A sound project by experimental musician Luis Tabuenca with Wade Matthews and ethnomusicologist Ana Maria Alarcon-Jimenez, inspired by the sonic heritage of Aragon, in pieces that reflect and question issues of memory, space & place.

A string quartet of doubled cello and viola, recording in the studio in Berlin in 2018, as free improving innovators, Creative Sources cellist and violist Guilherme Rodrigues and Ernesto Rodrigues, meet contemporary compositional and improvising cellist and violist Hui-Chu Lin and Marie Takahashi, their complementary approaches bringing unique voices to a captivating encounter.

Finnish saxophone & flute player Jorma Tapio and his group Kaski of Ville Rauhala on bass and Janne Tuomi on drums & percussion, with both Tapio and Tuomi playing Kantele, a traditional plucked string instrument, present a beautifully rich and spiritual album named for a shaman's trip to the underworld, reflecting on local folk music and free jazz traditions.

The 3rd Clean Feed album from this Portuguese band of unusual orchestration and intentions that cross jazz and rock idioms, from the trio of Sergio Carolino on tuba, Mario Delgado on guitar, and Alexandre Frazao on drums, with rapid fire attacks and tight compositional moments balanced by wonderful open, sonic moments, surprising with a cover of King Crimson's "Starless".

West Coast/San Diego violinist Keir GoGwilt and bassist Kyle Motl are Treesearch, improvising on contrabass and violin with warm strength and expression, using a mix of traditional and creative approaches to their instruments as they bridge jazz and modern compositional approaches to create their own unique approach to free improvisation.

The 2nd album from the trio of Keir GoGwilt on violin, Kyle Motl on bass and Nicolee Kuester on horn, the pieces combining original poems written by GoGwilt and Kuester with precise musical arrangement and poetic structures, around which the trio improvise with melodic and unexpected approaches, fascinating their listeners with peculiar insight and superb playing.

Combining folk and ethnic rhythms in traditional popular forms, the Trio La Soustraction of des Fleurs of Jean-Francois Vrod on violin & voice, Frederic Aurier on violin & voice, and Sylvain Lemetre on zarb & voice focuses on the music of the mountains of the Massif Central, melodic music with unique timbres, forms, pre-texts, and a richly complex set of musical objects.

The project of Southern Italy's Giovanni Todisco (percussion) and Giuseppe Candiano (synthesizer), since 2015 touring Japan and Europe to perform in festivals and venues, this album presents their experimental improvisation combining classic afrikaans and symphonic percussion with modular synthesis, merging ancient rhythms with modern electronic excitement.

The "guess" was guitarist and electronics artist Dave Tucker's educated guess that these four musicians--himself, pianist/keyboardist Pat Thomas, guitarist Thurston Moore and drummer/percussionist Mark Sanders--would create someting extraordinary if he brought them together for a concert at London's Cafe OTO, this boundary-pushing album the indisputably successful result.

A larger than previous Boston collective's Turbulence ensemble with 6 of the regular horn players from Leap of Faith Orchestra, performing multi-reedist and instrumentalist PEK's extended framework, with drummer percussionist Yui Zbitnoff; the ensembe breaks down to three duos and guest saxophonist Bob O'Brien, captured live at Outpost 186, in Cambridge, MA in August 2018.

David Peck's quartet rendering of Turbulence features Evil Clown regulars Bob Moores & Eric Dahlman on trumpets, Duane Reed and PEK on reeds and winds, all bringing electronic & electroacoustic instruments, alongside an arsenal of exotic percussion, following PEK's framework which balances moments of clarity with paroxysmal "seizures" of sound; gripping.

Turbulence Cosmocentric Edition, the extended horn section for the Leap of Faith Orchestra with the core of PEK on winds & percussion, Yuri Zbitnoff on drums & percussion, plus guest Michael Caglianone on saxophones, sheng, game calls and percussion, in an extended piece that holds reflections of Sun Ra's work through powerful rhythms and diverse and unusual instrumental passages.

Turbulence, the wind instrument and sometimes percussion branch of the Leap of Faith Orchestra is represented by leader and composer David Peck (PEK) on winds, reeds and percussion, and Yuri Zbitnoff on drums and percussion, with saxophonist Michael Caglianone joining and also performing on bells, as they perform an extended framework composition from PEK.

The extended horn section for the Leap of Faith Orchestra is heard here as a quintet with PEK (reeds), Jim Warshsauer (reeds), Bob Moores (trumpet), Eric Dahlman (trumpet) and Duane Reed (baritone horn), all using an a vast collection of percussive instruments, game calls and other devices, to create a journey of tone, color, interactive playing and rhythmic intervention.

Turbulence is a smaller grouping of the Boston-based Evil Clown collective, typically with a majority of horns, here as the quintet of PEK (reeds & winds), Ellwood Epps (trumpet), Bob Moores (trumpets), Jim Warshauer (sax and winds), and Michael Caglianone (saxophones), a fully acoustic group of wind instruments and brass, taking a chamber approach to distinctive improvisation.

The Brooklyn trio of Yuma Uesaka on tenor saxophone & clarinets, Cat Toren on piano & synthesizer, and Colin Hinton on drums, percussion, gongs, glockenspiel, & vibraphone, in a sophisticated album of modern creative improvisation with a lyrical attitude and a confidently introspective approach, all three players contributing original compositions to this debut album.

The duo of Carlos Santos and Jorge Valente developed this project around the metallics of a cymbal, recording it and digitally manipulating and transforming it into a musical structure using the maxmsp programming; this recording was captured live at the Hertzoscopio Festival in Fabrica da Polvora, Barcarena, Portugal in 2004.

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A dynamic and exciting concert captured during the 2018 CreativeFest XII of a conduction by Ernesto Rodrigues leading an ensemble of 28 free improvisors performing on a mix of traditional acoustic & modern electronic instruments, plus a toy piano, with powerful wind & string sections, as Rodrigues directs the musicians into both passionate and peaceful sections.

Put this one in your Wishlist for the next holiday season: 5th in a series drawing on Vancouver's best; unusual approaches to the classics in a oddly skewed yet sentimental ways.

The fourth in the Elliot Sharp curated "Meta Guitar" series brings a wealth of diverse styles and approaches to the guitar, from Knox Chandler, Tashi Dorji, Monika Roscher, Rhys Chatham, Kalle Kalima, Ryan Choi, Marco Oppedisano, Bern Nix, Markus Reuter, Hahn Rowe, Pete Matthiessen, Robert Poss, Ron Anderson, Morgan Craft, Roberto Zorzi, and Erdem Helvacioglu.

Thirteen emphatic "rituals" from the Argentinian duo of saxophonist Hernan Sama, recording in the studio as they employ an array of techniques including extended bowing and plucking approaches, saxophone smears, growls, vocal utterances, odd reed techniques, &c, to engage their listener's ears as they unfold dialog that merges jazz forms and fully free improvisation.

A multi-national trio from Slovenia (Bostjan Simon-sax), Norway (Stephan Meidell-guitar, bass & electronics) and Portugal (Luis Candeias-drums) bringing a diverse set of modern influences including electronics, alternative rock and sound/noise to excellent free improvisation.

Hazy free jazz in an hallucinatory blend of passionate music influenced as much by experimental and rock forms as traditional improv, from the trio of Bostjan Simon on sax & electronics, Stephan Meidell on guitar, bass, percussion & electronics and Luis Candeias on drums.

"The jazz is not always subject to their premises. Even the breaks in their future creative. The jazz in the present century, taking the legacy of its past vanguard’stico, welcomes new resources, other parameters as technical and musica...

Norwegian violinist Adrian Løseth Waade's first release as a leader is this melodically-inclined album of brightly evocative improvisation, buoyant strings and creative rhythmic drive with Waade providing all compositions, performed with Kjartan Laereid Gullikstad on guitar, Bardur Reinert Poulsen on bass, and Simon Olderskog Albertsen on drums.

Performing on drums, trumpet, guitar, bass, moog bass, and keyboards, Philadelphia born and West Coast drummer/multi-instrumentalist Grant Calvin Weston, a member of Ornette Coleman's Prime Time Band, presents an album or fierce drumming and powerful electronic sources balanced with beautifully paced sonic environments, 16 tracks of diverse and gripping music.

A powerful recording that features heavy, intricate and deep grooves from Philadelphian Grant Calvin Weston (Ornette Coleman's Prime Time) on drums, percussion and synths and Lucas Brode on guitars, effects and loops, a great album of creative improvisation that blends fusion-oriented playing balanced with modern sound collage and atmospheric moments.

Guitarist Ed Williams, active in the experimental music scene of Marseille, France, is heard here in two concerts presenting a triptych of solo performances on bowed classical and electric guitar, improvised with no effects, with two parts on electric guitar recorded at the concert series "Aux Soirs Du Chercheur De Noises", the 2nd, "Spectrum, NY" on classical guitar.

Vancouver guitarist Tony Wilson in his 1st solo release recorded in an island cabin, showing his influences from Leadbelly, Fahey, Coltrane, and Ribot.

"Minneapolis-born Hong Kong raised and Berlin-based guitar performer Eric Wong is the author of this amazing release on Portuguese label Creative Sources, named after the initial of each of the five pieces he collected here. Since the o...

"5th January, 12th January, 19th January, 4th February of the year 2015 have a thin red line (or I'd rather say a black line, considering their color on a calendar). They occurred on Monday, the first five Mondays of that year to be pre...

Croatian guitarist and electroacoustic musician Ame Zek in an album of electroacoustic improvisation using prepared guitars, acoustic percussions, self made objects, contact microphones, analog modular synthesizer, amplified feedback speakers, magnetic field microphones and digital midi machines; an album of raw, raspy, dark and dissonant sound.

The debut for this acoustic free improvising Amsterdam trio of Ziv Taubenfeld on bass clarinet, Henk Zwerver on guitar, and Maya Felixbrodt on viola, in a set of abstract improvisations of an active nature using unorthodox and extended techniques, with an upbeat sense of excitement and enthusiasm that allows for solo forays amongst great collective discourse.

A beautiful trio album of compositions from pianist Yuko Fujiyama and presented in a mix of solo pieces and duets & trios with cornetist Graham Haynes and electronic improviser Ikue Mori, for a subtle set of elegant improvisations balancing spacious moments with responsively relaxed interplay rich with anticipation, punctuated with two poems by Shutaro Tankikawa.

A solo album from Austrian-born, NY-based pianist Elias Stemeseder, a member of the Jim Black Trio and Dre Hocevar, here presenting 14 original compositions, succinct works of inventive structures and insightful improvisation along with a traditional Austrian tune "foeggslia'l", an album revealing great skill, quick wit, and a complex mind that yields delightfully intrepid discovery.

The 3-headed monster Khimaira--a lion head in front, a goat head at its back and a snake head at its tail--is rendered by the transatlantic trio of NY saxophonist Chris Pitsiokos, Portuguese trumpeter Susana Santos Silva and Swedish bassist Torbjourn Zetterberg, using profound technique, snarling interaction and contemplative patience to coax the beast in masterful interplay.

The Geometry quartet of Tomeka Reid on cello, Taylor Ho Bynum on cornet, Kyoko Kitamura on voice, and Joe Morris on guitar in their sophomore release of subtly ferocious acoustic improvisation, acute and obtuse angularity through both highly interactive playing and spacious sprawls that merge melody and pointillist styles, expanded through Kitamura's imagistic vocals; outstanding.

An extended monologue on the alto saxophone from Tokyo-based Masayo Koketsu (Carrier/Koketsu/Fuwa/Itani), driven by an innate sense of timing to introduce assertive utterances, growls, throttling and intense interaction offset with long pauses, digressive asides and reflective moments, a remarkable album of modern free jazz in the Japanese tradition.

The trio of North Carolina Triangle free jazz players Crowmeat Bob on bass clarinet, clarinet, alto & tenor saxophones, Phil Venable on upright bass, and Charles Chance on drums, Venable and Chance known from The Paul Swest band, here in a studio album of seven collective free improvisations using open and often abstract approaches to melody and rhythm.

Three muscular and inventive solo improvisations on the acoustic upright bass from North Carolina bassist and composer Phil Venable, a member of Tragic Assembly and The Phil Venable - Paul Swest Duo, recorded in the studio in 2022, the three "Basswork" parts are mostly demonstrating his strong walking and plucking skills, at times applying objects to his strings.

The first trio collaboration between London pianist and innovator Pat Thomas and Swedish improvisers, Sture Ericson on saxophones, and Raymond Strid on drums, performing live at Cafe OTO in London in 2019 for four improvised soundscapes about the fictional character "Bagman", using extended and prodigious technique with both disruptive and melodic intentions.

A meditation on the life of Japanese-Americans after living in California's concentration camps during World War II, performed by Patrick Shiroishi through layering of c melody saxophone, alto saxophone, baritone saxophone, tenor saxophone, sopranino saxophone and voice, reflecting on his own grandfathers's seemingly unbearable experience through patience and dignity.

The last installment in Strut's Sun Ra reissue series is also the first time that Sun Ra Arkestra Meets Salah Ragab in Egypt album has been reissued, bringing to light these studio recordings between the Arkestra and Egyptian drummer Salah Ragab, recorded during Ra's 1983 Egyptian tour, and featuring two Ragab compostions from his Cairo Jazz Band.

Downtown NY pianist Anthony Coleman (John Zorn, Marc Ribot, Glenn Branca), and drummer Brian Chase (Jeremiah Cymerman, Yeah Yeah Yeahs, Drums and Drones) present their debut collaboration, balancing jazz-influenced improvisation with avant compositional forms to forge a chamber jazz album of thoughtful interaction informed by profound technique and creative drive.

Canadian improvising clarinetist François Houle and Swiss trumpeter Marco von Orelli are heard live at the Bird's Eye Jazz Club, in Basel, Switzerland, 2020 for eleven dialogs reminiscent of the work of John Carter and Bobby Bradford, though uniquely in their own modern language of chamber-oriented jazz through original compositions from both artists.

Essential to any collection charting the transition from Birth of the Cool era jazz to the modern explosion of harmonic and compositional forms, are pianist George Russell's two most essential albums from 1961 & 1962--Ezz-thetics and The Stratus Seekers--in a sextet & septet including Eric Dolphy, Don Elliss, Steve Swallow, &c., remastered to reveal their vital clarity.

Well-recorded performances of Coltrane's most noted works--"Naima", "My Favorite Things" and "A Love Supreme"--in superb concerts from Berlin in 1963 and Antibes in 1965 with his classic quartet of pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones, revealing the expansion and freedom these compositions receive through the flexibility of live performance.

Named for the long history of collaboration over decades, the NY free jazz Telepathic Band of Daniel Carter on saxophones, clarinet & trumpet, Patrick Holmes on clarinet, Matthew Putman on piano, Rhodes, Hilliard Greene on bass and Federico Ughi on drums are heard live at the 2018 Forward Festival in Brooklyn, NY for four outstandingly informed improvisations.

An early example of the focus and encompassing direction of the 577 label run by Italian-born/NY-based drummer Federico Ughi, in a trio with trumpeter Kirk Knuffke and guitarist Chris Welcome, building from an introspective approach to free playing as they expand their group energy through shards of organic sound, finally releasing into a beautiful "Inner Void".

The Sun Ra Arkestra configured as the 14-piece Centennial Dream Arkestra under the direction of Marshall Allen are heard in an ecstatic live concert at Istanbul's Babylon music club in 2014, released as a double LP audiophile edition, with performances of Sun Ra classics including "Astro Black", "Saturn", "Discipline 27B", and "Satellites Are Spinning".

"This 'Aella' release is one of three in a series curated by myself and released by 577 Records. The other two records are of my trio and of Alan Bjorklund's Amygdala. This trio displays the amazing potential of improvised music. Whenev...

One of three albums in a series curated by saxophonist David Schnug and released by 577 Records, trumpeter Alan Bjorklund's Amygdala presents an inventive and adventurous set of compositions, from a succinct 16 seconds to more than 7 minutes on the title track, in a mix of composed and improvised approaches using modern syntax and compositional strategies to compelling effect.

After years of collaboration through New York's Downtown scene, multi-reed & wind player Daniel Carter (also on piano) and drummer Federico Ughi recorded this 2012 studio album, their 3rd duo album together and a great example of their spontaneously lyrical give and take, ability to anticipate each other's momentum, and the deep jazz roots that each brings to their music.

"Concrete Science is not a stiff, cerebral test of complex music. It is the natural unfettered dialogue between three masterful improvisers: saxophonist Daniel Carter, trombonist Steve Swell, and drummer Federico Ughi. Though cerebral i...

A solo sax album of patterns and intersections from London writer, artist & musician Massimo Magee, influenced by a wealth of sources from Braxton to Stockhausen, each of the five parts of "Toneflower" affected through mic placement as Magee builds to wild expressiveness, transforming round tones into stratospheric pitches, using circular breathing for extended expressiveness; stunning!

Inspired by the work of Lennie Tristano, Brooklyn-based saxophonist and wind player David Schnug steps out as a leader in the first of three albums (along with Aella and Alan Bjorklund's Amygdala) in a trio with bassist Chris Tordini and drummer Max Goldman, each of the 7 amusingly titled pieces employing a different compositional concept.

"Bonus material from the album Songs For Four Cities. Exclusive limited edition of 20 hand-numbered copies."-577 Records

"On the first piece of this album, "Talk in Play, People On Mercy", you will hear a rare wall of sound created by two acoustic instruments : Federico Ughi's drums and Gene Janas' bass. For close to nine minutes they bury every aspect of...

One of a pair of complementary CDs (Navajo Sunrise and Navajo Sunset) this 2010 trio recording of a live performance at Area Sismica, Ravaldino in Monte, Italy between Daniel Carter on alto sax & piano, William Parker on bass & shakuhachi and Federico Ughi on drums, is a solid example of the sensitivity and collaborative power of the Downtown NY creative jazz scene.

Recorded in Brooklyn in 2009 from the Downtown New York working band of David Moss on bass, Federico Ughi on drums, Matthew Putman on piano, Daniel Carter on saxophone and Demian Richardson on trumpet, this album was self-released by the artists, to Wake Up! the world through solid grooves and hard playing electric jazz of intensely spirited soloing.

Drummer Federico Ughi is heard in three duo configurations of three improvisations each with British improvisers Steve Buckley on alto saxophone and bass clarinet; Rachel Musson on tenor saxophone; and Matthew F. Morris on baritone saxophone, recording in the studio in London, 1998.

The first new Bootstrappers album since 1992, joining band leader Elliott Sharp for this 3rd album are longtime collaborators Melvin Gibbs on electric bass and Don McKenzie on drums, for seven assertive rock-based improvisations fueled by electronics, free jazz, no wave and electroacoustic sound, manifesting a hardboiled NY ethic of focused grooves and free playing.

Including three previously unreleased live tracks, one of Downtown NY's supergroups of drummer Samm Bennett, reed & wind player Ned Rothenberg and guitar & bass player Elliott Sharp's 2nd album is reissued, bringing this collection of seemingly endless possibility in improvisation back to the foreground, sounding as modern today as it did in the percolating creativity of 1987.

An unusual blend of jazz tradition, spoken word and soundscape, presenting mostly as a jazz album with spoken narration from Steve Piccolo (Lounge Lizards) guiding the album with abstract comments that interject with Sergio Armaroli's virtuoso vibe playing, Elliot Sharp adding both acoustic sax elements and inventive sonic environments underpinning many moments; conceptually fascinating.

The fifth album on Leo Records for vibraphonist Sergio Armaroli, and his second with NY guitarist, saxophonist & electronic artist Elliott Sharp and bassist Steve Piccolo, using lyrical interpretations of jazz standards as a jumping off point for experimental and unusual approaches to improvisation, a unique balancing point in a fascinating collection.

Celebrating his 50 years, Norwegian bassist and composer Ingebrigt Haker Flaten assembles a band of diverse background and superb musical skill to tell his story as a tribute to the people, music and places that have shaped him, a work commissioned by Vossajazz and presented as six destinations including Trondheim, Chicago, Mexico City, &c.; a profound and amazing journey in music.

A dark trio of NYC heavyweights Tim Dahl and Trevor Dunn on bass and Nandor Nevai ( _ (Underscore)) on drums and conducting, in Nevai's fifth iteration of the _ ("UNDRSKOR") project, following a fusion of forms referred to as 'Neauxtheque' invoking "Danger Classical", the Martial Pop subgenre of Industrial and the virtuosic demands of Technical Death Metal.

Reissuing The Necks 18th album, finding the Australian trio of drummer/percussionist Tony Buck, bassist Lloyd Swanton and pianist/keyboardist Chris Abrahams in a vertiginous 44 minute dark excursion punctuated by cliff hanging moments through homemade instruments and unusual textures, one of the darker and more cathartic albums from The Necks large discography.

The 1st live album from Norwegian pianist Espen Eriksen's Trio with bassist Lars Tormod Jenset and drummer Andreas Bye, joined by British saxophonist Andy Sheppard, for original compositions plus "Rosemary's Baby", captured at concerts from Oslo's Nasjonal Jazzscene in 2018 & 2020, a 2020 concert at Propeller Music Division in Oslo and a 2021 performance in Poznan, Poland.

An optimistic definition of "Defeat" through the exultantly dark and expressive work of Fire!, here as the quintet of Mats Gustafsson on flute, baritone sax & live electronics, Johan Berthling on electric bass, Andreas Werliin on drums, Goran Kajfes on quartertone trumpet and Mats Aleklint on trombone & sousaphone, in five works of richly creative and modern improv.

The 3rd album from the Oslo's Master Oogway quartet of Havard Nordberg Funderud on guitars, Lauritz Heitmann Skeidsvoll on sax, Martin Heggli Mellem on drums and Karl Erik Hornsdalsveen on bass, recorded at their monthly concert series at Kafa Haerverk, joined by flutist Henriette Eilertsen (Billy Meier and Andreas Roysum Ensemble) for four lyrical composed by bassist Hornsdalsveen.

The 3rd album from this young Norwegian piano trio led by composer Kjetil A Mulelid with double bassist Bjørn Marius Hegge and drummer Andreas Skår Winther, presenting ten lyrical compositions of strong melodies and solid and expressive rhythmic foundations, a thoughtfully beautiful and sophisticated album of exquisite modern jazz.

Phil Venable, the Chapel Hill, North Carolina bass player known for his work in the free jazz outfit Tragic Assembly, pairs up with Tragic Assembly drummer Charles Chace for an excursion into the outer limits of improvisation, the album title a reference to a medicinal clay and a riff off of the Charles Mingus song "Moanin".

His 2nd album as a leader on Tao Forms, drummer Whit Dickey expands on his previous trio album with Rob Brown on alto sax and Brandon Lopez on bass, adding Mat Maneri on viola, bringing together four collaborative New York players that share a long history, evident in the confident interaction, freedom and momentum this band shows on five conceptually linked Dickey compositions.

Joining the Chicago ensemble of Dave Rempis on alto, tenor & baritone saxophones, bassist Joshua Abrams and drummer/percussionist Avreeayl Ra is pianist & synth player Jim Baker, performing at Elastic Arts in July 2021 as the venue reopened after pandemic shutdowns, the significance clear in the spiritual power and inspired performances of all 4 players.

A fully free improvisation of subtly disruptive, extended electroacoustic mastery, recorded during the Svensk Musikvår Festival at Aliasteatern, Stockholm in 2021, in a piece conceived by Mats Gustafsson who performs on saxophone & flute, with Anna Lindal on violin, Mats Lindstrom on electronics, effects & sampler and Joachim Nordwall on analog synths, effects & tapes.

Dave Tucker, a one-time member of The Fall and long-time free improviser involved with the Alan Tomlinson Trio and his own School of Velocity quartet with Evan Parker, John Edwards & Steve Noble, in a duo with double bassist Pierpaolo Martino for 11 succinct and assertive dialogs titled "Melophobia" I - XI, diverse works from active Crimson-esque playing to dark & introspective ruminations.

The 2nd release from the UK collective quartet of Jose Canha on double bass, Trevor Taylor on drums, percussion, Dan Banks on piano and Josh Ison on saxophone, exploring the intersection between freely improvised music and free-jazz, drawing out energetic and subtle moments in lyrical interactions through energetic and focused momentum with a full range of character.

Recording in the studio in Hornchurch, UK in 2022, the open-minded, innately lyrical and freely improvising trio of pianist Dan Banks, long-time collaborator with drummer Trevor Taylor at the latter's Jazz825 club in Southend-on-Sea, and Portuguese double bassist Jose Canhas, are heard in five impeccable contemporary jazz recordings, warm collective conversations of adept skill.

A collective West Coast trio from double bassist Kyle Motl (Treesearch) with cornetist Dan Clucas, also on violin and moxeno (an Andean wind instrument) and drummer Nathan Hubbard, imbued with a spiritual and natural chamber jazz feeling, their improvisations influenced by concepts of daydreams, incandescence and zephyrs; a beautiful and open-minded album.

From the same 2017 session that was released as the album Estuary, this concert in the Philippines between American expatriate saxophonist Rick Countryman and visiting Swiss drummer Christian Bucher expands on the free playing of these two empathetic improvisers, presenting a mix of textural, conceptual, melodic and rhythmic interplay steeped in their personal histories.

Performing on tenor, alto and C-melody saxophones plus alto flute, Paul Dunmall's trio brings together drummer Taymotusz Joziwiak (heard on One Became Many, Unmasked and Awoto) and younger generation bassist James Owswon, for an album of expressive and lyrical free jazz, a well-paced example of tempered collective interplay highlighting all three musicians.

Free string improvisations from Philipp Wachsmann on violin, David Leahy on double bass and Bruno Gustralla on cello, creating subtle and spacious intersections of strings that focus on unusual techniques, melodic fragments spliced over resounding bowing, plucking and instrument errata, while percussionist Trevor Taylor adds sparse punctuation; inscrutably authoritative improv.

A stellar collective collaboration between British and Australian improvisers recorded at the Kazz Lab/Jazz Club, in Melbourne, Australia as part of a joint recording project between MONASH and RMIT Universities, with performers Raymond MacDonald on alto sax, Robert Burke on tenor sax, Paul Grabowsky on piano, Nick Haywood on double bass and Antony Floyd on drums.