On the cover: Demdike Stare; Heatsick+Helm; Robert Beatty; Laraaji; Maria Chavez; Kurt Gottschalk's Invisible Blindfold with Maria Chavez; Savage Pencil on Lou Reed; Esmerine; Dot Wiggin; Joe McPhee; &c. &c!
New York-based trumpeter Nate Wooley and London-based saxophonist Seymour Wright in a series of 9 duos using the fringes of their instruments in exploratory and introspective dialog of great depth and intensity.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
2012 studio sessions recorded for BBC Radio 3 "Jazz on 3" from the trio of John Butcher (sax), John Edwards (bass) and Gino Robair (energised surfaces & synth), slowly unfolding dialogs using extended techniques and a focus on textural playing.
Thematic improvisation from this Scandinavian trio in an eclectic mix of improvised music, experiemental yet melodic music blending acoustic and electronic instrumentation from Daniel Rorke (sax & laptop), Rune Nergaard (bass) and Tomas Jarmry (drums).
A Scandinavian quartet drawing influence from the music of the Japanese shakuhachi, contemporary electronica, Scandinavian folk music, both European and American jazz traditions as well as tonal, atonal and microtonal composition.
The sixth studio album from the trio of Mats Gustafsson (saxophones), Ingebrigt Haker Flaten (electric bass), and Paal Nilssen-Love (drums), the first release on their own label, a record that transforms rock, noise, and improv in intense and exultant ways.
An album of solo percussion from authoritative European improvising percussionist Gunter "Baby" Sommer, 9 works of exhilarating rhythms performed on drums, tubular bells, hang, gongs, xylophone, an array of unusual percussion instruments, plus his voice.
Israeli saxophonist Tom Soloveitzik, Turkish electronics player Korhan Erel (Islak Kopek), and US cellist Kevin Davis in an international dialog of rich and sonically charged electroacoustic improvisation.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
A collection of 8 synth-driven ambient cosmic voyages from Romannis Motte using Roland JX8P, Roland RS-5, Alexis QS7, Alexis Micron, Korg PE1000, Crumar DS-2, iPad running NanoStudio, Korg iMS20, 0-iPolySix, Access Virus A.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Pianist Myra Melford joins frequent collaborators, double bassist Joelle Leandre and flutist Nicole Mitchell, in a live performance at Galerie Zurcher, in Paris in 2016, for a set of spontaneous improvisations with a warm chamber jazz feeling of masterful dialog.