Chicago clarinetist James Falzone leads a sextet of reeds with Ken Vandermark, Ben Goldberg, Keefe Jackson, Ned Rothenberg, & Jason Stein in a set of 14 intelligent compositions joining minimalism, classical inferences and jazz with asymmetrical parts using both structure and freedom.
Compositions by Lasse-Marc Riek of the Gruenrekorder label, created from field recordings of sounds in harbors, recorded between 1999 & 2007 in Finland's Bjorkoby and Ostero harbors, and in Germany in Wismar and Hamburg harbors, rich evocations of the sea.
Five original compositions and a great rendering of "Lush Life" from British pianist Howard Riley performing solo at the Jazz Jungtys Festival in Kaunas, 2012, brilliant and focused playing showing his masterful skills deeply steeped in tradition and freedom.
Two passionate studio improvisations from saxophonist Matana Roberts, who lovingly dedicates the album to "those bard(s) of summer...the ideas herein of which I gleaned/interrogated/investigated/celebrated with you..."; subtle, rich, and inspiring.
A cohesive work of processed bass, field recordings, and feedback developed during the tour of Klaus Janek and Claudio Rocchetti through China, Hong Kong and Malaysia, at times adding Li Zenghui, Yan Jun, Stephen Roach, Feng Hao, Liu Xinyu, Torturing Nurse and Sin:Ned.
CalArts Chamber Ensemble performs this large work from composer David Ronsemboom, a whispered chamber opera/concerto grosso for six instrumentalists, whispering voices, electronics and interactive computer software.
Presenting 3 CDs, a DVD, and a solid 80-page book of images and text, capturing 3 nights at Cafe Oto from the trio of Evan Parker (tenor sax), John Edwards (double bass), and Eddie Prevost (drums), joined one night by Alexander v. Schlippenbach, and another night by Christof Thewes.
A bass-less collaborative trio consisting of three forward-moving, attacking players--Peter Van Huffel (reeds); Oliver Steidle-drums; Andreas Willer-guitars & bass--in a mix of modern jazz compositions and the intuitive process of spontaneous musical creation.
"Fredrik Soegaard successfully applies modern technology to sound to create new methods of interactive composing. He calls his trio the Soegaard Ensemble, an apt description as it bears Soegaard's stamp throughout and also gives the imp...
"Relying on twisted, distorted, and primitive sounds, trumpeter Natsuki Tamura blows alone on this unusual recording. With a nod to fellow trumpeters Herb Robertson and Lester Bowie, Tamura -- the spouse of new-music pianist Satoko Fuji...
First album by French rock band Ghost Rhythms's keyboardist and co-composer Camille Petit, orchestral instrumental rock with a progressive rock feel, latin rhythmic influences and strong melodic tendencies, performed by a large ensemble to create an embraceable blend of music.
The free improvising trio of John Dikeman on sax, Jon Rune Strom on bass, and Tollef Ostvang on drums, invites Joe McPhee on pocket trumpet and alto sax for a release of rugged free improv using unorthodox approaches and amazing dexterity in their playing.
In celebration of his 60th birthday Zorn asked his most acclaimed vocal collaborators to write lyrics to select compositions from his vast musical catalog, first released as a 7" box set, and now here in red velvet covered CD package from a live performance in NYC, 2015.
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Zu reveals their dark side with Jacopo Battaglia & Thomas Luca Mai performing on electronics and Massimo focused on guitars, plus guest Luca Tilli on cello; the recordings were sent to Oxbow's Eugene S Robison, resulting in this mysterious and disturbing release.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
After their "Live in Russia" volumes, eloquent French Canadian saxophonist and creative drummer Michel Lambert present 9 new improvisations recorded at Resonance studios in their home town of Montreal, a tremendous dialog between these two free yet lyrical players.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Pianist Myra Melford joins frequent collaborators, double bassist Joelle Leandre and flutist Nicole Mitchell, in a live performance at Galerie Zurcher, in Paris in 2016, for a set of spontaneous improvisations with a warm chamber jazz feeling of masterful dialog.