Peter Brotzmann's 9-piece ensemble for the 164th NDR-JAZZWORKSHOP with the South African rhythm team of Harry Miller (bass) and Louis Moholo (drums), plus Frank Wright & Willem Breuker(sax), Hannes Bauer & Alan Tomlinson (trombone) and Alexander Von Schlippenbach (piano).

New source for this amazing album: "Massive and intense in-studio interpretation of John Coltrane's masterwork, Ascension, as performed by an all-star ensemble featuring The Rova Saxophone Quartet, Nels Cline (Wilco), guitar legend Fred Frith, Ikue Mori (formerly of No New York stars DNA), turntable wizard Otomo Yoshihide, plus other stellar guests."-Larry Ochs

An impressive triple-CD box with recordings of some late works by John Cage, including "Seventy-Four for Orchestra, 1992", "103 for Orchestra, 1991, part 1 & 2", In a Landscape fur Harfe", "Postcard From Heaven fur Eine Bis Zwanzig Harfen", and some of "The Harmony of Maine"; including a 32 page booklet with photos and liner notes by Jakob Ullmann.

A massive work from bassist/composer Barry Guy inspired by the covering of Picasso's painting Guernica at the UN as we argued for war with Iraq, realized with a 14-member group that includes violinist Maya Homburger, pianist Agusti Fernandez, percussionists Lucas Nigglie & Ramon Lopez, with songs on texts by Irish poet Kerry Hardie; profound and inspired.

The 2nd volume in Sun Ra's "Discipline" series was recorded during the same sessions as 1972's Impulse release "Space Is the Place", with Sun Ra on electronic keyboards and Moog, and a large band including Marshall Allen, John Gilmore, Danny Davis, Akh Tal Ebah, June Tyson, &c.

"Pan-Scan" refers to pan-Scandinavian, and the nine players on this thrilling and joyful recordings are all of that origin, performing live at Blow Out in Mir, Oslo, Norway in 2016, including both Lotte Anker and Ann Hogberg on sax, Thomas Johansson, Emil Stranberg and Goran Kajfes on trumpet, Sten Sandell on piano, and Paal Nilssen-Love and Stale Liavik on drums.

An excellent introduction to Norwegian percussionist and composer Paal Nilssen-Love's big band, Large Unit, through tracks showing the breadth of the band's ability in game pieces, ballads, a collaboration with Brazilian percussionists, live recordings from their 2015 North American tour and at Moers festival in Germany, and their first concert at Molde Jazzfestival in 2013.

The 3rd album from Norwegian drummer Paal Nilssen-Love's big band Large Unit, here in a 12-member configuration, adding saxophonist Kristoffer Berre Alberts (Starlite Motel, Cortex) to the band, in an album centered on Nillsen-Love's penned title track "Fluku", and the equally impressive "Playgo", large complex works that showcase the group's collective and individual voices.

A pioneer of the modern singer/songwriter genre from the 50s, little is known of Connie Converse except her exceptional songbook, given life here in a tribute to her work through 16 songs interpreted by an amazing set of singers and instrumentalists, including Laurie Anderson, Petra Haden, Mary Halvorson, Mike Patton, Eyvind Kang, Oren Bloedow, Jessica Pavone, &c. &c.

Diverse aspects of the 2011 disaster at the Japanese Fukushima nuclear power plant brought on by a tsunami orchestrated in sound by composer/pianist Satoko Fujii and rendered in remarkable ways from some of New York finest improvisers, including Tony Malaby, Ellery Eskelin, Oscar Noriega, Herb Roberts, Joe Fiedler, Stomu Takeishi, Nels Cline, &c &c.

Satoko Fujii Orchestra in original compositions, an amazing lineup of mostly New York players including Steven Bersteain, Herb Robertson, Briggan Krause, etc.

Satoko Fujii's amazing Orchestra New York returns with a composition that she describes as "a picture that extends beyond the canvas", performed with Oscar Noriega, Briggan Krauss, Ellery Eskelin, Tony Malaby, Andy Laster, Herb Robertson, Steven Bernstein, &c &c.

Satoko Fujii Orchestra New York in a work based on the Chinese zodiac, referred to as "Eto", in a celebration of husband and trumpeter Natsuki Tamura's 60th birthday, and of the 12 animals of the zodiac.

Satoko Fujii's 15-piece Orchestra New York with an all-star cast including Ellery Eskelin, Tony Malaby, Herb Robertson, Steve Berstein, Joe Fiedler, &c. &c.

Pianist-composer Satoko Fujii's Orchestra Tokyo formed in 1999 to perform her compositions, music that spans a wide range of styles and moods, complemented by a great set of soloists.

Merging France's Nautilis Ensemble with musicians from Chicago created this large improvising orchestra, here in a new suite composed by Rob Mazurek and dedicated to Great Lake Michigan and the devestation of thousands of shipwrecks over many centuries, using historical data, first hand accounts of shipwrecks off both shores, magical realism and steampunk aesthetics.

With many participants from Ensemble Musique and the Montreal Musique Actuelle scene, composer and multi-instrumentalist Jean Derome directs an ensemble into the exploration of electricity and "Resistances", blending electronics, turntable, 60 Hz hums and other electronics into an orchestra of improvisers executing his dynamic 16 movement composition.

Montreal's superb ensemble of improvisers explore the integration of composed music with improvisation, here in 3 graphic scores from from Danielle Palardy Roger, Joane Hetu, and Lisa Cay Miller, allowing individual performers extensive freedom within fixed compositional frameworks leading to extraordinary and unexpected results, captured lived at Amphitheatre du Gesu in 2017.

Luke Martin began this work with a field recording at Mentryville Park in Southern California, which was transcribed by himself and Amy Golden, Ben Levinson, Davy Sumner, and Ryan Gaston using Martin's system of notating silence, then combined into the final score for this recording.

Dutch multi-instrumentalist/composer Jeroen Kimman conceived this album and performs most of the instruments on this album, assisted by Dutch musicians including Michael Moore, Mark Morse, Koen Kaptijn, Michiel van Dijk, &c., for music blending contemporary compositional music, jazz, experimental electroacoustic, math-rock, pop, exotica and even vaudeville.

Composer George Lewis leads an ensemble that bridges compositional and improvisation skills through four large works written between 2012 and 2014 using the concept of "assemblage," a pragmatic, material, non-teleological approach to composition on four differing themes, yielding fascinatingly complex yet diverse, thrilling and embraceable results.

San Francisco Bay Area composer, acoustic bassist, and bandleader, Lisa Mezzacappa used the 1872 writings of British world traveler Isabella Bird "I am doing what a woman can hardly ever do ..." as the basis for lyrics for her adventurous ten-part "panoramic song cycle for improvisers, with Fay Victor handling the vocals with a stellar ensemble of modern improvisers.

A collaborative composition by Veryan Weston, Christine Duncan and Jean Martin, performed with Jesse & Joshua Zubot on violin and Andrew Downing on bass & cello, based on Weston's score "Tessellation IV (Make)", the composed material based on 52 quotations by women writers, each sung on a 5-note (pentatonic) scale, each scale changing by one note when the word "make" is sung.

Cornetist Taylor Ho Bynum draws on a variety of techniques from improvised conduction to big band orchestration to deconstructed fanfares, with a large 15 member ensemble of impressive improvisers embodying a diversity of generations, backgrounds, ethnicities, and gender, presenting three large scale compositions that are ambitious and wonderfully accomplished.

IKB continue their series of albums graced with taxonomic latin names for animals, here with the North Island brown kiwi bird, as the string- and wind-heavy electroacoustic ensemble led by violist Ernesto Rodrigues present this extended improvisation of subtle motion and understated complexity live at O'Culto da Ajuda, in Lisbon, Portugal in 2017.

Five years in the making, composer Scott Johnson transcribed the speech of philosopher Daniel C. Dennett (Committee for Skeptical Inquiry) into this extended, 8-movement suite, using a rich, detailed set of musical landscapes blending musical genres that run in parity with the voice of Dennett, as Johnson emphasizes and highlight his insightful thinking.

Recordings from Sun Studios made between 1968-1969 with Astro-Ihnfinity Arkestra including Marshall Allen, John Gilmore, Daddy Davis, Ray Thompson, Danny Davis, &c. in nine tracks, six of which have never been heard before in any form, plus remasters on 1950s classics "Sunology" and "Ancient Aiethiopia", plus an early rendition of "Why Go To The Moon".

Reedist and composer Roscoe Mitchell in a collaboration with the Montreal - Toronto Art Orchestra, an extraordinary group of improvising musicians comprised of 6 woodwinds, piano, vibraphone, tuba, 2 each of trumpet, trombone, viola, string bass and drums plus Mitchell on sopranino saxophone, a profoundly elaborate and absorbing work for a large improvising ensemble.

One of Portugal's most interesting large scale lowercase ensembles led by violist Ernesto Rodrigues, with frequent Creative Sources collaborators including Nuno Torres on alto sax, Carlos Santos on electronics, Guilherme Rodrigues on cello, Miguel Mira on bass, 14 musicians move with subtlety in a tapestry of electroacoustic resonance and mystique.

The third album on Creative Sources for this 10-piece ensemble with 5 string players, piano, sax, trombone, electronics and percussion, freely improvising in an extended work themed for the Greek theological, philosophical, and scientific term typically translated as nature or physics, in a rich tapestry of meticulous detail and profoundly subtle communication.

New ensemble pieces by Jurg Frey and Magnus Granberg played by Ensemble Grizzana, commissioned by Another Timbre with the request that both start from the same two fragments of early music, one by Johannes Ockeghem, the other by William Byrd, each composer producing fascinatingly different pieces that both contain echoes of the source material.

A double CD of delicate music from the French composer Bruno Duplant, the first disc containing three chamber pieces exquisitely played by the Suidobashi Chamber Ensemble, the second disc a long piece for solo guitar, performed by Taku Sugimoto in a public park in Tokyo, incorporating an extraordinary variety of environmental sounds.

The full two-hour performance of Cornelius Cardew's entire 193-page legendary Treatise graphic score, performed at Iklectik in London, England on January 28, 2017 in an 11-member ensemble of some of London's most interesting improvisers including participants in Scratch Orchestra, in a double CD release with liner notes by AMM founder Eddie Prevost.

A unique ensemble performing a long-form composition by French saxophonist Christophe Monniot with the 12-piece Grand Orchestre du Tricot, 12 movements that are punctuated by layered spoken words, a subtle and sophisticated work realized with performers including Roberto Negro, Florian Satche, Quentin Biardeau, Jean-Baptiste Lacou, &c.

Composer-pianist Satoko Fujii's new Orchestra Berlin, a ten-piece ensemble, presents a powerful work written specifically for this group in thought-provoking compositions of and uninhibited energy, with performers including saxophonists Gebhard Ullmann, Paulina Owczarek & Matthias Schubert, trombonist Matthias Muller, bassist Jan Roder, and drummers Peter Orins and Michael Griener.

From 1973-75 the Impulse! label released a few Sun Ra albums, the first of which was "Astro Black" with a large Arkestra-like ensemble of well-known collaborators making up the band as they perform the title track, "Discipline, "Hidden Spheres" and "Cosmo-Fire", reissued as a 2018 Record Store Day releases in its first proper reissue.

From 1973-75 the Impulse! label released a few Sun Ra albums, the first of which was "Astro Black" with a large Arkestra-like ensemble with well-known collaborators making up the ensemble as they perform the title track, "Discipline, "Hidden Spheres" and "Cosmo-Fire", reissued as a 2018 Record Store Day releases in its first proper reissue.

Released in 1984 on Hal Wilner's Shemp records, this is the 1st reissue for late drummer Beaver Harris' 360-degree Experience with pianist Don Pullen on piano, in a stellar band with saxophonists Ricky Ford, Hamiet Bluiett, bassist Buster Williams, percussion from Candido & steel drummer Francis Haynes, and four french horn players, a truly forward-thinking jazz album.

The 4th work using composer, band-leader and multi-instrumentalist David Peck's Frame Notation Scores for his large ensemble Leap of Faith Orchestra, his graphic notation allowing exceptional, unexpected and truly unusual results in large-scale improvisation, an amazing evolution of the big band concept executed by the some of the finest players in the Boston area; amazing!

This supergroup of strings--16 musicians on violins, viola, cellos, double basses, piano, psaltery, zither, and guitar--in an intensely restrained collective improvisation recorded live at O'Culto da Ajuda, Lisbon, Portugal in 2017, as String Theory's 4th album continues their title themes from the physical universe named here for the rare metalloid "Tellurium".

Two mesmerizing, diverse, and incredibly sophisticated large scale conductions led by Ernesto Rodrigues and an ensemble of more than 30 performers on reeds, guitars, strings, electronics, pianos, voice, megaphone, brass, drums and percussion, rich yet restrained with moments of mystery and excitement, in two complete concerts from Lisbon in 2017 & 2018.

Fifty years after pianist Alexander von Schlippenbach joined the Manfred Schoof Quintet with the Peter Brotzmann Trio and named it the Globe Unity Orchestra, the ensemble is larger and stronger than ever, here celebrating the milestone in a band of 18 of the globe's most impressive improvisers, recorded live in a commanding concert at Jazzfest Berlin 2016.

Composer, saxophonist and flutist Henry Threadgill presents 2 full-length works for his 15 piece band "14 or 15 Kestra: Agg", as he explores new ways of integrating composition with group improvisation, here using an entirely new system of improvisation based on preconceived series of intervals realized in multi-layered counterpoint, rigorous polyphony, and timbral contrasts.

Saxophonist Martin Archer composed the five works on this, the 3rd release for Engine Room Favorites, his AACM-influenced big band with a tremendous orchestration of horns with drums, vibes, piano and bass, here with their most complex yet melodic and rich release yet, including melodic elements of folk music, powerful rhythms from prog-oriented rock, and free improv and jazz.

The transnational ensemble of acoustic improvisers Nathaniel Catchpole on tenor saxophone, Elk calls, Jamie Coleman on trumpet, Alex James on piano, Ross Lambert on guitar, pocket trumpet, preparations, John Lely on piano, Sebastian Lexer on piano, Marianthi Papalexandri on moving objects, Eddie Prevost on percussion, and Seymour Wright on alto saxophone.

Large scale improvisation of the most subtle nature from Portugal's Isotope Ensemble led by Ernesto Rodrigues, 17 musicians slowly unfolding this beautiful work of consonance and dissonance dedicated to element atomic number 56, recording live at O'Culto da Ajuda in Lisbon with instrumentation including acoustic reeds, strings, brass, percussion, and electronics.

A large band project from UK composer, arranger and conductor Giles Thornton, directing 29 musicians through original works and reinterpretations of ballads like Joni Mitchell's "A Case of You", in a blend of acoustic and electronic musicians that avoids overt fusion overtones while keeping the music melodic with the occasional exotica flair.

William Parker developed these works presented in three complementary albums titled "Voices Fall From The Sky", "Songs", and "Essence", bringing together new compositions with long unavailable or new versions of previous pieces, performed in various configurations from solo to large ensemble, the songs reflecting freedom, compassion, anti-oppression, anti-violence, a love of nature, spirit and creation; essential elements in Parker's optimistic oeuvre.

The hard-working duo Ghost Trees of saxophonist Brent Bagwell and drummer Seth Nanaa, extended their group to a 10-piece band of interesting orchestration--piano, vibraphones, sax, pedal steels guitar, bass, cellos and violas--taking over the Charlotte, NC Goodyear building to present their unique compositions blending conceptual composition and improvisation.

The third and most ambitious release from Splitter Orchester, with an amazing mix of experimental and ea musicians including Boris Baltschun, Kai Fagaschinski, Michael Thieke, Burkhard Beins, Axel Dorner, Matthias Muller, Magda Mayas, &c. &c., in a slow moving work exploring fields of harmonic relationships consisting of pitch sets, a beautiful work of drone and depth.

First time issued on vinyl: alternate takes from the essential "Machine Gun" album on Brotzmann's BRO label in 1968, aggressive but astute music from now-legendary players Brotzmann, Evan Parker & Gerd Dudek on tenor sax (Brotzmann doubles on baritone sax), Peter Kowald on bass, Fred Van Hove on piano, Buschi Niebergall on bass, and two drummers - Han Bennink & Sven-Ake Johansson.

One of the exemplary albums of European free jazz originally issued on Peter Brotzmann's on BRO label in 1968, aggressive but astute music from now-legendary players Brotzmann, Evan Parker & Gerd Dudek on tenor sax (Brotzmann doubles on baritone sax), Peter Kowald on bass, Fred Van Hove on piano, Buschi Niebergall on bass, and two drummers - Han Bennink and Sven-Ake Johansson.

Written in 1963 for up to 15 peformers plus a conductor who may also make sound, Japanese composer and Fluxus artist Toshi Ichiyanagi's score has 16 pages marked with combinations of lines, dots and letters indicating duration, number of events, and moments of restraint, each player using a different page, with certain options of switching pages with another player during performance.

A full scale concert of Tatsuya Nakatani's Gong Orchestra with 15 performers bowing and striking Nakatani's collection large gongs under the conduction of Nakatani, recorded at the Silo City performance space in Buffalo, NY in 2017 in a rich, deep and mysterious album of large tones using the natural resonance of the Marine A Grain Elevator.

Without a leader, this 9 piece collective ensemble includes members of Red Trio (Rodrigo Pinheiro, Hernaani Faustino and Gabriel Ferrandini), Garden (Jose Bruno Parrinha, Ricardo Jacinto, Luis Lopes), the duo Eitr (Pedro Sousa and Pedro Lopes), 2/3 of the Rodrigo Amado Motion Trio (Amado, Ferrandini) and hafl of the Luis Lopes Humanization 4tet (Lopes and Amado).

Melbourne, Australia's Astra Choir directed by John McCaughey use choral voice and appropriate instrumentation to interpret and present music from mediaeval to modern electronic and post-minimal music, here taking on compositions from Morton Feldman, Will Ogden, Pauline Oliveros, Warren Burt, Earle Brown, and Robert Carl.

Trumpeter Don Cherry recorded this funk album in France in 1985 with a set of multi-ethnic Paris players including Elli Medeiros and produced by Ramuntcho Matta, the songs crossing funk with jazzy vamps, rock roots and modern approaches, reissued with new liner notes and 5 bonus tracks including the cult 1983 single "Kick" featuring legendary author Brion Gysin.

Trumpeter Don Cherry recorded this funk album in France in 1985 with a set of multi-ethnic Paris players including Elli Medeiros and produced by Ramuntcho Matta, the songs crossing funk with jazzy vamps, rock roots and modern approaches, reissued with new liner notes and 5 bonus tracks including the cult 1983 single "Kick" featuring legendary author Brion Gysin.

Steve Coleman's Natal Eclipse brings together 9 musicians in a chamber jazz setting without a drum set--Jonathan Finlayson (trumpet), Jen Shyu (vocals), Matt Mitchell (piano), Mara Grand (tenor sax), Rane Moore (clarinet), Kristin Lee (violin), Greg Chudzik (bass), and Neeraj Mehta (percussion)--performing 9 of Coleman's sophisticated original compositions.

Recorded at the Galeria Monumental during the Small Format Materials II Festival, Sul is a large string-oriented ensemble led by Ernesto Rodrigues that includes percussionist Andrew Drury and double bassist Hernani Faustino, alongside Creative Sources core players, orchestrated with viola, violin, cello, double bass, classical guitar, zither, percussion and objects.

Creative Sources collective Isotope Ensemble led by Ernesto Rodrigues performed with a large electroacoustic group continues their investigation of isotopes, focusing on Lanthanum, a soft metal used in flints, through subtly-developing interplay the band, moving as one body, reaching several highly controlled periods of passionate improvisation, contrasting with beautifully serene sections; impressive.

Two sessions blending free jazz with experimental ea work: Nashville with Tim Daisy (drums), Christof Kurzmann (ppooll), Jasper Stadhouders (electric bass), Vandermark (reeds), Nate Wooley (trumpet) and C. Spencer Yeh (violin); then Chicago with Tim Barnes (drums), Nick Macri (acoustic bass), Lou Mallozzi (turntables), Vandermark (reeds) and Mars Williams (sax).

Two ensemble works and two solo pieces by Christian Wolff's favourite contemporary composer, Cassandra Miller, who is blazing a very personal trail through the experimental music world, with brilliant performances by Apartment House, Mira Benjamin, Philip Thomas, and Charles Curtis with the BBC Scottish Symphony Orchestra, conducted by Ilan Volkov.

Four fragile and mostly minimal works by Victoria-based composer Alex Jang, performed by the Apartment House ensemble, with solo pieces by Heather Roche on clarinet + field recordings, one with Cristian Alvear on guitar, an acoustic quintet, and "any three players" designed for any mix of instrumentation, here on melodica, vibraphone & cello.

Four fascinating and detailed compositions from Canadian composer and painter Lance Austin Olsen, each work giving the performers space to collaborate on the results, using graphic scores and Cage-like elements from recordings; performers include Terje Paulsen, Gil Sanson, Ryoko Akama, Isaiah Ceccarelli, Katelyn Clark, Patrick Farmer and Apartment House.

Eight sophisticated chamber pieces composed by Linda Catlin Smith and realized by the Canadian Apartment House ensemble, including a solo piano performed by Philip Thomas, a piano duo with Thomas and Mark Knoop, and works for percussion & cello, 2 quintet pieces for strings, percussion and winds, and two 7-piece conducted works with two percussionists, strings and brass.

A 4-CD collection bringing together 7 full albums and early singles, more than five hours of music from the early part of Herman Blount's, aka Sun Ra's, career as a bandleader, tracing the development of his work from 1957 to 1963 as he introduced increasingly out forms of jazz through compositions like "Sunology", "Interplanetary Music", "We Travel the Spaceways", &c.

New York composer and drummer Carlo Costa assembled this accomplished ensemble of NY improvisers for a live performance at IBeam in Brooklyn, capturing his piece "Strata" that evolves layers of sound from very sparse to densely yet accesibly stacked sound, varying recurring material to change perspectives in the aural space as the piece progresses; impressive.

Many years after Pere Ubu and his work as a pilot, one of the world's most unique synth players, Allen Ravenstine, releases an album of composed works, 18 discrete hybrid miniature sound worlds that blend acoustic, real-world and synthetic sounds in unorthodox ways that elusively twist conventional approaches with unexpected elements and narrative twists.

Commissioned by Coastal Jazz and Blues and premiered at the 2016 Vancouver International Jazz Festival, cellist Peggy Lee's suite for ten players includes some of the most interesting improvisers on the Vancouver scene, the music multi-layered, texturally varied and melodically rich, with beautiful melodic passages, driving rhythm, and incendiary improv; outstanding!

Recorded at the 2nd Free Jazz Meeting (now known as the SWR NewJazz Meeting) in Baden-Baden, 1967, with 4 recordings from the groupings of Jeanne Lee, Albert Mangelsdorff, Gunter Hampel & Pierre Courbois; Marion Brown, Peter Kowald & Sven-Ake Johansson; Albert Mangelsdorff, Evan Parker & John Stevens; and Don Cherry, Evan Parker, Peter Kowald, Buschi Niebergall & John Stevens.

Controversial recordings from Herman Nitsch's "Orgies Mysteries Theater" as part of the Havana Biennial art exhibition in Cuba, 2012, using actors, blood, animal bodies and entrails, fruits, symbolic crucifixion, music, processions, and ritualistic gestures to enact a new form of Gesamtkunstwerk: pagan ceremonies that aim to a kind of collective catharsis.

A remarkable work of chamber rock in the 1981 third album from Belgian band Univers Zero led by drummer/percussionist Daniel Denis, who also provides the complex and darkly brooding compositions for the ensemble, inspired and guided by the writing of H. P. Lovecraft, here in a much-needed vinyl reissue.

A live performance at Forward Festival 2016, in Brooklyn, NY, merging chamber music, free improvisation, free and avant jazz and other forms in a an ensemble with Daniel Carter (sax & trumpet), Claire de Brunner (bassoon), Patrick Holmes (clarinet), Nick Lyons (sax), Jeff Snyder (electronics), Stelios Mihas (guitar), Jonah Rosenberg (piano), Zach Swanson (bass), and Federico Ughi (drums).

Reissuing the 1996 recording of Morton Feldmans' "Trio" performed by Ives Ensemble members Job Ter Haar on cello, John Snijders on piano, and Josje Ter Haar on violin, Feldman's compositions sparse with tension over spacious moments of lyrical beauty, tense dissonance, unhurried repetition, and a sense of drifting momentum; evasive yet beautiful music.