Released along with "Canada Day Octet", this new release presents drummer Eisenstadt's quintet with Nate Wooley (trumpet), Matt Bauder (sax), Chris Dingman (vibes) and Garth Stevenson (bass) in an album of great tunes and spirited playing.
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Electroacoustic landscape composer Michel Redolfi in a work for Synclavier digital synthesizer recorded between 1979 & 1980, attempting to musically translate his research on underwater sound in the Pacific, from the movement of rolling waves to its depths.
Captured during a Japan tour by the duo of Tim Olive (one-string electric guitar) and Alfredo Costa Monteiro (electro-acoustic devices), this live studio recording showcases the duo's attunement and dramatic sense of structure.
Part of The Jazz Institute's "Made in Chicago" series, Reed's band extended to 8 pieces with 6 horn players including original 50's Chicago players, performing these 8 pieces live in 2008 at The Millenium Park.
Craig Hilton (guzheng, laptop) and Tomas Phillips (laptop) take a studio recording for solo guzheng and both add layers to and dismantle the piece using a series of low frequencies and isolated microsounds.
The Italian improvising music unit Jealousy Party, known for their spontaneous use of self-recycling through playback devices, is joined by Berlin-based artist and composer Nicolas Wiese in this studio recording.
A collection of compositions from drummer/composer Federico Ughi dedicated to the four cities where he's lived: Rome, London, Montreal and New York, performed in a quartet with Darius Jones (sax), Eri Yamamoto (piano) and Ed Schuller (bass).
A collection of performances by Diego Chamy (dance), improvising in duo with Tamara Ben-Artzi (dance), Axel Dorner (trumpet), Nikolaus Gerszewski (piano and guitar), Robin Hayward (tuba) & Christof Kurzmann (electronics).
Taking their name from composer Guillaume de Machaut, Quentin Biardeau directs his saxophone quartet as they reinterpret his 1365 polyphonic mass "Messe de Nostre Dame", using the resonance of the the Abbey of Noirlac, France to enhance these beautifully paced compositions.
Four recent pieces by Berlin-based instrumentalist, composer and improviser, Lucio Capece, all focusing on the process of listening, one performed by Konzert Minimal, the other solo performances including a work for hanging speakers and helium balloons.
Guitarist Marc Ducret expands his trio of bassist Bruno Chevillon and drummer Eric Echampard with saxophonist Christophe Monniot, trumpeter Frabrice Martinez, and trombonist Samuel Blaser for a tour de force of dynamic and quickly shifting improv that both shreds and reflects.
Live recordings at the 2014 Vancouver International Jazz Festival from drummer Harris Eisenstadt's excellent and lyrical Golden State chamber jazz ensemble, here as a quartet with Michael Moore on clarinet, Sara Schoenbeck on bassoon, and Mark Dresser on bass.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
German pianist and Euro Free Jazz stalwart Georg Graewe in his first solo release in more than a decade, a remarkable set of succinct compositions balancing astonishing technical skills with beautifully expressive playing, presented in several series of "stills" and "stories".
Saxophonist Junji Hirose met Kazuhisa Uchihashi at Foxhole in Kichijoji in 2014 and 2015, Uchihashi performing only on Hans Reichel's daxophone--wood shapes played in a variety of ways to create unusual sound--as heard on these 10 surprising and wonderfully idiosyncratic recordings.
The trio of New Zealand saxophonist Lucien Johnson, living in Paris, with the rhythm section of Alan Silva on double bass and Makoto Sato on drums for an expressive album of free jazz with inventive counterpoint and soulful playing in the Ayler tradition.
Pianist Jeff Kowalkowski is a long-standing fixture on the Chicago creative jazz scene; here he is joined by veterans of the Association for the Advancement of Creative Musicians, drummer Avreeayl Ra and bassist Harrison Bankhead for an inventive album of free improv.
Two live sets of exemplary improvisation: the first revelatory encounter of pianist Sebastian Lexer and drummer/percussionist Steve Noble from 2011, and a more considered and spacious meeting in 2014, both from London's Cafe OTO.
With 23 minutes of additional music, this reissues and painstakingly restores the original masters from this 1978 Ogun release featuring Chris McGregor's UK/South African band with Mike Osborne, Dudu Pukwana, Louis Moholo, Evan Parker, &c.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
The debut album as a leader from NY saxophonist Chris Pitsiokos, providing all compositions for his trio with Max Johns on bass and Kevin Shea on drums & percussion, presenting sinewy and wonderfully convoluted free jazz with unexpected twists and techniques.
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
Free improvising saxophonist Simon Rose, on baritone and alto sax, meets composer/arranger Stefan Schultze on prepared piano for 11 exploratory works based around Schultze's "modules"--bits and pieces attached inside the piano--creating unusual platforms for free improvisation.
An album of tones and tonal environments from Barry Chabala and A.F. Jones, using guitars and effects to create slowly moving tones punctuated with unusual utterances of unknown origin; rich and curiously non-specific sound that lives in the back- and foreground.
During legendary UK free improvising drummer Roger Turner's 2015 tour of Japan he met with guitarist Otomo Yoshihide and pianist Satoh Masahiko to record this monumental and astounding 66 minute improvisation at Fukaya City's Hall Egg Farm.
European Free improvising legend Fred Van Hove performing on piano and accordion with two bassists--fellow Belgian Peter Jacquemyn, and West Coast bassist Damon Smith--for an album of dizzying flights and growling bass turning convention on its side in sensational ways.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.