An exhilarating duo between Danish saxophonist Mette Rasmussen on alto sax and French electric guitarist Julien Desprez using a variety of effects, recording in France for seven approach-ably twisted dialogs using spectacular technique and a diversity of approaches, from full force playing to introspective textural work, a marvel of spontaneity.

Downtown NY guitarist Chris Cochrane (No Safety, Curlew) joins up with bassist Stuart Popejoy (Sugarlife, Bassoon, Sarah Bernstein Quartet) for an album of exploratory sonic environments born from improvisation, with rich guitar processing, glitch, heavy riffs, and indescribable sonic environments in a well-balance album of informed experimentation.

Italian sonic explorer Francesco Gregoretti uses his drumkit like a lead instrument, amplifying and modifying its sound through effects, as he pursues his varied "Imploded" bands (Strongly Imploded, Grizzly Imploded) fueled by the mathematics of Chaos Theory, here with guitarist Maurizio Argenziano in an album of dense sound, from near-minimal to highly interactive.

Brooklyn-based composer, bassist, and writer Nick Dunston in his debut album, blending jazz, contemporary, chamber and avant forms, in a uniquely voiced quintet with Louna Dekker on Vargas on flutes & piccolo, Ledah Finck on violin & viola, Tal Yahalom on guitar, and Stephen Boegehold on drums, in a sophisticated album of concisely fascinating compositions.

Minimalist Chilean guitarist Cristian Alvear and Tim Olive first played together in October 2016, doing three concerts in Japan, Alvear returning to Japan in October of 2017 for additional performances in Kyoto and Osaka, then spending a day recording in Kobe; this single improvised piece he result of that day, heard as it was recorded, with a few structural edits.

The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.

Swedish bass player Egil Kalman, here on modular syntheizer, joins Norwegian guitarist Fredrik Rasten for a lovely album of drifting electronics and beautifully entwining acoustic guitar, unhurriedly developing environments of warm, slowly evolving chord structures that show influences from players like Catherine Lamb or the Wandelweiser collective.

After his debut on Astral Spirits, Chicago-based guitarist Tim Stine assembled this quartet with Nick Mazzarella on saxophone, Matt Ulery on bass, and Quin Kirchner on drums, all skilled as bandleaders themselves, to realize Stine's avant compositions, precise harmonically and rhthmically interesting works with a Threadgill feel in surprising shifts of direction.

Lapsteel guitarist and electronic artist Mike Cooper and percussionist Mark Wastell, employing a paiste 32" tam tam and a shruti box, pay homage to the large acoustic sound mirrors used in Britain from 1916 to 1930 as an early form or radar, each of their detailed improvisation referencing one of the locations on the British south and northeast coasts.

Norwegian guitarist and composer Ivar Grydeland and US guitarist, improviser and composer Henry Kaiser met in the studio with the goal of working on a soundtrack for a classic Norwegian silent film, "Ellsworths flyveekspedition 1925"; in a single take they recorded this amazingly detailed and beautiful improvisation, from which these 5 astounding tracks were selected.

Filmakers and composers Nicolas Humbert and Marc Parisotto revisit the tapes recorded by Jean Vapeur for the film by Humbert & Werner Penzel, "Step Across the Border" with soundtrack by Fred Frith, extracting more of Vapeur's fascinating field recordings and adding music by Fred Frith with additional music & voice from Tom Cora, Iva Bittova, John Zorn, &c.

Following up "Nove Cantici Per Francesco D'Assisi" with the three acoustic guitars of Bill Frisell, Gyan Riley and Julian Lage, "Virtue" is inspired by Julian of Norwich, one of the founders of Christian mysticism, portrayed through twelve succinct Zorn compositions of beautifully lyrical contrapuntal interplay and transcendental reflection.

ZNR, the French trio of Hector Zazou, Joseph Racaille, and Patrick Portella, in a deluxe box set combining both of the official ZNR releases, "Barricades III" and "Traite de Mechanique Populaire" along with 2 CDs of additional released and unreleased material and a book of memories, histories, reflections, photographs, documents, interviews and other memorabilia.

Not ambient nor aggressive, Swiss guitarist Vinz Vonlanthen's latest solo album finds the improviser creating contemplative environments in unhurried ways, allowing bass and upper string to interact, often adding unusual vocal emanations to punctuate or layer with the guitar, creating an eclectic set of succinct works, often ominous, always uniquely fascinating.

Translating to "sketch", the duo of Japanese improvising guitarist Tetuzi Akiyama and French guitarist Hervé Boghossian recorded these sketches in the studio in Marseille, France, seven succinct free improvisations of an open and intuitively lyrical nature performed on acoustic guitars, in a gorgeous album of uniquely spacious interlaced string improvisation.

Recording in Chile at the University Austral in 2018, trumpeter Benjamin Vergara and guitarist Fred Frith take us on two extended journeys through free electroacoustic improvisation, Frith's providing diverse and intense sonic environments over which Vergara's virtuosic and intuitive approach to the trumpet soars; impressive, creative, cathartic.

Originally a clarinetist, UK improviser Alex Ward began exploring the guitar in rock settings, first bringing the instrument to his improv work around the year 2000 with N.E.W. (w/ Steve Noble & John Edwards); this is his 1st solo guitar album, showing a wide range of styles that embrace improv, rock and compositional styles, a remarkable display of skill and creative drive.

An harmonically rich album of spacious guitar interaction from two Argentinian guitarists and composers--Catriel Nievas and Tomas Cabado--who also work in the trio Merce / Cabado / Nievas, a minimal yet satisfying set of 8 pieces that interact through stereo positioning, harmonic disturbance and long decay, the effect mesmerizing and beautifully peaceful.

Five "Soleil Clandestin" soundscapes using abstract voice, guitar, electronics, field recordings & percussion from sound artists Bruno Duplant and Pierre Gerard, on the surface peaceful, minimal and using space and silence, but buried inside are disquieting additions through vocal abstractions placed in unusual position to the sound; curious and captivating.

A shredding session between French improvisational guitarist Guillaume Gargaud and NY free jazz drummer Marc Edwards (Slipstream Time Travel), recorded in Queens, NY in 2017, for 5 rapid-fire displays of pyrotechnics and attentive dialog, as they take themselves to the cliff's edge and back in a dizzying album of dense technical dexterity and harmolodic force.

Twenty miniature compositions for acoustic guitar from French composer and improviser Guillaume Gargaud, each under one and a half minutes, the shortest just 53 seconds, each composed in 12 measures creating a lovely reflective and introspective set of abstract melodies, poetic and evocative music from a player dedicated to solo guitar work.

Returning to their duo work together 17 years after their erstwhile records eh, guitarist Burkhard Stangl and turntablist Dieb13 explore and expand the sonic properties of their work in this new "Garden Of Noises", using electronics and recordings of soundscapes from Paris and Montreuil, recorded live at Instants Chavires in France, 2019.

An album off free improvisations culled from the long-running Minneapolis duo of amplified acoustic guitarist Joseph Damman and multi-instrumentalist Milo fine, recorded in concert at Studio Toile d'Angles in 2018, with Fine performing on percussion, a Bosendorfer imperial piano, B-flat clarinet & marimba, for 8 pieces of explorative and accomplished dialog.

HOLE PUNCHED PROMO COPY

The second album for the duo of Japanese avant percussionist living in New Mexico Tatsuya Nakatani and Asheville, NC guitarist Shane Parish (Ahleuchatistas), recorded live at Static Age Records during Nakatani's extensive 2018 tour, finding both players intensely involved in their dialog, through highly interactive and deeply reflective passages.

Guitarist Barry Chabala merges musique concréte and improvisation, using recordings from painter and visual artist Lance Austin Olsen that Olsen recorded in his workshop while creating a series of large collaged and folded paintings--mutterings, physical sounds and other ephemera--which he sent to Chabala to use as a backdrop for these spaciously meditative guitar improvisations.

The 2nd Aggregat album expands the first release's trio of Elliott Sharp (just on reeds this time), Brad Jones (bass) and Ches Smith (drums) into a quintet with Nate Wooley (trumpet) and Terry L. Green (trombone) for an amazing set of free jazz compositions.

Bob Drake takes his listeners on a 22 piece instrumental journey through a "Beastley" garden of confident melodic foundation anBob Drake takes his listeners on a 22 piece instrumental journey through a "Beastley" garden of confident melodic foundation and experimental forays, captured by day and night, a tour de force of conception and execution.

The trio of guitarists Patricia Bateira (NATurlich), Jochen Arbeit (Einstürzende Neubauten) and Vitor Rua (Vitor Rua & The Metaphysical Angels) combine to create a new style of long-form electronic music, a richly continuous work seemingly without start or end, incorporating sustain, effects, & field recordings into a beautifully abstract aural environment.

Extremely patient compositions for electronics, cello, guitar and tenor sax from French sound and visual artist Pierre Gerard: "Air" using recordings from his duo partner of tenor saxophonist Bertrand De Lamalle with long sections of silence; "Cavity" employs previously recorded guitar improvisations that interact with Gerard's live electronic improvisations.

Blues with a strong sonic sense in Atlanta, GA guitarist Tyler Higgin's 2nd release on Shhpuma, his trio again featuring drummer Paul Stevens, and here adding bassist Gabriel Monticello, known for symphonic, jazz and rock forms, bringing masterful skill to this album that richly blends blues, gospel, folk, jazz and rock forms with passion and style.

A gorgeous and rich drone composition from New York composer Phill Niblock, intended for maximum volume to bring out shifting and slowly interacting harmonics from a nonet of incredible guitarists — David First, Rafael Toral, Robert Poss, Susan Stenger, Alan Licht, Kevin Drumm, Lee Ranaldo, and Thurston Moore — with Jim O'Rourk engineering the album for optimal warmth.

Portugese tenor saxophonist Rodrigo Amado met Belgian electric & acoustic guitarist Dirk Serries for this live performance at Jazzblazzt in The Netherlands in 2018 for two extended conversations, the first set finding Serries on electric and the 2nd on acoustic, as the two push and pull each other, intertwining or finding complement in their discourse.

Guitarist/composer Guillaume Gargaud of Le Havre, France steps away from his more typical electric guitar work for an album of acoustic guitar improvisations, freely associative playing of rich harmonic and melodic development, from ostensibly meandering fragility to powerful chord work, revealing a strong and confident center through imaginative progressions that captivate his listeners.

A series of improvisations recorded in an afternoon in Melbourne, Australia between bass guitarist Joseph Franklin and saxophonist Sam Gill on alto & soprano, this the debut of their duo work that since 2018 has developed a unique discourse of adept interaction from calmly precise to rapid & disciplined exchanges, connected by textural and exploratory periods.

Acoustic and sublime minimal acoustic improvisation with an emphasis on strings from the Portuguese quintet of Ernesto Rodrigues on viola, Miguel Almeida on acoustic guitar, Andre Lanca on electric guitar, Bernardo Alvares on double bass, and Felice Furioso on percussion, performing live during the Small Format Materials Festival at Galeria Monumental, in Lisbon.

Two extremely compatible guitarists are heard in two live recordings in Tokyo, Japan, at OTOOTO and at Permian, in 2017 & 2018, using unusual tunings, extended techniques and a patient sense of space and momentum that allows each of their contributions to resonate distinctively while maintaining a confident dialog of connected abstraction and exploration.

A uniquely eccentric free improv album by Fred Frith on electric guitar and Lol Coxhill on soprano sax, originally released in 1983 on the French AAA label, the album assembles recordings from the "Musiques de Traverses" Festival 1981, 1978 concerts in Sainte Croix, in Poitiers, and at M.J.C. Aliénor D'Aquitaine in Limoges, plus additional material from 1999 in Munchen & London.

Investigating the continuity of our perceptions through sound--the one sense that flows continuously into our awareness--through a concert at Baza Club in Krakow, Poland in 2018 between alto saxophonist Keir Neuringer and acoustic bass guitarist Rafał Mazur, using magnificent technique as they tentatively then boldy exchanges waves of the past, present and future.

An innovator in integrating pedal steel guitar into modern improvised music, Cleveland-born, Baltimore-based pedal steel guitar player Susan Alcorn's quintet enlists a superb set of New York players--Mark Feldman on violin, Michael Formanek on double bass, Mary Halvorson on guitar, and Ryan Sawyer on drums--taking on a diverse set of Alcorn compositions.

A retrospective of the work of guitarist and one-time Captain Beefheart Magic Band member Gary Lucas, in two CDs, the first devoted to songs recorded with Lucas' psychedelic jazz-rock band Gods and Monsters, the second devoted to solo works, rarities and collaborations, with an incredible list of performers reflecting Lucas' diverse 40-year career.

Killick Hinds plays a custom-made 38 string harp guitar in twelve diverse solo tracks inspired by the pacifist writer Munro Leaf with resonant tones that are at times exciting and others hypnotic.

The third and final CD in composer John Zorn's trilogy inspired by historic figures of Christian mysticism, following works for Francesco d'Assisi and Julian of Norwich, these 10 pieces are conducted by Zorn and written specifically for the acoustic guitar trio of Bill Frisell, Julian Lage and Gyan Riley; an album of breathtaking character and inspired playing.

Working in a Derek Bailey vein of solo guitar improvisation, Portland, Maine improviser E. Jason Gibbs presents 14 performances on the acoustic guitar, cohesive pieces of confident development that reference not only the London improviser, but also shades of Americana and a unique voice and set of strategies uniquely his own.

From the depths of the deepest electroacoustic sea, the duo of Lisa Cameron on berimbauophone, percussion & devices and Sandy Ewen on guitar & devices release the second of their "Sea Creatures" series: two cassettes of dark aquatic audio, one recorded in the studio and the other during their 2019 Texas tour celebrating the release of the first album.

Continuing the collaboration that started in 2013, the duo of drummer Chris Corsano and guitarist Bill Orcutt expand on their free playing during the pandemic, recording remotely, with Orcutt improvising two passes over Corsano's initial drum tracks, creating something that blurs the lines between jazz, rock, folk and something passionately unique to their dialog.

A live recording from a concert presented during the Workers' Festival at the Municipality of Petit Quebec Libre in 1972 by Quebec counter-culture folk singer and documentary film maker Erica Pomerance, know best for her 1968 ESP album You Used To Think, here performing solo on guitar & voice, with previously unpublished songs and pieces from her ESP album.

In 2019 pianist Thollem McDonas toured the US -- 12 months and 25 albums worth of recordings -- joining collaborators from a vast spectrum of improvisers and performers, this album presenting two such recordings: one a duo with drummer/percussionist Alex Cline from a live concert in Santa Monica; the other a duo with guitarist Susan Alcorn recorded in Baltimore.

A modern soundscape in three acts from Italian improvisers, drummer Walter Forestier (Death Roars, Angelo Mastronardi Trio) and guitarist Vito Pesce (Minus Tree, Pastel, Squieti), their 2nd album a dialog shifting between pensive introspection and aggressive evocation, a full range of expression that builds and releases suspense as the two unfold their narrative.

Using guitars, violin, electronics, field recordings, abstract voice, and a "sound knife in the sand", Pierre Gerard recorded this set of 13 works in Liege, Belgium, and Wimereux, France, in 2019, using intuitive approaches to his minimalist electroacoustic compositions as he assembles his elements to convey human gesture and architectural form in sound.

Three connected journeys in drifting tones, unidentifiable and sometimes aberrant intersections and melodically abstract guitar work, composed by guitarist Lance Austin Olsen and performed with guitarist Barry Chabala, using layers of sound like an audio version of a colour field painting, emulating a field of seeds waiting for changing conditions to allow them to emerge.

"Volatile Models", the pairing of Dutch guitarist Henk Zwerver and bassist & percussionist Raoul van der Weide, also on crackle box, creating spontaneously unrestricted, sometimes irascible but always inspired and exuberant free improvisation, from moments of tension to explosive release, as heard in six dialogs performed live at Atelier 5, in Amsterdam in September, 2020.

The first recorded collaboration between guitarist Mark Shippy (U.S. Maple) and improvising violinist Alex Cunningham (Apathist!, Claire Rousay, Cunningham/Cameron/Smith), together taking their instruments into strangely tumultuous and often quickly shifting territory; sometimes ethereal, sometimes cantankerous, always captivating.

The first concentrated duo of two improvisers who have worked together in other groupings since 2006 from guitarist Joe Morris and double bassist Damon Smith, recording a set of five extended and technically stunning conversations, a mesh of texture and motion through charged creative drive, merging their strings among often inexplicable technique to create thrilling dialogs.

Frond, aka Richard Bultitude, is a UK sound artist who creates rich soundscapes of guitar, synthetics, field recordings and other ethereal elements, the mix of live instrumentation over drone and ambient environments adding warmth and personality to beautifully crafted works, each exuding a sense of inner calm through innately melodic music replete with detail.

"Regering" signifies "Government", the title and track names derived from the works of B. Traven, in the first meeting between sound artist and composer Matrijn Comes and guitarist Lukas Simonis (AA Kismet, Coolhaven), in a dark album of subtle innuendo and detail, running the spectrum from nightmarish environments to hopeful glimmers; an impressive collaboration.

The first part of guitarist, sound artist and multi-instrumentalist Daniel Junnic's Fabula trilogy evokes dynamic and mercurial environments through intuitive approaches, altering and transforming components and source material in acousmatic ways over which acoustic instruments sometimes intone, the results warm and intriguing, implying melody and engaging the listener.

Elliott Sharp's fifth compilation bringing a diverse and global view on modern solo guitar work continues the series on a new record label and with the same exceptional ear for superb musicians, here including Anthony Pirog, David Watson, Liberty Ellman, Matteo Liberatore, Mike Baggetta, Chris Vine, Craig Green, Jerome Harris, Philip L'Epee, Will Bernard, &c.

Chicago guitarist Jeff Parker and cornetist Rob Mazurek have collaborated for more than 20 years in a variety of ensembles, heard here in their first ever duo, condensing their creative use of lyrical, textural and technical skills into this outstanding album.

Both members of the Tokyo band SuperDeluxe, drummer Yoshio Mashida performing on steelpan, gamelan and metal-slit drums, and 5-string banjo player Cal Lyall, performing largely on a tabletop guitar setup augmented with electronics, have developed a lovely and relaxed, compelling language of improvisational forms using structural ideas-based on minimal scalar patterns.

Living true to its album title, electric guitarist Luis Lopes' collective Lisbon Berlin Quartet with Rodrigo Pinheiro on Fender Rhodes, Robert Landfermann on double bass & effects and Christian Lillinger on drums, creates an hypnotic brew of interactive, weaving and layered improvised expression, rapid-paced yet hypnotically sinister in its controlled kinetic flow.

Taking guitar and flute into very strange territory informed by vast experience and technical skill, NY flutist Robert Dick and electric guitarist Nicola L. Hein create truly unique and dramatic sound worlds, sometimes tense, sometimes beautiful, but always fascinating in momentum and expression; unique musical structures that refuse to be easily categorized: extraordinary!

A "travelogue" of Swedish composer and songwriter Adrian Knight's guitar explorations, works originally released on his digital-only and now dormant label Pink Pamphlet, drawing from work recorded in his home studio that developed from sketches and experimentation, along with new recordings including one with saxophonist David Lackner; beautifully moody and elegant music.

Virtuoso guitarist and composer Gyan Riley, son of composer Terry Riley, in his second solo album on the Tzadik label, a brilliant collection of classical guitar works expanded with influences from minimalism, flamenco, bossa nova, and folk, nine pieces recorded during the pandemic lockdown for an album of intricate detail and reflective perseverance.

A series of diverse landscapes in the voluptuaries of guitarist Brandon Seabrook and pianist Simon Nabatov, evoking an imaginary garden of sensual pleasures expressed through dialogs running the gamut from elegant lyricism of lush and languid interaction to quirky runs of playful inventiveness; an elegantly complex and always sophisticated set of exchanges.

A uniquely voiced free improv trio of strings and drums from the New York City trio of violinist Jessica Pavone, guitarist Wendy Eisenberg and drummer Devin Gray, each a distinctive leader in their own right who use their instruments in unusual and technically superb ways, here in a concise set of collective improvisations of an edgy and exploratory style.

Developed over outdoor sessions performed during the summer of 2020 around NYC, this is the first release from the duo of multi-instrumentalist Daniel Carter and acoustic guitarist Jessica Ackerley, their warm collaboration heard in effortless interactions inspired by the dream-like, meditative approach in both improviser's playing; lovely.

Active and informed improvisations on acoustic guitar from Jean Claude "JC" Jones, label leader of the Kadima Collective and also known as a double bassist, though his roots are in the guitar, which he has returned to with vigor since 2016, performing on lap-style prepared acoustic and prepared Spanish guitar, heard here in 13 concise pieces titled by single words.

The title referencing a Blind Willie McTell entreaty to himself, Elliott Sharp's contemporary blues project Teraplane truly "kicks" in 8 burning pieces of concentrated guitar work from Sharp, solo and in overdub, recording in Studio zOaR while performing on electric guitar, vong co guitar, lap steel guitar, console steel guitars, mandocello, mandola, basses & drum programming.

Known as a percussionist, Bay Area improviser Charles K. Noyes' first part of his Crimes In High Places is performed on electric & resonator guitars plus amplified guqin, expanding on the innovations of Derek Bailey in free-form non-idiomatic playing as he works to create a personal language on the instrument, presenting a dark and creatively foreboding vision.

After the earliest versions of the Euphorium_freakestra toured in Weimar, Leipzig, Dresden, Krakow & Gottingen in 2000, pianist Oliver Schwerdt and guitarist Friedrich Kettlitz came together to develop a suite for grand piano, acoustic guitar and free vocals, a prelude to the album Gay - Saunawirt ten years later, and the start of the professional recording history of the EUPHORIUM ensembles.

An early recording of guitarist Bill Nace performing solo in Bennington, Vermont in 2007, originally released on cassette in 2008 on the Open Mouth label, here re-pressed on LP to re-introduce an earlier, wilder side to Nace's playing through brief pieces of diverse intention using an array of objects to transform his guitar into a tightly honed sonic device.

String player Antonio Bertoni (Leo Records, Astral Sprits) in his solo Ongon project seeks to bring back the shamanic elements of Moroccan Gnawa Music, particularly using the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself.

Antonio Bertoni's solo Ongon project, trying to remove the mistreatment that the Moroccan Gnawa Music suffers due to the heavy western productions, as he performs on the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself; reference Natural Information Society.

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

Two side-long tracks of minimal improvisation from NY saxophonist Jeff Tobias (Sunwatchers) and UK guitarist Jack Cooper (Ultimate Painting); "Wicken" and "Debden" are named for and inspired by the tributaries of the River Cam in North Essex, revealing themselves in steady progressions and subtle application of instrumental technique in a beautifully flowing reflection.

A series of collaborative electracoustic improvisations recorded remotely during the pandemic by long-time associates, electric guitarist Charles K. Noyes and multi-instrumentalist Elliott Sharp, here performing on arches h line (a 9-string double neck instrument), violinoid, triple course bass pantar, analog synthesizers, sax & bass clarinet.

The third release in Portuguese guitarist Luís Lopes' Love Song Project is a solo album performed on a nylon-stringed acoustic guitar, six beautifully peaceful and introspective improvisations revealing a calm side to Lopes' often assertive electric guitar work, instead allowing harmonics and notes express his curiosity of life and love of music.

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

A compilation of improvised steel-string acoustic guitar works framed by pitch and intervallic restrictions, from French composer and guitarist Guillaume Gargaud, 17 succinct pieces that evade standard jazz vocabulary while integrating influences from Messiaen to Webern to Cecil Taylor, paced in contemplative and sophisticated style.

The second duo collaboration of Chicago percussionist Hamid Drake (Fred Anderson, Peter Brotzmann, DKV Trio, &c) and guitarist Dan Phillips (Chicago Edge Ensemble, Quartet Next, Dan Phillips Trio, Dan Phillips Quartet), recording in the studio for 11 improvisations that present a variety of moods and intensity, in textures and melodies from minimal to intricate interplay.

A duo of free and spaciously building exchanges between Dutch drummer George Hadow (Zwerv, The Blue Lines Trio) and Belgian guitarist Dirk Serries (A New Wave of Jazz), in an extended dialog of great technical skills and creative use of their instruments, performing live at the 2021 JazzBlast event held in the chapel Groels Kapel in Bocholt, Belgium.

Merging gritty and angular guitar work with versatile and creative drumming, the duo of Finish guitarist Heikki Ruokangas and North Carolina multi-instrumentalist Landon George show their diverse interests in both technically assertive playing and beautifully misty environments, through eleven concise works including two parts of "Chaos", a "Rainy Day" and a "Rainy Eve".

A series of real-time improvised performances from Athens, Georgia guitarist Killick Hinds, made with strings and occasional computer augmentation, an album he describes as to date his fullest expression of the Appalachian Trance Metal/Piedmont Shaman Rock concept that he has been developing for years, these works inspired by Zaila Avant-garde, Paolo Angeli and Bali.

A joint release between Astral Spirts and Relative Pitch, guitarist Ava Mendoza conjures five assertive and rugged "spells" performed on solo electric guitar, passionate works of raw technical skill and bold power as she improvises over two songs composed by herself, alongside pieces written for her from Devin Hoff, Trevor Dunn and John Dikeman.