Idiosyncratic improvisation with a strange set of tools from two master musicians, fascinating recordings from 1983-85 in the blossoming downtown NY scene.

Fred Frith's leads a quartet of electric guitars (Rene Lussier, Nick Didkovsky, Mark Stewart) through 10 different journeys that explores the dynamic potential of this unique group composition.

Classical chamber music from Fred Frith featuring virtuoso cellist Joan Jeanrenaud (Kronos), percussionist William Winant, pianist Stephen Drury, &c.

Two cycles of compositions from Fred Frith: "The Big Picture - For Saxophone Quartet and Two Improvising Soloists" and his legendary 90s copositions: "Freedom in Fragments".

Frith's 75 minute intense improvisatory journey work is a graphic structural model by which the most diverse types of musical events are linked together along a time line.

The third volume of Fred Frith's film soundtrack music, a diverse and accomplished set including studio work from the past six years with some of the Bay Area's best musicians.

Works for dance constructed by guitarist/composer Fred Frith as accompaniment to Amanda Miller's choreography for Nederland Dans Theater in 2011, revisited and revised by Frith into these beautiful pieces, with help from William Wynant, Lotte Anker, Karla Kihlstedt Arditti, &c.

Fred Frith's 1982 live album of his solo concerts at various venues in Japan, 1981, performing on guitar, throat mike, violin and piano; long out of print and now remastered by Tom Dimuzio.

Fred Frith provides a complex and fascinating soundtrack for the second film he made with Nicolas Humbert and Werner Penzel--"Middle of the Moment"--merging his guitar work, field recordings, and environment sound, with additional help from Tim Hodgkinson, as the film and music follow nomadic people in their travels, their songs, and the sounds they experience.

Three distinct commissions for dance performed by Frith & Carla Kihlstedt; Frith & Carla with Fred Guiliano & Gail Brand; and with Frith, Hande Erdem & Threresa Wong.

The long-awaited, missing 2nd side of "Technology of Tears" recorded at Noise NY by Kramer, this album was written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise-sculpting, for a dark and amazing album.

The soundtrack from the film of the same name by Nicolas Humbert & Werner Penzel for which Frith composed this album, this features an excellent cross-section of Frith's music, including compositional and band work; the title comes from the Skeleton Crews (Frith/Cora) piece of the same name.

A commissioned work by Stanser Musik-Tage created during Frith's residency at the Benediktinerinnen-kloster Maria-Richenbach and premiered at the Festival on April 22, 2004.

Fred's '88 SST release, one of his finest instrumental releases, with Tenko, John Zorn, Christian Marclay in an intense mix of melodic, rhythmic and technological brilliance.

The idiosyncratic master of the guitar, this album is pure Fred Frith, playing solo acoustic guitar over a range of styles including classical, blues, folk, gypsy and free improvisation.

In The Flirts, Fuhler manipulates sounds from turntables and mbiras, filtering them through an analogue synth, with Prins focusing on electronic noise-based music.

Satoko Fujii Orchestra in original compositions, an amazing lineup of mostly New York players including Steven Bersteain, Herb Robertson, Briggan Krause, etc.

8 remarkable and collaborative duets from pianists Satoko Fujii and free jazz legend Paul Bley, and 3 lovely solo pieces of extended technique and color.

Pianist Satoko Fujii and trumpeter Natsuka Tamura performing in the studio in Krakow, Poland, 2005 for a duo of sublime power and great dynamic, modern jazz with a wealth of influence and performed with technical prowess.

After studying jazz and classical music, pianist Satoko Fujii became interested in Min-Yoh, which means folk music in Japanese; this is her 2nd lovely and powerful release with her Min-Yoh Ensemble.

A set of new trio compositions from pianist Satoko Fujii with bassist Todd Nicholson and drummer/percussionist Takashi Itani, a magnificent set of compositions for the transformative season.

Satoko Fujii's amazing Orchestra New York returns with a composition that she describes as "a picture that extends beyond the canvas", performed with Oscar Noriega, Briggan Krauss, Ellery Eskelin, Tony Malaby, Andy Laster, Herb Robertson, Steven Bernstein, &c &c.

Satoko Fujii Orchestra New York in a work based on the Chinese zodiac, referred to as "Eto", in a celebration of husband and trumpeter Natsuki Tamura's 60th birthday, and of the 12 animals of the zodiac.

Satoko Fujii's 15-piece Orchestra New York with an all-star cast including Ellery Eskelin, Tony Malaby, Herb Robertson, Steve Berstein, Joe Fiedler, &c. &c.

Pianist-composer Satoko Fujii's Orchestra Tokyo formed in 1999 to perform her compositions, music that spans a wide range of styles and moods, complemented by a great set of soloists.

Pianist Satoko Fujii's Tobira ("door") expands the original trio configuration of Todd Nicholson on bass and Takashi Itani on drums, with trumpeter/husband Natsuki Tamura, playing inventive free improvisation with sophistication in melodic heads and superb soloing.

A hauntingly beautiful set of solo piano works from Japanese pianist Satoko Fujii, subtle work that belies her incredible techincal skill through beautifully paced and meditative music.

The first release from the NY/West Coast trio of Tomas Fujiwara on drums, Ben Goldberg on clarinet, and Mary Halvorson on guitar, a collaborative improv of lyrical and nuanced improv, using great skill and sophistication in dialog that takes unexpected twists and turns.

Merging different sub-genre of NYC's rich jazz and creative music scene, drummer Tomas Fujiwara's trio with Brandon Seabrook on guitar and Ralph Alessi on trumpet furtively builds into a free jazz album of contrasting dynamics and superb playing.

The trio of Jim Hobbs, Timo Shanko and Django Carranza in a studio release of original upbeat and amazing riff based compositions, along with a nifty skate video.

The followup to Furt's expanded format as heard on Spin Networks in 2005, in electroacoustic trios with John Butcher, Phil Minton, Rhodri Davies, Ute Wassermann, &c.

The duo of Richard Barrett and Paul Obermayer in 12 studio tracks of semi-composed electronics, and a live improvised tribute to Karlheinz Stockhausen.

Sax, bass clarinet and flutist Nobuyasu Furuya is a free player migrated from Japan to Lisbon, Portugal, here in a trio with bassist Hernani Faustino and drummer Gabriel Ferrandini.

Eric Normand's Quebec based 12-piece GGRIL (Grand Groupe Regional d'Improvisation) in an album of 5 improvisations and a piece by percussionist Danielle P. Roger; wonderfully creative music with eclectic instrumentation that's simultaneously challenging and fun.

A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber, delicate pieces that he considered complements to his large work "The Winds Rise in the North".

Composer Harley Gaber wrote this piece for strings as an emotional examination of the questions posed by Taoist philosopher Chuang Tzu, here performed by a quintet including violinist Malcolm Goldstein.

Free improvising guitarist Derek Bailey in duo with tap dancer Will Gaines, whose percussive dancing can be heard clearly, while Bailey plays guitar and Gaines "raps" in a sort of vaudevillian approach; a unique item even in Bailey's catalog!

The duo of electric guitarist Olaf Rupp and soprano saxophonist Christoph Gallio in a set of 13 studio improvisations, restrained and thoughtful dialog of great technical skill and unusual tonal approaches to both instruments.

72 extractions of electroacoustic improvisation from saxophonist Christoph Gallio, and an accompanying DVD from director Beat Streuli, with music and sound coming from Dominique Girod (bass), Julian Sartorius (drums), Andrea Neumann (piano), and Ernst Thoma (synth).

Tierra de Nadie is Colombian pianist Ricardo Gallo's project with bassist Mark Helias, trombonist Ray Anderson, saxophonist Dan Blake, and drummer Satoshi Takeishi and Pheeroan AkLaff.

Classical pianist Joana Gama and live electronic processing artist Luis Fernandes bridge compositional and experimental forms in this lyrical work, where Fernandes transforms, dissects, loops and otherwise mutates the Gama's playing in unexpected and elegant ways.

Recordings from the CHOPPA Experimental Music Festival in Singapore, 2015, and the New Combo Jazz Club, Fukuoka Japan in 2014, from the free improvising sometimes ea-improvising trio of Yong Yandsen (sax), Darren Moore (drums) and Brian O'Reilly (contrabass & electronics).

The trio of Miguel A. Garcia (electronics), Tomas Gris (objects) and Lee Noyes (piano) in a single extended and understated improvisation mixing acoustic and electronic sources, building and subsiding in its interesting journey.

Trumpeter Natsuki Tamura & bassist Norikatsu Koreyasu's Gato Libre with Satoko Fujii on accordion and guitarist Kazuhiko Tsumara, in their 4th release, beautifully melodic improvisation.

The first Gato Libre release since the passing of bassist Norikatsu Koreyasu, adding trombonist Yasuko Kaneko alongside leader Natsuki Tamura on trumpet, Satoko Fujii on accordion, and Kazuhiko Tsumura on guitar, for eight beautiful, melodic "free cat" recordings.

The 5th release from the Japanese quartet of trumpeter Natsuki Tamura, Satoko Fujii, here on accordian, the late bassist Norikatsu Koreyasu, and guitarist Kazuhiko Tsumura, beautiful free form improvisation performed live in concert in 2011.

Natsuki Tamura and Satoko Fujii's Gato Libre in their fourth seductive album of jazz based on European folk melodies with some of the coolest accordion playing on the planet.

Trumpeter Natsuki Tamura and Satoko Fujii on accordion with guitarist Kazuhiko Tsumura and bassist Nirkatsu Koreyasu in their 2nd Gato Libre release, sophisticated, upbeat, melodic jazz.

Tenor saxophonist Gauci & trumpeter Nate Wooley with the dual bass backbone of Mike Bisio and Ingebrigt Haker Flaten in original compositions using extended instrumental techniques.

Two sets of New York tenor saxophonist Stephen Gauci and an impressive rhythm section playing with alternately Broo Magnus and Mats Aleklint, live at the Glenn Miller Cafe in Stockholm, 2007.

The NY trio of saxophonist Stephen Gauci, cornetist Kirk Knuffke and bassist Ken Filiano in a set of group improvisations plus compositions from each player, great melodic and interactive playing from three exceptional players.

Legendary NY free jazz saxophonist Charles Gayle takes to "the streets" with his trio of bassist Larry Roland and drummer Michael TA Thompson in a record illustrating Gayle's passionate voice and expressive dialog.

Using double bass player John Geggie's compositions as a point of departure, this creative trio covers much terrain with its lyrical and sonic landscapes.

Mysterious and intense works for electric guitar, signal processing, field recordings and voice from experimenter, improviser and audio researcher Gunnar Geisse.

NY reed & flutist Giardullo's large Open Ensemble, the first release of his G2 music since 1979.

An incredible quartet of voice and strings with an attitude of electro-acoustic sound production, immense journeys in sound crossing the areas of conflict between meditation and impulsiveness.

Pianist Tania Gill with Lina Allemano on trumpet, Clinton Ryder on bass and Jean Martin on drums, music informed by American song forms, Bartok, free improvisation and the northern Ontario landscape.

Gintas K, in a moment of frustration, took more than 40 elements from some recent work he was preparing and put them into multichannel software which, with a few corrections, became this surprising and complex work of organized and detailed sound.

Lithuanian sound and industrial artist Gintas K (Gintas Kraptavicius) in an album of abstract electronics composed on the computer, 11 tracks of burbling and glitching sound.