The Italian trio of saxophonist/clarinetist Francesco Masaro, pianist and prepared pianist Giovanni Cristino, and drummer/percussionist Walter Forestiere, take us on a journey at the lower levels of a forest's undergrowth, adding objects, preparations and extended techniques in a blend of free jazz and nonidiomatic forms to reveal mystery and brightness in the brambles.

Using multiple voices, field recordings and electronics, Brazil-born composer living in Berlin Laura Mello works with spoken language as she explores human perception of acoustic phenomena in relation to spoken language, here in 8 compositions or excerpts that reveal hallucinatory and unusual aspects of speech complemented by elusive aural environments.

An album for bowed strings, bowed metal, and double bass, from the quartet of Dietrich Petzold on violin, viola, bowed metal, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Matthias Bauer on double bass, presenting a seven part suite recorded in the studio in Berlin, active and exciting music that bridges classical technique with free improvisation.

A quintet album of minimal/lowercase electroacoustic improvisation recordeded at Penedo in Portugal from Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Miguel Mira on cello, Anna Piosik on trumpet, and Carlos Santos on electronics, each performer using extended techniques, contrasting atmospheric tones with percussive, often pointillistic approaches.

Finnish guitarist Lauri Hyvarinen joins Portugues Creative Sources collective members Ernesto Rodrigues on viola, Abdul Moimeme on electric guitar, and Carlos Santos on synthesizer, for a studio album whose title refers to the shell of an object, a mysterious reference peeled away by this quartet through subliminal playing of intense technique and concentration.

Live recordings of the performance on March 1st, 2018 at the Galerie arToxin in Munich, presenting compositions from Udo Schindler performing on bass clarinet, soprano saxophone & euphonium, Gunter Pretzel on viola, and Georges-Emmanuel Schneider on violins & live electronics, three artists of diverse background crossing boundaries to create something unique and exciting.

A unique pairing of strings from Berlin improviser Wolfgang Schwabe performing on the Guqin, or Qin, a plucked seven-string Chinese musical instrument of the zither family, and Hui-Chun Lin on cello and voice, finding common ground in instant compositions of exotic string figures plucked and bowed, with Hui-Chun Lin sometimes adding emotional release in voice.

Taking two players from Guy Seger's Eclectic Maybe Band (Discus Records), classically trained Catherine Smet and improvising drummer Dirk Wachtelaer fulfill their album's title with 11 free dialogs, their dexterous mastery evident as they carry on energetic conversations of urgent activity, or lay back in cultivated discourse of sophisticated artistry; engaging.

A reflection of the previous year's solo work from Berlin-based saxophonist and clarinetist Edith Steyer, a member of GEDOK, the Berliner Senat and Composers Orchestra Berlin, here using preparations and extended techniques to open new possibilities in improvisations, as she explored ethnomusicology, using repetitive figures influenced by tribal music.

Twelve dialogs of burning, intuitive and astute free improvisation from three players steeped in the form--Simon Nabatov on piano, Barry Guy on double bass, and Gerry Hemingway on drums & marimba, performing live at LOFT in Cologne, Germany in 2015, an essential example of modern creative playing that surprises and enlightens with repeated listens.

A unique freely improvised sax and bass duo from Angles leader Martin Kuchen on alto and sopranino saxophones, and Rafal Mazur on acoustic bass guitar, recording live at BAZA Club in Krakow, Poland in 2017 they perform the two part "Baza", initiating with mastery and determination, morphing to more meditative playing, and ending with impressive assertion.

The second volume of Lithuanian soprano and tenor saxophonist Liudas Mockunas's unusual album of water-based saxophone technique, augmenting the instrument by placing the bell of the sax into water, here in an epic live performance that uses both water and extreme technical skills and authoritative intent as he draws astoundingly diverse sounds from his instrument.

Cornetist Bobby Bradford leads this quartet with soprano saxophonist Hafez Modirzadeh, also playing karna and khaen; bassist Roberto Miguel Miranda; and East Coast drummer Vijay Anderson, in a live concert at the Blue Whale in Los Angeles in 2017, a sophisticated avant jazz outing including a set of variations for Ornette Coleman, a great example of modern creative form.

The 3rd album from the trio of Larry Ochs (Rova Saxophone Quartet) on tenor & sopranino saxophones, Downtown NY mainstay and West Coast migrant Mark Dresser on bass, and Ganelin Trio alumnus Vladimir Tarasov on drums and percussion, in four superb examples of collective improvisation captured live in two concerts in Berkeley and San Diego, CA in 2016.

Saxophonist Ron Caines, who led the innovative band East of Eden in the late 60s, joins a septet including Martin Archer on reeds & electronics, Laura Cole on keys, Gus Garside on bass, Johnny Hunter on drums, Graham Clark on violin & guitar, and Herve Perez on live sound processing & shakuhachi as they merge improv with real time processing and studio collage.

A mysterious album of viola, viola d'amore, organ, and field recordings, merging the compositional minimal approach of Wandelweiser artist Eva-Maria Houben with Creative Sources performers Ernesto & Guilherme Rodrigues, the field recordings creating a virtual setting of environmental stillness, evoking slow motion in the unique "thisness" of haecceity.

Recording at the Pied Nu Festival, in Le Havre, France in 2018, the trio of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Carlos Santos on electronics present an extended and mysteriously subtle album of electroacoustic improvisation, detailed and remarkably controlled conversation of near telepathic anticipation from three intimate collaborators.

Named for the city in which it was recorded, the trio of Karoline Leblanc on harpsichord, Ernesto Rodrigues on viola, and Paulo J Ferreira Lopes on gongs & cymbals, is a mysterious and ritualistic album, Lopes' gongs slowly intoning as the strings use unusual techniques, much of the harpsichord played inside; a subtle and beautiful reflection of historic Montreal.

Drolleries are small creatures adorning the margins of 13th-15th century illuminated manuscripts; Sam Weinberger is a Brooklyn saxophonist known for groups W-2, and this Bloor project with electric guitarist Andrew Smiley and drummer Jason Nazary, an assertive and rugged trio playing Weinberg's compositions about the perceptual phenomenon of ever-changing repetition.

The first release from the trio of Nels Cline, Gerald Cleaver, and Larry Ochs in a 2016 concert at Gallery5 Arts, in Richmond, Virginia, captured as part of the trio's series touring around the Northeast each December since 2015, playing what Larry Ochs describes as music that "seeks sonically to soothe, to inspire, and to conspire", in three urgent and powerful improvisations.

Saxophonist Jorgen Mathisen (The Core) composes for and leads his quartet with fellow Norwegian players Erlend Slettevoll on piano, Trygve Waldemar Fiske on double bass, and Dag Erik Knedal Andersen on drums, through six lyrical free jazz compositions, often in a Coltrane mode, his music influenced by sci-fi, Sun Ra, and Philip K. Dick; a solid record of modern jazz.

Red Trio pianist Rodrigo Pinheiro joins Polish free improvisers, drummer Kuba Suchar from the European band Robotobibok (which became Mikrokolektyw), and double bassist Zbigniew Kozera from Sundogs and LEM, for five collective improvisations, diverse and dynamic dialogs of profound technique and creative intention.

A tribute to pianist and composer Bernardo Sassetti from a trio that includes two members of Sassetti's Trio--bassist Carlos Barretto and drummer Alexandre Frazao--along with pianist Alberto Conde and violist Jose Valente, as they interpret Sassetti compositions, a Federico Mompou piece Sassetti played frequently, along with original compositions from all members.

Portuguese guitarist Jose Dias steps away from his quartet and trio, and from the many scores for theatre, contemporary dance and animation film that he's composed, to focus on his solo electric guitar work, in this album that applies subtle affects and a warm, ethereal ambiance to expressive and passionate pieces, each conveying a sense of narrative and purpose.

Free collective improvisation from the Portuguese trio of Paulo Alexandre Jorge on tenor saxophone, Luis Desirat on drums, and Monsieur Trinite using objects, captured live in Almada at Casa da Cerca, the three contrast hard-edged collective playing with open and expansive passages, regrouping their sonically interesting approach to free jazz in and out of the idiom.

The longstanding relationship between US alto saxophonist living in the Phillipines, Rick Countryman, and legendary free improvising Japanese percussionist Sabu Toyozumi, heard in two previous albums, is here captured live in concert in the Phillipines in 2018, revealing active and thoughtful dialog of great expression and skill, an inspired encounter of free playing.

Working together since 2014 in larger ensembles, NY reedist Don Byron and Cuban-born, US pianist Auran Ortiz find a modern yet lyrical heart in their duo collaboration on an album that includes original compositions and intimate renderings of pieces by Duke Ellington, Federico Mompou, Geri Allen, and J.S. Bach, a uniquely diverse and wonderfully embraceable release.

NY Bassist Michael Formanek composes for and leads his Elusion Quartet with saxophonist Tony Malaby, pianist Kris Davis, and drummer Ches Smith, a heavyweight set of improvisers who take on Formanek's sophisticated and elusive compositions, using unusual meters and complex yet comprehensible structures, performed with prodigious skill and passionate approaches.

The Oakland, CA-based Fred Frith Trio with bassist Jason Hoopes on double bass and electric, and Jordan Glenn on drums and percussion, extend their sonic excursions in this 2nd album that finds Frith on electric guitar and organ, as they evolve incredible soundscapes or shred through intense and intricate interplay; a rich album of dexterity, mood and power.

The rhythm section from the Amok Amor quartet--drummer Christian Lillinger and bassist Petter Eldh--are reformed as a trio with pianist Kaja Draksler, to create a thrilling, twisting and turning band of quick-witted, avant jazz angles, confusing and thrilling with unexpected shifts in direction on an informed, fun-filled and thoroughly modern album.

Implying the antithesis of confusion, NY drummer Tom Rainey's trio brings together close cohorts and family--Ingrid Laubrock on saxophone and Mary Halvorson on guitar--for an album recorded close to home, in Connecticut's Firehouse 12 studio, where they record the large title track and five shorter-form examples of their diverse and intimate approaches to collective improvisation.

The brilliant UK pianist Howard Riley is caught live in a US tour in the fall of 1976, recorded at 3 locations in NYC and in Buffalo, NY, each of the well-recorded improvisation a masterwork of extended form as he plays both outside and inside the piano, ranging from warm sections of lyrical quality to fast-paced streams of consciousness in a Cecil Taylor mode; magnificent.

Blending free jazz, electronic music, glitch, and collective improvisation, the Swiss trio of Dominic Landolt on guitar & effects, Ramon Landolt on synth, samples & piano, and Mario Hanni on drumsÊ& effects, bring a modern and experimental edge to their diverse approaches to free improv, colored with electronica and rock overtones; a fascinating brew.

After reedist Ken Vandermark's residency at The Stone in 2016, he went into the studio with improvisers Nate Wooley on trumpet, Sylvie Courvoisier on piano, and Tom Rainey on drums to record this spectacular album of forward-reaching jazz using stunning technique and wonderful lyrical complexity, as they run through compositions from Wooley, Vandermark and Courvoisier.

Recorded in the late 1970's in Canada while improvising rock, jazz, pysch, folk, country & blues guitar madman Doctor Eugene Chadbourne was living there, this is the second of four LPs documenting his work at the time, this album presenting 6 solo pieces of profound playing amidst an unusual experimental nature and a uniquely Chad sense of humor.

Lebanese trumpeter Mazen Kerbaj, known from "A" Trio and collaborations with Franz Hautzinger, Toshimaru Nakamura, Birgit Uhler, &c., here joins two Berlin percussionist--Burkhard Beins and Michael Vorfeld--both members of Berlin Echtzeitmusik, to record this fascinating studio album of extraordinary technique and sonic control.

Reissuing the 1st CD on UK free improvising guitarist Derek Bailey's Incus label is this 1982 duo with Brazilian percussionist Cyro Baptista, a remarkable dialog that draws percussive qualities from Bailey and lyrical aspects from Baptista, as the two push each other into inventive and exotic exchanges in an exuberant album; an incredible start to the Incus CD series.

An unusual pairing between UK non-idiomatic improvising legend Derek Bailey and clarinetist Tony Coe, best known for his work with Franz Koglmann (heard on Hatology) his work with Tony Oxley, and work in avant classical settings; here they find common ground in a miniature chamber improv approach of both technical virtuosity and atonal lyricism.

A confluence of reeds as Brazilian-born, NY-based tenor saxophonist Ivo Perelman meets NY-born, Chicago-based bass clarinetist Jason Stein, the 2nd of Perelman's recent reed duos after his meeting with bass clarinetist Rudi Mahall; here Pereleman ascribes a spiritual connection with Stein in the remarkable compatibility of wonderfully controlled, complex interplay.

The first in a series of recent duo recordings from Brazilian-born, NY-based tenor saxophonist Ivo Pereleman is with German bass clarinetist Rudi Mahall, both incredibly skilled players that complement each other in timbre and range, while finding common ground in intertwining lines, incredible counterpoint, and an innate adherence to lyricism.

Electric guitarist Olaf Rupp, one of the leading figures of Berlin's Echtzeit scene, and Rudi Fischerlehner, an active Berlin improvising drummer, have been playing together as Xenofox for years, releasing albums and playing festivals, here captured at A L'Arme Festival at Radialsystem, in Berlin in 2017 with turntablist Joke Lanz adding to their controlled chaos.

A limited live album from German saxophonist Peter Brotzmann's long-running Full Blast trio with the precise and dynamic Swiss rhythm section of Marino Pliakas on electric bass and Michael Wertmuller on drums, captured at Audio Rebel, in Rio de Janeiro, Brazil in 2016 as they tear through a tumultuous set of five burning improvisations of passionate playing.

Composer & violinist Jason Kao Hwang wrote "Blood" as he meditated upon the traumas of war retained within the body as unspoken vibrations that reverberate across community and generations, performed in an incredible east/west octet with Taylor Ho Bynum (cornet), Joseph Daley (tuba), Andrew Drury (drums), Ken Filiano (bass), Sun Li (pipa), Steve Swell (trombone), & Wang Guowei (erh).

The core trio of the Boston collective Leap of Faith Orchestra of improvisers, approaching large work using unique compositional techniques and an arsenal of traditional and unusual instruments and percussive devices, here joined by Elinor Spiers on violin, log drums, glockenspiel, metal, wood, crotales, and cymbells, for a uniquely detailed and immense improvisation.

The Leap of Faith string-heavy grouping in a concert at Outpost 186 in Cambridge, 2018 with PEK on bamboo saxophones, reeds, tarota, contrabassoon, sheng, melodica, aquasonic & bells; Glynis Lomon on cello & aquasonic; Grant Beale on guitar; Lukasz Pavlikovsky on cello & aquasonic; Albey onBass on electric bass; Silvain Castellano and Adrienne Schoenfeld on double bass.

Austrian drummer percussionist Rudi Fischerlehner (RM, Xenofox, Parrot Feathers, &c) in his first solo album of energetic, polyrhythmic construction, titled for a chance proximity to a note on 15/8 rhythms and Rene Pollesch's book "www-slums", apt for the blend of precise playing and creative abstractions heard in this engaging and propulsive album.

The Berlin trio of Rudi Mahall on clarinet and bass clarinet, Olaf Rupp on electric and acoustic guitar and Jan Roder on double bass in an ironically packaged album of free improvisation of the highest standard, taking the listener on a journey of informed free jazz that references the past in thoroughly modern approaches to creative music.

Four voices--Norbert Zajac, Brigitte Kupper, Gala Hummel, Iouri Grankin--sing and speak over the piano work of Russian improviser Andrei Razin in a moody and often startling album that set tonal environments or disorient the listener through constrasting layers of vocalization, as Razin darts among them or sets an atmosphere of lingering tones; often curious, frequently stunning.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Australian composer Alister Spence wrote this in five parts composed for an improvising orchestra, which was first premiered in 2016 by Satoko Fujii's orchestras in Kobe, Nagoya and Tokyo, and the Glasgow Improvisers Orchestra; this recordings in 2017 at Big Apple Jazz Club in Kobe revisits the work with Fujii's Orchestra Kobe, conducted by the composer.

The first release on Japan's Armageddon Nova, now reissued as a limited 180gm double vinyl LP, presenting a 2012 concert at Performing Arts Center, in Japan in 2012 by the duo of free improvising alto saxophonist Aishi Oyauchi, a peer of Karou Abe in the 60s, and contrabassist Deku, a member of the 70s free improvising group New Jazz Syndicate.

Electroacoustic improvisation with unusual techniques from the sextet of saxophonist Sebastian Branche, laptop electronicist Thanos Chrysakis, saxophonist Tom Soloeitzik, guitarist James O'Sullivan, saxophonist Artut Vidal and clarinetist Jery Wigens.

Intricate and beautifully paced electroacoustic improv from the quartet of Thanos Chrysakis (laptop, synth & radio), Ken Slaven (berimbu, autoharp, violin), James O'Sullivan (guitar) and Jerry Wigens (clarinet & mandolin).

Canada's songwriting Hobson's Choice has developed into a tightly knit ensemble embracing elements of jazz, chamber, and singer-songwriter traditions, with sound-worlds ranging from midnight deep-woods marimba ballads to sunny cicada-sung anthems.

"HORKESKART" acted as a conceptual & unique choir group from 2000 to 2006, based in Belgrade.

A beautiful 2 picture disc LP and booklet of radio plays (Horspiele) from sound artist and poet Ferdinand Kriwet, presenting 6 works including Hortext (radiotext) I, and Rotoradios I & II.

The Spring 2016 issue of Canada's best creative music magazine covering composed, improvised and experimental music. Articles include: Juan Camilo Vasquez' Caliope (canto de las abejas); First-Place Winner, Musicworks' 2015 Electronic M...

Composer Petit in an opus dealing with the dynamic of resonance and its incidences: a microphonic exploration of a single sound body made to resonate by means of different types of percussion, building a dramatic story from sampled and processed percussive elements.

The North Carolina improvising collective Polyorchard, wrote this set of unusual and diverse improvisation for the 8th {Re}HAPPENING at Black Mountain College on March 31, 2018, this album a studio recording of that music featuring saxophonist Laurent Estoppey, Michael Thomas Jackson on clarinet and radio, David Menestres on bass and objects, and Dan Ruccia on viola and piano.

The fourth ECM album from NY Saxophonist Tim Berne and drummer Ches Smith, here in a trio with textural guitarist David Torn in three extended compositions merging jazz, rock and ambient forms, the middle track augmented with the Scorchio String Quartet and Craig Taborn, as they ebb and flow intense energy, fascinating compositional turns, and superb playing.

World instrumentation of shakuhachi, thai flute, shinobue, thai mouth organ, and shruti box blends with western orchestration of double bass, percussion and electronics as Clive Bell, Arild Andersen, and Mark Wastell come together in the studio after their well-received concert at Cafe Oto in London to develop these beautifully lyrical improvisations.

Delicate improvised interaction based around a day of meditative composing from London-based violinist Mandhira de Saram, a founding member and leader of the Ligeti Quartet, and French pianist Benoit Delbecq, an active improviser also involved in theater, dance, and visual arts; here the two use profound control and mastery to create intensity without excess.

A one-take improvisation recorded in Berlin by trumpeter Tom Arthurs, caught on New Year's Day 2018 using piccolo trumpet, mutes and binaural field recordings, intended for headphone listening, as he provides an incredible sense of location while stimulating his listener with subtle interventions that ultimately act as a backdrop for his distinctive and sly soloing.

Selected short pieces for C double bass clarinet from German multi-reedist Udo Schinder, recorded live at his performance space for avant, free, and sound-oriented improvisation, Salon fur Klang + Kunst, in Krailling, Munich; Schindler presents a diverse set of approaches recorded to give strength and warmth to both subtle and vociferous statements.

New York-based Italian percussionist and Neither/Nor label leader Carlo Costa in a solo percussion album of two pieces using drum set, concert bass drum, singing bowls, bells, triangles, wood blocks, tiles, styrofoam, cymbals, violin bows, marbles, chains, knives, and other objects, creating fascinating alien soundscapes of momentous activity without histrionics.

A masterful performance at Radio Studio Zurich in Switzerland in 2018 from London jazz pianist Alexander Hawkins, improvising over a wide range of interests from jazz & blues to avant compositional work, with impressive skill as he runs complex and diverging figures on each hand that are coherent and exhilarating to follow, balanced with beautiful reflective sections.

With two guitarists--Mary Halvorson and Susan Alcorn on pedal steel--and Ryan Sawyer on drums, New York trumpeter explores the Rocky Mountains Columbia Icefield, the largest icefield in the Canadian Rocky Mountains, through sophisticated compositions and superbly illustrative sound, an exceptional album of improvisation and intention from four modern masters.

Jan Strom, whose devotion to Lyons previously resulted in a 120-page sessionography, has strategically selected material that amounts to five previously unreleased discs of solo and small-group sessions with alto saxophonist Jimmy Lyons, covering a broad range of dates and groups, each in enough detail to stand on its own, along with a fact-packed 60-page booklet.

Chicago and New York come together in Brooklyn to record this excellent encounter between pianist Matthew Shipp and flutist Nicole Mitchell, with Michael Bisio on bass and Newman Taylor Baker on drums, bridging exciting free playing with strong lyrical elements, balancing kinetically exuberant interaction with introspective and dark moments; inspired and masterful.

The Winged Serpents is a collective of solo pianist brought together by John Zorn to pay tribute to brilliant free jazz pianist Cecil Taylor, taking their name from his 1985 Soul Note album "Winged Serpent", Craig Taborn, Sylvie Courvoisier, Brian Marsella, Kris Davis, Aruan Ortiz, and Anthony Coleman each pay homage in original improvisations that invoke the spirit of Taylor's work.

A heavy album merging free improvisation, blues and rock forms from the French Killing Spree trio of Matthieu Metzger on alto saxophone & electronics, Sylvain Daniel on electric bass & effects, and Gregoire Galichet on drums, living up to the band name in dark malice captured live at Club Soto in Kyoto, Japan during their 2018 Japanese tour; vengeful.

Blending two of the most unconventional voices on the planet--Ute Wasswerman and Jaap Blonk--with percussionist Michael Vorfeld, also on string instrument, light bulbs and electronic devices, Wasserman adding voice, whistles, kutu wapa, frog buzzer, and mirliton, and Blonk adding electronics; wonderfully eccentric while impressively informed and masterfully executed.

A stunning solo album working inside and outside of the piano and coaxing electronic response from the strings from pianist Satoko Fujii, caputered at Samurai Hotel in NY in September of 2018, and in the studio in Brooklyn three months later, during her prolific 60th "kanreki" birthday year, here in 15 dynamic and far-ranging improvisations revealing her depth and creative powers.

An intimate and unique collaboration between two far-ranging Japanese performers--Yoshino, also known for her work in Japanese underground rock, here on biwa (a short-necked fretted lute) and voice; and trumpeter Natsuki Tamura, Satoko Fujii collaborator and Gato Libre leader--presenting exotic narratives in song using instrumental intervention of ardent improvisation.

Satako Fujii's 2008 release introducing her then new ma-do quartet of Satoko Fujii on piano, Natsuki Tamura on trumpet, Akira Horikoshi on drums, and late bassist Norikatsu Koreyasu, the band name signifying "window" and "the silence between notes", in an album of superb, lively, eclectic and absolutely exciting improvisation from 9 original Fujii compositions.

The Norwegian guitar trio led by Roland Galewicz on drums, Henrik Sandstad Dalen on double bass, and Havard Nordberg Funderud on guitar, free improvisers with a dark intent captured live at Kafe Haerverk, in Oslo in 2018 as they perform Galewicz's rhythm-heavy three part "Death Machine Suite", Funderud's spacious "Nice Things" and Dalen's searing "Holmenkollekspressen".

With two magnificent albums and more than 100 concert performances, the masterful dialog from this working string trio of Canadian, European and American players--Tristan Honsinger on cello and voice; Joshua Zubot, on violin; Nicolas Caloia on double bass--is evident in their thrilling exchanges and dynamic approaches to both rapid and reflective improvisation.

Improvising Japanese guitarist Riuichi Daijo joins Spanish Bass & Sopranino saxophonist Ferran Besalduch for a series of non-idiomatic dialogs, from bright restrained to assertive interactions, unusual techniques from Besalduch and percussive asides on the guitar adding engaging ornaments to their conversation; a nice accompaniment to a bright day.

A trio of improvisers recorded live at Exploratorium in Berlin, 2018, from Zemun prepared pianist Dusica Cajlan-Wissel, European percussionist Etienne Nillesen on extended snare drum, and improviser/sculptur Georg Wissel on prepared alto saxophone, through extended technique and preparations creating unusual sonic interactions of detail and restrained idiosyncratic discourse.

A mysterious and absorbing composition in 8 parts with 8 independent themes, composed to accompany the narrative of an exhibition in January 2018 by the Portuguese artist Sandra Gil at Galerie 9 in Lille, France, Bramnk's score combining acoustic, electronic, and studio components, this rendering adding viola from Guenola Fatout on several parts.

The Netherlands quartet of Martin Tervoort on tenor & soprano saxophones and bass clarinet, Bert Kleijn on drums, Fons Sluijter on cello, and Bennie Timmer on guitars, in collective improvisation influenced by jazz, blues, salsa, pop, free improv and modern compositional music.

Recording live in Berlin at Werkhalle Wiesenburg, the quartet of Portuguese father/son string players Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Danish saxophonist Mia Dyberg on alto sax, and Polish double bassist Tomo Jacobson present a precisely controlled concert of subtly detailed free improvisation using impressive technique and momentum.

The NY trio of Stephan Crump on acoustic bass, Ingrid Laubrock on tenor & soprano saxophones, and Cory Smythe on piano follow-up to their "Planktonic Finales" album with this live album recorded at the Unerhort!-Festival in Zurich in 2017, in a lyrically free album of solid compositional structures that result in warmly creative and singular jazz.

The 6th in John Zorn's "Hermetic Organ" series of real-time improvisations performed by Zorn himself, this volume paying tribute to the 19th century suspense and horror writer Edgar Allan Poe, as Zorn evokes Poe's enduring and chilling imagination using the organ's immense power and implicit sense of foreboding, stretching the limits of the organ.

Last Exit's 1989 limited edition release on MuWorks is considered by many fans to be their finest hour, and ironically, their least available work. Until now!