Pianist and composer Daniel N. Seel plays four pieces from four generations of different composers including Stefan Wolpe, Morton Feldman, Walter Zimmerman, and his own work.

John Cage and Pierre Boulez met in 1949, forging a long and valuable musical friendship, as seen through the parallels in these works by both composers, performed by Pi-Hsien-Chen & Ian Pace.

John Cage's "Empty Words" (1974) is drawn from the Journals of Henry David Thoreau, written in four parts: Part I omits sentences, Part II omits phrases, and Part III omits words. Part IV, which omits syllables, leaves us nothing but a virtual lullaby of letters and sounds.

The full two-hour performance of Cornelius Cardew's entire 193-page legendary Treatise graphic score, performed at Iklectik in London, England on January 28, 2017 in an 11-member ensemble of some of London's most interesting improvisers including participants in Scratch Orchestra, in a double CD release with liner notes by AMM founder Eddie Prevost.

A collection of Feldman compositions primarily for piano as recorded by his earliest interpreters: Cornelius Cardew, John Tilbury, David Tutor, Cantilene Chamber Players, and Feldman himself.

A first encounter between Swiss drummer Fritz Hauser and Portuguese marimba master Pedro Carneiro, the title translating roughly to "step of two", implying a dance heard in elusively minimal yet highly active interactions between the two, each progressively numbered work borrowing from improvisational and contemporary approaches; fascinatingly sophisticated and often joyful work.

Alternating between classical and electric guitars, Pascal Landry and Francois Paquet use a non-traditional broadcast system where the signal from their electric guitars is sent through materials selected by the musicians, creating unique tones and timbres, and providing an interesting visual aspect to their dialogs, captured here in the studio in Beauport, Quebec in 2021.

A collection of works from pianist & composer Dante Boon in diverse duos and virtual duo compositions that reflect on John Cage's "inner clock" concept from "Two2", each of Boon's compositions directing the players through systems of notation and counting unique to each player, varying the rules of how the two players eventually synchronize their performances.

Influenced by the New York School of composers (Cage, Feldman, &c.), composer Paul Paccione revisits and revises five of his compositions written 40 years prior, performed by a 10-piece configuration of London's Apartment House; beautifully contemplative pieces linked together through common threads, the momentum of individual moments absorbed by the presence of the larger work.