Free playing recorded live in Denver, CO & Brooklyn, NY from the NY duo of electric guitarist Adam Caine and drummer/percussionist Federico Ughi, dynamic dialog borrowing from jazz, rock, and modern electronics.
The third album by Sao Paulo Underground mixing jazz and electronics by the group of Mauricio Takara (percussion), Rob Mazurek (cornet & electronics), Guilherme Grando (keys), and Richard Ribeiro (drums).
An improvised concert at Les Instantes Chavires near Paris in 2011, the last outing of the duo of saxophonist Lol Coxhill and trumpter Michel Doneda, two fine improvisers at the top of their respective abilities.
The first spoken word LP by author, music journalist, poet, and head of Ecstatic Yod Records, Byron Coley, talking about underground cultural history in verse on Side A, and reading from his forthcoming novel, "Dominoes" on the B Side.
Boston guitarist Jeff Platz brought long-time partners Kit Demos (bass) & John McLellan (drums & electronis) into the studio with Italian saxophonist Fabio Delvo to record this angular and rewarding set of swinging free improvs, including a nod to Bill Burroughs.
1999 collaboration between DJ Spooky and the Freight Elevator Quartet takes electronic aural recontestualization and cultural commentary and mixes it with electroacoustic improvisation and digital savoir faire.
A sublime five-part suite commissioned by Chamber Music America, performed by Loren Stillman (sax), Fabian Almazan (piano), Ryan Ferreira (guitar), Linda Oh (bass), and Justin Brown drums), exploring the subliminal patterns hidden below apparent reality.
Guitarist Marc Ducret expands his trio of bassist Bruno Chevillon and drummer Eric Echampard with saxophonist Christophe Monniot, trumpeter Frabrice Martinez, and trombonist Samuel Blaser for a tour de force of dynamic and quickly shifting improv that both shreds and reflects.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Free improvising saxophonist Simon Rose, on baritone and alto sax, meets composer/arranger Stefan Schultze on prepared piano for 11 exploratory works based around Schultze's "modules"--bits and pieces attached inside the piano--creating unusual platforms for free improvisation.
An album of tones and tonal environments from Barry Chabala and A.F. Jones, using guitars and effects to create slowly moving tones punctuated with unusual utterances of unknown origin; rich and curiously non-specific sound that lives in the back- and foreground.