Some of the London free improv scene's finest players, including members of Remote Viewers, Custodians Of The Realm, London Improvisers Orchestra, The Runcible Quintet, &c, met with visiting Berlin double bassist Ulf Mengersen to record this fascinating collective improvisation, using objects, preparations, and a WASP synthesizer for wonderfully unusual results.

Tokyo pianist Masako Ohta, who works in both compositional and improvisation fields and here perform inside and out of the piano, met mutli-instrumentalist Udo Schindler, here on clarinets and alto horn, as part of the art exhibition by Philp Fischer Ulrich: "monitorobjekte" at Salon fur Klang+Kunst, in Krailling/Munich, Germany in 2019.

A beautifully subtle and strange twisting of tones, timbres and strings from the duo of Ernesto Rodrigues on violin & viola and Carlos Santos on electronics, recorded live in 2018 at O'Culto da Ajuda, in Lisbon, creating mysterious environments that metamorphose between sections through string interjections, each segment creating a new, mesmerizing environment.

The concept of a spiegel, or mirror, is explored by this perceptively patient electroacoustic octet led by violist Ernesto Rodrigues, each of the 3 tracks an evolution of the first recorded improvisation, the 2nd "Spiegel" layering and reacting to the first recording, and the 3rd to the previous two, ultimately reflecting a conversation of 24 virtual musicians.

Track titles are borrowed from Friederike Mayröcker for their "concentrated word acrobatics and linguistic sensuality", and apt analogy to the duo of Udo Schindler on clarinets & cornet, and Irene Kepl on violin, who are recorded live at the 95th Salon für Klang+Kunst Krailling in Munich, 2019, in a set of 9 delicately virtuosic dialogs that use extended and unusual techniques.

Seven improvisations for solo piano from Swedish composer and pianist Rasmus Borg, recording in Stockholm in a contemplative contemporary mode, as evidenced by titles like "Nocturne", "Waltz", "Toccata", &c, referencing established forms through instant compositions, a reflection of his statement that Borg likes "melody, harmony, going in circles, canons".

Three Swedish improvising musicians from different generations are heard in this set of five free jazz and non-idiomatic exchanges, recorded at the artist-run venue Fylkingen Stockholm in 2019, bringing together pianist Arne Forsen (Roscoe Mitchell, John Tchicai and Charles Tyler), drummer Andreas Axelsson (Lia Ullen) and bassist Mats Dimming (APUH!).

Perhaps referring to their "Pan"-global membership, with improvisers from Europe, Iran, Palestine and South Korea, and unusual instrumentation including the kanun and keneche, the Pan quintet recorded this album using unconventional composing methods and the integration of sound processing and extraneous interjections, a truly unique album of encompassing improvisation.

A studio recording bring three Portuguese string players--Maria do Mar on violin, Ernesto Rodrigues on viola, and Guilherme Rodrigues on cello--together with bass & soprano clarinetist Juan Calvi, for 9 succinct intertwining of energetic interplay, often chamber-oriented but all examples of masterful free improvisation exploring a diverse set of creative approaches.

A remarkable album of masterful and wide-ranging string interaction from improviser and Creative Sources label leader Ernesto Rodrigues (viola) with active contemporary Portuguese performers Maria do Mar (violin), Helena Espvall (cello) and Berlin-based violinist of Japanese origin Marie Takahashi, accompanied by Joao Valinho on percussion & piano.

A studio recording from the electroacoustic sextet of saxophonist & cornetist Patrick Brennan, Red Trio bassist Hernani Faustino, and Creative Sources collaborators Maria do Mar on violin, Ernesto Rodrigues on viola, Miguel Mira on cello, and Abdul Moimeme on electric guitars & objects, in a spirited set of concise and open-minded free improvisations.

A live performances at CreativeFest 2018 in Lisbon from the electroacoustic quartet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Fred Marty on double bass, and Carlos Santos on electronics, the title translating to "On our footsteps in the light of day" as the improvisers merge strings and electronics through spirited and radiant playing.

Acoustic and sublime minimal acoustic improvisation with an emphasis on strings from the Portuguese quintet of Ernesto Rodrigues on viola, Miguel Almeida on acoustic guitar, Andre Lanca on electric guitar, Bernardo Alvares on double bass, and Felice Furioso on percussion, performing live during the Small Format Materials Festival at Galeria Monumental, in Lisbon.

With "fragments of alien melodies, bizarre call-and-response activities, boiling liquids, airy perturbations, clusters", the electroacoustic improvising quartet of Markus Eichenberger on clarinet, Carl Ludwig Hubsch on tuba, Etienne Nillesen on extended snare drum and Philip Zoubek on synthesizer, focus their listeners on their remarkably turbulent and rich interactions.

The 2nd release from this Sydney, Austrlian acoustic sextet, creating subtle yet dynamic improvisations influenced by the musical concepts of John Cage and Morton Feldman, balancing contemplative sections with building surges, these works developed on their 2019 Europe tour, which included performances at Copenhagen Jazz Festival as well as shows in Berlin and Stockholm.

Three active Portuguese improvisers in a trio of remarkably sensitive rapport from Gonçalo Mortágua on tenor saxophone, Guilherme Rodrigues on cello and Higino Andrade on double bass, their group name referencing "3 Old Women", though their playing is youthful and adept, bringing a sense of bright space in 14 concise and intensely creative conversations.

A solo album from Italian percussionsit Lucio Miele, presenting six works of layered percussion with live electronics and, on three tracks, recitation from actor Simona Fredella, each piece sound-oriented with an incredibly diverse set of percussive variety, detailed atmospheric settings and diverse rhythmic foundation; a remarkable and sometimes hair-raising album.

The trio of Bruno Parrinha on bass clarinet & alto sax, Abdul Moimeme on prepared electric guitar & objects, and Carlos Santos on electronics & objects performed this confrontational improvisation at the 2020 Small Formats Materials Festival, weaving acoustic and electronic expression with assertive confidence, affirming reductionist approaches as commanding statements.

A modern soundscape in three acts from Italian improvisers, drummer Walter Forestier (Death Roars, Angelo Mastronardi Trio) and guitarist Vito Pesce (Minus Tree, Pastel, Squieti), their 2nd album a dialog shifting between pensive introspection and aggressive evocation, a full range of expression that builds and releases suspense as the two unfold their narrative.

The 8-piece String Theory ensemble directed by violist Ernesto Rodrigues performs a beautiful and subtle work inspired by a poem written by Rodrigues, "Une Ombre Du Bonheur", realized through viola, violin, cellos, viola de gamba, double bass, piano, zither and objects, a stunningly beautiful and deceptively tranquil work of exceptional detail and dexterous execution.

The second album from the duo of cellist Paula Sanchez and oud player Christian Moser, a "restless hodgepodges of tensile agitation, percussive clatter, and nocturnal claustrophobia, with both Moser and Sanchez contributing conventional instruments abused with extended techniques (oud and cello, respectively) as well as objects and found ephemera."

A live recording without an audience and the start of the Welcome To Silkeborg project between Lisbon improvisers Tiago Varela (Equinox Quartet, Isotope Ensemble) on melodicas & voice, and Monsieur Trinité (Equinox Quartet, IKB, Potlatch, Variable Geometry Orchestra) on percussive objects, their first encounter finding the two in a relaxed dialog of creative conversation.

The core of the German free improvising Takatsuki Trio is Rieko Okuda (piano, viola, &c.), Antti Virtaranta (bass), and Joshua Weitzel (shamisen, guitar), who, while touring, ask a guest from the area they're performing in to join them, here inviting tenor saxophonist Matthias Schubert in Kassel, Germany, and in Wiesbaden, Germany inviting saxophonist Dirk Marwedel.

Recording in live conditions and multitrack, French guitarist and multi-instrumentalist Jeremy Baysse performs a version of Terry Riley's classical minimalist composition "In C" using electric guitar, acoustic guitar, twelve string guitar, effects, banjo, bass, glockenspiel, maracas, cymbal, mandolin, synthesizer, percussion, and drum machine.

Using percussion, cymbals, various objects, computer and sound sculptures made by Bruno Girardi, Italian percussionist Lucio Bonaldo, known for the group L'imbroglio, presents a set of recordings performed live and direct, captured between 2018 & 2019, including a Sonorization of a literary passage taken from "Traviso" by Alberto Cellotto, and "Altken", an overdubbed work.

Two Israeli tenor saxophonists of different generations--Stephen Horenstein, who is associated with Bill Dixon and the Kadima label, and Eyal Netzer of Lab Orchestra and works with Albert Beger--in an intimate dialog of passionate playing merging jazz forms and experimental approaches to improvisation, both taking up drums, Horenstein also performing on soprano sax.

With an ensemble of adept improvisers including Luis Vicente on trumpet, Nuno Torres, Jose Lencastre and Bruno Parrinha on reeds, Luis Lopes on guitar, &c, Creative Sources leader and violist Ernesto Rodrigues' Isotope Ensemble examines the element "Helium" in a monumental 44-minute electroacoustic improvisation recorded live at O'Culto da Ajuda, in Lisbon.

A percussive "Natchtprogramm" and a tonal "Syntax" from composer Torsten Papenheim, recorded in the studio in Cologne and Berlin, the former performed with trombonist Matthias Much, double bassist Achim Tang and pianist Philip Zoubek; the latter with Johannest Trondle (violincello) & Axel Haller (electric bass), then with Elena Kakaliagou (french horn) & Evi Filippou (percussion).

Argentinian sound artist Alexis Perepelycia explores his influences in an extended sonic work, drawing on his roots in the sounds of garage, punk, metal, industrial music into his work in academia, using abstract references of assertive and acousmatic sound with powerful electronic emphasis as he seeks his ghosts amidst references like Russolo, Stockhausen, &c.

Since 2005 Italian guitarist Tommaso Colafiglio has led the Omegatre trio, composing and arranging all works on this album with drummer & percussionist Leo Cicala, peformed with Paolo Romano on double bass and electric bass, presenting seven electric jazz compositions that flow with the sophistication and grace each brings through years of collaborative and independent evolution.

Though listing four tracks, this is an indexed continuous concert from the German Grid Mesh quartet of Christof Thewes on trombone, Frank Paul Schubert on alto & soprano saxophones, Andreas Willers on electric guitar and Willi Kellers on drums & percussion, performing at Spielraum Schiffweiler-Heiligenwald in Germany in 2020 for a wildly buidling concert of free collective force.

Bringing together Lisbon artists active in contemporary classical, electroacoustic soundscape and improvisation, the quartet of Ernesto Rodrigues on viola, Joana Sa on soprano saxophone, Luisa Goncalves on piano and Carlos Santos on electronics delicately "Melt" or merge these elements in a subtle and absorbing concert captured live at Lisboa Incomun.

Emulating a solar eclipse and a lunar eclipse in two evolving improvised chamber works that take the quartet of Guilherme Rodrigues on cello, Mariana Carvalho on piano, Joao Valinho on percussion and Ernesto Rodrigues (switching from viola to harp & deploying electronics) through mysterious soundwork that move from darkness to light in detailed and subtle ways.

A fascinating Italian project using improv techniques on voice, bass clarinet, prepared guitars & banjos and live electronics, allowing each musician to generate sounds by using their senses to listen and reflect on the world around them, from Elio Martusciello (live electronics), Chiara Liuzzi (voice), Francesco Massaro (reeds & electronics) & Adolfo La Volpe (guitars & objects).

The Hamburg-based performing quartet of Lorena Izquierdo on free improvised voice, Aziz Lewandowski on cello & voice, Kris Kuldkepp on double bass and Felix Mayer on trombone are heard in these eight studio recordings of quietly creepy conversation, generally slow motion and reflectively introspective work that occasionally rises in throttled crescendo.

Electronic improviser Carlos Santos, whose sound work started with VITRIOL in 1989, a laboratory for experimental sound actions, also studied painting and works as a graphic designer; here he joins with cellist and sound artist Ulrich Mitzlaff for two extended works taking their cue from the visual arts as they study and sonically reflect subtle modulations in color fields.

Exotic improvisation from Korean musician based in Berlin, You Jin Sung, performing on the gayageum, a large traditional Korean plucked zither sometimes augmented with electronics, in a duo with French cellist Vincent Laju, both performers using tension and space contrasted with moments of intensity through six improvisations of cross-cultural, contemporary conversation.

Active since 2008, the PLASMA 8 duo of German pianist & vocalist Thomas Reuter and saxophonist Andreas Krennerich explore the geological deposits of porphyr, a hard igneous rock containing crystals, through free improvisation, expressed here in 20 concise interactions of piano keys & strings, soprano & baritone saxophones plus unusual vocal utterance.

A diverse set of conversations between Austrian improvisers, drummer/percussionist Fredi Pröll (Trio Now!, Lull) and free vocalist Mara Kolibri, recording in the studio for seven concise and far-ranging dialogs, from cantankerous interactions to controlled incoherence of absurdly implied vocalization punctuated with creative percussive reaction, often returning to lyrical jazz-influenced moments.

A set of succinct string improvisations using extraordinary technique and concentration with a chamber improvisation feeling, recorded at Vivaldisaal in Berlin from the quartet of Portuguese father & son improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, and Berlin performers Julia Brussel on violin and Klaus Kurvers on double bass.

An introspectively lovely and reflective album of electroacoustic composition through minimal electronics, piano, samples and electronics, from the collaboration of Italian sound artists Michelangelo Decorato and Leo Cicala, with trumpeter Luca Calabrese joining on one piece; sophisticatedly languid, alluring and detailed ambient music.

A play on the Percaso band name "Day & Taxi", the trio of Christoph Gallio on soprano & alto saxophones, Dominique Girod on double bass and Dieter Ulrich on drums & bugle recorded this extended improvisation, a combination of scrambling, determined expression and post-bop creative jazz, part of the series "Life At The Zoo" at Studio the Zoo in Berne, Switzerland.

Post-pandemic, the electroacoustic IKB ensemble returned to the stage in 2021 at O'Culto da Ajuda in Lisbon with some of Portugal's finest improvisers performing under the direction of violist Ernetso Rodrigues, to express in sound the large rainforest beetle Titanus Giganteus, represented in an extended collective improvisation of restraint fueled by masterful and creative skill.

Recorded live in 2019 at Burgbachkeller in Zug, Switzerland, the international trio Jorge's Orbe creates tapestries of sound, bringing together free improvisers from three different parts of the world: Switzerland through trombonist George Francis Marti, Japan through pianist Tsukiko Amakawa, and Spain through Pelayo Fernandez Arrizabalaga on turntables and voice.

Italian and Portuguese musicians meet in the studio in Berlin for a set of studio free improvisations, from Creative Sources father/son collaborators Ernesto Rodrigues on viola and Guilherme Rodrigues on cello meeting trombonist Davide Piersanti and vocalist Ligia Liberatori for twelve exceptionally open, informed and unusual conversations.

With a history of collaboration in the Lisbon improvisation scene through bands including Variable Geometry Orchestra, IKB, Isotope Ensemble, &c., guitarist Abdul Moimême (performing on two guitars simultaneously) and electronics artist Carlos Santos join with Chicago cellist & electronic improviser Fred Lonberg-Holm for five elaborate alien soundscapes of impressive detail and skill.

Two extended acoustic improvisations of reductionist approaches recorded in the studio in Parede, Portugal in 2021 from the quartet of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet, Andre Hencleeday on piano and Joao Valinho on percussion, guided by a poem from Rodrigues as they slowly and exquisitly explore a "Closed Window" and an "Open Window".

A confluence of strings from the trio of Portuguese improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, performing in Berlin with double bassist Stephan Bleier, the title referring to a gradual ascending progression formed through small changes, an apt analogy for the illusory and shape-shifting approach their 5-part improvisations lead.

The Virtual Balboa trio of Philadelphia improvisers Zachary Darrup on guitar, Evan Lipson on double bass and Ben Bennett on percussion, all performers associated with Spring Garden Music & saxophonist Jack Wright, are joined by open-form trumpeter Greg Kelley for this wonderfully scrabbly and tenacious live set captured at Vermillion in Seattle in 2019.

A duo of free and spaciously building exchanges between Dutch drummer George Hadow (Zwerv, The Blue Lines Trio) and Belgian guitarist Dirk Serries (A New Wave of Jazz), in an extended dialog of great technical skills and creative use of their instruments, performing live at the 2021 JazzBlast event held in the chapel Groels Kapel in Bocholt, Belgium.

Two strings, sax, bass and percussion from the free improvising chamber jazz quintet of Mia Dyberg on alto saxophone, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Johan Moir on double bass and Jose Oliveira on percussion, in an interactive and dynamic live performance recorded in 2018 during the CreativeFest XII at O'Culto da Ajuda, in Lisbon, Portugal.

Recording at Studio CCAM Scene Nationale de Vandaeuvre-les-Nancy in France, the freely improvising duo of contemporary saxophonist Violaine Gestalder and double bassist Louis-Michel Marion approach the five improvisations on Marges with an ear to patient sonic interaction through extended and unusual techniques on their instruments.

Four improvisations recorded iteratively during the pandemic and assembled into this exquisitely subtle two-part composition with Eva Maria Houben's piano & organ recorded in Berlin in 2020, Guilherme Rodrigues's cello recorded in Berlin and Ernesto Rodrigues's zither recorded in Lisbon in 2021, merged with nocturnal recordings from Carlos Santos captured in Spain & Portugal.

A strangely agitated garden sculpted from melody, dissonance and instrumental abberation through profound technique and unusual approaches to their instrument, by French double bassist Louis-Michel Marion and pianist Françoise Toullec, bringing a sense of wonder and turbulent environment through a shared passion balancing ominous space with astute activity.

A reductionist set of spartan improvisation performed live at Casa da Cultura, in Setubal, Portugal in 2021 from the trio of Ernesto Rodrigues on viola, João Silva on trumpet and Andre Hencleeday on piano, applying extended techniques on their instruments in a dark night, quiet but intently close listening conversation from three authoritative voices.

Recording in Berlin in 2021, the quartet of English saxophonist Simon Rose, here on baritone sax and German double bassist and Evil Rabbit label leader Meinrad Kneer join with Creative Sources father/son string improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello for seven delicately commanding, chamber-oriented free improvisations.

A live recording of free improvisation recorded at Theater im Viertel, in Saarbrucken, Germany in 2021 from the SteDaJoDa quartet of Daniel Studer on double bass, Stefan Scheib on double bass, Daniel Weber on drums and Johannes Schmitz on guitar, the dark double bass foundation and floating ("Schwebend") percussion work balanced by Schmitz' blues oriented electric.

Six "Segments" A to F of powerful restraint and extended technique, recorded at Ausland in Berlin, Germany from the free improvising quartet of Quentin Tolimieri on piano, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Fyodor Stepanov on double bass, the close associations between the Rodrigues' and Tolimieri & Stepanov evident through their shared aesthetic.

German vocalist Birgit Wunsch leads this improvising trio with Edith Steyer on clarinet & saxophone and Alberto Cavenati on guitar, using abstract and atonal melodies in a chamber improvised setting for freely improvised voice, text and sound, crossing a sense of pop music with non-idiomatic improvisation of great technical and creative intent.

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Creative Sources regulars Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar join the long-running duo of alto saxophonist Ilia Belorukov and electronics artist and Mikroton label-leader Kurt Liedwart to record these two lowercase electroacoustic improvisations, transmuting acoustic and electronic sound in both stark and subdued ways.

A trio of free improvisers recording five detailed and subdued dialogs in the studio, from trombonist Matthias Muller (Splitter Orchester), cellist Guilherme Rodrigues, and guitarist Eric Wong, collective improvisation guided by long pointillistic passages that converge into lyrical focal points, a profound example of concentrative discourse.

Sometimes frenetic, always exhilarating duo work between Portugese electric guitarist Antonio Chapparreiro and drummer/percussionist Pedro Alcada, succinct tracks, some as short as 36 seconds, where the two spar and unite over angular rhythms and abrupt changes, with a twisted sense of humor and a wealth of adventurous spirit.

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Drummer Quentin Conrate works in contemporary music, musical theater and experimental art, concerned with space, sound and movement; here he is caught live at Festival Becoq in La Cooperative, Montolieu, France for an album of refracted and reverberant sound using a collection of objects described as "incomplete drums", and a wall.

A subtle album of acoustic interaction recorded at Berlin's Noiseberg from the quartet of Miriam den Boer Salmon on violin, Ernesto Rodrigues on viola & zither, Fredrik Rasten on acoustic guitar, and Guilherme Rodrigues on cello & percussion, sounding almost electronic in their frictional technique and harmonic overtones, ebbing and flowing from active interaction to tranquil discourse.

An exquisite and mysterious album of free improvisation merging acoustic and subtle electroacoustic elements, from the trio of Bertrand Denzler on tenor saxophone, Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar & objects, recording in the studio for this extensive work in four parts that transitions between moments of transfixing sound and cautious motion.

An electroacoustic octet drawn from the collaborative community surrounding Creative Sources, captured live during the Small Format Materials Festival at Galeria Monumental, in Lisbon in 2019, a subtle and substantial work of intimate tension and quietly detailed interaction, seemingly minimalistic yet dynamically a narrative evolution of sublime patience.

An extended improvisation of mostly quiet, occasionally cantankerous, but always intriguing free music, primarily acoustic playing with a strong cast of string players, plus reeds, keys, and computer, creating suspenseful music of great tension and impressive restraint as the sound evolves in gradations and facets of sound.

Active in the modern creative music scene around Germany and The Netherlands, drummer/percussionist Hendrik Eichler explores a variety of "Dimensions" and "Transcendence" in solo percussive playing, using traditional and extended techniques, from highly active to deeply introspective moods, assisted at time through digital technology.

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An immersive album of solo percussion, slowly sculpted through bowed cymbals, tension across drum heads, resonance and extraneous percussive elements, from New York-based experimental percussionist, composer & improviser, each piece unfolding a meditative yet substantial story built of powerful elements, creating mysterious and often daunting soundscapes.

Fraqx, the Netherlands duo of guitarists Jacq Palinckx and Frank Crijns, both on electric guitar and "devices", debut their collaboration with this 7-part journey of rich deformations, from raw visceral energy to subdued experimentation, a diverse set of textures and powerful playing from two players with a long history of unusual improvisation.

Nine improvisations between Italian trombonist and tubes player Carlo Mascolo (Kerlox Dynamic Band) and guitarist Andreas Fulgosi (By-Spiel Project) on baritone guitar, recording in Lisbon in 2017 for calmly developing dialog using unusual techniques and approaches to both instruments.

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"While the previous Garcia/Branche CD seemed also improvised to me, this five-person work is of the two the more improvised one. The quintet of players also like their sounds to be sustaining, placing bows on strings, but also motorized...

A subtle album of soundscape from the French trio of Violaine Gestalder on saxophones, Louis Michel Marion on double bass, and Stefania Becheanu on field recordings, depicting 3 virtual aural views of a single landscape, the field recordings conveying a sense of location as the bass and sax use extended techniques and subliminal playing to create their vista.

Four trios perform selections from composer and reedist Phillip Greenlief's BARBEDWIRE - 37 Graphic Scores For Trio, featuring John Bischoff, Kyle Bruckmann, Mark Clifford, Evelyn Davis, Tim Decillis, Gabby Fluke Mogul, Jane Rigler, and Tim Perkis, each composition a unique sonic sculpture, creating a diverse set of unique recordings realized by consummate performers.

"It will not have been included on purpose, but a phrase that Manuel Guimaraes says at the beginning of this solo piano record very well defines the music that is going to be proposed. He asks when the recording is already in progress, ...

With discographies reaching back to the 80s, the trio of Beat Unternahrer on trombone and Furst-Pless-Horn, Jan Schacher on contrabass, objects and voice, and Pelayo Arrizabalaga, known for his reed work, on turntables and sine-generator, create 16 mostly improvised, succinct works that are influenced by free jazz, ea-improv, and sonic composition.

With references to "Robinson Crusoe" and titles referencing islands, the sea and shipwrecks, Argentinian guitarist living in Brooklyn, NY, Luis Ianes (Parias Ensemble) records his album that roughly translates to "Useful Ancient Constructions", using effects to create percussive, accompanying, and aquatic sounds, sometimes idiosyncratic, always interesting.

IKB, a ten-piece reductionist electroacoustic ensemble of strings, reeds, guitar, computer, percussion, piano, drums & objects, continues their exploration of exotic animal species with this 2020 live performance at O'Culto da Ajuda in Lisbon, Portugal, detailing the long-billed shore bird Limosa through intricate, restrained and remarkable expression.

Portugal's IKB Ensemble is an electracoustic improvising ensemble with a strong string and wind section, balanced with electric guitar, electronics, and percussion, each album focusing on an object--an art work, Dracaena Draco (Dragon Tree), Chelonoidis Nigra (Giant Tortoise)--and here taking on the Ornithorhynchus Anatinus, or platypus, in 3 fascinating movements.

Recorded at CreativeFest#12 in Lisbon at O'Culto de Ajuda, the 21-piece electroacoustic ensemble Isotope takes on the chemical element Radium in a gripping piece of evolving improvisation, intensely restrained and extremely detailed, orchestrated with cello, baroque violin, double bass, acoustic & electric guitars, zither, psaltery, winds, brass, keys, electronics and percussion.