The second album from this Norwegian electric improvising power trio, using dark rhythmic grooves over which guitar, electric piano, amplified objects, no-input mixing board, and pianet emerge, creating hypnotic states that lead to exultant moments through sinuous melody, building and releasing intensity while maintaining a consistent gauzy undertone.

Three complete 2016 concerts at North Sea Jazz Festival, Ljubljana Jazz Festival and Oslo Jazz Festiva, and 3 CDs to present them, from drummer Gard Nilssen's Acoustic Unity, a superb free/post-bop group with a core of Nilssen, bassist Petter Eldh, and saxophonist Andre Roligheten, featuring 3 saxophonists: Fredrik Ljungkvis, Kristoffer Berre Alberts, and Jorgen Mathisen.

Exploring the ambient sound of the immense marble temple of the Portuguese National Pantheon, trumpeter Susana Santos Silva recorded this beautiful and spiritual solo improvisation as part of the Rescaldo Festival, adding tin whistle and bells as her stunning tone and impressive technique resonated and invoked the spirit of this 17th century monument.

Playing both upright & electric bass and doubling that with 2nd bassist Christian Meaas Svendsen, Jon Rune Strom leads his quintet of young Norwegian players--trumpeter Thomas Johansson, saxophonist Andre Roligheten, and drummer Andreas Wildhagen--for a live set at one of Norway's premiere jazz clubs, Nasjonal Jazzscene, for a jazz album of powerfully expressive free playing.

With members of The Core, Angles 9, Cortex, &c. The Heat Death is a Norwegian quintet with dual reeds and winds from Kjetil Moster & Martin Kuchen, Mats Aleklint on trombone, Olay Hoyer on bass, and Dag Erik Knedal Andersen on drums, a blazing band of energetic, informed and joyful free improv in a long-anticipated releases presenting 3 CDs of extended play.

Two dark works of sound creating a mysterious chasm of drones, pulsations, electronic stretches, and mysterious percussive engines, a strange pair of recordings that definitely fit the title of this 7" record from Norwegian sound experimenter Lasse Marhaug.

In 2012 choreographer Ivan Perez asked Rutger Zuydervelt (Machinefabriek) to work on a score for his dance piece, "Hide And Seek", and to create the piece in collaboration with cellist and multi-instrumentalist Aaron Martin, this album, a rich electroacoustic collaboration, presents the first sketches of what would eventually be one long continuous collage used in performance.

Music for the movie "The Red Soul" by Jessica Gorter, a chilling and fascinating look at the legacy of Josef Stalin, from an electroacoustic trio of Rutger Zuydervelt (Machinefabriek) editing and processing the playing of saxophonist Ilia Belorukov and percussionist Rene Aquarius, a dark and muted set of 14 emotional tracks that reflect a dark history.

Berlin saxophonist & bass clarinetist Silke Eberhard leads her trio with Jan Roder on bass and Kay Lubke on drums through a conceptual jazz album where tracks are connected by a fictional Inn, opening a literal door to the album and then introducing us to superb playing on Dolphy or Mahall-inspired free jazz, including a "Willisau Suite", "Towels", a "Wake-Up Call", &c.

Swiss composer and percussionist Cyril Bondi, recording with d'incise, renders his piece "euhesma" (a genus within the bee family in Australia), a work performed on indian harmonium, melodica, harmonica, pitch pipes, and electric organ that slowly introduces and overlaps tones, varying the pitch, harmony, and amplitude to create rich aural environments.

German pianist Dominik Blum presents his second album for the Wandelweiser label, performing a selection of compositions from Swiss composer Hermann Meier (1906-2002), whose forward-looking work with reduced scores, modern use of time and space, and graphics scores in compositions pre-dating Messiaen, Stockhausen, Boulez, &c. that are only recently being rediscovered.

Composer Eva-Maria Houben in a collaborative work with bass flutist Rebecca Lane and bass clarinetist Samuel Dunscomb, the composer performing on piano and orgran, for two renderings of "Observing Objects", a patient work of long notes and tones interspersed with silence, lower registers in the winds balanced by the piano or organ's upper register.

Composer Michael Winter uses the "maximally complex, incomputable number" known as Chaitin's Constant, plus text adapted from Gregory Chaitin's 1994 book "The Limits Of Mathematics", samples from 36 creative musicians, the voice of Muirgen Eleonore Gourgues, plus cello from Judith Hamann and piano from Winters, to create this curious and compelling narrative work.

Three compositions for voice and piano from German composer Eva-Maria Houben, also performing on piano with soprano vocalist Irene Kurka--"Adagio" in three pieces; "Lyri"; and "Lieder Fur Die Insel (Songs for the Island)--with texts from poet Felix Timmermans (adagio) and Hilde Domin (lyrik); beautiful, stark, haunting music that presents at its own pace.

Five works for harp and voice from composer Eva-Maria Houben and soprano Tatiana Kuzina, opening with a lovely "Aeolian Harp", and including two works from her "Voice and Piano" album recorded for harp--"Adagio" in 3 movements, and "Songs for the Island" in 5 movements--alongside "Hatid" and "Two Songs with Piano" in two movements.

The duo project of Berlin-based clarinetists Kai Fagaschinski and Michal Thieke, (Magic I.D., Christof Kurzmann, Splitter Ochester) in their 5th album of timbre-rich, harmonically fascinating and slowly evolving reed interactions, returning to their core duo after their previous quartet album, here presenting a large rich and beautifully weaving work.

A surprising joining of improvisers and composers from Japanese acoustic guitarist Tetuzi Akiyama playing with Swedish composers and performers, Magnus Granberg on clarinet and Henrik Olsson on percussion and electronics, the latter two part of the chamber ensemble Skogen, for five works of profound calm and center through slow harmonics weaving beautiful aural statements.

Live at the 66th SALON fur Klang+Kunst in Krailling, Munich, Germany finds festival leader Udo Schindler on cornet, bass, contrabass clarinet, soprano saxophone in a duo with Berlin-based Istanbul-born computer musician Korhan Erel, who designs his own unique instruments with unusual controllers, performing 9 singular dialogs of ethereal and unorthodox sound.

An exciting meeting of multi-generational and multi-national, forward-thinking free improvisers performing live at Klub Demboh in Berlin in 2017, from the sextet of Axel Dorner (trumpet), Mia Dyberg (alto saxophone), Pierre Borel (alto saxophone), Ernesto Rodrigues (viola), Tristan Honsinger (cello) and Guilherme Rodrigues (cello).

IKB continue their series of albums graced with taxonomic latin names for animals, here with the North Island brown kiwi bird, as the string- and wind-heavy electroacoustic ensemble led by violist Ernesto Rodrigues present this extended improvisation of subtle motion and understated complexity live at O'Culto da Ajuda, in Lisbon, Portugal in 2017.

A duo between Swedish guitarist Finn Loxbo (Fire! Orchestra) and bass clarinetist Erik Blennow Calalv, in a low-key, moody and tranquil album of improvisations with titles implying their unhurried approach to their dialog--"Clouds", "Moving, Dancing", and "Ryoanji"-- making a beautiful album of nearly ambient but decidedly determined music.

An extended studio improvisation recorded in Berlin-Weissensee, Germany in 2016 from the restrained quartet of Axel Dorner on trumpet, Nuno Torres on alto sax, Alexander Frangenheim on double bass, and Ernesto Rodrigues on viola, using advanced techniques in a monumental journey that finds the quartet in a variety of expansive and intriguing dialogs.

A fantastic album of free improvisation between two creative and versatile players captured live at Kerkje van Oostum, Groningen, The Netherlands in 2015--percussionist Gerry Hemingway and trombonist Samuel Blaser--both using immense talent and unorthodox approaches to their instruments as they shift from unexpected atmospheres to lyrical richness.

Creative uses of percussion from Italian drummers Giacomo Salis and Paolo Sanna, who explore gesture, movement, listening, and the investigation of natural materials and found objects, in five studio tracks that present the results of their research in both rhythmic sections and sections of abstract sound, honed from concerts, studio albums, and a collaboration with Jeph Jerman.

The french electroacoustic improvising trio of synth player and engineer Jean-Marc Foussat (Fou Records) with the father/son pair of saxophonist Quentin Rollet (Workshop De Lyon) and drummer/percussionist Christian Rollet (Rectangle Records, Bisou), in a rich, intensifying and often enthusiastically exploding set of extended and masterful improvisations.

Leveraging influences in improvisation and contemporary compositional music, Belgian/Oslo pianist Jonas Cambien, a member of Simiskina and Platform, extends his own trio of saxophonist Andre Rolighete and drummer Andreas Wildhagen with trumpeter Torstein Lavik Larsen on 2 tracks, as they balance jazz, avant, free improv and other hybrid forms in a compellingly creative album.

The indefatigable Norwegian saxophonist Frode Gjerstad invites trombonist Steve Swell, with whom he collaborated in 2011 on the live album "At Constellation", to join his trio with Jon Rune Strom on double bass and drummer Paal Nilssen-Love, at Cleveland's Bop stop during their 2017 tour, recording this impressive concert of exemplary collective free jazz.

Swedish pianist Mattias Risberg demonstrates the passion he dedicates to vintage instruments like mellotron, Hammond organ, analog synthesizers, clavichord and pipe organs, here in a solo album of piano, with some light preparations, and the pedals of a Moog Taurus, in an inventive album of improvisations inspired by the vivid images of postage stamps.

A peer of Tim Berne, David Binney, Sabir Mateen, Mark Helias, &c., Slovenian guitarist Samo Salamon presents an album of original compositions and one collective improvisation from his ever-changing Bassless Trio, here with drummer Roberto Dani and saxophonist Tony Malaby on tenor and soprano, in an introspective album of profound technique and lyrical playing.

With orchestration of harp, daxophone, idiophones, piano, cello, guitar, percussion, sampling & electronics, the Portuguese quintet Turbamulta (roughly translates to "rowdy mob", though clearly a very sophisticated mob) was born from the band Powertrio of Eduardo Raon, Joana Sa and Luis Martins, expanded to blend compositional, EA and improv approaches into something unique and beautiful.

One of Portugal's most interesting large scale lowercase ensembles led by violist Ernesto Rodrigues, with frequent Creative Sources collaborators including Nuno Torres on alto sax, Carlos Santos on electronics, Guilherme Rodrigues on cello, Miguel Mira on bass, 14 musicians move with subtlety in a tapestry of electroacoustic resonance and mystique.

The Italian Acre trio of Ermanno Baron on drums & objects, Ginomaria Boschi on guitar & effects, and Marco 'uBiK' Bonini on laptop, tapes, theremin, in a five-part improvised work using a "free game" methodology to promote new modulations and configurations in organic and synthetic sounds and timbre, make each player subsume into their collective sound.

Three versatile improvisers with pedigrees including Christian Weber, Christian Wolfarth, Objets Trouves, Big Bold Back Bone, &c, the Swiss trio of Roberto Domeniconi on piano, Jan Schlegel on electric bass, and Sheldon Suter on drums use unusual and extended techniques integrated within free improv in this coproduction with RSI Rete Due Radiotelevision, Switzerland.

The Creative Sources core string improvisers of violist Ernesto Rodrigues, cellist Guilherme Rodrigues, cellist Miguel Mira, and double bassist Alvaro Rosso, with frequent collaborator percussionist Vasco Trilla, are joined by German violinist Harald Kimmig (Trio Kimmig) for a dynamic album that fluctuates from acoustic lowercase to rapid pointillistic improv.

The affect of Carlos Santos' electronics and recordings are the foundation of this Portuguese quintet's improvisations, creating an environment over which Ernesto & Guilherme Rodrigues on viola & cello, Eduardo Chagas on trombone, and Andre Hencleeday add subtle gestures of unusual approaches to their instruments, in a mysterious album of lowercase improv.

A live recording at O'Culto da Ajuda, Lisbon, during the 2017 CreativeFest #11 from the quartet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Gianna de Toni on double bass, and Vasco Trilla on percussion, a sinuous, curving extended improvisation of subtle shades, with certain rotations more forceful, but always gravitating to quietude.

Recorded in concert during "Culture with a Big Q" in Toulouse, France in 2017, the duo of Xavier Camarasa on piano/prepared piano and Matthias Mahler on trombone, take Camarasa's compositions and arrange them to alternate between melodic free sections and contemporary abstract passages using extended techniques, heard in this captivating and versatile performance.

Influenced by rock, jazz, Javanese and Balinese gamelan, NY drummer Mark Nauseef's career has embraced an inclusive blending of styles, heard in this fantastic new album embracing compositional and ea styles, recorded with previous collaborators including Tony Oxley, Bill Laswell, Walter Quintus, along with Sylvie Courvoisier, Pat Thomas, Miroslav Tadic, & Arthur Jarvinen.

Copenhagen drummer Peter Bruun leads a band with guitarist Marc Ducret, trumpeter Kasper Tranberg and synth player Simon Toldam, and upbeat electric free jazz album of powerful intent and compelling compositions performing melodic and insightful compositions, the band well acquainted from work on Ducret's own albums and with Samuel Blaser; recommended.

A unique ensemble performing a long-form composition by French saxophonist Christophe Monniot with the 12-piece Grand Orchestre du Tricot, 12 movements that are punctuated by layered spoken words, a subtle and sophisticated work realized with performers including Roberto Negro, Florian Satche, Quentin Biardeau, Jean-Baptiste Lacou, &c.

Composer-pianist Satoko Fujii's new Orchestra Berlin, a ten-piece ensemble, presents a powerful work written specifically for this group in thought-provoking compositions of and uninhibited energy, with performers including saxophonists Gebhard Ullmann, Paulina Owczarek & Matthias Schubert, trombonist Matthias Muller, bassist Jan Roder, and drummers Peter Orins and Michael Griener.

A truly unique album of solo harmonica and voice from Bay Area performer and composer Laura Steenberge, whose studies in folk music, psycholinguistics, acoustics and medieval Byzantine chant brings a sense of the ancient to modern experimentalism, transforming the instrument in a variety of illusive ways that are both enigmatic and entirely embraceable.

A fantastic concert recorded during the 52nd Ljubljana Jazz Festival, presenting an ambitious and remarkable pair of compositions from saxophonist Martin Kuchen, extending his regular 6 piece band to an octet.

Unexpected directions in this meeting between Swedish saxophonist Mats Gustafsson and Chicago vibraphonist Jason Adasiewicz, in an introspective album of beautiful tonal conversations, relaxed and sophisticated dialogs that mostly eschews the more aggressive side of both musicians in deference to a thoughtful, reflective and elegant set of tunes.

Recording at the Neustadter Kirche in Hofgeismar, Germany, the quartet of Thanos Chrysakis and Peer Schlechta organ with Chris Cundy and Ove Volquartz on bass clarinets, use the resonance and massive sound of their organs to create active improvisations of deep tones, cries, and unearthly squalls, an incredible set of interacting textures and runs.

Two string players, Swedish acoustic guitarist and banjo player Niklas Fite, and German double bassist Alexander Frangenheim, recording in the studio in Berlin in 2017 for 10 succinct improvisations ranging from quick interactive discourse of a pointillistic nature to near silent meditations using unusual and extended techniques, a quirky and informed album.

A live recording from the acoustic septet Free Music 7tet of Ernesto Rodrigues (viola), Luiz Rocha (clarinets), Guilherme Rodrigues (cello), Eduardo Chagas (trombone), and (piano), Hernani Faustino (double bass) and Paulo Ferreira Lopes (drums), performing at O'Culto da Ajuda, for five improvisations from active free improv to lowercase exploration.

Emulating the sounds and intentions of cranes through string improvisation and unusual techniques, the quartet of Estonian violinist Elo Masing, German violinist Dietrich Petzold, and Portuguese violist and cellist Ernesto and Guilherme Rodrigues name each of 8 tracks on the behavior of cranes, from forming a flock, migration, fighting, ritual dancing, to nesting.

A lowercase duo of intense focus and concentrative dialog from Creative Sources label leader Eernesto Rodrigues on viola and trombonist Eduardo Chagas, a member of IKB, Variable Geometry Orchestra, Suspensao, &c., through five recordings using primarily extended techniques and close proximity miking to create unusual textural and alien soundcscapes of great tension and release.

Swedish double bassist Johan Moir, who focuses on extended techniques, preparations, Just Intonation and psychoacoustic phenomena, joins with cellist Guilherme Rodrigues in the studio in Berlin to record these 9 dialogs of haunting string improvisations, pushing the limits of their "hollow wood" instruments to create a vast palette of sound and approaches.

Finding common ground between the acoustic past and the electronic present, the duo of Christoph Schiller on spinet and Eric Ruffing on analogue synthesizer present two extended improvisations of tempered interaction, exploring periods of extended sound, timbre and decay, scrabbling inside playing, restrained electronic whines, and active pointillistic playing.

Swiss electric guitarist Florian Stoffner (Manuel Mengis Grupp) and Spanish/Portuguese saxophonist Albert Cirera (Agusti Fernandez Liquid Trio) present the 8 part "IRMA" in concise free improvisations, restrained but alert and quick-witted dialogs that explore their instruments with alternate approaches to each in articulate ways.

Two mesmerizing, diverse, and incredibly sophisticated large scale conductions led by Ernesto Rodrigues and an ensemble of more than 30 performers on reeds, guitars, strings, electronics, pianos, voice, megaphone, brass, drums and percussion, rich yet restrained with moments of mystery and excitement, in two complete concerts from Lisbon in 2017 & 2018.

Italian jazz trumpeter Flavio Zanuttini (Abbey Town Jazz Orchestra) in a solo album exploring the relationship between the primordial sensoriality and vision of the Underworld, conceived and presented through extended techniques and often peculiar approaches to the trumpet as he tells his unusual tale of epic times.

Bridging contemporary and improvised music, Montreal double bassist Nicolas Caloia wrote these pieces for textured and impossible rhythms; blending pieces by Nancarrow and Grand Master Flash; and manipulating poems by Genevieve Letarte; with supporting improv from Jean Derome & Lori Freedman.

A series of musical "mobiles" from European composer Roman Haubenstock-Ramati, sonic transformations of the visual experiences of Alexander Calder's dynamic sculptures.

Nozen is a crossroads of contemporary jazz, musique actuelle and the musical traditions of Jewish Eastern Europe, contrasting styles giving birth to a deep and spontaneous music.

The duo of Paul Abbot on drum kits, percussion & computer, and Seymour Wright on alto saxophone and feedback, in a massive edge-of-your seat live recording from London's Cafe Oto in 2015, a mix of brutal and beautiful playing with unexpected and surprising twists.

Swiss trumpeter Silvan Schmid is a cofounder of the Gamut Kollektiv, organizing festivals and concerts, here caught live in 2016 at Gamut Series No 1 at Amboss Rampe in Zurich with his own quintet of Tapiwa Svosve on sax, Silvan Jeger on cello, Vincent Glanzmann on drums, and Lucas Wirz on tuba performing 6 Schmid compositions of profoundly lyrical free jazz.

This Berlin-based collaboration with sound engineer Roy Carroll performing on electronics features the trio of Chris Heenan on contrabass clarinet, Adam Pultz Melbye on double bass, and Christian Windfeld on snare drum, percussion & objects, using a reductionist approach to deep sonic improvisation of mysterious origins, in an extended journey of sound.

The DNMF collaboration of Netherland's sonic experimenter Machinefabriek (Rutger Zuydervelt) and the Dead Neanderthals duo of saxophonist Otto Kokke and drummer Rene Aquarius, in their second album of heavy, droning style, reveling in a resonant, high-volume, long-form work of hypnotic sound merging metal, drone and dark ambience.

The DNMF collaboration of Netherland's sonic experimenter Machinefabriek (Rutger Zuydervelt) and the Dead Neanderthals duo of saxophonist Otto Kokke and drummer Rene Aquarius, in their second album of heavy, droning style, reveling in a resonant, high-volume, long-form work of hypnotic sound merging metal, drone and dark ambience.

Half of the Italian improvising duo My Cat Is an Alien, Roberto Opalio uses prepared mini-keyboard, handmade shortwave receiver, alientronics, and vocalizations to create this improvised prelude and statement, a shifting work that draws the listener into mesmerizing sonic environments of alien origin and transports them deceptively between ringing and textured vistas.

An hour-long work for an ensemble of six musicians by Swedish composer Magnus Granberg performed by Anna Lindal on baroque violin, d incise on vibraphonen electronics, Cyril Bondi on percussion, Anna Kaisa Meklin on viola da gamba, Christoph Schiller on spinet, and Magnus Granberg himself on prepared piano, transforming material from a song by Franz Schubert.

The Norwegian experimental collective improvising group of Henrik Munkeby Norstebo on trombone, Kjetil Jerve on piano, and Andreas Wildhagen on drums & percussion are the core trio here, presenting their third release by adding free improvising vocalist Sofia Jernberg, bringing a sense of unpredictability to a finely controlled chaos of technical mastery.

Martin Kuchen's Angles band changes shape constantly, originally a trio and expanding as large as Angles 10, but this album, recorded live at SMUP, Parede, Portugal in 2016, returns the band to the original trio of Kuchen on sax, Ingebrigt Haker-Flaten on double bass, and Kjell Nordeson on drums & percussion, reworking Angles compositions to their essence.

Composer, vocalist and electronics artist Lynn Cassiers' new septet with Sylvain Debaisieux (soprano and tenor saxophone), Ananta Roossens (violin), Niels Van Heertum (euphonium), Erik Vermeulen (piano), Manolo Cabras (double bass) and Marek Patrman (drums) in their adventurous debut album blending improv, pop aesthetics, electronics, dreamlike voice, and solid playing.

The Norwegian quintet Honest John of Ole Henrik Moe on violin, Kim Johannesen on guitar & banjo, Ola Hoyer on double bass, Erik Nylander on drums & drum machine, on Klaus Ellerhusen sax and clarinet, are joined by multi-reedist and shakuhachi player Ab Baars at Nasjonal Jazzscene Victoria to capture this quirky, controlled, and incredibly knowledgeable concert.

A wicked hybrid of jazz, avant rock and cinematic elements, bassist Caterina Palazzi's quintet Sudoku Killer takes on the music of Disney in a suite where each track is dedicated to an antagonist from movies like "Snow White" or "Sleeping Beauty", performed with Giacomo Ancillotto (guitar), Maurizio Chiavaro (drums), Sergio Pomante (sax) and Antonio Raia (sax).

Performing together since 2004 between Tokyo and Amsterdam, Dutch vocal improviser, innovator and electronicist Jaap Blonk meets Japanese vocal improviser and fellow electronics artist Tomomi Adachi at Lettretage in Berlin in 2017, recording this, the 5th in Kontrans' Electronic Improvisation, for two extended and energetic dialogs of unique creative interplay.

A thorough overview of bassist and vocalist Joelle Leandre's recent work in a boxed set of 8 CDs and a 16 page booklet of essays, photos and credits, each CD bringing a unique grouping from Les Diaboliques to duos with Mat Maneri, Fred Frith, Lauren Newton, & Jean-Luc Cappozzo, plus one solo disc and a quartet with Zlatko Kaucic, Evan Parker and Augusti Fernandez; magnificent.

Serbian violinist and composer Szilard Mezei's septet in a recording for KCNS Novi Sad from 2015, three tracks of contemporarily orchestrated free improvisation performing three extended Mezei compositions, sophisticated works with effortlessly elaborate structures affording his septet opportunity in group interplay and well-developed soloing, a great achievement.

A live performance at O'Culto da Ajuda in Lisbon from the Lisbon String Trio of Ernesto Rodrigues on viola, Miguel Mira on cello, and Alvaro Rosso on contrabass, joined in this concert by Creative Sources frequenct collaborator Eduardo Chagas (Variable Geometry Orchestra, IKB, Suspensao, &c), a large work of microscopically detailed and concentrative acoustic improv.

Guitarist Henk Zwerver, bassist Raoul van der Weide and percussionist George Hadow, frequent collaborators in the Amsterdam free improv scene, join with Berlin saxophonist & clarinetist Edith Steyer to make up the Bertch Quartet, their debut album a great and embraceable example of subtle, collective free improvisations that merge traditional and non-idiomatic forms.

Dedicating his album to Paul Burwell and Z'ev, Spanish percussionist Paolo Sanna demonstrates his many years of research in sound, silence, noise, experimentation, musical research and deconstruction through standard percussive devices and found objects, giving his playing a distinctive and personal palette which he plays with superb technique and timing.

Recording in the studio in Lisbon, Portugal, the free improvising lowercase/subtle momentum quintet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Bruno Parrinha on bass clarinet, Luis Lopes on electric guitar, and Vasco Trilla on percussion, demonstrate intense control and remarkable concentration through the five parts of "{ Lithos }".

Dedicated to the late free jazz legend Cecil Taylor, this Lisbon sextet of Paulo Alexandre Jorge on tenor saxophone, Ernesto Rodrigues on viola, Eduardo Chagas on trombone, Manuel Guimaraes on piano, Miguel Mira on cello, and Pedro Santo on drums performs four energetic and well-balanced collective improvisations, respecting and evoking the incredible legacy Taylor left behind.

Dynamic and compelling improvisations from the Oslo-based international guitar trio of Brinicle, an improvising trio comprised of Norwegian Hakon Norby Bjorgo on upright bass, Canadian Mike McCormick on electric guitar and Michaela Antalova on drum kit, who met in 2015 to join their interestes in the intersection of avant improvisation and post-rock.

Cellist Cecilia Quinteros formed this free jazz quartet with Christoph Gallio on soprano and alto saxophones, Alex Elgier on piano and Marcelo Von Schultz on drums, recording in Buenos Aires, Argentina for four spectacular improvisations with idiosyncratic language on their instruments and unbridled enthusiasm in their playing, even in introspective moments.

Referencing geothermal physics in the titles of their improvisations, these three Spanish improvisers create a riveting and radical set of experimental works, with Irene Aranda working inside and out of the piano, Johannes Nastejo extending and adapting his double bass, and percussionist Nuria Andorra using an arsenal of metallic and percussive objects.

A study on vibrating surfaces in an album of active environments in the debut album from the duo of Angelica Castello and Jerome Noetinger, both using tapes, samples, loops, radios and electronics, with Noetinger on revox and Castello on Paetzold flute, presenting seven staggering and awe-inspiring works, each wild canvases of sound from atmospheric to tectonic.

Expanding on Burkhard Stangl colo concert at the 2014 Reheat festival at Kleylehof based on Consuelo Velazquez's song "Besame Mucho", the duo of Stang and Angelica Castello recomposed it, mixing new pieces with old plus home recordings, accidental recordings, live performances, &c, creating a Chesterfield diary of songs, of noise, of longing and of dreaming.

Translating to "Gold", the trio of Kurt Liedwart on modular synthesizer abd cracked everyday homemade electronics, Julien Ottavi on computer, and Keith Rowe on guitar & electronics recorded this album during Poland's Sanatorium Of Sound 2017 festival, bridging EA Improv, noise, minimal electronics and contemporary music in two large works.

Three masters of ea-improv with a wealth of history and experience--Gunter Muller on iPods, electronics, Kurt Liedwart on electronics, and Norbert Moslang on cracked everyday electronics-- performing at Ground Hodynka Gallery in Moscow during the 2017 Swiss Noise Festival, resulting in two dense, mysterious and information-packed electronic improvisations.

Titled from the two venues where these concerts were recorded, the duo of Jerome Noetinger and Mimmo Napolitano both use revox reel to reel recorders, plus feedback systems, laptop and other electroacoustic devices to create strange and gripping aural narratives built of abstract elements yet creating deceptively concrete, compelling stories; exceptional.