Four mysteriously untitled and extended works of electronics subtitled Impressions From the Next Era, using feedback, aberrant sound, glitch, rich synthetics, bi-directional sound and indescribable sonic sources to fuel David Lee Myer's latest in his long-running and essential listening project Arcane Device; shimmering, inscrutable, and awe-inspiring.

Using a metasynth, a software instrument that allows the user to draw or paint music, and a photograph of a small tree observed at a former train station in the German town of Kranenbur, composer Florian Wittenburg generates complex sound structures from the simple structures of the tree's branches used as a template for four rich sonic sketches.

Two renditions of two sound works from Massachusetts composer currently based in NYC, Eli Neuman-Hammond, both pieces using slide whistles in scores for multiple performers, captured in the open air in Ridgewood, NY, Washington Square Park, and in Marblehead, MA, each performance a minimal configuration that varies the fingerings or breathwork of the performers.

Variations of a score incorporated within a choreographic performance presented at the Archeological Museum of Thessaloniki in 2019 from the Greek experimental band Eventless Plot, the core trio of Vasilis Liolios (psaltery & bow), Yiannis Tsirikoglou (electronics) and Aris Giatas (analog synth) extended with Chris Cundy (bass clarinet), Nefeli Sani (piano) and Eva Matsigou (flute).

The first installment in a new series from Alva Noto, aka Carsten Nicola, bringing together heterogeneous composition methods that aim to merge astrophysics phenomena, fiction, and performance movements, inspired by cinematic visual techniques and static images portraying scientific events; includes graphic inserts of notations informed by the album's sonic and acoustic code.

The first installment in a new series from Alva Noto, aka Carsten Nicola, bringing together heterogeneous composition methods that aim to merge astrophysics phenomena, fiction, and performance movements, inspired by cinematic visual techniques and static images portraying scientific events; includes graphic inserts of notations informed by the album's sonic and acoustic code.

Sonic exploration and studio composition from Kobe, Japan-based, Canadian sound artist Tim Olive, using amplified objects, cast-off electronics and home made instruments including metal teeth, tuning forks, clockwork motors, electromagnets, cassette playback heads and magnetic pickups, recording each and layering them in the studio to create corrosively captivating aural journeys.

Narrated by text-to-speech vocalization, Korean-American pianist and composer Lucy Liyou collaborates with Bulgarian-born guitarist Ivana Kafedjiyska (YSKA) in an album of languorously floating and understatedly abrasive music complemented by subtle field recordings, two works of curiously philosophical, baffling and observational verse; unique and compelling.

Using piano, synthesizer, electronic feedback, field recordings and amplified objects, sound artist Andrea Parkins' long-cycle installation composition explores time and space in an 8-channel, multi-room work designed so that adjacent acoustical spaces respond to each other, creating shifting and unexpected sonic juxtapositions; CD package include a link to "The Third Room".

Applying techniques that Michael Pisaro uses in his audio compositions to song formats, this album presents 11 new versions of songs from his 2013 Human Ear Music album, here reworked for clarity and recorded under the artistic direction of the Lille-based pianist Barbara Dang and six members of the Muzzix collective (Bellefont, Cruz, Orins, Pruvost & Pruvost).

The first album from the duo of American composer & violinist Jordan Dykstra and Dutch composer Koen Nutters, developed by exchanging material of ambient & spacious nature using slow chord development, field recordings, viola, pitch pipe, crotales, piano EBow and electronic programming, the resulting work diverse and constantly evolving through fascinating details.

An introspectively lovely and reflective album of electroacoustic composition through minimal electronics, piano, samples and electronics, from the collaboration of Italian sound artists Michelangelo Decorato and Leo Cicala, with trumpeter Luca Calabrese joining on one piece; sophisticatedly languid, alluring and detailed ambient music.

The intersection of Austrian violinist, vocalist and sound artist Mia Zabelka and Canadian sound artist and multi-instrumentalist Glen Hall, using recordings of live improvisations, electronics and unusual applications of software to structure fourteen compositions of accomplished playing and startlingly unpredictable sound, a magnificent and often breathtaking journey.

French electroacoustic composer and innovator Eliane Radigue's final work made with feedback material from 1970, five pieces that strip away at the familiar, deconstructing and decomposing classical works into mesmerizing drones, or creating rich pulsating works of sound with intense harmonic development and controlled feedback, a powerful opus of sound.

With a combined history of dj production, engineering, writing and arranging in a variety of settings from small and large ensembles, electronic music, experimental rock, classical orchestration &c, the N/UM trio of Elias Meister, Jeremy Loucas and Emil Bovbjerg (VAVAV) release their fourth album of innovative live electronics developed through a carefully conceived collective creativity.

Canada's leading avant music magazine in their Fall 2021 issue, with articles on Understory (Nicole Rampersaud, Parmela Attariwala, and Germaine Liu), Frank Denyer, Taylor Brook, record & live reviews, plus a 14 track CD with pieces from Rocío Cano Valiño, Understory Show One: Gabriel Dharmoo/SlowPitchSound/Lan Tung, Frank Denyer, Nick Storring, &c.

A series of "Rooms" and related electronic environments from New York sound artist David Lee Myers, whose long running Arcane Device project runs parallel to these nearly ambient works that Myers intimates are for intimate environments, developed through deft use of Eurorack electronics, feedback, sampling and other elegant electronic processes.

Exploring the details of everyday life as he examines the relationship between his environment and himself, microscopic audio explorer Éric La Casa investigates sounds beyond the threshold of auditory hearing, capturing barely perceptible sonic manifestations with incredible clarity and detail, constructing engaging works from these surprising and intriguing sounds.

Using a combination of controlled feedback, samples, computer processing and Eurorack electronics, Arcane Device aka David Lee Myers continues his long exploration of electronic music, focusing here on evolving and complex patterns complemented by beautiful tones and occasional rhythmic foundations, a great collection of elegant electronics.

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

Berlin trumpeter Liz Allbee's solo work focuses on the interaction of voice, extended approaches to her instruments, which includes her self-designed quadrophonic trumpet, electronics and acoustic homemade instruments, on Rille presenting four enigmatic works of dramatic pacing--environmental and rhythmic--guided by impressionistic spoken words and moments of tonal clarity.

Blurring abstract electronics with folk improvisation in gently evolving music with an experimental edge, the London Panang Food Tigers duo of Stephen Lewis and Spencer Grady use keyboards, guitars, dobro, charango, field recordings and electronic sources to create contemplative atmospheres, a sort of ambient-folk music drawing out forgotten daydreams and moods; beautiful.

Essentially written by Philadelphia multi-instrumentalist D. Liedel, who handles most of the parts on this unusual blend of rock, electronics, jazz, pop punk and a number of unlikely genres, presenting strange songs that take sharp turns into twisted realms, neatly layering each piece into a heady brew that's hard to pin down, but a great deal of fun trying.

Conceived by saxophonist Kirstoffer Berre Alberts and Lasse Marhaug, who composed this large acoustic work for strings, percussion, blowing instruments, pipes (organ and accordion) and vocals, soliciting solo recordings created in isolation during the pandemic which they layered and blocked in the studio to create these two remarkable works of eccentric timbre, motion & pitch.

Based in NY but born the Netherlands, sound artist Flin Van Hemmen's title refers to observations from his hometown of Nijmegen, the concept focusing his work, with many samples originating from his previous Casting Spells & The Coves album, along with new field recordings and studio work, resulting in richly detailed worlds of sound and momentum.

With virtually the same lineup as their Feeding Tube album Ourania, the Chicago-based duo of Mako Sica--Brent Fuscaldo (electric bass, voice, harmonica & percussion) and Przemyslaw Krys Drazek (electric trumpet, electric guitar & mandolin)--again join with Tatsu Aoki on bass & shamisen and Thymme Jones on keyboards, trumpet, balloon & voice, subbing drummer Jacob Fawcett.

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

A stunning solo album showing the widely diverse interests of UK clarinetist and guitarist Alex Ward, recording in the studio in 10 multi-track pieces using clarinets, saxophones, guitars, keyboards, electric bass and assorted software instruments in a mix of pre-composed and improvised approaches, burning the spectrum from contemplative to aggressively assertive performance.

Two major works designed for multi-channel sound projections from electronic composer Marcus Schmickler: "Sky Dice / Mapping the Studio", a work for ARP 2500, Publison DHM89B, Publison Infernal Machine and Computer, premiered at Donaueschinger Tage fur Neue Musik in 2018; "Fortuna Ribbon" a 6-part work based on spatial hearing and auditory otoacoustic distortions.

An extended electroacoustic composition from composer Phil Niblock based on recordings captured at Marcus Schmickler's Piethopraxis studio in Koln of bassoonist Dafne Vicente-Sandoval, layering her playing and using multiphonics to create beautifully rich textures that slowly evolve, shifting in hypnotic ways as the pieces arches and descends through harmonic interaction.

Using handmade devices and contraptions including small motors and found objects, Montreal sound experimenter Anne-Francoise Jacquese amplifies her miniature devices to create unexpectedly large textures and rhythms, which she manipulates with great instinct to create fascinating sonic environments, heard here in four pieces recorded in Montreal and Sackville from 2018-19.

Applying techniques similar to those of the prepared piano, Japanese experimental artist Kayu Nakada uses circuit bending--circuit boards from electronic instruments short circuited for new effects--joining forces with Japan-based Canadian electronic instrument maker Tim Olive (845 Audio) for four works of intriguingly interactive glitch, hum, static and sonic inexplicables.

The fourth release from the long-standing sonic research duo of Montreal sound artist Anne-F Jacques, who uses "rotating devices" based around small amplified motors, and Montreal ex-patriot living in Kobe, Japan Tim Olive (845 Audio), using magnetic pickups on objects and self-built instruments, here in six richly detailed and sometimes curiously menacing recordings.

Using small objects and contact microphones to create peacefully clacking, mewling and idiosyncratic utterances, sound artists Takamitsu Ohta and Anne-Francoise Jacques developed this installation shown in 2019 at the Bonjour! Gendaibunmei gallery in Kyoto, recorded by Jacques as a tour of the various sonic manifestations that a visitor to the gallery might experience.

A series of unusual improvisations between London free improvising trombonist Edward Lucas (Hyperion Ensemble, London Experimental Ensemble) and experimental sound artist, turntablist & percussionist Graham Dunning, merging acoustic sources with controlled feedback, objects and field recordings, pressed to dubplate to create these engagingly strange and concise dialogs.

Initiating like a jet shaking the sky, the trio of Kevin Corcoran on percussion & objects, Giacomo Salis on percussion, objects & field recordings and Paolo Sanna on percussion & objects create otherworldly sonic environments that project collapsing and ringing events above often turbulent foundations, creating side-long journeys that engage through mysterious and surmisable sound.

Explorative electronics and percussion from Italian improvisers Andrea Borghi, Giacomo Salis and Paolo Sanna, all three steeped in electronics, percussion and sound art, using prepared turntable and objects to create mysteriously rich environments in a seething cauldron of sound that never boils over, engaging through uniquely developed interaction from quirky to oddly charming.

In 2004, sound artist Jos Smolders released his Textures and Mobiles album on the CONV label; so taken by the sound, which is based on dtmf and ccitt tones generated by phones and pure sine waves, the Preliminary Saturation duo of Steffan de Turck and Wouter Jaspers created these three diverse edits and remixes of the album, one for a live performance at Smolder's 2006 birthday party.

Beautiful long-form drones and harmonic interactions develop and are then shaken up with sonic deformations and collisions, returning to beautiful environments and then reversed once again, from the duo of sonic explorers Bob Bellerue and Christian Ronn, recording in Copenhagen using organs, electronics, winds, and feedback to create these wonderfully alien domains.

A stunning sound collage made from recorded fragments of Fujii's studio piano, captured inside and out using traditional piano sonorities and preparations that often microscopically detail the instrument, then edited into two electroacoustic compositions of startling and unexpected expansiveness and wonder; a unique and fascinating release in Fujii's large oeuvre.

Music with "no restrictions, no guidelines, no imposed intention, no expectation" from keyboardist John Medeski, in an album that evolves static noise into rich and fascinating soundscapes, a blend of improvisation and composition using electric and acoustic keyboards, synthesizers, mellotron and early electronic gear, masterfully unfurled in riveting ways.

Featuring electronically-augmented vocal interpretations of lieder songs by such composers as Franz Schubert and Robert Schumann, New York vocalist Judith Berkson also presents purely electronic pieces engaging noise and feedback-oriented vignettes, the evolution of her project started in 2016 as she re-contextualizes classical music in powerfully expressive ways.

Music written to accompany a light & juggling performance by German contemporary circus artist Kolja Huneck, Rutger Zuydervelt developing the compositions of these works using only short looping structures that weave and develop into a tapestry of sound, inspired by the repetitive motions of Kolja's performance and the 30 centimeter round discs with which he performs.

Interlacing vibraphone, marimba, glockenspiel, metallophones, gamelan bar, piano, keyboards and organ with rhythmic percussion and fragments of voice and field recordings, New York percussionist Eli Keszler's album floats in warm melodicism and rich ambience, gliding along with a cinematic sense framed by recordings of NYC, the Odyssey Cave and other global locations.

Exploring the earliest work of Claire Rousay, from her performances as a solo drummer and then transitioning into a musique concrete/new music composer, the 1st CD collecting Rousay's favorite drumming cuts, sequenced into a large single composition, the 2nd CD beginning with percussion work as Rousay adds voice, sonic & field recorded material to create a monumental composition.

An album of electronic rhythmical work, glitch, soundscape experimentation and hallucinatory sound from Robert Newell, a member of Amalgamated, with fellow Amalgamated member Phillip Klampe assisting in contribution and production; 14 concise and diverse examples of twisted conceptual sound following a concept of life forming from the brine.

An exploration of texture and mood through electronics, performed by Romanian poet and plastic artist Gili Mocanu between 2015 & 2016, divided in four suites of striking and specific interpretive sound inspired by the eclipse of August 21, 2017, detailed in a beautiful 16 page booklet of eclipse imagery from the artist, packaged in a DVD snap case.

Using prepared re-recorded cassettes, iPad apps, sound effects, laptop, shortwave radio, small synthesizers, ancient 2bit sampling device, all recorded on the spot without multi-tracking or extensive post-editing, Frans de Waard's 2017 Modelbau release presents 22 concise recordings of joyfully quirky electronic expression, from Kraftwerkian sound to curious peculiarity; wonderful.

Crossing experimental sound and rhythmic approaches that blend elements of electronic music, krautrock, noise, electronica and indescribable sonic environments, the quartet of Cory Bengtsen, Bob Newell, Phillip Klampe and Mike Richards are heard in their 6th full-length release, an embraceable and well-paced album of compelling beats and sonic surprises.

Working with sculpture and objects in sound installations and live performance, Rie Nakajima captured this appealing set of kinetic performances named for the objects featured in each: a handle of a Japanese sliding door (fusuma), Japanese rice bowls, coils, jars, shells, flower pots, plastic bags, tin foil, tin cans, chopsticks, a bamboo pot, stones, cups, &c.

An early recording of guitarist Bill Nace performing solo in Bennington, Vermont in 2007, originally released on cassette in 2008 on the Open Mouth label, here re-pressed on LP to re-introduce an earlier, wilder side to Nace's playing through brief pieces of diverse intention using an array of objects to transform his guitar into a tightly honed sonic device.

Tkać means to weave, as Swedish electroacoustic sound artist Marta Forsberg interwines drones, first through a work of sound and light using frozen and processed violin sounds that slowly shift in minimal repetition; then in a synthetic work exploring darkness, light and colour by means of LED light, fabric, sequins, and minimalistic drone-based electronic music.

Like a blanket of twilight sound and insidiously fragile detail, the results of two days of uninterrupted sonic exploration between New York multi-instrumentalist, composer, sound artist & recording engineer Joseph Branciforte and German vocal innovator & electronic artist Theo Bleckmann are heard in four compositions from their collaboration: gorgeous, lulling and edgy.

A modern spoken opera by NY composer Elliott Sharp and librettist/narrator Jack Womack (Terraplane) with several narrators, reflecting the events surrounding a 1981 killing in New York's East Village, set in a darkly instrumental soundtrack developed by Sharp using guitars, saxophones, clarinets, synthesizers, bass, percussion, drums programming and samples.

Originally released in 2001, Elliott Sharp's production of this 3-CD set collects 171 1-minute pieces from international artists over a vast field of musical approaches, with contributors including Christian Marclay, Eric Mingus, Fred Frith, Harry Smith, Henry Kaiser, Ikue Mori, Jack Womack, Jad Fair, Joey Baron, Marc Ribot, Merzbow, Phill Niblock, Zeena Parkins, &c. &c.

A 60 page book and CD from sound artist Jason Kahn, the audio composition representing an interconnected set of sound impressions focused on the Indian city of Varanasi, using field recordings of life on the street, the people, animals & music heard there, into the holy sites of the city, the school rooms, ending with a cremation and inevitable quiet at end of day.

A split LP between two GRM associates: Florian Hecker in a work of computer-generated sound with resynthesized situated texture recordings, drawing on the history of computer synthesis; and cellist Okkyung Lee in an overture of cello multiplications, fragmentations, and duplications creating incredible tension in interacting layers of sound.

Rare recordings of beat/cut-up writers and artists William S. Burroughs and Brion Gysin, comprised of the complete recording of Burroughs reading live in Liverpool in 1982, plus performances by Brion Gysin of a selection of his permutated poems, as well as home recordings made by the pair in Paris in 1970, taken from original tapes in The British Library collection.

Sound and visual installation artists Joakim Forsgren and Andreas Hiroui Larsson use a multiplicity of approaches, both rhythmic and abstract, and a vast set of instruments (flutes, bass, drum machines, saxophone, maracas, sythesizer, &c) and objects (kitchenware, nails in a box, aluminum foil, &c) to create a universe of quirky and embraceable song-like structures.

A "travelogue" of Swedish composer and songwriter Adrian Knight's guitar explorations, works originally released on his digital-only and now dormant label Pink Pamphlet, drawing from work recorded in his home studio that developed from sketches and experimentation, along with new recordings including one with saxophonist David Lackner; beautifully moody and elegant music.

Subterrene, aka Grant Stewart, is a sound artist developing deep and cloud-like bursts of sound that create textures and aural interactions of an hallucinatory nature, here evoking the coercer--"the inverse of the seducer, using pressure, intimidation, or force to shape the behavior of another" in a journey from initial imposition to self-emancipation.

An unusual journey in abstract sonic narrative and environments from Portland's Dave Quam (FKA Massacooramaan, Modern Melodies) and Seoul's Joe Foster (English, Don Brown and Dan Reynolds), their four pieces using concrete & acousmatic sources, field recordings, enigmatic errata and instrumental elements presented as sentences in sound that imply and defy intention; gripping.

577 Records' experimental, electronic sub-label Positive Elevation releases this remix of Gerald Cleaver's Signs album, itself an innovative album of synthetic rhythms and sonic landscape, here reworked by producer Hprizm, aka High Priest of Antipop Consortium, channeling Cleaver's work into dream-like territory that re-thinks and re-paces the original.

These 2016 recording between Bryan Eubanks and Xavier Lopez demonstrate the analog networked sytem they developed, based on the harmonics of random feedback, using this information in real time to shape generative rhythms and other juxtapositions from soprano saxophone and percussion, in four recordings improvised live at Studio 8 bar in Berlin.

Elliott Sharp's fifth compilation bringing a diverse and global view on modern solo guitar work continues the series on a new record label and with the same exceptional ear for superb musicians, here including Anthony Pirog, David Watson, Liberty Ellman, Matteo Liberatore, Mike Baggetta, Chris Vine, Craig Green, Jerome Harris, Philip L'Epee, Will Bernard, &c.

Boston free improviser, composer, reed player and multi-instrumentalist PEK (David Peck) quadruples himself on this album with four continuous tracks of one PEK each playing many instruments, using a broad palette comprised of woodwinds, percussion, electronics, and strings, each recorded pass filling in space and playing counterpoint to previously recorded tracks.

Spring/Summer issue of Canada's premiere new music magazine, including an 11-track CD of music from the artists covered in each issue, with articles: Sobey Art Award wubber Lou Shppard; a 30-page section exploring climate emergency through nine sound and music artists; Brooklyn-based composer and violist Tanya Kalmanovitch; Ashley Au; James Goddard; David Psutka; &c. &c!

A "document of sonic purging" from New York sound artists Merche Blasco and Gryphon Rue, a combination of compositions and electroacoustic improvisation using an unusual collection of instruments--EMS Synthi AKS, modular synth chain, harmonium, voice, percussion and musical saw--applied through diverse approaches to create inspired landscapes and curious constructions.

The first part of guitarist, sound artist and multi-instrumentalist Daniel Junnic's Fabula trilogy evokes dynamic and mercurial environments through intuitive approaches, altering and transforming components and source material in acousmatic ways over which acoustic instruments sometimes intone, the results warm and intriguing, implying melody and engaging the listener.

"Regering" signifies "Government", the title and track names derived from the works of B. Traven, in the first meeting between sound artist and composer Matrijn Comes and guitarist Lukas Simonis (AA Kismet, Coolhaven), in a dark album of subtle innuendo and detail, running the spectrum from nightmarish environments to hopeful glimmers; an impressive collaboration.

Six variations in Lithuanian sound artist and composer Gintas K's work composed during an art residency in MoKS (moks.ee), Estonia, each variation between 8 to 12 minutes long evolving interactions between granulated and continuously shifting computer generated sounds, thick electronics that leaves space amidst the synthetics to create digestible and intriguingly compelling works.

With the haunting impression of spiritual peacefulness and inner contemplation, Netherlands sound & experimental musician Matthijs Kouw blurs synthetic sound, field recordings and acousmatic sources into a reflection of his interest in Daoism and his visit to China's Wudang mountains, where he studied Chinese meditation and martial arts.

Prolific sound artist Francisco López, with more than 378 diverse works composed over 40 years, from nearly silent to overwhelming swells of sonic force, here in a set of eight pieces composed from different source materials, pieces and origins, using field recordings, synthetics and sources of mysterious origin, paced and placed in profound and breathtaking ways.

The electroacoustic duo of singer Andrea Silvia Giordano and drummer Nicholas Remondino, working with Pierre Bastien, E-cor Ensemble, Gianluca Verlingieri, Maria Dybbroe and Torstein Lavik Larsen, create uniquely motioned works of decay, deconstruction and destruction, percussion and voice weaving amid unusual sonic sources both abstract and rhythmic.

Frond, aka Richard Bultitude, is a UK sound artist who creates rich soundscapes of guitar, synthetics, field recordings and other ethereal elements, the mix of live instrumentation over drone and ambient environments adding warmth and personality to beautifully crafted works, each exuding a sense of inner calm through innately melodic music replete with detail.

Inspired by Jeroen Diepenmaat's Xerox collage art book, "co//age co//py", sound artist Jos Smolders developed these tracks as a response through 9 brief works and one larger construction, intersecting voice, synth, sax, piano and field recordings in a mix of oddly and abruptly sliced sound offset with periods of beauty; a compellingly curious album.

Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.

Drummer Gerald Cleaver continues his explorations in electronic music, taking his compositions of modular electronics, synthesis, FM tones, and muted drum machines into intricate and wide-ranging territory, compelling through the solid and natural rhythms he imparts to each piece, many of which are titled for musicians who have influenced him.

Drummer Gerald Cleaver continues his explorations in electronic music, taking his compositions of modular electronics, synthesis, FM tones, and muted drum machines into intricate and wide-ranging territory, compelling through the solid and natural rhythms he imparts to each piece, many of which are titled for musicians who have influenced him.

Three connected journeys in drifting tones, unidentifiable and sometimes aberrant intersections and melodically abstract guitar work, composed by guitarist Lance Austin Olsen and performed with guitarist Barry Chabala, using layers of sound like an audio version of a colour field painting, emulating a field of seeds waiting for changing conditions to allow them to emerge.

Argentinian sound artist Alexis Perepelycia explores his influences in an extended sonic work, drawing on his roots in the sounds of garage, punk, metal, industrial music into his work in academia, using abstract references of assertive and acousmatic sound with powerful electronic emphasis as he seeks his ghosts amidst references like Russolo, Stockhausen, &c.

Using percussion, cymbals, various objects, computer and sound sculptures made by Bruno Girardi, Italian percussionist Lucio Bonaldo, known for the group L'imbroglio, presents a set of recordings performed live and direct, captured between 2018 & 2019, including a Sonorization of a literary passage taken from "Traviso" by Alberto Cellotto, and "Altken", an overdubbed work.

Since 2010 the Indonesian duo Senyawa of vocalist Rully Shabara and instrumentalist Wukir Suryadi have merged traditional Indonesian music with experimental approaches, heard here in their seventh album, released through a cooperative arrangement with more than 30 labels across the globe, in an attempt to decentralize the hierarchical structures of the music industry.

Four pieces from Oier Iruretagoiena (Tusuri, Larraskito Audio Dissection Unit) using computer generated sound of an abstract nature, with irregular rhythms and intersections in harmonics and feedback, actively reserved and avoiding extremes while creating a cohesively curious collection of quirky, aberrant, cranky and surprisingly compelling connected sounds.

An actualization of Manfred Werder's text score, "2015³", taking a quote from Walter Benjamin, "through excessive fatigue I had thrown myself on my bed in my clothes in the brightly-lit room, and had at once, for a few seconds, fallen asleep", the Regler trio present an abstract interpretation through location recordings of the band setting up and falling asleep.