New Haven instrumentalist Carl Testa and Chicago guitarist Christopher Riggs in a large composition for prepared electric guitar and live electronic processing that references Ashley, Stockhausen and Braxton while manipulating one's sense of time, space, and memory.

Chicago free improvising mainstay Fred Lonberg-Holm's Stirrup trio with Nick Macri on double bass and Charles Rumback on drums crosses genres and grooves in an album balancing lyrical and hard-grooved tunes, with Lonberg-Holm taking up guitar on a number of tracks.

Joining the Chicago ensemble of Dave Rempis on alto, tenor & baritone saxophones, bassist Joshua Abrams and drummer/percussionist Avreeayl Ra is pianist & synth player Jim Baker, performing at Elastic Arts in July 2021 as the venue reopened after pandemic shutdowns, the significance clear in the spiritual power and inspired performances of all 4 players.

An active and creatively absorbing duo between Chicago drummer Quin Kirchner and French-based pianist Rob Clearfield, recorded spontaneously during the sessions of The Shadows and The Light, with one extended improvisation per side, alternating between percolating rhythms of quick witted exchanges to gorgeous lyrical moments of hanging piano figures.

Blurring free improvisation and compositional strategies in this encounter at the "First Meeting Series" at FAB Music Studio Chicago between New York violinist Mark Feldman and Chicago cellist Katinka Kleijn, a remarkable concert in two parts showing imaginative skills of phenomenal technical expertise and experience, instant compositions of the highest order.

A set of blues songs of a personal nature, concepts for a broken yet hopeful age, written and sung by improvising guitarist Marcin "M" Olak (Gadt/Osborne/Zakrocki/Olak, Agusti Fernandez) performed and expanded by a set of stellar improvisers: Ben Stapp on tuba, Fred Lonberg-Holm on cello, Marco Colonna on flute and Steve Swell on trombone.

An extension of his prior solo record, ONOMAT, Chicago drummer & percussionist Bill Harris also uses a prepared floor tom and feedback in this unedited 25 minute live performance at Music Garage in Illinois, notated for six track section as he explores unique rhythmic concepts augmented with encompassing environmental sonics and unusual disruptive elements.

Covering vast approaches to improvised and experimental music, based around scrabbly free playing, dark rock intensity, experimental and abstract tapestries of sound and unexpected transitions,the Minneapolis quartet of guitarists Luke Polipnick & Erik Fratzke, bassist Brian Courage and drummer Tim Glenn tell a consistent narrative of urgently creative exploration; gripping.

Part of the Chi Away project bringing together new collaborations of Chicago improvisers, Akjai is the unique experimental chamber jazz quartet of Brianna Tong on vocals, Johanna Brock on voice & violin, Ishmael Ali on cello and Andrew Scott Young on double bass, blurring 20th century classical music, art song and free jazz with texts by Brianna Tong, Octavia Butler, and RA Washington.

Creating soundscapes from homemade instruments, Text-To-Speech, AI voices, lap steel guitar, found objects, field recording, &c., the duo of sound artists Sam Scranton from Chicago and Neil Quigley from Kilkenny, Ireland, present six unusually unfolding compositions of deceptively relaxed environments layered with mysterious elements and a sly sense of humor.

A diverse and confident set of solo drums improvisations, acoustic or in tandem with metal and wooden objects, microphone amplification, drum feedback manipulation and close-microphone use on a detuned floor tom, in the first solo release from Chicago drummer and Amalgam label leader Bill Harris recording live at the Music Garage, in Chicago.

Experimental improvisation driven by the foundations of electric piano, organ & electronics of Chicago keyboardist Daniel Van Duerm, fueled by the flexible and unusual drumming of Alexander Adams and passionately expanded by the cathartic tenor sax wrangling of Danny Andrade, dark and light come together to form an "anti-glow" from this intriguing young trio.

Combining elements of neo-soul, jazz fusion and hip hop, the Cordoba genre-bending sextet from Chicago use their warm, slightly off-center grooves to present vocalist Brianna Tong's articulate lyrics that observe and reflect on the state of world, the band's arrangements extended on five songs with the Latin America-influenced Kaia String Quartet.

Recorded while double bassist Brandon Lopez was in Chicago, frequent collaborators from two generations--keyboardist Jim Baker on piano and Arp Synth and drummer/percussionist Bill Harris--joined together to record this live-in-the-studio album of highly interactive, explorative, propulsive and often cathartic free improvisation.

Two long-standing duos--Isabelle Duthoit on clarinet & voice and Franz Hautzinger on quarter tone trumpet plus Chicago percussionists Hamid Drake and Michael Zerang, both on percussion and frame drum--joined together in 2020 for a European tour, recording this wildly informed homage to the Mesopotamia city Uruk live at Artacts in Alte Gerberei, St. Johann, Austria.

Four configurations of far-reaching free improv at Notice Recordings's 2021 event in Accord, NY: a solo performance by Charmain Lee on voice & electronics; a duo between Lee and Weston Olnecki on synths & trombone; a trio from Gabby Fluke-Mogul on violin, Fred Lonberg-Holm on cello and Joanna Mattrey on viola; a duo between Lonberg-Holm and Olencki.

Featuring compositions from both trombonist Steve Swell and tenor saxophonist & bass clarinetist Gebhard Ulmann, the second album from The Chicago Plan with cellist Fred Lonberg-Holm and drummer Michael Zerang is captured in the studio in Augsburg, Germany for six exceptional modern jazz recordings from a profoundly masterful and experienced transatlantic band.

In 2004 legendary European Free Jazz pianist Georg Graewe and German multi-reedist Frank Gratkowski met with Chicago cellist Fred Lonberg-Holm on the stage at LOFT in Cologne, Germany to perform these six collective improvisations with an innate chamber jazz feeling, particularly the four part "Trilinear Polarity"; a spectacular set available for the first time.

The second release from the Chicago chamber-oriented, collective free jazz trio of Dave Rempis on alto & tenor saxophone, Tomeka Reid on cello, and Joshua Abrams on bass, expanding on their highly concentrative and contemplative approach to group dialog, a powerfully assured and seemingly composed set of nine impeccable improvisations.

The tenth year of the working and touring international Ballister trio of Dave Rempis on alto & tenor saxophones, Fred Lonberg-Holm on cello & electronics, and Paal Nilssen-Love on drums & percussion, here in an outrageously powerful yet explorative concert at Dom Cultural Center, in Moscow, Russia in 2019, a fierce example of what this band is capable of.

Captured live at Chicago's Elastic Arts, the trio of Fred Lonberg-Holm on cello, Ben Bennett on percussion, and Zoots Houston on synthesizer, work on a nearly microscopic level as they use extended techniques and unusual synthetic timbres, transforming from abrasive and gritty to broad tonal environments, from monumental sound to moments of pin drops; fascinating.

A live recording from zentri-fuge in Berlin, led by trombonist Jeb Bishop, with Milan bassist Antonio Borghini (Mike Patton's Mondo Cane) and German drummer Michael Griener (Carl-Ludwig Hübsch' Primordial Soup), in a collective set of free and energetic improvisations, five pieces that "Jounce", "Jitter", "Plumb" and "Dither" through an exciting and expressive concert.

The first fully improvised album from the Chicago trio of Jake Wark on tenor saxophone, Matt Piet on piano and Bill Harris on drums, recording at Experimental Sound Studios in 2018 for seven numbered and concise improvisations, running the gamut from rapidly active yet controlled interaction and investigatory conversations of confident expression and creative drive.

Focusing on the harmonic interaction, delicate nuances and harmonic functionality of closely related tones, Chicago instrumentalists Zachary Good on clarinet and Ben Roidl-Ward on bassoon recorded these six works of acoustical and phenomenological events using the interplay between coinciding clarinet and bassoon notes, creating illusory and haunting tonal works.

Two performances of Chicago reedist and composer Guillermo Gregorio's graphic score "Moholy 2", inspired by the artwork of László Moholy-Nagy, recorded in two conductions at the Experimental Sound Studio in Chicago in 2007 & 2008 by the trio of Gregorio on clarinets & alto sax, Damon Smith on double bass, and Jerome Bryerton on percussion, cymbals and drums.

Chicago tenor saxophonist Gerrit Hatcher, known for his duos with Anton Hatwich and with Julian Kirshner, the improvising trio Devouring the Guilt with Eli Namay & Bill Harris and a trio with Mars Williams & Lia Kohl, is heard here in three extended solo improvisations, with strong tone riffing on grooves, exuding warm melodies, and running demanding technical passages on his horn.

A diverse set of electroacoustic improvisations, including pointillistic interplay, free explorations merging contemporary compositional cues, pieces composed around specific parameters and evolving experimental soundscapes, from the Michigan trio Kimmel.Ali.Harris of Jeff Kimmel on clarinet & electronics, Ishmael Ali on cello, guitar & electronics, and Bill Harris on drums & synth.

Three layers of Chicago pianist & composer Matt Piet (Four Letter Words, Matt Piet Trio) in a virtual trio improvised sequentially in the studio in 2020, the title referring to a visible trace of earlier painting beneath a layer of paint on a canvas, an apt analogy for the keen interactions and wonderful labyrinths Piet performs with himself.

The of trio of Lisa Cameron on percussion, Damon Smith on double bass and Alex Cunningham on violin, continue their work after 2020's Dawn Throws Its First Knife with this cassette and download releases of five collective improvisations, using extended techniques amidst cogent conversation, from assertively exciting to darkly moody atmospheric interplay.

Assertively probing like a squid raging out of the sea, Street Tentacle is the trio of Chicago tenor saxophonist Jeff Chan, guitarist Da Wei Wang also on electronics, and drummer Jerome Bryerton on drums, cymbals, gongs, bowed metal & assorted percussion, in five assertive improvisations of an everything including the kitchen sink style; daunting and domineering!

Two Chicago improvising cellists--Tomeka Reid & Fred Lonberg-Holm--explore the repertoire for cello music in jazz, presenting works by Fred Katz ("Pluck It"), Sam Jones ("In Walked Ray"), Ron Carter ("Rally") and Harry Babsin ("Monti-Cello"), adding 3 new, original works by Fred Lonberg-Holm and a piece by Tomeka Reid paying homage to bassist Charles Mingus & violinist Billy Bang.

Some of Chicago's top improvisers in a set of new compositions by pianist Karayorgis, featuring reed players Rempis and Jackson in various powerful sax and clarinet combinations.

Since 1997 drummer Tim Daisy and saxophonist Dave Rempis have worked together as part of the vital Chicago improvising scene, heard here in these superb duo sessions of great technical, musical, and inventive skills.

13 years playing together and releasing this, their 8th album, the Chicago quartet of Dave Rempis on sax, Ingebrigt Haker-Flaten on electric bass, Frank Rosaly on drums, and Tim Daisy on drums, are captured live at Elastic Arts, in Chicago for three awe-inspiring collective improvisations of great energy, resolution, and focus.

Chicago saxophonist Dave Rempis approached the idea of his first solo album under the shadow of the greats before him, in 2017 choosing to journey across the country on a solo tour, performing 31 concerts of which these 6 recordings represent the best reflection of his unique solo vocabulary on the instrument and his enthusiasm for a wealth of musical styles.

With long-time Chicago partners saxophonist Dave Rempis and drummer Frank Rosaly, plus Dutch guitarist and electric bassist Jasper Stadhouders (Cactus Truck, Made to Break), this new trio plays assertive and energetic free jazz that shreds melodic riffs and raw power, decelerating for contemplative moments, as heard in two large improvisations named by digital sequences.

Spectral, since 2012 the working horn trio of Dave Rempis on alto & baritone sax, Darren Johnston on trumpet, and Larry Ochs on sopranino & tenor sax, split their time between San Francisco and Chicago, in their 3rd album of spontaneous, complex free improv, here using the setting of Bunker A-168 in Mare Island Shoreline Heritage Preserve, CA, to influence their performance.

The debut album from the trio of Dave Rempis (sax), Jason Adasiewicz (vibraphone) and Nate McBride (bass) is a rich melodic and harmonic release with tracks that vary from sparse to zestful.

The longstanding collaboration of cornetist Bobby Bradford and reedist Frode Gjerstad (together since '86) with bassist Ingebrigt Haker-Flaten on bass and Frank Rosaly on drums, recording at Philadelphia Art Alliance in 2014, a powerful lineup of modern free players.

Three leaders in the Chicago free improv scene--Keefe Jackson on tenor & sopranino saxophones, Jim Baker on piano & synthesizer and Julian Kirshner on drums--in a collective album of concentrative conversation, a group of equals that function together through close listening and interactive support in expressive playing that leaves ego out of the equation.

Formed in 2019, the quartet of Dave Rempis on alto sax, Elisabeth Harnik on piano, Fred Lonberg Holm on cello and Tim Daisy on drums celebrate Elisabeth Harnik's 50th birthday in 2020, originally planned as part of a European tour that year but prevented by pandemic, instead recording this well-balanced and often unbridled 2022 concert at Alte Gerberei, St. Johan in Tirol, Austria.

Celebrating 50 years since formed as a quintet in Paris, original Art Ensemble members saxophonist Roscoe Mitchell and percussionist Famoudou Don Moye present this live concert at Maison des Arts de Creteil in France with an oustanding chamber jazz ensemble including trumpeter Hugh Ragin, flutist Nicole Mitchell, bassist Jaribu Shahid, cellist Tomeka Reid and violinist Jean Cook.

Celebrating 50 years since formed as a quintet in Paris, original Art Ensemble members saxophonist Roscoe Mitchell and percussionist Famoudou Don Moye present this live concert at Maison des Arts de Creteil in France with an oustanding chamber jazz ensemble including trumpeter Hugh Ragin, flutist Nicole Mitchell, bassist Jaribu Shahid, cellist Tomeka Reid and violinist Jean Cook.

As prolific a drummer as Chicago-based international improviser Hamid Drake is, he has never released a solo drum album, which is finally put right with this release recorded at Experimental Sound Studio, developing strategies for these nine accomplished recordings, performed on a standard drum kit with each dedicated to prominent free jazz icon or group.

The introduction of a new trio bringing together Washington D.C. bassist Luke Stewart (Heroes Are Gang Leaders) with D.C. area tenor saxophonist Brian Settles and Chicago/NY drummer Chad Taylor, in an album carefully sequenced like a live performance, a journey through free improv, funky roots, world music, ending with a reference to La Monte Young's Dream House.

A live concert on a Sunday afternoon in 2017 at Green Mill in Chicago from the lyrically informed post-bop quintet Jimmy Bennington Colour And Sound, led by drummer Bennington with Fred Jackson, Jr. on alto saxophone & soprano saxophone, Artie Black on tenor saxophone, Dustin Laurenzi on tenor saxophone and Mike Harmon on bass.

Bringing to ears a 2003 encounter in Chicago, IL between legendary violin improviser, conceptualist and writer Malcolm Goldstein and exploratory cello improviser Fred Lonberg-Holm, through two extended dialogs weaving their strings around each other and finding unusual intersections and unions, from rapid action to introspective beauty; unsettling and inspired.

Universe of AMP are the Swiss twin brothers pianist Michael and drummer Florian Arbenz, in a 7 piece group mixing modern jazz with an active string section.

A triple CD of extended and magnificent performances between 2004 & 2005 from the quartet of Steve Swell on trombone, William Parker on double bass, Hamid Drake on drums and Jemeel Moondoc on alto saxophone, to whom this album is dedicated; two concerts in Texas and one at the Guelph Jazz Festival, with compositions from Swell and Moondoc plus collective improvisations.

Welcoming third improvisers into the long-standing duo, Chicago saxophonist Dave Rempis and drummer Tim Daisy invite New York/Chicago violinist Mark Feldman to perform at Elastic Arts, in Chicago, heard in two extended improvisations, superb examples of masterful technique and profound dialog.

Part of Peter Brötzmann's 80th birthday concerts in his hometown of Wuppertal, the saxophonist assembled a trio from his typically duo partner, pedal steel guitarist Heather Leigh (Charalambides, Dream/Aktion Unit) and Chicago cellist and electronic improviser Fred Lonberg-Holm, performing the extended title track at INSEL | Kultur im ADA, along with two succinct improvisations.

An intimate set of solo expressions from Chicago tenor saxophonist and Kettle Hole label-leader Gerrit Hatcher, seven improvisations recorded in the studio that bring together the soloist's interests in free jazz, lyrical playing and intricate technical passages on the sax, infused with a sense of whimsy alongside serious concentrative playing.

Exploring the crossing point of jazz and funky electro-beats, experimental electronics and dub grooves, the Chicago trio of Quin Kirchner on drums, percussion, sampler & electronics, Daniel Van Duerm on acoustic & electric pianos, organ, mellotron & electronics and Matthew Lux on bass & electronics dig more deeply into their engaging and upbeat approach to modern forms of fusion improv.

The third album in Chicago 6- & 12-string guitarist Elijah McLaughlin's numbered album series of original compositions, rich flowing works of lyrical textures augmented with environmental field recordings and tape loops, performed with Jason Toth on upright bass, Katinka Kleijn on cello, effects, Joel Styzens on hammered Dulcimer and Adler Scheidt on piano.

Recording in France in 1970, the Art Ensemble of Chicago (Malachi Favors on bass, Joseph Jarman on saxophone, Roscoe Mitchell on saxophone, Lester Bowie on trumpet) recorded the soundtrack to director Moshé Mizrahi's movie Les stances à Sophie, joined by vocalist Fontella Bass, releasing a classic and exciting album that stands as a great testament to the versatility of its players.

An album of transporting drones and industrial soundscapes from Chicago experimental artist Kevin Drumm, drawing the listener into his soundspace slowly through distracted studio clatter and then journeying deep into textures and tones, maintaining a natural quality to synthetic and obscure sources in this fine addition to his expansive discography.

Expanding the rhythmically exuberant Natural Information Society led by Chicago bassist & guimbri player Joshua Abrams with core members Lisa Alvarado (harmonium), Mikel Patrick Avery (drums) & Jason Stein (bass clarinet), are Hamid Drake (percussion), Josh Berman & Ben Lamar Gay (cornets), Nick Mazzarella & Mai Sugimoto (alto sax & flute), Kara Bershad (harp) and Ari Brown (sax).

Four unusual studio recordings of voice, electronics, double bass, drums & percussion from the trio of Netherland vocal improviser Jaap Blonk with bassist Damon Smith and drummer Ra Kalam Bob Moses, Moses and Blonk collaborating on the concrete poem that makes up "liner notes" for this wonderfully odd and sophisticated album of avant free improv.

A tribute to jazz trumpeter & composer Don Cherry--a spiritual world traveler and influential free jazz trumpeter--performed by Chicago's equally spiritual Ethnic Heritage Ensemble led by percussionist Kahil El'Zabar with Corey Wilkes, Alex Harding, Dwight Trible, and the son of Don Cherry, David Ornette Cherry; sadly also an unexpected tribute to David Ornette's sudden passing in 2022.

While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.

A live concert on a Sunday afternoon in 2017 at Green Mill in Chicago from the lyrically informed post-bop quintet Jimmy Bennington Colour And Sound, led by drummer Bennington with Fred Jackson, Jr. on alto saxophone & soprano saxophone, Artie Black on tenor saxophone, Dustin Laurenzi on tenor saxophone and Mike Harmon on bass.

The Rempis Percussion Quartet in their French debut after 15 years of touring elsewhere through Europe, with Dave Rempis on sax, both Tim Daisy & Frank Rosaly on drums and Ingebrigt Haker Flaten on bass, performing an exuberant concert recorded at Le Petit Faucheux in Tours, with trumpeter Jean-Luc Cappozzo joining for one extended improv, plus a live workshop for young immigrants and a rare studio session.

Focused on the music of Don Cherry and recorded at Corbett vs. Dempsey's gallery space on the closing day of an exhibit of art by Cherry's partner Moki Cherry (whose tapestry "Spirit" is the LP's cover) this concert finds drummer Hamid Drake, who lived with the Cherry family in Sweden, and Ken Vandermark on tenor sax, reworking medleys of Cherry's tunes from across his discography.

A tribute to jazz trumpeter & composer Don Cherry--a spiritual world traveler and influential free jazz trumpeter--performed by Chicago's equally spiritual Ethnic Heritage Ensemble led by percussionist Kahil El'Zabar with Corey Wilkes, Alex Harding, Dwight Trible, and the son of Don Cherry, David Ornette Cherry; sadly also an unexpected tribute to David Ornette's sudden passing in 2022.

An often raucous and always informed debut from the dual reed & drums Chicago trio Near Miss of Rob Magill on tenor & soprano sax and bass clarinet, Gerrit Hatcher on tenor sax and Bill Harris on drums, Magill and Hatcher having collaborated previously on Triplet Fawns with Patrick Shiroishi, and Whole Abandoned Star, while Hatcher & Harris are a part of Devouring the Guilt.

A tribute to legendary audio engineer George Belle (1948-2019) who worked with a who's who including Horace Tapscott, Jimmy Smith, Gene Rodenberry, &c., in a set of compositions from Mal Waldron, Albert Heath, Herbie Nichols plus original work from leader James Bennigton, saxophonist Dustin Laurenzi, saxophonist James Cook, and group improvisations.

An extension of his prior solo record, ONOMAT, Chicago drummer & percussionist Bill Harris also uses a prepared floor tom and feedback in this unedited 25 minute live performance at Music Garage in Illinois, notated for six track section as he explores unique rhythmic concepts augmented with encompassing environmental sonics and unusual disruptive elements.

Focusing on the harmonic interaction, delicate nuances and harmonic functionality of closely related tones, Chicago instrumentalists Zachary Good on clarinet and Ben Roidl-Ward on bassoon recorded these six works of acoustical and phenomenological events using the interplay between coinciding clarinet and bassoon notes, creating illusory and haunting tonal works.

Members of the Chicago free improvising, collaborative band TV Pow--Todd A. Carter and Michael Hartman--as a duo are Superposition, recording improvisations and composed improvisations primarily on piano, Rhodes, organ, and synthesizers, then mixing, adding and editing them into appealing tracks that merge electronics, jazz forms and soundscape.

After sharing a stage with Belgium bassist Farida Amadou--whose collaborations include Peter Brötzmann, Steve Noble, and Thurston Moore--Chicago saxophonist Dave Rempis and Amadou sought an opportunity to record together, joining with Amadou collaborator, pianist Jonas Cambien, to record these startling studio improvisations during a 2022 tour in Belgium and The Netherlands.

Members of the Chicago free improvising, collaborative band TV Pow--Todd A. Carter and Michael Hartman--as a duo are Superposition, recording improvisations and composed improvisations primarily on piano, Rhodes, organ, and synthesizers, then mixing, adding and editing them into appealing tracks that merge electronics, jazz forms and soundscape.

Originally commissioned to transcribe a few works as a surprise for Roscoe Mitchell's 2023 art exhibition at Corbett vs. Dempsey, vibraphonist Jason Adasiewicz expanded the project, recorded in his new home studio (dubbed "Hot Juice") to include 10 Mitchell compositions & favorite works, Adasiewicz performing solo as he brings new approaches to the important Mitchell song-book.

The 35 poems found on Fortner Anderson's "Solitary Pleasures", performed with Michel F Cote, Sam Shalabi and Alexandre St-Onge, speak of the obsessions, phantasies and encounters of Anderson's life.

A tour de force saxophone duo between two masterful New York players--alto saxophonist Tim Berne and drummer Nasheet Waits--recording live at The Sultan Room in Brooklyn NY in 2019, in two impressive dialogs: "Tensile" for nearly 40 minutes of articulate expression and powerful rhythmic interaction; and the more introspective "5See" of impressive technique and intention.

Montreal Musique Actuelle turntablist Martin Tetreault and sound artist Erick d' Orion created this project as a tribute to the original explorers of electronic music and musique concrete -- GRM, Stockhausen, Henry, Oram, Schaeffer, &c. -- using historic sound recordings and new sources, presenting this incredible concert live at Au Mois in Quebec.

The Empty Cage Quartet in 2 compositions that incorporate improvisational systems based on harmonic palindromes & melodic sequences derived from the cycles of the Mayan calendar

The trio of Guillermo Gregorio (clarinet), Steve Swell (trombone) and Pandelis Karayorgis (piano) use their unique selection of instruments to play an original set of composition and improv.

Powerful electric jazz roots from the Norwegian quartet of Lauritz Lyster Skeidsvoll on saxophone, Havard Nordberg Funderud on guitar, Karl Erik E. Horndalsveen on double bass, and Martin Mellem on drums, shredding inspirations from 60s electric Miles and Ornette, with a rock influenced rhythm section and electric guitar work driving great soloing.

Tomek Mirt resurrects the memory of Norwegian composer Arne Nordheimie through this five part work of slowly shifting electronics, tense atmospheres, and gentle murmurs, detailed work that reveals its meditative depth through repeated listenings.

Blurring abstract electronics with folk improvisation in gently evolving music with an experimental edge, the London Panang Food Tigers duo of Stephen Lewis and Spencer Grady use keyboards, guitars, dobro, charango, field recordings and electronic sources to create contemplative atmospheres, a sort of ambient-folk music drawing out forgotten daydreams and moods; beautiful.

UK multi-reed master Evan Parker brings an all-star electroacoustic septet to the 2014 Victoriaville Festival for the massive and wonderfully detailed two part composition "Seven", performed with Peter Evans, Okkyung Lee, George Lewis, Ikue Mori, Sam Pluta, and Ned Rothenberg.

Keyboardist Annie Lewandowski (London Improvisers Orchestra, Fred Frith, Samech) composed this song cycle about ancient Greek figures in collaboration with David Yearsley, Theresa Wong and Russell Greenberg, poetic pieces contrasting traditional use of instruments with subtle experimental approaches in a unique and fascinating set of compositional strategies.