Four strings, voice and trombone make up the multinational collective quintet of Davide Piersanti (trombone), Hui-Chun Lin (cello and voice), Sergio Andres Castrillon Arcila (cello), Ulf Mengersen (bass), and Klaus Kurvers (bass) who are captured live at "t-berlin" in 2016 for a set of inventive and active cooperative conversations named for Greek letters.
Autochthon refers to indigenous language or people, tied to their land; here the trio of Hartmut Osswald (reeds & things), Stefan Scheib (prepared double bass) and Wolfgang Schliemann (drums and objects) perform a native language of their own through improvisation in this interesting concert at Freejazz Festiva in, Saarbrucken, Germany in 2016.
Four fascinating compositions by Pascale Criton exploring microtonalities on instruments tuned in 1/16th tone (violin, viola, guitar) based on gestural processes developed in close collaboration with the musicians: one duo with Silvia Tarozzi and Deborah Walker, one solo piece with Deborah Walker, and two pieces performed by Dedalus Ensemble.
Duo recordings of New York multi-reedist and band leader Chris Speed, playing on tenor saxophone and clarinet, and Italian drummer/percussionist Zeno de Rossi, a great set of free improvisations and one rendering of Paul Motian's "Abacus", a great collection of conversations that are unhurried, lyrically oriented, and wonderfully sophisticated.
NY Composer and Zs founder Alex Mincek's first release since 2011 also launches Sound American's Young Composer Portrait series, presenting 4 chamber works--"Pendulum VII"; selected movements from "Harmonielehre"; "Pneuma"; and "Torrent"--performed by Wet Ink Ensemble, Mivos Quartet, and Yarn/Wire, in a deluxe hardcover book package with interviews and notes.
A Chicago trio that blends jazzrock, noise and experimental approaches to free improvisation, from drummer Ben Billington (Tiger Hatchery), guitarist Daniel Wyche (US Maple, Invisible Things), and guitarist Mark Shippy (US Maple, Invisible Things), an upbeat and unflagging display of sound in three recordings that lace a consistently controlled chaos.
Freely improvised music from the masterful duo of Canadian saxophonist Fracois Carrier and drummer/percussionist Michel Lambert, performing live at Ryan's Bar in Stoke Newington, London in 2015, seven tracks showing the depth of discussion between these two long collaborating musicians, supporting and pushing each other to great heights.
Olympia, WA based (but always on tour) saxophonist Arrington De Dionyso (Old Time Relijun, Malaikat dan Singa) and Los Angeles based percussionist Ted Byrnes (Sissy Spacek, LAFMS), in an unabating album of assertive free improvisation that borrows on Dionyso's interest in Indonesian trance music as Byrnes uses an unusual set of percussive accents over heavy drums.
A double CD with five beautiful pieces that engage with the work of the extraordinary French-Swiss poet Gustave Roud, with performers including Dante Boon, Stefan Thut, Andrew McIntosh and Jurg Frey himself, 10 compositions that Frey wrote in the manner that Roud would, roaming with a sketchbook and developing the pieces based on impressions of his surroundings.
After his duo release with John Stevens, Norwegian saxophonist continues his series of partnerships by joining with saxophonist Sabir Matten for an album recorded in New York City, 10 improvisation that show how their complementary style propel each into unique territory of intertwining, propulsive, and creative playing.
Coordinated and composed by d'incise and Cyril Bondi, this incredible Swiss-based collective of 30 to 40 experimental musicians was founded in 2010 and has presented concerts and recordings since; this CD presents two works, "13 unissons" splitting the orchestra into 13 subgroups; and "27 times" where each musician plays 27 times in 30 minutes; phenomenal.
Japanese artist Yoshio Machida and Belgian artist Constantin Papageorgiadis recorded these 12 tracks on an EMS Synthi 100 keyboard, a modular analogue/digital hybrid synth designed in 1971 of which 31 were constructed, this one being on loan from Gent University in Belgium, here manipulated without keyboards to create these rich electronic "Generations" and "Experiments".
Astral Spirits first CD release comes with a pair of 3D glasses, to allow the listener to view Mazurek's 3D lithographs that cover this album of piccolo trumpet explorations with electronics, voice and percussion, a deeply personal and spiritual album from the Chicago trumpeter, released in conjunction with Mazurek's art opening "Constellation Scores" at URDLA in France.
Recorded in Istanbul, Turkey, guitarist Thurston Moore teams up with Konstrukt guitarist Umut Caglar to record these three rich and twisting pieces, each guitarist extracting unique performances from the other over three pieces that draw on technique and effects to create fragile and heavy sonic environments, an impressive album of modern guitar potential.
Live recordings from Pollat-Pavillion in Munich, Germany in 2015 from this seriously fun spontaneous collective improvising trio of Udo Schindler on reeds, cornet, euphonium, and monophonic analogue synthesizer, Philipp Kolb on trumpet, tuba and live electronics, and Sebastiano Tramontana on trombone, voice and whistling; expect the unexpected!
Out of Stock Reordered on 3/30/2018 Reordered on 3/30/2018
Perigree: when the moon is closest to the earth: this unique album of free improvisation joins world traveling percussionist Tatsuya Nakatani, guitarist Makoto Kawabata (Acid Mothers Temple, Mainliner, etc) and cellist Henna Chou in an album of mystical sound, from bowing percussion, long string tones, muted riffs and disquieting rhythm; consummate and cathartic.
Japanese steelpan player Yoshio Machida leads this pan-national pop band in their second album, blending electronics and popular forms of music referencing and using electronic and acoustic rock, funk, synthpop, and spoken word, with the majority of the band Serbian artists, and guest musicians including Tatsuhisa Yamamoto (Jim O'Rourke), Paranel, and Misha.
A live recording from Kongsberg Jazzfestival in 2017 between frequent collaborators, Norwegian improviser Frode Gjerstad on reeds and Chicago improviser Fred Lonberg-Holm on cello and electronics, their second FMR album as a duo, alongside their work in the Cello Quartet and VCDC, showing the progression of their dynamic and fascinating dialog.
Recordings from the Glasgow Improvisers Orchestra Festival in Scotland recorded in 2013 & 2015, the 20+ piece orchestra blending acoustic, electronic and vocal instruments into incredibly diverse and rich compositions, here presenting "A Peculiar Slumber" I & II, and the impressive and large work "A Bit in the Air", both exploring words and loss of control.
An amazing example of extremely detailed collective free improvisation from the trio of Szilard Mezei on viola, Tim Trevor-Briscoe on alto & tenor saxophone, soprano clarinet, and bass clarinet, and Nicola Guazzaloca on piano, Mezei's strings adding a rapid-scatter of expressive playing, as the trio pitches forward and lays back for lyrical moments; astonishing!
The peforming duo of Tokyo pianist Yoko Miura on conventional piano, toy piano and melodica, and free improvising vocalist Jean-Michel Van Schouwburg are recorded in the studio for 14 succinct and unusual improvisations, Fou Records leader Jean-Marc Foussat recording the affair and providing electronics on one track; wonderfully weird and informed.
The quirky acoustic trio of German improvisers Udo Schindler on clarinet, saxophone, cornet, and Euphonium, Johannes Ollinger on acoustic guitar and toys, and Dine Doneff on double bass, waterphone, and toys, the odd instrumentation adding surprising textures and disorienting angles to really fine dialog, technically, melodically, and eccentrically.
London Jazz Composers Orchestra trombonist Alan Tomlinson, performing on tenor and alto trombone, with his trio of Dave Tucker on guitar and Phillip Marks on percussion, are caught live in Birmingham, Lancaster, London, and during the Harwich Festival, from 2009-16, demonstrating the strong rapport and exciting dialog these players have developed over years performing together.
Actually four quartet improvisations and two duets, London creative improvisers Peter Urpeth on piano, Olie Brice on bass, Terry Day on drums and Ntshuks Bonga on saxophone took to Cafe Oto in January, 2017, to record this excellent album of collective free improvisation drawing on decades of experience in an absorbing and engaging concert.
The fourth dance piece by Dutch/Spanish choreographer Ivan Perez to feature an original soundtrack by Rutger Zuydervelt (Machinefabriek), performed live on stage in Korzo in The Hague, and at Vondelpark in Amsterdam, the composer and coreographer developing a movement and sound 'vocabulary' to create a performance that mixes structured and improvised music.
Piiptsjilling is the duo of guitarist Romke Kleefstra and vocalists Mariska Baars & Jan Kleefstra, joined here by Rutger Zuydervelt, aka Machinefabriek, combining poetry with vocals, guitars and electronics in improvisational settings, creating rich sonic environments over which the voice guides the listener, speaking in one of the Germanic Frisian languages.
Chicago bassist Matthew Lux (Isotope 217, Exploding Star Orchestra) in an album of effusive and spiritual percussive grooves under electronic and acoustic leads, performed with Ben Lamar Gay on cornet, electronics and percussion, Mikel Patrick Avery on drums, percussion, mellotron and more, and Jayve Montgomery on various woodwinds, samples and percussion.
On the 30th anniversary of the Victo Festival Anthony Braxton took to the stage for a magnificent solo performance on the alto sax, performing 8 spontaneous compositions and an 8+ minute version of "Body and Soul", seamlessly crossing lyrical and complex approaches to the horn using his unique intervallic, trimbral and diagrammatic language, a stunning and embraceable accomplishment.
Trombonist Jeb Bishop and North Carolina-based Out & Gone Collective member, violist Dan Ruccia, after touring and performing with Eugene Chadbourne, Dan Lilley, and David Menestres, found their sound so compatible that they recorded this duo album using the languages of free jazz, chamber music, and extended improvisations to create something unexpected and rare.
Phil Minton started as a trumpeter and became one of free improv's most outside vocalists; Joelle Leandre is a double bassist who also performs free vocal improv; this is their first recorded collaboration, and it's an unusual and wonderful album of heavy tone improvisation, plucked and bowed, and a masterfully odd free association of vocalisation.