A tribute to one of the most significant figures in contemporary Polish music, minimalist composer Tomasz Sikorski, featuring music created at PRES between the 1960s and the early 2000s by Sikorski and his followers, including Esztenyi's Concerto for prepared piano and tape (1971).
An intense and dynamic album of unusual electroacoustic improvisation from the duo of Pascal Battus performing on rotating surfaces, styrofoam, paper, plastic objects, and microphones, and Dafne Vicente-Sandoval performing on bassoon, microphones and mixing board.
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The first collaboration between Oren Ambarchi, Kassel Jaeger and James Rushford presents two side-long recordings of slowly cycling electronics, distracted vocal mumbles and often unidentifiable field recordings, a layered and mesmerizing haze of obscured audio stratum.
Oren Ambarchi (guitar/drums), Stefano Pilia (guitar), and Massimo Pupill (bass) team up for an instrumental trip bridging post-rock, drone, and improvisation, a dark journey that draws the listener into increasingly muscular playing as the ferocity of the music builds.
The second Krokofant release from the trio of Tom Hasslan (guitars), Axel Skalstad (drums), and Jorgen Mathisen (saxophone), performing hard-edged improvised rock in the footsteps of Mahavishnu, Rypdal, Brotzmann, Henry Cow and King Crimson.
Percussionist Paul Lovens joins the Lok 03 trio of Alexander von Schlippenbach (piano), Aki Takase (piano), and DJ Illvibe (turntables) for the follow-up to their 2005 debut, here in an extended album of playfully unexpected improv from four masterful players.
Emphasizing the lyrical aspects of free jazz, the superb trio of Peter Brotzmann on alto & tenor sax and taragato, Fred Hopkins on bass, and Rashied Ali on drums, recorded this album in 1991, now remastered to bring this exceptional music back to the foreground.
Electronic composer Jean Schwarz in two large works composed in the Ina GRM's numerical composition studio exploring exaggerated amplification, inversion, transformation, and include tributes to Kenny Clarke and John Coltrane.
Guitarist Stephen O'Malley meets UK free improvising drummer Steve Noble in Philadelphia PA to record this mammoth duo of sound and drone guitar with active, deep drumming, a mesmerizing album of intense sound and rhythm.
The alternative dub steelpan trio of Yoshio Machida (steeldrums, voice, percussion, electronics), Tatus (bass, voice & electronics) and Norihide Saji (drums, laptop & electronics) for 10 tracks of embraceable tunes including a cover of Miles Davis "All Blues".
A sublime five-part suite commissioned by Chamber Music America, performed by Loren Stillman (sax), Fabian Almazan (piano), Ryan Ferreira (guitar), Linda Oh (bass), and Justin Brown drums), exploring the subliminal patterns hidden below apparent reality.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Free improvising saxophonist Simon Rose, on baritone and alto sax, meets composer/arranger Stefan Schultze on prepared piano for 11 exploratory works based around Schultze's "modules"--bits and pieces attached inside the piano--creating unusual platforms for free improvisation.
An album of tones and tonal environments from Barry Chabala and A.F. Jones, using guitars and effects to create slowly moving tones punctuated with unusual utterances of unknown origin; rich and curiously non-specific sound that lives in the back- and foreground.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
Howard Stelzer's 6th full-length solo album of composed cassette-tape music, using cassette recording made in New England, fed into a complex set of effect processors, to create a steadily enveloping deep-water/deep-space dive of rich, encompassing sound.