The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).
British saxophonist Simon Rose uses extended and evocative techniques in this exceptional set of duos with Paul Stapleton, who plays a Bonsai Sound Sculpture, an assemblage of unusual electronic and acoustic components allowing a wide range of expression.
1987 recordings from tenor saxophonist Glenn Spearman (Emergency) with Lisle Ellis on bass, Donal Robinson on trap drums, and James Routhier on electric guitar, creative avant jazz with a unique drive and determination.
A work for eight glockenspiels and organ, a beautiful percussive work in the vein of Reich and Glass that creates hallucinatory illusions in sound as the piece progresses, testing "the science of attention and the counterpoint of daydreams".
Originally a side-project of douBt, this new electric jazz/rock trio is led by Tony Bianco (drums and loops), Michel Delville (guitar, bouzouki and live effects), and Belgian saxophonist, clarinetist and flutist Jordi Grognard.
Live recordings from 2012 & 2015 by German pianist Uwe Oberg performing a mix of original compositions and work by Monk, Bley, Lacy, & A. Peacock, balancing melodic and exploratory playing with passionate conviction backed by masterly skills and impeccable pacing.
Acoustic instruments and feedback devices in old stone spaces, rich multi-layered music recorded during a residency in the Czech Republic by the trio of George Cremaschi (double bass and electronics), Irene Kepl (violin and electronics) and Petr Vrba (trumpet, clarinet and electronics).
Pianist Nechusthan leads his powerful trio of bassist Ken Filiano & drummer Bob Meyers, plus clarinet legend Harold Rubin, in a Jackson Pollack-influenced action suite, 10 pieces of free improvisation following a larger structured process.
Using Gato Libre's music as the direction for his first solo album since 2004, trumpeter Natsuki Tamura releases an album of powerful and personal playing with a surreal flow of ideas, impish humor, and restrained joy.
Connecticut bassist and Braxton alumni Carl Testa works with live sampling and granular synthesis performance systems to interact with his acoustic bass, creating these unusual and uniquely unfolding works for solo bass.
TLASILA was an experimental music collective founded in 1990 by composer Tom Smith; this 3 CD + download releases finds a massive cast of artists restructuring the improvisations from the "Noon and Eternity" album into a massive 240 minute work.