of light piercing peaceful atmospheres.

Rugged, experimental and avant jazz in the debut album from the SSWAN group of Patrick Shiroishi on saxophones, Chris Williams on trumpet, Jessica Ackerley on electric guitar, Luke Stewart on bass and Jason Nazary on drums, the group focused first on sound and velocity rather than pitch and harmonic information as they carve out a unique space between free jazz and free improv.

Unusual interactions between electronically manipulated violin and an AMPIRI--an electronically enhanced Korean double reed instrument--from the Brooklyn duo of Leo Chang and Adrianne Munden Dixon, seven improvisations numbered "Sixteen" to "Twenty-Two", each a uniquely idiosyncratic exchange from quick slippery dialog to raspy dissonance of unexpected directions.