Paul Dunmall concentrates on wind instruments - flute, clarinet & bassoon - in these dreamlike duos with guitarist Philip Gibbs, beautiful and passionate music from the heart.

Blending free and compositional players, saxophonist Paul Dunmall leads the quintet of Neil Metcalfe on flute, Hanna Marshall on cello, Alison Blunt on violin and Phillip Gibbs on guitar for a refined and sprightly set of extended improvisations recorded at Birmingham Conservatory.

The collaboration of UK saxophonist Paul Dunmall and American ex-pat drummer Tony Bianco has at least a 15 year history, heard in these telepathic duos of free improvisation recorded at Delbury Hall, Shropshire in 2014 for 3 extended works of breathtaking playing.

Recorded for his 60th birthday celebrations, this all star recording includes Mike Fletcher (sax, bagpipes), Percy Pursglove (trumpet), Mike Hurley (piano/organ), Chris Mapp (bass) and Mark Sanders (drums) plus special quests Simon hall (bass trombone) and Bethan Jones (bass drum).

Saxophonist & bagpipe player Dunmall's amazing Sun Quartet with Tony Malaby, Mark Helias and Kevin Norton performing live in NYC the day after Dunmall's Vision 2008 Fest show.

Paul Dunmall (bagpipes, sax) and Stevie Wishart (hurdy-gurdy) play as a duo to start this Brussels concert, followed by a flustering duo with Dunmall on sax and Paul Lytton on percussion, and ending with a group performance by the unlikely trio.

A fresh, enthusiastic and very pertinent vision of the big band model from this large orchestra with a diverse and uniquely European spirit, but globally identifiable as excellent jazz.

Intricate interactions in free improv from the Portugese trio of violist Joao Camoes, cellist Miguel Mira (Open Field String Trio, Nuovo Camerata), and pianist Rodrigo Pinheiro (Red Trio), focused on the balance between contrasting counterpoint, polyrhythms and fluid soundscapes.

Ecstasy Mule's demented improv blues in a maxi-single presenting 3 version of "Missouri Couple seeks Law Against Hunting + Drinking" from 3 NYC performances.

French artists Michel Edelin (flute), Jacques Di Donato (reeds), Jean-Jacques Avenel (bass) and Simon Goubert (drums) in a melodic and creative jazz album that surprises in beautiful and unusual compositional structures.

Portugal bassist Ze Eduardo's trio in a set of compositions that includes jazz versions of animated televisions series, including a great cover of The Simpson's theme.

The second album of the trio founded by drummer and composer Harris Eisenstadt with Ellery Eskelin (tenor saxophone) and Angelica Sanchez (piano) performing a set of Eisenstadt compositions referencing Joseph Conrad, Schoenberg, &c.

Drummer Eisenstadt in a NY based African influenced quintet with trumpeters Taylor Ho Bynum and Nate Wooley, Mark Taylor on French Horn and Josh Sinton on baritone sax.

Drummer Eisenstadt's September trio with pianist Angelica Sanchez and saxophonist Ellery Eskelin in a release of thoughtful, creative, meaningful and lovely music.

An important new recording in the continuing advancement of jazz from the trumpeter Amir ElSaffar and tenor saxophonist Hafez Modirzadeh.

NY based Iraqi-American trumpeter ElSaffar in an emotionally charged work that invokes ancient Iraqi musical traditions and frames them in a modern jazz setting.

NY trumpeter Amir ElSaffar's Two Rivers Ensemble, exploring the juncture between jazz and music of the Middle East through sophisticated and lyrically stunning music, here focusing on revolution, civil war, and sectarian violence; a culture's struggle for survival.

The latest chapter in trumpeter Amir ElSaffar's continuing investigation into the tonal systems of Middle Eastern cultures within a jazz context, in a quintet with Ole Mathisen (sax), John Escreet (piano), Francois Moutin (bass) & Dan Weiss (drums).

Trumpeter Amir ElSaffar and his quintet expand the sonic possibilities of jazz by building on the modal music of the Iraqi maqam, adding a microtonal harmonic and melodic language influenced by the pitch-flexibility of Middle Eastern music.

The Ember quartet's 2nd release recorded during the 2008 Ahornfelder Festival in Leipzig, an amazing live/studio album of distinct and clearly separated structured improvisations.

The Empty Cage Quartet in 2 compositions that incorporate improvisational systems based on harmonic palindromes & melodic sequences derived from the cycles of the Mayan calendar

West Coast jazz musicians Mears, Tiner, Kikuchi and Johnson in a fiery set of original compositions from shuffle swing to free jazz blowouts, liner notes by Leo Smith.

A collection of 14 excerpts taken from five different concerts between 1998 and 2004 by Ensemble SuperMusique that include improvised and composed music as well as improvisation frameworks.

The debut recording from the duo of Montreal-based frequent collaborators, trumpeter Ellwood Epps and Joshua Zubot on violin and low octave violin, excellent extended dialog with elegant flair and great insight into each other's playing.

A mercurial and beautiful record from the trio led by tenor saxophonist Ellery Eskelin, with pedal steel guitarist Susan Alcorn and bassist Michael Formaneck with a unique, introspective and lovely group sound.

NYC trumpeter Peter Evans and bassist Tom Blancarte play very experimental improvisation pushing the boundries, density and speed of free improv interaction.

The trio of trumpeter Peter Evans, electric bassist Tim Dahl, and drummer/percussionist Mike Pride have played together since 2010, crossing the boundaries of improvisation, composition and rock in dynamic genre-defying music intended to be played loud.

Trumpeter Evan's Quartet with Ricardo Gallo, Tom Blancarte and Kevin Shea at the 2009 Jazz em Agosto Festival brilliantly restructuring jazz standards into collective compositions.

The second release from NY trumpeter Peter Evans Quintet with Ron Stabinsky on piano, Tom Blancarte on bass, Sam Pluta on live electronics, and Jim Black on drums, an epic and amazingly sophisticated album based on Frank Herbert's novel of the same name.

The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.

A tribute to the music of Thelonious Monk by the group Evidence, comprised of Pierre Cartier (bass), Jean Derome (reeds) and Pierre Tanguay (drums).

After 14 years this Montreal trio dedicated to the works of Thelonius Monk, comprised of Jean Derome on alto and baritone sax, Pierre Cartier on electric bass, and Pierre Tanguay on drums, returns with 11 exuberant recordings including "Brilliant Corners", "Pannonica", &c.

Three West Coast saxophonists, Jon Raskin (Rova), Frank Gratkowsk (Zeitkratzer) and Phillip Grenlief, in a free improvising trio of highly interactive music using extended techniques to captivate and entertain the listener.

Guitarist Falaise (Klaxon Gueule, Les Projectionnistes) in pieces that reference Aksak Maboul, Braxton, Beefheart, Donatoni, Les Granules, Nancarrow, Stravinsky, & Wyatt.

The 4th Fanfare Pourpour perform a lively and inventive music joining jazz, rock, and orchestral forms, played by 20 musicians including Jean Derome, Damian Nisenson, Norman Guilbeault, Pierre Tanguay, &c.

Thematic improvisation from this Scandinavian trio in an eclectic mix of improvised music, experiemental yet melodic music blending acoustic and electronic instrumentation from Daniel Rorke (sax & laptop), Rune Nergaard (bass) and Tomas Jarmry (drums).

Saxophonist Fefer's NY based trio with bassist Eric Revis and drummer Chad Taylor play an ecstatic and spiritually charged modern jazz style with great drive and expressiveness.

WPG is John Ferguson and Robert van Heumen, blending a fractured pulse with dynamic texture into an immersive and disorientating music, from subtle to invasive sound.

Multiphonic trombonist Fiedler in a trio playing nine original Fiedler compositions.

Extended harmolodic free-jazz following the classic models of Ornette Coleman and Eric Dolphy using odd time signatures, beats, and quirky turn-arounds.

The beautiful and introspective duo of guitarist Scott Fields and Jeffrey Lependorf, a certified master of the shakuhachi, performing new works for guitar and shakuhachi that combine written and improvised material, lovely and intelligent music.

Frequent collaborators Fields and Schubert on electric guitar and tenor saxophone performing innovative and virtuosic material in ways that sound much larger than a duo setting would imply.

Originally released in 1995 on Field's own Geode label, these compositions for choreographer Li Chiao-Ping use complex rhythms and tonalities in a serial pitch "system of circles".

A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.

Matthew White's collective Fight the Big Bull nonet utilizes the history of jazz in compsitions that refer to Blind Willie Johnson, Charles Mingus, Art Ensemble, &c. &c.

The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

Live recordings from NYC's Stone of the trio of saxophonist Louie Belogenis, bassist Joe Morris, and drummer Charles Downs, excellent free-flowing jazz from three masterful players.

The improvising quartet of Canaries on the Pole (Foschia / goyvaerts / Irmer / Wissel) in their second release after their self-titled debut on the Free Elephant label.

Pianist Danny Fox's trio with bassist Chris van Voorst van Beest and drummer Max Goldman in an album showing how the tight rapport this touring band has developed on the road, performing Fox's melodic and inventive compositions with a wealth of influences and style.

Toronto drummer and composer Nick Fraser in a superb trio with saxophonist Tony Malaby and pianist Kris Davis, performing Fraser originals that merge free improvisation, jazz and avant compositional approaches with astonishing solos from all three.

Bass clarinetist Freedman, with help from pianist Brigitte Poulin, interprets the works of modern composers including Giacinto Scelsi, Georges Aperghis, Monique Jean, &c.

Two works, one each from trombonist Radu Malfatti and clarinetist Jurg Frey, also credited with "instruments", field recordings and couterpoints; electroacoustic reductionist work of beautiful character that unfolds slowly and rewards attentive listeners in morphing sound.

"Zwirn" means "twine" in German, an apt description of the interweaving sound that double bassists Daniel Studer and Peter Frey play together, in 7 freely improvised works of unusual technique and new musical structures.

Taking their band name from an Ornette Coleman album, this European quintet presents new compositions in the style of Ornette, Archie Shepp, Pharoah Sanders and John Carter, ecstatic free jazz with a hard bop foundation, extended with modern technique and experience.

Explosive, psychedelic music from the trio of Jean Derome, Fred Frith, and Pierre Tanguay recorded and mixed by Myles Boisen.

Live recordings from this great pair of improvisors, selected from their performances at Festival des musiques de creation in Saguenay and at La Sala Rossa in Montreal.

Satoko Fujii Orchestra in original compositions, an amazing lineup of mostly New York players including Steven Bersteain, Herb Robertson, Briggan Krause, etc.

After studying jazz and classical music, pianist Satoko Fujii became interested in Min-Yoh, which means folk music in Japanese; this is her 2nd lovely and powerful release with her Min-Yoh Ensemble.

A set of new trio compositions from pianist Satoko Fujii with bassist Todd Nicholson and drummer/percussionist Takashi Itani, a magnificent set of compositions for the transformative season.

Satoko Fujii's amazing Orchestra New York returns with a composition that she describes as "a picture that extends beyond the canvas", performed with Oscar Noriega, Briggan Krauss, Ellery Eskelin, Tony Malaby, Andy Laster, Herb Robertson, Steven Bernstein, &c &c.

Satoko Fujii Orchestra New York in a work based on the Chinese zodiac, referred to as "Eto", in a celebration of husband and trumpeter Natsuki Tamura's 60th birthday, and of the 12 animals of the zodiac.

Satoko Fujii's 15-piece Orchestra New York with an all-star cast including Ellery Eskelin, Tony Malaby, Herb Robertson, Steve Berstein, Joe Fiedler, &c. &c.

Pianist-composer Satoko Fujii's Orchestra Tokyo formed in 1999 to perform her compositions, music that spans a wide range of styles and moods, complemented by a great set of soloists.

Pianist Satoko Fujii's Tobira ("door") expands the original trio configuration of Todd Nicholson on bass and Takashi Itani on drums, with trumpeter/husband Natsuki Tamura, playing inventive free improvisation with sophistication in melodic heads and superb soloing.

A hauntingly beautiful set of solo piano works from Japanese pianist Satoko Fujii, subtle work that belies her incredible techincal skill through beautifully paced and meditative music.

Merging different sub-genre of NYC's rich jazz and creative music scene, drummer Tomas Fujiwara's trio with Brandon Seabrook on guitar and Ralph Alessi on trumpet furtively builds into a free jazz album of contrasting dynamics and superb playing.

The followup to Furt's expanded format as heard on Spin Networks in 2005, in electroacoustic trios with John Butcher, Phil Minton, Rhodri Davies, Ute Wassermann, &c.

The duo of Richard Barrett and Paul Obermayer in 12 studio tracks of semi-composed electronics, and a live improvised tribute to Karlheinz Stockhausen.

Sax, bass clarinet and flutist Nobuyasu Furuya is a free player migrated from Japan to Lisbon, Portugal, here in a trio with bassist Hernani Faustino and drummer Gabriel Ferrandini.

The GGRIL is a Canadian ensemble of musicians who experiment with various forms of interactions possible in an orchestra without a conductor, bringing together a dozen musicians from different backgrounds.

Free improvising guitarist Derek Bailey in duo with tap dancer Will Gaines, whose percussive dancing can be heard clearly, while Bailey plays guitar and Gaines "raps" in a sort of vaudevillian approach; a unique item even in Bailey's catalog!