Fifty tracks, one minute and three seconds long each, of open circuit electronics miniatures from sound and noise artists Bryan Eubanks, an unusual suite that challenges the senses and expectations of a suite of sound.
Recordings from the CHOPPA Experimental Music Festival in Singapore, 2015, and the New Combo Jazz Club, Fukuoka Japan in 2014, from the free improvising sometimes ea-improvising trio of Yong Yandsen (sax), Darren Moore (drums) and Brian O'Reilly (contrabass & electronics).
Goh Lee Kwang performing on no-input mixer meets Julien Ottavi on TamTam, bass drum and a computer running Puredata and Apodio 10 for an album of electronic improvisation recorded in Kuala Lumpur, Malaysia, and Nantes, France, balancing aggressive and meditative sound.
Kare Kolberg was a pioneer of electroacoustic music in Norway, having written the first Norwegian work for computers in 1973; this CD presents works from 1969-2003 written for the Polish Radio Experimentral Studio, blending and expanding on concepts of concrete music.
A fascinating rendering of Ferrari's Tautology--everyday activities enacted in gesture, noises, words, &c.--used as a framework for a chamber work where the performers recorded their parts independently, which were then overlapped and played alongside Ferrari's tapes and narration.
An unusual release of drawings and coins - 98 tracks in 8 1/2 minutes, where each track is the sound of one or more coins dropping by the hand of sound artist Goh Lee Kwang, plus one track from Woody Sullender; the book has pencil drawings apparently inspired by the sound.
In 1754 violinist and theorist Giuseppe Tartini laid out a mathematical proof of a third tone's pitch as either the sum or difference of the other two articulated pitches, as investigated by Karolina Ossowska (violin), Mikolaj Palosz (cello) and Ralf Meinz (recording).
Anders Bryngelsson and Mattin make up Regler, a project of varying genres performed on rock instruments, following sets of rules to create conceptual sound works; Regler #4 deals with harsh noise walls, generating a 30 minute piece of thick, savage sound.
Electroacoustic composer Jocelyn Robert creates a field recording audio map of locations he's traveled to, to which he applys audio techniques equivalent to a geographer's scaling, removing, enhancing, and adding to a map, in the process creating a journey and a story.
Germany's Fragment Factory released this compilation to celebrate their 4th anniversary, with artists Joachim Montessuis, AMK, Aaron Dilloway, Philip Marshall, Krube., Michael Barthel, GX Jupitter-Larsen, Michael Muennich, Giuseppe Ielasi, Leif Elggren and Michael and Basil Esposito.
British guitarist Jon Attwood's Yellow6 solo project finds him performing on guitar, bass, electronics, and drum programming for a beautiful album of shoegaze rock with elements of minimalist, electronica, and ambient sound.
The Cactus Truck trio of John Dikeman on sax, Jasper Stadhouders on guitar and bass, and Onno Govaert on drums, performing live at the "Are you FREE? Music Festival in Slovakia, 2014 for two extended improvisations and a succinct closer; rugged yet sophisticated free improv.
A sublime five-part suite commissioned by Chamber Music America, performed by Loren Stillman (sax), Fabian Almazan (piano), Ryan Ferreira (guitar), Linda Oh (bass), and Justin Brown drums), exploring the subliminal patterns hidden below apparent reality.
Ominous free jazz from the quartet of Boris Hauf (baritone sax), Martin Siewert (guitar), Christian Weber (electric bass) and Steve Heather (drums), thick and tremendously informed improv with a rock-tilted ear toward the sonic aspects of their instruments.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
A compendium of compositions and improvisations from 2009-13 by undersea acoustician and audio engineer A.F. Jones, who uses stringed instruments and analog devices, hand-crafted and found, in works that emphasize structural components such as timbre, tone, or attack over form.
Anthony Pateras & Valerio Tricoli worked 7 years transforming pianos, organs, harpsichords, tape machines and synthesizers into an expansive sonic otherworld that celebrates the "End of Times" in three parts; a meticulous and fascinating work.
With the stellar lineup of Landon Knoblock (keyboards), Oscar Noriega (sax) and Jeff Davis (drums), the NYC futurist jazz trio CACAW blends avant-jazz and synth rock in exhilarating and unorthodox ways on this impressive debut release.
"Recorded live at Vancouver's Western Front in 1990, this solo recording by bassist extraordinaire Barre Phillips is a set of improvisations. They explore not only Mr. Phillips' more than considerable abilities as a musician, but the li...
Using multiphonics, percussive effects, circular breathing and other extended approaches to the contrabass flute, composer/performer/improviser Robert Dick releases a mesmerizing album of improvisations, breaking new terrain by letting the largest of flutes lead his muse.
Doc Chad's mysterious Eddie Chatterbox project, presenting tributes to master musicians he's had the opportunity to work with, this album including music from drummer Ed Cassidy, saxophonist Walter Malli, drummer Sunny Murray, bassist Peter Kowald, and throughout, guitarist Derek Bailey.
A great collection of original Doc Chad songs and cover versions, including songs by Yusef Islam, Lowell George, Country Joe McDonald, Marty Balin, Terry Kirkman, and Don Van Vliet, performed solo and on guitar, banjo, dobro, turntables & cassettes, with Rogier Smal on drums.